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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117.9 110.2 199 it is the complementary color RGB 137.1 144.8 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117.9 110.2 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117.9 110.2 199 shade: RGB 122.9 110.2 194, RGB 139.9 128.2 213, RGB 156.9 146.2 232, RGB 173.9 164.2 251 and RGB 190.9 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117.9 110.2 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117.9 110.2 199 shade: RGB 117.9 110.2 199, RGB 100.9 92.2 180, RGB 83.9 74.2 161, RGB 66.9 56.2 142 and RGB 49.9 38.2 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117.9 110.2 199 shade: RGB 119 112 199, RGB 143 112 199, RGB 167 112 199, RGB 190 112 199 and RGB 199 112 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117.9 110.2 199 shade: RGB 119 112 199 and RGB 112 112 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117.9 110.2 199 shade matches the following richer shades: RGB 119 112 199, RGB 106 96 215, RGB 93 80 231 and RGB 79 64 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117.9 110.2 199 shade: RGB 119 112 199, RGB 133 128 183, RGB 146 144 167, RGB 159 160 151 and RGB 173 176 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117.9 110.2 199 shade: RGB 112 151 199, RGB 112 128 199, RGB 119 112 199, RGB 142 112 199 and RGB 166 112 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117.9 110.2 199 shade: RGB 73 64 165, RGB 91 82 188, RGB 119 112 199, RGB 148 141 211 and RGB 176 171 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117.9 110.2 199 shade: RGB 117.9 110.2 199, RGB 199 112 175 and RGB 140 199 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117.9 110.2 199 shade: RGB 117.9 110.2 199, RGB 199 119 112 and RGB 112 199 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117.9 110.2 199 shade: RGB 117.9 110.2 199, RGB 199 112 175, RGB 192 199 112 and RGB 112 199 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117.9 110.2 199 shade: RGB 117.9 110.2 199, RGB 199 112 148, RGB 192 199 112 and RGB 112 199 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 45 / 0 / 22

HEX #756EC7

RGB 117.9 110.2 199

HSL 245.2, 0.44%, 0.61%

LAB 50.88, 24.95, -45.41

 

Complementary color

CMYK 5 / 0 / 61 / 43

HEX #899038

RGB 137.1 144.8 56

HSL 65.2, 0.44%, 0.39%

LAB 57.85, -15.36, 44.95

 

CMYK 37 / 43 / 0 / 24

HEX #7A6EC2

RGB 122.9 110.2 194

HSL 249.09, 0.41%, 0.6%

LAB 51.03, 24.85, -42.28

 

CMYK 34 / 40 / 0 / 16

HEX #8B80D5

RGB 139.9 128.2 213

HSL 248.28, 0.5%, 0.67%

LAB 57.91, 23.96, -42.12

 

CMYK 32 / 37 / 0 / 9

HEX #9C92E8

RGB 156.9 146.2 232

HSL 247.48, 0.65%, 0.74%

LAB 64.65, 23.17, -42.01

 

CMYK 31 / 35 / 0 / 2

HEX #ADA4FB

RGB 173.9 164.2 251

HSL 246.71, 0.92%, 0.81%

LAB 71.27, 22.46, -41.95

 

CMYK 25 / 29 / 0 / 0

HEX #BEB6FF

RGB 190.9 182.2 255

HSL 247.17, 1%, 0.86%

LAB 77.17, 18.25, -34.82

 

CMYK 41 / 45 / 0 / 22

HEX #756EC7

RGB 117.9 110.2 199

HSL 245.2, 0.44%, 0.61%

LAB 50.88, 24.95, -45.41

 

CMYK 44 / 49 / 0 / 29

HEX #645CB4

RGB 100.9 92.2 180

HSL 245.95, 0.37%, 0.53%

LAB 43.87, 26.07, -45.66

 

CMYK 48 / 54 / 0 / 37

HEX #534AA1

RGB 83.9 74.2 161

HSL 246.71, 0.37%, 0.46%

LAB 36.7, 27.39, -45.97

 

CMYK 53 / 60 / 0 / 44

HEX #42388E

RGB 66.9 56.2 142

HSL 247.48, 0.43%, 0.39%

LAB 29.39, 28.95, -46.29

 

CMYK 59 / 69 / 0 / 52

HEX #31267B

RGB 49.9 38.2 123

HSL 248.28, 0.53%, 0.32%

LAB 21.96, 30.76, -46.55

 

CMYK 40 / 44 / 0 / 22

HEX #7770C7

RGB 119 112 199

HSL 244.83, 0.44%, 0.61%

LAB 51.42, 24.15, -44.54

 

CMYK 28 / 44 / 0 / 22

HEX #8F70C7

RGB 143 112 199

HSL 261.38, 0.44%, 0.61%

LAB 53.55, 30.65, -41.04

 

CMYK 16 / 44 / 0 / 22

HEX #A770C7

RGB 167 112 199

HSL 277.93, 0.44%, 0.61%

LAB 56.01, 37.57, -36.99

 

CMYK 5 / 44 / 0 / 22

HEX #BE70C7

RGB 190 112 199

HSL 293.79, 0.44%, 0.61%

LAB 58.66, 44.39, -32.67

 

CMYK 0 / 44 / 7 / 22

HEX #C770B9

RGB 199 112 185

HSL 309.66, 0.44%, 0.61%

LAB 59.19, 44.59, -23.78

 

CMYK 40 / 44 / 0 / 22

HEX #7770C7

RGB 119 112 199

HSL 244.83, 0.44%, 0.61%

LAB 51.42, 24.15, -44.54

 

CMYK 44 / 44 / 0 / 22

HEX #7070C7

RGB 112 112 199

HSL 240, 0.44%, 0.61%

LAB 50.87, 22.37, -45.45

 

CMYK 40 / 44 / 0 / 22

HEX #7770C7

RGB 119 112 199

HSL 244.83, 0.44%, 0.61%

LAB 51.42, 24.15, -44.54

 

CMYK 51 / 55 / 0 / 16

HEX #6A60D7

RGB 106 96 215

HSL 245.04, 0.6%, 0.61%

LAB 47.41, 35.48, -60.15

 

CMYK 60 / 65 / 0 / 9

HEX #5D50E7

RGB 93 80 231

HSL 245.17, 0.76%, 0.61%

LAB 43.99, 47.5, -74.84

 

CMYK 68 / 74 / 0 / 3

HEX #4F40F8

RGB 79 64 248

HSL 244.89, 0.93%, 0.61%

LAB 41.38, 59.65, -88.75

 

CMYK 40 / 44 / 0 / 22

HEX #7770C7

RGB 119 112 199

HSL 244.83, 0.44%, 0.61%

LAB 51.42, 24.15, -44.54

 

CMYK 27 / 30 / 0 / 28

HEX #8580B7

RGB 133 128 183

HSL 245.45, 0.28%, 0.61%

LAB 55.93, 14.27, -28.23

 

CMYK 13 / 14 / 0 / 35

HEX #9290A7

RGB 146 144 167

HSL 245.22, 0.12%, 0.61%

LAB 60.65, 5.47, -11.81

 

CMYK 1 / 0 / 6 / 37

HEX #9FA097

RGB 159 160 151

HSL 66.67, 0.05%, 0.61%

LAB 65.55, -2.04, 4.55

 

CMYK 2 / 0 / 23 / 31

HEX #ADB087

RGB 173 176 135

HSL 64.39, 0.21%, 0.61%

LAB 70.65, -7.99, 20.71

 

CMYK 44 / 24 / 0 / 22

HEX #7097C7

RGB 112 151 199

HSL 213.1, 0.44%, 0.61%

LAB 61.4, -0.68, -28.95

 

CMYK 44 / 36 / 0 / 22

HEX #7080C7

RGB 112 128 199

HSL 228.97, 0.44%, 0.61%

LAB 55.08, 12.74, -38.8

 

CMYK 40 / 44 / 0 / 22

HEX #7770C7

RGB 119 112 199

HSL 244.83, 0.44%, 0.61%

LAB 51.42, 24.15, -44.54

 

CMYK 29 / 44 / 0 / 22

HEX #8E70C7

RGB 142 112 199

HSL 260.69, 0.44%, 0.61%

LAB 53.45, 30.37, -41.2

 

CMYK 17 / 44 / 0 / 22

HEX #A670C7

RGB 166 112 199

HSL 277.24, 0.44%, 0.61%

LAB 55.91, 37.27, -37.17

 

CMYK 56 / 61 / 0 / 35

HEX #4940A5

RGB 73 64 165

HSL 245.35, 0.44%, 0.45%

LAB 33.56, 32.75, -53.49

 

CMYK 52 / 56 / 0 / 26

HEX #5B52BC

RGB 91 82 188

HSL 245.09, 0.44%, 0.53%

LAB 41.04, 32.55, -54.93

 

CMYK 40 / 44 / 0 / 22

HEX #7770C7

RGB 119 112 199

HSL 244.83, 0.44%, 0.61%

LAB 51.42, 24.15, -44.54

 

CMYK 30 / 33 / 0 / 17

HEX #948DD3

RGB 148 141 211

HSL 246, 0.44%, 0.69%

LAB 61.7, 18.27, -35.01

 

CMYK 21 / 23 / 0 / 13

HEX #B0ABDE

RGB 176 171 222

HSL 245.88, 0.44%, 0.77%

LAB 71.98, 12.35, -25.04

 

CMYK 41 / 45 / 0 / 22

HEX #756EC7

RGB 117.9 110.2 199

HSL 245.2, 0.44%, 0.61%

LAB 50.88, 24.95, -45.41

 

CMYK 0 / 44 / 12 / 22

HEX #C770AF

RGB 199 112 175

HSL 316.55, 0.44%, 0.61%

LAB 58.81, 42.89, -18.63

 

CMYK 30 / 0 / 44 / 22

HEX #8CC770

RGB 140 199 112

HSL 100.69, 0.44%, 0.61%

LAB 74.57, -34.87, 37.53

 

CMYK 41 / 45 / 0 / 22

HEX #756EC7

RGB 117.9 110.2 199

HSL 245.2, 0.44%, 0.61%

LAB 50.88, 24.95, -45.41

 

CMYK 0 / 40 / 44 / 22

HEX #C77770

RGB 199 119 112

HSL 4.83, 0.44%, 0.61%

LAB 58.51, 30.51, 17.3

 

CMYK 44 / 0 / 40 / 22

HEX #70C777

RGB 112 199 119

HSL 124.83, 0.44%, 0.61%

LAB 73.3, -42.85, 32.06

 

CMYK 41 / 45 / 0 / 22

HEX #756EC7

RGB 117.9 110.2 199

HSL 245.2, 0.44%, 0.61%

LAB 50.88, 24.95, -45.41

 

CMYK 0 / 44 / 12 / 22

HEX #C770AF

RGB 199 112 175

HSL 316.55, 0.44%, 0.61%

LAB 58.81, 42.89, -18.63

 

CMYK 4 / 0 / 44 / 22

HEX #C0C770

RGB 192 199 112

HSL 64.83, 0.44%, 0.61%

LAB 78.01, -15.25, 42.58

 

CMYK 44 / 0 / 31 / 22

HEX #70C789

RGB 112 199 137

HSL 137.24, 0.44%, 0.61%

LAB 73.61, -39.79, 23.07

 

CMYK 41 / 45 / 0 / 22

HEX #756EC7

RGB 117.9 110.2 199

HSL 245.2, 0.44%, 0.61%

LAB 50.88, 24.95, -45.41

 

CMYK 0 / 44 / 26 / 22

HEX #C77094

RGB 199 112 148

HSL 335.17, 0.44%, 0.61%

LAB 57.91, 38.74, -4.39

 

CMYK 4 / 0 / 44 / 22

HEX #C0C770

RGB 192 199 112

HSL 64.83, 0.44%, 0.61%

LAB 78.01, -15.25, 42.58

 

CMYK 44 / 0 / 18 / 22

HEX #70C7A3

RGB 112 199 163

HSL 155.17, 0.44%, 0.61%

LAB 74.15, -34.63, 9.92

 

Description

Color code: RGB 117.9 110.2 199 | qconv.com Color code: RGB 117.9 110.2 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117.9 red, 110.2 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117.9 110.2 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 45 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 45% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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