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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117.1 144.8 134 it is the complementary color RGB 137.9 110.2 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117.1 144.8 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117.1 144.8 134 shade: RGB 122.1 144.8 129, RGB 139.1 162.8 148, RGB 156.1 180.8 167, RGB 173.1 198.8 186 and RGB 190.1 216.8 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117.1 144.8 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117.1 144.8 134 shade: RGB 117.1 144.8 134, RGB 100.1 126.8 115, RGB 83.1 108.8 96, RGB 66.1 90.8 77 and RGB 49.1 72.8 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117.1 144.8 134 shade: RGB 116 144 133, RGB 116 144 126, RGB 116 144 118, RGB 122 144 116 and RGB 129 144 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117.1 144.8 134 shade: RGB 116 144 133, RGB 116 144 140, RGB 116 140 144, RGB 116 132 144 and RGB 116 125 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117.1 144.8 134 shade matches the following richer shades: RGB 116 144 133, RGB 96 164 138, RGB 76 184 142, RGB 56 204 146 and RGB 35 225 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117.1 144.8 134 shade: RGB 116 144 133, RGB 137 124 129, RGB 157 103 124, RGB 177 83 120 and RGB 197 63 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117.1 144.8 134 shade: RGB 116 144 118, RGB 116 144 125, RGB 116 144 133, RGB 116 144 140 and RGB 116 140 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117.1 144.8 134 shade: RGB 79 99 91, RGB 97 121 112, RGB 116 144 133, RGB 139 162 153 and RGB 162 181 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117.1 144.8 134 shade: RGB 117.1 144.8 134, RGB 116 122 144 and RGB 144 122 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117.1 144.8 134 shade: RGB 117.1 144.8 134, RGB 133 116 144 and RGB 144 133 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117.1 144.8 134 shade: RGB 117.1 144.8 134, RGB 116 122 144, RGB 144 116 127 and RGB 144 138 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117.1 144.8 134 shade: RGB 117.1 144.8 134, RGB 119 116 144, RGB 144 116 127 and RGB 141 144 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 7 / 43

HEX #759086

RGB 117.1 144.8 134

HSL 156.61, 0.11%, 0.51%

LAB 57.75, -12.08, 2.49

 

Complementary color

CMYK 0 / 20 / 12 / 46

HEX #896E79

RGB 137.9 110.2 121

HSL 336.61, 0.11%, 0.49%

LAB 49.46, 12.81, -1.82

 

CMYK 16 / 0 / 11 / 43

HEX #7A9081

RGB 122.1 144.8 129

HSL 138.24, 0.09%, 0.52%

LAB 57.96, -11.35, 5.69

 

CMYK 15 / 0 / 9 / 36

HEX #8BA294

RGB 139.1 162.8 148

HSL 142.53, 0.11%, 0.59%

LAB 64.77, -11.27, 4.92

 

CMYK 14 / 0 / 8 / 29

HEX #9CB4A7

RGB 156.1 180.8 167

HSL 146.48, 0.14%, 0.66%

LAB 71.44, -11.21, 4.18

 

CMYK 13 / 0 / 6 / 22

HEX #ADC6BA

RGB 173.1 198.8 186

HSL 150.12, 0.19%, 0.73%

LAB 77.99, -11.16, 3.48

 

CMYK 12 / 0 / 5 / 15

HEX #BED8CD

RGB 190.1 216.8 205

HSL 153.48, 0.26%, 0.8%

LAB 84.43, -11.13, 2.8

 

CMYK 19 / 0 / 7 / 43

HEX #759086

RGB 117.1 144.8 134

HSL 156.61, 0.11%, 0.51%

LAB 57.75, -12.08, 2.49

 

CMYK 21 / 0 / 9 / 50

HEX #647E73

RGB 100.1 126.8 115

HSL 153.48, 0.12%, 0.44%

LAB 50.78, -12.2, 3.25

 

CMYK 24 / 0 / 12 / 57

HEX #536C60

RGB 83.1 108.8 96

HSL 150.12, 0.13%, 0.38%

LAB 43.63, -12.37, 4.07

 

CMYK 27 / 0 / 15 / 64

HEX #425A4D

RGB 66.1 90.8 77

HSL 146.48, 0.16%, 0.31%

LAB 36.26, -12.57, 4.97

 

CMYK 33 / 0 / 20 / 71

HEX #31483A

RGB 49.1 72.8 58

HSL 142.53, 0.19%, 0.24%

LAB 28.64, -12.83, 5.97

 

CMYK 19 / 0 / 8 / 44

HEX #749085

RGB 116 144 133

HSL 156.43, 0.11%, 0.51%

LAB 57.42, -12.23, 2.57

 

CMYK 19 / 0 / 13 / 44

HEX #74907E

RGB 116 144 126

HSL 141.43, 0.11%, 0.51%

LAB 57.24, -13.68, 6.31

 

CMYK 19 / 0 / 18 / 44

HEX #749076

RGB 116 144 118

HSL 124.29, 0.11%, 0.51%

LAB 57.04, -15.26, 10.6

 

CMYK 15 / 0 / 19 / 44

HEX #7A9074

RGB 122 144 116

HSL 107.14, 0.11%, 0.51%

LAB 57.41, -13.43, 12.31

 

CMYK 10 / 0 / 19 / 44

HEX #819074

RGB 129 144 116

HSL 92.14, 0.11%, 0.51%

LAB 57.92, -10.79, 13.1

 

CMYK 19 / 0 / 8 / 44

HEX #749085

RGB 116 144 133

HSL 156.43, 0.11%, 0.51%

LAB 57.42, -12.23, 2.57

 

CMYK 19 / 0 / 3 / 44

HEX #74908C

RGB 116 144 140

HSL 171.43, 0.11%, 0.51%

LAB 57.61, -10.71, -1.15

 

CMYK 19 / 3 / 0 / 44

HEX #748C90

RGB 116 140 144

HSL 188.57, 0.11%, 0.51%

LAB 56.57, -7.6, -4.98

 

CMYK 19 / 8 / 0 / 44

HEX #748490

RGB 116 132 144

HSL 205.71, 0.11%, 0.51%

LAB 54.27, -3.09, -8.4

 

CMYK 19 / 13 / 0 / 44

HEX #747D90

RGB 116 125 144

HSL 220.71, 0.11%, 0.51%

LAB 52.28, 0.94, -11.38

 

CMYK 19 / 0 / 8 / 44

HEX #749085

RGB 116 144 133

HSL 156.43, 0.11%, 0.51%

LAB 57.42, -12.23, 2.57

 

CMYK 41 / 0 / 16 / 36

HEX #60A48A

RGB 96 164 138

HSL 157.06, 0.27%, 0.51%

LAB 62.4, -27.77, 6.78

 

CMYK 59 / 0 / 23 / 28

HEX #4CB88E

RGB 76 184 142

HSL 156.67, 0.43%, 0.51%

LAB 67.85, -41.05, 12.21

 

CMYK 73 / 0 / 28 / 20

HEX #38CC92

RGB 56 204 146

HSL 156.49, 0.59%, 0.51%

LAB 73.61, -51.94, 18.03

 

CMYK 84 / 0 / 33 / 12

HEX #23E197

RGB 35 225 151

HSL 156.63, 0.76%, 0.51%

LAB 79.86, -61.07, 23.95

 

CMYK 19 / 0 / 8 / 44

HEX #749085

RGB 116 144 133

HSL 156.43, 0.11%, 0.51%

LAB 57.42, -12.23, 2.57

 

CMYK 0 / 9 / 6 / 46

HEX #897C81

RGB 137 124 129

HSL 336.92, 0.05%, 0.51%

LAB 53.3, 5.9, -0.92

 

CMYK 0 / 34 / 21 / 38

HEX #9D677C

RGB 157 103 124

HSL 336.67, 0.22%, 0.51%

LAB 49.89, 24.82, -2.73

 

CMYK 0 / 53 / 32 / 31

HEX #B15378

RGB 177 83 120

HSL 336.38, 0.38%, 0.51%

LAB 48.12, 42.32, -2.63

 

CMYK 0 / 68 / 42 / 23

HEX #C53F73

RGB 197 63 115

HSL 336.72, 0.54%, 0.51%

LAB 47.83, 57.15, 0.36

 

CMYK 19 / 0 / 18 / 44

HEX #749076

RGB 116 144 118

HSL 124.29, 0.11%, 0.51%

LAB 57.04, -15.26, 10.6

 

CMYK 19 / 0 / 13 / 44

HEX #74907D

RGB 116 144 125

HSL 139.29, 0.11%, 0.51%

LAB 57.21, -13.89, 6.85

 

CMYK 19 / 0 / 8 / 44

HEX #749085

RGB 116 144 133

HSL 156.43, 0.11%, 0.51%

LAB 57.42, -12.23, 2.57

 

CMYK 19 / 0 / 3 / 44

HEX #74908C

RGB 116 144 140

HSL 171.43, 0.11%, 0.51%

LAB 57.61, -10.71, -1.15

 

CMYK 19 / 3 / 0 / 44

HEX #748C90

RGB 116 140 144

HSL 188.57, 0.11%, 0.51%

LAB 56.57, -7.6, -4.98

 

CMYK 20 / 0 / 8 / 61

HEX #4F635B

RGB 79 99 91

HSL 156, 0.11%, 0.35%

LAB 40.15, -9.38, 2.05

 

CMYK 20 / 0 / 7 / 53

HEX #617970

RGB 97 121 112

HSL 157.5, 0.11%, 0.43%

LAB 48.74, -10.73, 2.04

 

CMYK 19 / 0 / 8 / 44

HEX #749085

RGB 116 144 133

HSL 156.43, 0.11%, 0.51%

LAB 57.42, -12.23, 2.57

 

CMYK 14 / 0 / 6 / 36

HEX #8BA299

RGB 139 162 153

HSL 156.52, 0.11%, 0.59%

LAB 64.67, -9.87, 1.97

 

CMYK 10 / 0 / 4 / 29

HEX #A2B5AD

RGB 162 181 173

HSL 154.74, 0.11%, 0.67%

LAB 72.06, -8.12, 1.84

 

CMYK 19 / 0 / 7 / 43

HEX #759086

RGB 117.1 144.8 134

HSL 156.61, 0.11%, 0.51%

LAB 57.75, -12.08, 2.49

 

CMYK 19 / 15 / 0 / 44

HEX #747A90

RGB 116 122 144

HSL 227.14, 0.11%, 0.51%

LAB 51.43, 2.69, -12.66

 

CMYK 0 / 15 / 19 / 44

HEX #907A74

RGB 144 122 116

HSL 12.86, 0.11%, 0.51%

LAB 53.07, 7.48, 6.43

 

CMYK 19 / 0 / 7 / 43

HEX #759086

RGB 117.1 144.8 134

HSL 156.61, 0.11%, 0.51%

LAB 57.75, -12.08, 2.49

 

CMYK 8 / 19 / 0 / 44

HEX #857490

RGB 133 116 144

HSL 276.43, 0.11%, 0.51%

LAB 51.26, 12.14, -12.78

 

CMYK 0 / 8 / 19 / 44

HEX #908574

RGB 144 133 116

HSL 36.43, 0.11%, 0.51%

LAB 56.05, 1.19, 10.66

 

CMYK 19 / 0 / 7 / 43

HEX #759086

RGB 117.1 144.8 134

HSL 156.61, 0.11%, 0.51%

LAB 57.75, -12.08, 2.49

 

CMYK 19 / 15 / 0 / 44

HEX #747A90

RGB 116 122 144

HSL 227.14, 0.11%, 0.51%

LAB 51.43, 2.69, -12.66

 

CMYK 0 / 19 / 12 / 44

HEX #90747F

RGB 144 116 127

HSL 336.43, 0.11%, 0.51%

LAB 51.78, 12.85, -1.88

 

CMYK 0 / 4 / 19 / 44

HEX #908A74

RGB 144 138 116

HSL 47.14, 0.11%, 0.51%

LAB 57.43, -1.62, 12.6

 

CMYK 19 / 0 / 7 / 43

HEX #759086

RGB 117.1 144.8 134

HSL 156.61, 0.11%, 0.51%

LAB 57.75, -12.08, 2.49

 

CMYK 17 / 19 / 0 / 44

HEX #777490

RGB 119 116 144

HSL 246.43, 0.11%, 0.51%

LAB 50.01, 7.25, -14.79

 

CMYK 0 / 19 / 12 / 44

HEX #90747F

RGB 144 116 127

HSL 336.43, 0.11%, 0.51%

LAB 51.78, 12.85, -1.88

 

CMYK 2 / 0 / 19 / 44

HEX #8D9074

RGB 141 144 116

HSL 66.43, 0.11%, 0.51%

LAB 58.85, -6.13, 14.54

 

Description

Color code: RGB 117.1 144.8 134 | qconv.com Color code: RGB 117.1 144.8 134 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117.1 red, 144.8 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117.1 144.8 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 7 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 7% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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