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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 59 162 it is the complementary color RGB 139 196 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 59 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 59 162 shade: RGB 121 59 157, RGB 138 77 176, RGB 155 95 195, RGB 172 113 214 and RGB 189 131 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 59 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 59 162 shade: RGB 116 59 162, RGB 99 41 143, RGB 82 23 124, RGB 65 5 105 and RGB 48 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 59 162 shade: RGB 115 58 161, RGB 142 58 161, RGB 161 58 151, RGB 161 58 123 and RGB 161 58 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 59 162 shade: RGB 115 58 161, RGB 87 58 161, RGB 59 58 161 and RGB 58 58 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 59 162 shade matches the following richer shades: RGB 115 58 161, RGB 117 40 178, RGB 118 22 196 and RGB 120 4 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 59 162 shade: RGB 115 58 161, RGB 113 75 143, RGB 111 93 125, RGB 109 111 107 and RGB 107 129 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 59 162 shade: RGB 59 58 161, RGB 87 58 161, RGB 114 58 161, RGB 142 58 161 and RGB 161 58 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 59 162 shade: RGB 71 36 100, RGB 93 47 130, RGB 115 58 161, RGB 136 71 188 and RGB 156 101 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 59 162 shade: RGB 116 59 162, RGB 161 58 83 and RGB 58 161 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 59 162 shade: RGB 116 59 162, RGB 161 114 58 and RGB 58 161 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 59 162 shade: RGB 116 59 162, RGB 161 58 83, RGB 104 161 58 and RGB 58 161 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 59 162 shade: RGB 116 59 162, RGB 161 63 58, RGB 104 161 58 and RGB 58 156 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 64 / 0 / 36

HEX #743BA2

RGB 116 59 162

HSL 273.2, 0.47%, 0.43%

LAB 36.84, 44.18, -46.17

 

Complementary color

CMYK 29 / 0 / 53 / 23

HEX #8BC45D

RGB 139 196 93

HSL 93.2, 0.47%, 0.57%

LAB 73.39, -36.15, 45.41

 

CMYK 23 / 62 / 0 / 38

HEX #793B9D

RGB 121 59 157

HSL 277.96, 0.45%, 0.42%

LAB 37.16, 44.22, -42.59

 

CMYK 22 / 56 / 0 / 31

HEX #8A4DB0

RGB 138 77 176

HSL 276.97, 0.39%, 0.5%

LAB 44.01, 43.47, -42.86

 

CMYK 21 / 51 / 0 / 24

HEX #9B5FC3

RGB 155 95 195

HSL 276, 0.45%, 0.57%

LAB 50.8, 42.63, -43.02

 

CMYK 20 / 47 / 0 / 16

HEX #AC71D6

RGB 172 113 214

HSL 275.05, 0.55%, 0.64%

LAB 57.5, 41.77, -43.12

 

CMYK 19 / 44 / 0 / 9

HEX #BD83E9

RGB 189 131 233

HSL 274.12, 0.7%, 0.71%

LAB 64.11, 40.94, -43.21

 

CMYK 28 / 64 / 0 / 36

HEX #743BA2

RGB 116 59 162

HSL 273.2, 0.47%, 0.43%

LAB 36.84, 44.18, -46.17

 

CMYK 31 / 71 / 0 / 44

HEX #63298F

RGB 99 41 143

HSL 274.12, 0.55%, 0.36%

LAB 29.97, 44.77, -45.8

 

CMYK 34 / 81 / 0 / 51

HEX #52177C

RGB 82 23 124

HSL 275.05, 0.69%, 0.29%

LAB 23.21, 44.73, -44.98

 

CMYK 38 / 95 / 0 / 59

HEX #410569

RGB 65 5 105

HSL 276, 0.91%, 0.22%

LAB 16.76, 43.41, -43.36

 

CMYK 44 / 100 / 0 / 66

HEX #300056

RGB 48 0 86

HSL 273.49, 1%, 0.17%

LAB 11.28, 38.64, -39.77

 

CMYK 29 / 64 / 0 / 37

HEX #733AA1

RGB 115 58 161

HSL 273.2, 0.47%, 0.43%

LAB 36.45, 44.22, -46.19

 

CMYK 12 / 64 / 0 / 37

HEX #8E3AA1

RGB 142 58 161

HSL 288.93, 0.47%, 0.43%

LAB 40.16, 50.79, -40.04

 

CMYK 0 / 64 / 6 / 37

HEX #A13A97

RGB 161 58 151

HSL 305.83, 0.47%, 0.43%

LAB 42.52, 53.82, -30.12

 

CMYK 0 / 64 / 24 / 37

HEX #A13A7B

RGB 161 58 123

HSL 322.14, 0.47%, 0.43%

LAB 41.27, 49.48, -14.99

 

CMYK 0 / 64 / 40 / 37

HEX #A13A60

RGB 161 58 96

HSL 337.86, 0.47%, 0.43%

LAB 40.32, 46.06, 0.4

 

CMYK 29 / 64 / 0 / 37

HEX #733AA1

RGB 115 58 161

HSL 273.2, 0.47%, 0.43%

LAB 36.45, 44.22, -46.19

 

CMYK 46 / 64 / 0 / 37

HEX #573AA1

RGB 87 58 161

HSL 256.89, 0.47%, 0.43%

LAB 33.19, 37.94, -51.62

 

CMYK 63 / 64 / 0 / 37

HEX #3B3AA1

RGB 59 58 161

HSL 240.58, 0.47%, 0.43%

LAB 30.71, 32.72, -55.77

 

CMYK 64 / 64 / 0 / 37

HEX #3A3AA1

RGB 58 58 161

HSL 240, 0.47%, 0.43%

LAB 30.64, 32.56, -55.89

 

CMYK 29 / 64 / 0 / 37

HEX #733AA1

RGB 115 58 161

HSL 273.2, 0.47%, 0.43%

LAB 36.45, 44.22, -46.19

 

CMYK 34 / 78 / 0 / 30

HEX #7528B2

RGB 117 40 178

HSL 273.48, 0.63%, 0.43%

LAB 35.03, 56.87, -58.65

 

CMYK 40 / 89 / 0 / 23

HEX #7616C4

RGB 118 22 196

HSL 273.1, 0.8%, 0.43%

LAB 34.82, 66.58, -69.61

 

CMYK 44 / 98 / 0 / 16

HEX #7804D6

RGB 120 4 214

HSL 273.14, 0.96%, 0.43%

LAB 35.86, 73.5, -78.38

 

CMYK 29 / 64 / 0 / 37

HEX #733AA1

RGB 115 58 161

HSL 273.2, 0.47%, 0.43%

LAB 36.45, 44.22, -46.19

 

CMYK 21 / 48 / 0 / 44

HEX #714B8F

RGB 113 75 143

HSL 273.53, 0.31%, 0.43%

LAB 38.77, 29.75, -31.63

 

CMYK 11 / 26 / 0 / 51

HEX #6F5D7D

RGB 111 93 125

HSL 273.75, 0.15%, 0.43%

LAB 42.29, 13.88, -15.24

 

CMYK 2 / 0 / 4 / 56

HEX #6D6F6B

RGB 109 111 107

HSL 90, 0.02%, 0.43%

LAB 46.55, -1.58, 1.95

 

CMYK 17 / 0 / 30 / 49

HEX #6B815A

RGB 107 129 90

HSL 93.85, 0.18%, 0.43%

LAB 51.34, -15.58, 18.6

 

CMYK 63 / 64 / 0 / 37

HEX #3B3AA1

RGB 59 58 161

HSL 240.58, 0.47%, 0.43%

LAB 30.71, 32.72, -55.77

 

CMYK 46 / 64 / 0 / 37

HEX #573AA1

RGB 87 58 161

HSL 256.89, 0.47%, 0.43%

LAB 33.19, 37.94, -51.62

 

CMYK 29 / 64 / 0 / 37

HEX #723AA1

RGB 114 58 161

HSL 272.62, 0.47%, 0.43%

LAB 36.32, 43.98, -46.41

 

CMYK 12 / 64 / 0 / 37

HEX #8E3AA1

RGB 142 58 161

HSL 288.93, 0.47%, 0.43%

LAB 40.16, 50.79, -40.04

 

CMYK 0 / 64 / 6 / 37

HEX #A13A98

RGB 161 58 152

HSL 305.24, 0.47%, 0.43%

LAB 42.57, 53.98, -30.65

 

CMYK 29 / 64 / 0 / 61

HEX #472464

RGB 71 36 100

HSL 272.81, 0.47%, 0.27%

LAB 22.02, 29.86, -31.51

 

CMYK 28 / 64 / 0 / 49

HEX #5D2F82

RGB 93 47 130

HSL 273.25, 0.47%, 0.35%

LAB 29.34, 37.09, -38.77

 

CMYK 29 / 64 / 0 / 37

HEX #733AA1

RGB 115 58 161

HSL 273.2, 0.47%, 0.43%

LAB 36.45, 44.22, -46.19

 

CMYK 28 / 62 / 0 / 26

HEX #8847BC

RGB 136 71 188

HSL 273.33, 0.47%, 0.51%

LAB 43.32, 48.89, -51.02

 

CMYK 22 / 49 / 0 / 22

HEX #9C65C7

RGB 156 101 199

HSL 273.67, 0.47%, 0.59%

LAB 52.4, 40.52, -42.77

 

CMYK 28 / 64 / 0 / 36

HEX #743BA2

RGB 116 59 162

HSL 273.2, 0.47%, 0.43%

LAB 36.84, 44.18, -46.17

 

CMYK 0 / 64 / 48 / 37

HEX #A13A53

RGB 161 58 83

HSL 345.44, 0.47%, 0.43%

LAB 39.96, 44.7, 8.05

 

CMYK 64 / 0 / 55 / 37

HEX #3AA149

RGB 58 161 73

HSL 128.74, 0.47%, 0.43%

LAB 58.85, -48.35, 36.87

 

CMYK 28 / 64 / 0 / 36

HEX #743BA2

RGB 116 59 162

HSL 273.2, 0.47%, 0.43%

LAB 36.84, 44.18, -46.17

 

CMYK 0 / 29 / 64 / 37

HEX #A1723A

RGB 161 114 58

HSL 32.62, 0.47%, 0.43%

LAB 51.74, 12.55, 37.78

 

CMYK 64 / 0 / 29 / 37

HEX #3AA172

RGB 58 161 114

HSL 152.62, 0.47%, 0.43%

LAB 59.53, -40.96, 15.92

 

CMYK 28 / 64 / 0 / 36

HEX #743BA2

RGB 116 59 162

HSL 273.2, 0.47%, 0.43%

LAB 36.84, 44.18, -46.17

 

CMYK 0 / 64 / 48 / 37

HEX #A13A53

RGB 161 58 83

HSL 345.44, 0.47%, 0.43%

LAB 39.96, 44.7, 8.05

 

CMYK 35 / 0 / 64 / 37

HEX #68A13A

RGB 104 161 58

HSL 93.2, 0.47%, 0.43%

LAB 60.55, -36.49, 46.38

 

CMYK 64 / 0 / 16 / 37

HEX #3AA187

RGB 58 161 135

HSL 164.85, 0.47%, 0.43%

LAB 60.01, -36, 4.85

 

CMYK 28 / 64 / 0 / 36

HEX #743BA2

RGB 116 59 162

HSL 273.2, 0.47%, 0.43%

LAB 36.84, 44.18, -46.17

 

CMYK 0 / 61 / 64 / 37

HEX #A13F3A

RGB 161 63 58

HSL 2.91, 0.47%, 0.43%

LAB 40.31, 40.32, 24.05

 

CMYK 35 / 0 / 64 / 37

HEX #68A13A

RGB 104 161 58

HSL 93.2, 0.47%, 0.43%

LAB 60.55, -36.49, 46.38

 

CMYK 64 / 3 / 0 / 37

HEX #3A9CA1

RGB 58 156 161

HSL 182.91, 0.47%, 0.43%

LAB 59.2, -26.43, -11.05

 

Description

Color code: RGB 116 59 162 | qconv.com Color code: RGB 116 59 162 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 59 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 59 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 64 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 64% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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