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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 57 5 it is the complementary color RGB 139 198 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 57 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 57 5 shade: RGB 121 57 0, RGB 138 75 19, RGB 155 93 38, RGB 172 111 57 and RGB 189 129 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 57 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 57 5 shade: RGB 116 57 5, RGB 99 39 0, RGB 82 21 0, RGB 65 3 0 and RGB 48 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 57 5 shade: RGB 117 57 4, RGB 117 27 4 and RGB 117 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 57 5 shade: RGB 117 57 4, RGB 117 88 4, RGB 116 117 4, RGB 86 117 4 and RGB 55 117 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 57 5 shade matches the following richer shades: RGB 117 57 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 57 5 shade: RGB 117 57 4, RGB 107 58 14, RGB 97 58 24, RGB 87 59 34 and RGB 77 60 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 57 5 shade: RGB 117 4 12, RGB 117 27 4, RGB 117 57 4, RGB 117 87 4 and RGB 117 117 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 57 5 shade: RGB 38 18 1, RGB 77 38 3, RGB 117 57 4, RGB 157 77 6 and RGB 196 96 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 57 5 shade: RGB 116 57 5, RGB 42 117 4 and RGB 12 4 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 57 5 shade: RGB 116 57 5, RGB 4 117 57 and RGB 57 4 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 57 5 shade: RGB 116 57 5, RGB 42 117 4, RGB 4 64 117 and RGB 79 4 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 57 5 shade: RGB 116 57 5, RGB 8 117 4, RGB 4 64 117 and RGB 113 4 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 96 / 55

HEX #743905

RGB 116 57 5

HSL 28.11, 0.92%, 0.24%

LAB 31, 22.7, 39.58

 

Complementary color

CMYK 44 / 21 / 0 / 2

HEX #8BC6FA

RGB 139 198 250

HSL 208.11, 0.92%, 0.76%

LAB 77.74, -5.63, -31.54

 

CMYK 0 / 53 / 100 / 53

HEX #793900

RGB 121 57 0

HSL 28.26, 1%, 0.24%

LAB 31.79, 24.82, 42.55

 

CMYK 0 / 46 / 86 / 46

HEX #8A4B13

RGB 138 75 19

HSL 28.24, 0.76%, 0.31%

LAB 38.69, 22.62, 41.99

 

CMYK 0 / 40 / 75 / 39

HEX #9B5D26

RGB 155 93 38

HSL 28.21, 0.61%, 0.38%

LAB 45.55, 20.67, 40.88

 

CMYK 0 / 35 / 67 / 33

HEX #AC6F39

RGB 172 111 57

HSL 28.17, 0.5%, 0.45%

LAB 52.33, 19.03, 39.32

 

CMYK 0 / 32 / 60 / 26

HEX #BD814C

RGB 189 129 76

HSL 28.14, 0.46%, 0.52%

LAB 59.01, 17.64, 37.71

 

CMYK 0 / 51 / 96 / 55

HEX #743905

RGB 116 57 5

HSL 28.11, 0.92%, 0.24%

LAB 31, 22.7, 39.58

 

CMYK 0 / 61 / 100 / 61

HEX #632700

RGB 99 39 0

HSL 23.64, 1%, 0.19%

LAB 24.01, 25.19, 34.5

 

CMYK 0 / 74 / 100 / 68

HEX #521500

RGB 82 21 0

HSL 15.37, 1%, 0.16%

LAB 17.13, 27.37, 25.93

 

CMYK 0 / 95 / 100 / 75

HEX #410300

RGB 65 3 0

HSL 2.77, 1%, 0.13%

LAB 10.48, 28.65, 16.45

 

CMYK 0 / 100 / 100 / 81

HEX #300000

RGB 48 0 0

HSL 0, 1%, 0.09%

LAB 5.68, 23.6, 8.97

 

CMYK 0 / 51 / 97 / 54

HEX #753904

RGB 117 57 4

HSL 28.14, 0.93%, 0.24%

LAB 31.15, 23.13, 40.18

 

CMYK 0 / 77 / 97 / 54

HEX #751B04

RGB 117 27 4

HSL 12.21, 0.93%, 0.24%

LAB 25.49, 37.99, 35.51

 

CMYK 0 / 97 / 97 / 54

HEX #750404

RGB 117 4 4

HSL 0, 0.93%, 0.24%

LAB 23.26, 44.28, 33.34

 

CMYK 0 / 51 / 97 / 54

HEX #753904

RGB 117 57 4

HSL 28.14, 0.93%, 0.24%

LAB 31.15, 23.13, 40.18

 

CMYK 0 / 25 / 97 / 54

HEX #755804

RGB 117 88 4

HSL 44.6, 0.93%, 0.24%

LAB 39.19, 4.64, 45.95

 

CMYK 1 / 0 / 97 / 54

HEX #747504

RGB 116 117 4

HSL 60.53, 0.93%, 0.24%

LAB 47.55, -12.5, 52.18

 

CMYK 26 / 0 / 97 / 54

HEX #567504

RGB 86 117 4

HSL 76.46, 0.93%, 0.24%

LAB 45.23, -26.17, 49.38

 

CMYK 53 / 0 / 97 / 54

HEX #377504

RGB 55 117 4

HSL 92.92, 0.93%, 0.24%

LAB 43.57, -38.03, 47.35

 

CMYK 0 / 51 / 97 / 54

HEX #753904

RGB 117 57 4

HSL 28.14, 0.93%, 0.24%

LAB 31.15, 23.13, 40.18

 

CMYK 0 / 51 / 97 / 54

HEX #753904

RGB 117 57 4

HSL 28.14, 0.93%, 0.24%

LAB 31.15, 23.13, 40.18

 

CMYK 0 / 46 / 87 / 58

HEX #6B3A0E

RGB 107 58 14

HSL 28.39, 0.77%, 0.24%

LAB 29.87, 18.21, 34.51

 

CMYK 0 / 40 / 75 / 62

HEX #613A18

RGB 97 58 24

HSL 27.95, 0.6%, 0.24%

LAB 28.47, 13.92, 27.65

 

CMYK 0 / 32 / 61 / 66

HEX #573B22

RGB 87 59 34

HSL 28.3, 0.44%, 0.24%

LAB 27.49, 9.2, 20.3

 

CMYK 0 / 22 / 43 / 70

HEX #4D3C2C

RGB 77 60 44

HSL 29.09, 0.27%, 0.24%

LAB 26.71, 4.87, 12.73

 

CMYK 0 / 97 / 90 / 54

HEX #75040C

RGB 117 4 12

HSL 355.75, 0.93%, 0.24%

LAB 23.32, 44.45, 30.09

 

CMYK 0 / 77 / 97 / 54

HEX #751B04

RGB 117 27 4

HSL 12.21, 0.93%, 0.24%

LAB 25.49, 37.99, 35.51

 

CMYK 0 / 51 / 97 / 54

HEX #753904

RGB 117 57 4

HSL 28.14, 0.93%, 0.24%

LAB 31.15, 23.13, 40.18

 

CMYK 0 / 26 / 97 / 54

HEX #755704

RGB 117 87 4

HSL 44.07, 0.93%, 0.24%

LAB 38.91, 5.24, 45.74

 

CMYK 0 / 0 / 97 / 54

HEX #757504

RGB 117 117 4

HSL 60, 0.93%, 0.24%

LAB 47.64, -12.03, 52.29

 

CMYK 0 / 53 / 97 / 85

HEX #261201

RGB 38 18 1

HSL 27.57, 0.95%, 0.08%

LAB 7.65, 8.39, 11.21

 

CMYK 0 / 51 / 96 / 70

HEX #4D2603

RGB 77 38 3

HSL 28.38, 0.93%, 0.16%

LAB 19.93, 15.67, 27.76

 

CMYK 0 / 51 / 97 / 54

HEX #753904

RGB 117 57 4

HSL 28.14, 0.93%, 0.24%

LAB 31.15, 23.13, 40.18

 

CMYK 0 / 51 / 96 / 38

HEX #9D4D06

RGB 157 77 6

HSL 28.21, 0.93%, 0.32%

LAB 41.98, 29.51, 49.9

 

CMYK 0 / 51 / 96 / 23

HEX #C46008

RGB 196 96 8

HSL 28.09, 0.92%, 0.4%

LAB 51.97, 35.67, 58.94

 

CMYK 0 / 51 / 96 / 55

HEX #743905

RGB 116 57 5

HSL 28.11, 0.92%, 0.24%

LAB 31, 22.7, 39.58

 

CMYK 64 / 0 / 97 / 54

HEX #2A7504

RGB 42 117 4

HSL 99.82, 0.93%, 0.24%

LAB 43.1, -41.83, 46.76

 

CMYK 90 / 97 / 0 / 54

HEX #0C0475

RGB 12 4 117

HSL 244.25, 0.93%, 0.24%

LAB 12.28, 42.94, -58.78

 

CMYK 0 / 51 / 96 / 55

HEX #743905

RGB 116 57 5

HSL 28.11, 0.92%, 0.24%

LAB 31, 22.7, 39.58

 

CMYK 97 / 0 / 51 / 54

HEX #047539

RGB 4 117 57

HSL 148.14, 0.93%, 0.24%

LAB 42.83, -42.51, 25.27

 

CMYK 51 / 97 / 0 / 54

HEX #390475

RGB 57 4 117

HSL 268.14, 0.93%, 0.24%

LAB 16.7, 45.65, -51.31

 

CMYK 0 / 51 / 96 / 55

HEX #743905

RGB 116 57 5

HSL 28.11, 0.92%, 0.24%

LAB 31, 22.7, 39.58

 

CMYK 64 / 0 / 97 / 54

HEX #2A7504

RGB 42 117 4

HSL 99.82, 0.93%, 0.24%

LAB 43.1, -41.83, 46.76

 

CMYK 97 / 45 / 0 / 54

HEX #044075

RGB 4 64 117

HSL 208.14, 0.93%, 0.24%

LAB 26.67, 4.6, -35.22

 

CMYK 32 / 97 / 0 / 54

HEX #4F0475

RGB 79 4 117

HSL 279.82, 0.93%, 0.24%

LAB 20.18, 48.31, -45.47

 

CMYK 0 / 51 / 96 / 55

HEX #743905

RGB 116 57 5

HSL 28.11, 0.92%, 0.24%

LAB 31, 22.7, 39.58

 

CMYK 93 / 0 / 97 / 54

HEX #087504

RGB 8 117 4

HSL 117.88, 0.93%, 0.24%

LAB 42.43, -47.58, 45.94

 

CMYK 97 / 45 / 0 / 54

HEX #044075

RGB 4 64 117

HSL 208.14, 0.93%, 0.24%

LAB 26.67, 4.6, -35.22

 

CMYK 3 / 97 / 0 / 54

HEX #710475

RGB 113 4 117

HSL 297.88, 0.93%, 0.24%

LAB 26.4, 53.81, -35.11

 

Description

Color code: RGB 116 57 5 | qconv.com Color code: RGB 116 57 5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 57 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 57 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 96 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 96% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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