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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 53 178 it is the complementary color RGB 139 202 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 53 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 53 178 shade: RGB 121 53 173, RGB 138 71 192, RGB 155 89 211, RGB 172 107 230 and RGB 189 125 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 53 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 53 178 shade: RGB 116 53 178, RGB 99 35 159, RGB 82 17 140, RGB 65 0 121 and RGB 48 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 53 178 shade: RGB 115 53 177, RGB 149 53 177, RGB 177 53 171, RGB 177 53 138 and RGB 177 53 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 53 178 shade: RGB 115 53 177, RGB 82 53 177 and RGB 53 53 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 53 178 shade matches the following richer shades: RGB 115 53 177, RGB 115 34 195 and RGB 116 16 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 53 178 shade: RGB 115 53 177, RGB 115 71 158, RGB 115 90 140, RGB 115 108 121 and RGB 115 127 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 53 178 shade: RGB 53 57 177, RGB 82 53 177, RGB 115 53 177, RGB 148 53 177 and RGB 177 53 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 53 178 shade: RGB 74 34 113, RGB 95 43 145, RGB 115 53 177, RGB 136 71 200 and RGB 156 103 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 53 178 shade: RGB 116 53 178, RGB 177 53 90 and RGB 53 177 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 53 178 shade: RGB 116 53 178, RGB 177 115 53 and RGB 53 177 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 53 178 shade: RGB 116 53 178, RGB 177 53 90, RGB 115 177 53 and RGB 53 177 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 53 178 shade: RGB 116 53 178, RGB 177 53 53, RGB 115 177 53 and RGB 53 177 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 70 / 0 / 30

HEX #7435B2

RGB 116 53 178

HSL 270.24, 0.54%, 0.45%

LAB 36.88, 51.05, -55.65

 

Complementary color

CMYK 31 / 0 / 62 / 21

HEX #8BCA4D

RGB 139 202 77

HSL 90.24, 0.54%, 0.55%

LAB 74.99, -40.41, 54.53

 

CMYK 30 / 69 / 0 / 32

HEX #7935AD

RGB 121 53 173

HSL 274, 0.53%, 0.44%

LAB 37.17, 50.88, -52.18

 

CMYK 28 / 63 / 0 / 25

HEX #8A47C0

RGB 138 71 192

HSL 273.22, 0.49%, 0.52%

LAB 43.82, 50.29, -52.53

 

CMYK 27 / 58 / 0 / 17

HEX #9B59D3

RGB 155 89 211

HSL 272.46, 0.58%, 0.59%

LAB 50.47, 49.5, -52.7

 

CMYK 25 / 53 / 0 / 10

HEX #AC6BE6

RGB 172 107 230

HSL 271.71, 0.71%, 0.66%

LAB 57.07, 48.63, -52.78

 

CMYK 24 / 50 / 0 / 2

HEX #BD7DF9

RGB 189 125 249

HSL 270.97, 0.91%, 0.73%

LAB 63.61, 47.75, -52.82

 

CMYK 35 / 70 / 0 / 30

HEX #7435B2

RGB 116 53 178

HSL 270.24, 0.54%, 0.45%

LAB 36.88, 51.05, -55.65

 

CMYK 38 / 78 / 0 / 38

HEX #63239F

RGB 99 35 159

HSL 270.97, 0.64%, 0.38%

LAB 30.3, 51.3, -55.05

 

CMYK 41 / 88 / 0 / 45

HEX #52118C

RGB 82 17 140

HSL 271.71, 0.78%, 0.31%

LAB 23.96, 50.59, -53.83

 

CMYK 46 / 100 / 0 / 53

HEX #410079

RGB 65 0 121

HSL 272.23, 1%, 0.24%

LAB 17.94, 48.64, -51.81

 

CMYK 53 / 100 / 0 / 60

HEX #300066

RGB 48 0 102

HSL 268.24, 1%, 0.2%

LAB 13.15, 42.51, -47.42

 

CMYK 35 / 70 / 0 / 31

HEX #7335B1

RGB 115 53 177

HSL 270, 0.54%, 0.45%

LAB 36.68, 50.61, -55.39

 

CMYK 16 / 70 / 0 / 31

HEX #9535B1

RGB 149 53 177

HSL 286.45, 0.54%, 0.45%

LAB 41.39, 57.77, -47.55

 

CMYK 0 / 70 / 3 / 31

HEX #B135AB

RGB 177 53 171

HSL 302.9, 0.54%, 0.45%

LAB 45.41, 63.01, -37.35

 

CMYK 0 / 70 / 22 / 31

HEX #B1358A

RGB 177 53 138

HSL 318.87, 0.54%, 0.45%

LAB 43.84, 58.06, -19.99

 

CMYK 0 / 70 / 41 / 31

HEX #B13569

RGB 177 53 105

HSL 334.84, 0.54%, 0.45%

LAB 42.63, 54.06, -1.51

 

CMYK 35 / 70 / 0 / 31

HEX #7335B1

RGB 115 53 177

HSL 270, 0.54%, 0.45%

LAB 36.68, 50.61, -55.39

 

CMYK 54 / 70 / 0 / 31

HEX #5235B1

RGB 82 53 177

HSL 254.03, 0.54%, 0.45%

LAB 32.95, 44.55, -61.63

 

CMYK 70 / 70 / 0 / 31

HEX #3535B1

RGB 53 53 177

HSL 240, 0.54%, 0.45%

LAB 30.59, 40.45, -65.59

 

CMYK 35 / 70 / 0 / 31

HEX #7335B1

RGB 115 53 177

HSL 270, 0.54%, 0.45%

LAB 36.68, 50.61, -55.39

 

CMYK 41 / 83 / 0 / 24

HEX #7322C3

RGB 115 34 195

HSL 270.19, 0.7%, 0.45%

LAB 35.46, 62.61, -68

 

CMYK 46 / 93 / 0 / 16

HEX #7410D6

RGB 116 16 214

HSL 270.3, 0.86%, 0.45%

LAB 35.87, 71.46, -78.38

 

CMYK 35 / 70 / 0 / 31

HEX #7335B1

RGB 115 53 177

HSL 270, 0.54%, 0.45%

LAB 36.68, 50.61, -55.39

 

CMYK 27 / 55 / 0 / 38

HEX #73479E

RGB 115 71 158

HSL 270.34, 0.38%, 0.45%

LAB 38.93, 36.36, -40.41

 

CMYK 18 / 36 / 0 / 45

HEX #735A8C

RGB 115 90 140

HSL 270, 0.22%, 0.45%

LAB 42.54, 20.62, -23.91

 

CMYK 5 / 11 / 0 / 53

HEX #736C79

RGB 115 108 121

HSL 272.31, 0.06%, 0.45%

LAB 46.65, 5.39, -6.23

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 70 / 68 / 0 / 31

HEX #3539B1

RGB 53 57 177

HSL 238.06, 0.54%, 0.45%

LAB 31.48, 38.02, -64.12

 

CMYK 54 / 70 / 0 / 31

HEX #5235B1

RGB 82 53 177

HSL 254.03, 0.54%, 0.45%

LAB 32.95, 44.55, -61.63

 

CMYK 35 / 70 / 0 / 31

HEX #7335B1

RGB 115 53 177

HSL 270, 0.54%, 0.45%

LAB 36.68, 50.61, -55.39

 

CMYK 16 / 70 / 0 / 31

HEX #9435B1

RGB 148 53 177

HSL 285.97, 0.54%, 0.45%

LAB 41.24, 57.55, -47.8

 

CMYK 0 / 70 / 2 / 31

HEX #B135AD

RGB 177 53 173

HSL 301.94, 0.54%, 0.45%

LAB 45.51, 63.34, -38.36

 

CMYK 35 / 70 / 0 / 56

HEX #4A2271

RGB 74 34 113

HSL 270.38, 0.54%, 0.29%

LAB 22.97, 35.19, -38.39

 

CMYK 34 / 70 / 0 / 43

HEX #5F2B91

RGB 95 43 145

HSL 270.59, 0.54%, 0.37%

LAB 29.92, 43.43, -47.12

 

CMYK 35 / 70 / 0 / 31

HEX #7335B1

RGB 115 53 177

HSL 270, 0.54%, 0.45%

LAB 36.68, 50.61, -55.39

 

CMYK 32 / 65 / 0 / 22

HEX #8847C8

RGB 136 71 200

HSL 270.23, 0.54%, 0.53%

LAB 44.1, 51.74, -56.73

 

CMYK 25 / 51 / 0 / 18

HEX #9C67D1

RGB 156 103 209

HSL 270, 0.54%, 0.61%

LAB 53.35, 41.75, -46.96

 

CMYK 35 / 70 / 0 / 30

HEX #7435B2

RGB 116 53 178

HSL 270.24, 0.54%, 0.45%

LAB 36.88, 51.05, -55.65

 

CMYK 0 / 70 / 49 / 31

HEX #B1355A

RGB 177 53 90

HSL 342.1, 0.54%, 0.45%

LAB 42.2, 52.59, 7.23

 

CMYK 70 / 0 / 63 / 31

HEX #35B141

RGB 53 177 65

HSL 125.81, 0.54%, 0.45%

LAB 63.82, -56.16, 46.4

 

CMYK 35 / 70 / 0 / 30

HEX #7435B2

RGB 116 53 178

HSL 270.24, 0.54%, 0.45%

LAB 36.88, 51.05, -55.65

 

CMYK 0 / 35 / 70 / 31

HEX #B17335

RGB 177 115 53

HSL 30, 0.54%, 0.45%

LAB 53.88, 18.73, 43.23

 

CMYK 70 / 0 / 35 / 31

HEX #35B173

RGB 53 177 115

HSL 150, 0.54%, 0.45%

LAB 64.51, -48.25, 22.17

 

CMYK 35 / 70 / 0 / 30

HEX #7435B2

RGB 116 53 178

HSL 270.24, 0.54%, 0.45%

LAB 36.88, 51.05, -55.65

 

CMYK 0 / 70 / 49 / 31

HEX #B1355A

RGB 177 53 90

HSL 342.1, 0.54%, 0.45%

LAB 42.2, 52.59, 7.23

 

CMYK 35 / 0 / 70 / 31

HEX #73B135

RGB 115 177 53

HSL 90, 0.54%, 0.45%

LAB 66.02, -39.99, 54.43

 

CMYK 70 / 0 / 21 / 31

HEX #35B18C

RGB 53 177 140

HSL 162.1, 0.54%, 0.45%

LAB 65.04, -42.66, 9.24

 

CMYK 35 / 70 / 0 / 30

HEX #7435B2

RGB 116 53 178

HSL 270.24, 0.54%, 0.45%

LAB 36.88, 51.05, -55.65

 

CMYK 0 / 70 / 70 / 31

HEX #B13535

RGB 177 53 53

HSL 0, 0.54%, 0.45%

LAB 41.45, 49.98, 29.12

 

CMYK 35 / 0 / 70 / 31

HEX #73B135

RGB 115 177 53

HSL 90, 0.54%, 0.45%

LAB 66.02, -39.99, 54.43

 

CMYK 70 / 0 / 0 / 31

HEX #35B1B1

RGB 53 177 177

HSL 180, 0.54%, 0.45%

LAB 66.04, -32.72, -9.81

 

Description

Color code: RGB 116 53 178 | qconv.com Color code: RGB 116 53 178 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 53 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 53 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 70 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 70% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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