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Color name
RGB 116 229 26

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 229 26 it is the complementary color RGB 139 26 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 229 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 229 26 shade: RGB 121 229 21, RGB 138 247 40, RGB 155 255 59, RGB 172 255 78 and RGB 189 255 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 229 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 229 26 shade: RGB 116 229 26, RGB 99 211 7, RGB 82 193 0, RGB 65 175 0 and RGB 48 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 229 26 shade: RGB 116 230 26, RGB 171 230 26, RGB 226 230 26, RGB 230 178 26 and RGB 230 123 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 229 26 shade: RGB 116 230 26, RGB 61 230 26, RGB 26 230 45, RGB 26 230 100 and RGB 26 230 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 229 26 shade matches the following richer shades: RGB 116 230 26 and RGB 114 250 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 229 26 shade: RGB 116 230 26, RGB 118 209 46, RGB 121 188 67, RGB 123 168 87 and RGB 125 147 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 229 26 shade: RGB 226 230 26, RGB 172 230 26, RGB 117 230 26, RGB 63 230 26 and RGB 26 230 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 229 26 shade: RGB 78 155 17, RGB 97 192 21, RGB 116 230 26, RGB 138 234 63 and RGB 161 238 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 229 26 shade: RGB 116 229 26, RGB 26 230 179 and RGB 230 26 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 229 26 shade: RGB 116 229 26, RGB 26 117 230 and RGB 230 26 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 229 26 shade: RGB 116 229 26, RGB 26 230 179, RGB 138 26 230 and RGB 230 26 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 229 26 shade: RGB 116 229 26, RGB 26 219 230, RGB 138 26 230 and RGB 230 36 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 89 / 10

HEX #74E51A

RGB 116 229 26

HSL 93.4, 0.8%, 0.5%

LAB 81.74, -61.54, 76.35

 

Complementary color

CMYK 39 / 89 / 0 / 10

HEX #8B1AE5

RGB 139 26 229

HSL 273.4, 0.8%, 0.5%

LAB 41.03, 75.21, -78.37

 

CMYK 47 / 0 / 91 / 10

HEX #79E515

RGB 121 229 21

HSL 91.15, 0.83%, 0.49%

LAB 81.92, -60.19, 77.35

 

CMYK 44 / 0 / 84 / 3

HEX #8AF728

RGB 138 247 40

HSL 91.59, 0.93%, 0.56%

LAB 88.01, -61.15, 79.36

 

CMYK 39 / 0 / 77 / 0

HEX #9BFF3B

RGB 155 255 59

HSL 90.61, 1%, 0.62%

LAB 91.15, -58.03, 77.66

 

CMYK 33 / 0 / 69 / 0

HEX #ACFF4E

RGB 172 255 78

HSL 88.14, 1%, 0.65%

LAB 92.06, -51.28, 72.7

 

CMYK 26 / 0 / 62 / 0

HEX #BDFF61

RGB 189 255 97

HSL 85.06, 1%, 0.69%

LAB 93.1, -43.98, 66.85

 

CMYK 49 / 0 / 89 / 10

HEX #74E51A

RGB 116 229 26

HSL 93.4, 0.8%, 0.5%

LAB 81.74, -61.54, 76.35

 

CMYK 53 / 0 / 97 / 17

HEX #63D307

RGB 99 211 7

HSL 92.94, 0.94%, 0.43%

LAB 75.61, -60.3, 73.46

 

CMYK 58 / 0 / 100 / 24

HEX #52C100

RGB 82 193 0

HSL 94.51, 1%, 0.38%

LAB 69.42, -58.67, 69.04

 

CMYK 63 / 0 / 100 / 31

HEX #41AF00

RGB 65 175 0

HSL 97.71, 1%, 0.34%

LAB 63.16, -56.72, 63.87

 

CMYK 69 / 0 / 100 / 38

HEX #309D00

RGB 48 157 0

HSL 101.66, 1%, 0.31%

LAB 56.82, -54.47, 58.65

 

CMYK 50 / 0 / 89 / 10

HEX #74E61A

RGB 116 230 26

HSL 93.53, 0.8%, 0.5%

LAB 82.04, -61.9, 76.6

 

CMYK 26 / 0 / 89 / 10

HEX #ABE61A

RGB 171 230 26

HSL 77.35, 0.8%, 0.5%

LAB 84.65, -43.34, 79.83

 

CMYK 2 / 0 / 89 / 10

HEX #E2E61A

RGB 226 230 26

HSL 61.18, 0.8%, 0.5%

LAB 88.37, -21.32, 84.37

 

CMYK 0 / 23 / 89 / 10

HEX #E6B21A

RGB 230 178 26

HSL 44.71, 0.8%, 0.5%

LAB 75.29, 6.72, 74.27

 

CMYK 0 / 47 / 89 / 10

HEX #E67B1A

RGB 230 123 26

HSL 28.53, 0.8%, 0.5%

LAB 62.56, 35.76, 64.46

 

CMYK 50 / 0 / 89 / 10

HEX #74E61A

RGB 116 230 26

HSL 93.53, 0.8%, 0.5%

LAB 82.04, -61.9, 76.6

 

CMYK 73 / 0 / 89 / 10

HEX #3DE61A

RGB 61 230 26

HSL 109.71, 0.8%, 0.5%

LAB 80.55, -74.19, 74.74

 

CMYK 89 / 0 / 80 / 10

HEX #1AE62D

RGB 26 230 45

HSL 125.59, 0.8%, 0.5%

LAB 80.18, -77.21, 70.08

 

CMYK 89 / 0 / 57 / 10

HEX #1AE664

RGB 26 230 100

HSL 141.76, 0.8%, 0.5%

LAB 80.59, -72.08, 49.95

 

CMYK 89 / 0 / 33 / 10

HEX #1AE69B

RGB 26 230 155

HSL 157.94, 0.8%, 0.5%

LAB 81.39, -62.64, 23.95

 

CMYK 50 / 0 / 89 / 10

HEX #74E61A

RGB 116 230 26

HSL 93.53, 0.8%, 0.5%

LAB 82.04, -61.9, 76.6

 

CMYK 54 / 0 / 98 / 2

HEX #72FA05

RGB 114 250 5

HSL 93.31, 0.96%, 0.5%

LAB 87.95, -69.8, 83.7

 

CMYK 50 / 0 / 89 / 10

HEX #74E61A

RGB 116 230 26

HSL 93.53, 0.8%, 0.5%

LAB 82.04, -61.9, 76.6

 

CMYK 44 / 0 / 78 / 18

HEX #76D12E

RGB 118 209 46

HSL 93.5, 0.64%, 0.5%

LAB 75.85, -52.62, 66.52

 

CMYK 36 / 0 / 64 / 26

HEX #79BC43

RGB 121 188 67

HSL 93.22, 0.47%, 0.5%

LAB 69.78, -41.54, 52.82

 

CMYK 27 / 0 / 48 / 34

HEX #7BA857

RGB 123 168 87

HSL 93.33, 0.32%, 0.5%

LAB 64.08, -29.64, 36.87

 

CMYK 15 / 0 / 27 / 42

HEX #7D936C

RGB 125 147 108

HSL 93.85, 0.15%, 0.5%

LAB 58.33, -15.28, 18.13

 

CMYK 2 / 0 / 89 / 10

HEX #E2E61A

RGB 226 230 26

HSL 61.18, 0.8%, 0.5%

LAB 88.37, -21.32, 84.37

 

CMYK 25 / 0 / 89 / 10

HEX #ACE61A

RGB 172 230 26

HSL 77.06, 0.8%, 0.5%

LAB 84.71, -42.97, 79.9

 

CMYK 49 / 0 / 89 / 10

HEX #75E61A

RGB 117 230 26

HSL 93.24, 0.8%, 0.5%

LAB 82.08, -61.61, 76.65

 

CMYK 73 / 0 / 89 / 10

HEX #3FE61A

RGB 63 230 26

HSL 109.12, 0.8%, 0.5%

LAB 80.59, -73.88, 74.78

 

CMYK 89 / 0 / 81 / 10

HEX #1AE62B

RGB 26 230 43

HSL 125, 0.8%, 0.5%

LAB 80.17, -77.32, 70.6

 

CMYK 50 / 0 / 89 / 39

HEX #4E9B11

RGB 78 155 17

HSL 93.48, 0.8%, 0.34%

LAB 57.18, -45.42, 56.57

 

CMYK 49 / 0 / 89 / 25

HEX #61C015

RGB 97 192 21

HSL 93.33, 0.8%, 0.42%

LAB 69.68, -53.65, 66.75

 

CMYK 50 / 0 / 89 / 10

HEX #74E61A

RGB 116 230 26

HSL 93.53, 0.8%, 0.5%

LAB 82.04, -61.9, 76.6

 

CMYK 41 / 0 / 73 / 8

HEX #8AEA3F

RGB 138 234 63

HSL 93.68, 0.8%, 0.58%

LAB 84.28, -55.07, 69.55

 

CMYK 32 / 0 / 58 / 7

HEX #A1EE64

RGB 161 238 100

HSL 93.48, 0.8%, 0.66%

LAB 86.82, -46.22, 58.18

 

CMYK 49 / 0 / 89 / 10

HEX #74E51A

RGB 116 229 26

HSL 93.4, 0.8%, 0.5%

LAB 81.74, -61.54, 76.35

 

CMYK 89 / 0 / 22 / 10

HEX #1AE6B3

RGB 26 230 179

HSL 165, 0.8%, 0.5%

LAB 81.88, -57.26, 12.12

 

CMYK 0 / 89 / 13 / 10

HEX #E61AC7

RGB 230 26 199

HSL 309.12, 0.8%, 0.5%

LAB 53.69, 84.37, -40.02

 

CMYK 49 / 0 / 89 / 10

HEX #74E51A

RGB 116 229 26

HSL 93.4, 0.8%, 0.5%

LAB 81.74, -61.54, 76.35

 

CMYK 89 / 49 / 0 / 10

HEX #1A75E6

RGB 26 117 230

HSL 213.24, 0.8%, 0.5%

LAB 50.28, 16.91, -64.18

 

CMYK 0 / 89 / 49 / 10

HEX #E61A75

RGB 230 26 117

HSL 333.24, 0.8%, 0.5%

LAB 50.51, 75.81, 3.78

 

CMYK 49 / 0 / 89 / 10

HEX #74E51A

RGB 116 229 26

HSL 93.4, 0.8%, 0.5%

LAB 81.74, -61.54, 76.35

 

CMYK 89 / 0 / 22 / 10

HEX #1AE6B3

RGB 26 230 179

HSL 165, 0.8%, 0.5%

LAB 81.88, -57.26, 12.12

 

CMYK 40 / 89 / 0 / 10

HEX #8A1AE6

RGB 138 26 230

HSL 272.94, 0.8%, 0.5%

LAB 40.99, 75.3, -79.03

 

CMYK 0 / 89 / 67 / 10

HEX #E61A4D

RGB 230 26 77

HSL 345, 0.8%, 0.5%

LAB 49.61, 73.3, 26.97

 

CMYK 49 / 0 / 89 / 10

HEX #74E51A

RGB 116 229 26

HSL 93.4, 0.8%, 0.5%

LAB 81.74, -61.54, 76.35

 

CMYK 89 / 5 / 0 / 10

HEX #1ADBE6

RGB 26 219 230

HSL 183.24, 0.8%, 0.5%

LAB 79.95, -38.76, -17.76

 

CMYK 40 / 89 / 0 / 10

HEX #8A1AE6

RGB 138 26 230

HSL 272.94, 0.8%, 0.5%

LAB 40.99, 75.3, -79.03

 

CMYK 0 / 84 / 89 / 10

HEX #E6241A

RGB 230 36 26

HSL 2.94, 0.8%, 0.5%

LAB 49.69, 69.87, 54.8

 

Description

Color code: RGB 116 229 26 | qconv.com Color code: RGB 116 229 26 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 229 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 229 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 89 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 89% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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