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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 226 94 it is the complementary color RGB 139 29 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 226 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 226 94 shade: RGB 121 226 89, RGB 138 244 108, RGB 155 255 127, RGB 172 255 146 and RGB 189 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 226 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 226 94 shade: RGB 116 226 94, RGB 99 208 75, RGB 82 190 56, RGB 65 172 37 and RGB 48 154 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 226 94 shade: RGB 117 225 95, RGB 152 225 95, RGB 187 225 95, RGB 222 225 95 and RGB 225 193 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 226 94 shade: RGB 117 225 95, RGB 95 225 108, RGB 95 225 144, RGB 95 225 179 and RGB 95 225 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 226 94 shade matches the following richer shades: RGB 117 225 95 and RGB 107 241 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 226 94 shade: RGB 117 225 95, RGB 127 210 110, RGB 137 195 126, RGB 147 179 141 and RGB 157 164 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 226 94 shade: RGB 186 225 95, RGB 151 225 95, RGB 117 225 95, RGB 95 225 108 and RGB 95 225 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 226 94 shade: RGB 64 201 37, RGB 87 219 60, RGB 117 225 95, RGB 147 232 130 and RGB 177 238 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 226 94 shade: RGB 116 226 94, RGB 95 221 225 and RGB 225 95 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 226 94 shade: RGB 116 226 94, RGB 95 117 225 and RGB 225 95 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 226 94 shade: RGB 116 226 94, RGB 95 221 225, RGB 204 95 225 and RGB 225 99 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 226 94 shade: RGB 116 226 94, RGB 95 182 225, RGB 204 95 225 and RGB 225 138 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 58 / 11

HEX #74E25E

RGB 116 226 94

HSL 110, 0.69%, 0.63%

LAB 81.24, -55.99, 53.89

 

Complementary color

CMYK 14 / 82 / 0 / 37

HEX #8B1DA1

RGB 139 29 161

HSL 290, 0.69%, 0.37%

LAB 35.87, 60.98, -46.94

 

CMYK 46 / 0 / 61 / 11

HEX #79E259

RGB 121 226 89

HSL 105.99, 0.7%, 0.62%

LAB 81.39, -55.08, 56.29

 

CMYK 43 / 0 / 56 / 4

HEX #8AF46C

RGB 138 244 108

HSL 106.76, 0.86%, 0.69%

LAB 87.58, -55.2, 55.26

 

CMYK 39 / 0 / 50 / 0

HEX #9BFF7F

RGB 155 255 127

HSL 106.88, 1%, 0.75%

LAB 91.69, -52.38, 51.71

 

CMYK 33 / 0 / 43 / 0

HEX #ACFF92

RGB 172 255 146

HSL 105.69, 1%, 0.79%

LAB 92.74, -44.69, 44.19

 

CMYK 26 / 0 / 35 / 0

HEX #BDFFA5

RGB 189 255 165

HSL 104, 1%, 0.82%

LAB 93.91, -36.55, 36.58

 

CMYK 49 / 0 / 58 / 11

HEX #74E25E

RGB 116 226 94

HSL 110, 0.69%, 0.63%

LAB 81.24, -55.99, 53.89

 

CMYK 52 / 0 / 64 / 18

HEX #63D04B

RGB 99 208 75

HSL 109.17, 0.59%, 0.55%

LAB 75, -55.73, 54.88

 

CMYK 57 / 0 / 71 / 25

HEX #52BE38

RGB 82 190 56

HSL 108.36, 0.54%, 0.48%

LAB 68.68, -55.22, 55.59

 

CMYK 62 / 0 / 78 / 33

HEX #41AC25

RGB 65 172 37

HSL 107.56, 0.65%, 0.41%

LAB 62.31, -54.35, 55.75

 

CMYK 69 / 0 / 88 / 40

HEX #309A12

RGB 48 154 18

HSL 106.76, 0.79%, 0.34%

LAB 55.87, -52.94, 54.85

 

CMYK 48 / 0 / 58 / 12

HEX #75E15F

RGB 117 225 95

HSL 109.85, 0.68%, 0.63%

LAB 80.99, -55.22, 53.17

 

CMYK 32 / 0 / 58 / 12

HEX #98E15F

RGB 152 225 95

HSL 93.69, 0.68%, 0.63%

LAB 82.57, -44.2, 55.39

 

CMYK 17 / 0 / 58 / 12

HEX #BBE15F

RGB 187 225 95

HSL 77.54, 0.68%, 0.63%

LAB 84.61, -31.42, 58.26

 

CMYK 1 / 0 / 58 / 12

HEX #DEE15F

RGB 222 225 95

HSL 61.38, 0.68%, 0.63%

LAB 87.1, -17.59, 61.72

 

CMYK 0 / 14 / 58 / 12

HEX #E1C15F

RGB 225 193 95

HSL 45.23, 0.68%, 0.63%

LAB 79.03, -0.17, 52.69

 

CMYK 48 / 0 / 58 / 12

HEX #75E15F

RGB 117 225 95

HSL 109.85, 0.68%, 0.63%

LAB 80.99, -55.22, 53.17

 

CMYK 58 / 0 / 52 / 12

HEX #5FE16C

RGB 95 225 108

HSL 126, 0.68%, 0.63%

LAB 80.39, -59.3, 46.3

 

CMYK 58 / 0 / 36 / 12

HEX #5FE190

RGB 95 225 144

HSL 142.62, 0.68%, 0.63%

LAB 80.9, -53.67, 29.16

 

CMYK 58 / 0 / 20 / 12

HEX #5FE1B3

RGB 95 225 179

HSL 158.77, 0.68%, 0.63%

LAB 81.59, -46.62, 11.88

 

CMYK 58 / 0 / 5 / 12

HEX #5FE1D6

RGB 95 225 214

HSL 174.92, 0.68%, 0.63%

LAB 82.45, -38.22, -5.39

 

CMYK 48 / 0 / 58 / 12

HEX #75E15F

RGB 117 225 95

HSL 109.85, 0.68%, 0.63%

LAB 80.99, -55.22, 53.17

 

CMYK 56 / 0 / 67 / 5

HEX #6BF150

RGB 107 241 80

HSL 109.94, 0.85%, 0.63%

LAB 85.31, -65.24, 64.11

 

CMYK 48 / 0 / 58 / 12

HEX #75E15F

RGB 117 225 95

HSL 109.85, 0.68%, 0.63%

LAB 80.99, -55.22, 53.17

 

CMYK 40 / 0 / 48 / 18

HEX #7FD26E

RGB 127 210 110

HSL 109.8, 0.53%, 0.63%

LAB 77.12, -44.32, 41.59

 

CMYK 30 / 0 / 35 / 24

HEX #89C37E

RGB 137 195 126

HSL 110.43, 0.37%, 0.63%

LAB 73.45, -32.04, 28.86

 

CMYK 18 / 0 / 21 / 30

HEX #93B38D

RGB 147 179 141

HSL 110.53, 0.2%, 0.63%

LAB 69.73, -18.24, 15.88

 

CMYK 4 / 0 / 5 / 36

HEX #9DA49C

RGB 157 164 156

HSL 112.5, 0.04%, 0.63%

LAB 66.61, -4.02, 3.28

 

CMYK 17 / 0 / 58 / 12

HEX #BAE15F

RGB 186 225 95

HSL 78, 0.68%, 0.63%

LAB 84.54, -31.8, 58.17

 

CMYK 33 / 0 / 58 / 12

HEX #97E15F

RGB 151 225 95

HSL 94.15, 0.68%, 0.63%

LAB 82.52, -44.55, 55.32

 

CMYK 48 / 0 / 58 / 12

HEX #75E15F

RGB 117 225 95

HSL 109.85, 0.68%, 0.63%

LAB 80.99, -55.22, 53.17

 

CMYK 58 / 0 / 52 / 12

HEX #5FE16C

RGB 95 225 108

HSL 126, 0.68%, 0.63%

LAB 80.39, -59.3, 46.3

 

CMYK 58 / 0 / 36 / 12

HEX #5FE18F

RGB 95 225 143

HSL 142.15, 0.68%, 0.63%

LAB 80.89, -53.84, 29.65

 

CMYK 68 / 0 / 82 / 21

HEX #40C925

RGB 64 201 37

HSL 110.12, 0.69%, 0.47%

LAB 71.55, -64.3, 64.42

 

CMYK 60 / 0 / 73 / 14

HEX #57DB3C

RGB 87 219 60

HSL 109.81, 0.69%, 0.55%

LAB 77.88, -63.95, 63.58

 

CMYK 48 / 0 / 58 / 12

HEX #75E15F

RGB 117 225 95

HSL 109.85, 0.68%, 0.63%

LAB 80.99, -55.22, 53.17

 

CMYK 37 / 0 / 44 / 9

HEX #93E882

RGB 147 232 130

HSL 110, 0.69%, 0.71%

LAB 84.76, -44.83, 41.58

 

CMYK 26 / 0 / 31 / 7

HEX #B1EEA5

RGB 177 238 165

HSL 110.14, 0.68%, 0.79%

LAB 88.55, -32.73, 29.32

 

CMYK 49 / 0 / 58 / 11

HEX #74E25E

RGB 116 226 94

HSL 110, 0.69%, 0.63%

LAB 81.24, -55.99, 53.89

 

CMYK 58 / 2 / 0 / 12

HEX #5FDDE1

RGB 95 221 225

HSL 181.85, 0.68%, 0.63%

LAB 81.61, -33.46, -12.48

 

CMYK 0 / 58 / 25 / 12

HEX #E15FA9

RGB 225 95 169

HSL 325.85, 0.68%, 0.63%

LAB 59.03, 58.37, -14.51

 

CMYK 49 / 0 / 58 / 11

HEX #74E25E

RGB 116 226 94

HSL 110, 0.69%, 0.63%

LAB 81.24, -55.99, 53.89

 

CMYK 58 / 48 / 0 / 12

HEX #5F75E1

RGB 95 117 225

HSL 229.85, 0.68%, 0.63%

LAB 52.5, 23.69, -57.67

 

CMYK 0 / 58 / 48 / 12

HEX #E15F75

RGB 225 95 117

HSL 349.85, 0.68%, 0.63%

LAB 57.54, 52.52, 13.62

 

CMYK 49 / 0 / 58 / 11

HEX #74E25E

RGB 116 226 94

HSL 110, 0.69%, 0.63%

LAB 81.24, -55.99, 53.89

 

CMYK 58 / 2 / 0 / 12

HEX #5FDDE1

RGB 95 221 225

HSL 181.85, 0.68%, 0.63%

LAB 81.61, -33.46, -12.48

 

CMYK 9 / 58 / 0 / 12

HEX #CC5FE1

RGB 204 95 225

HSL 290.31, 0.68%, 0.63%

LAB 58.47, 61.61, -47.52

 

CMYK 0 / 56 / 58 / 12

HEX #E1635F

RGB 225 99 95

HSL 1.85, 0.68%, 0.63%

LAB 57.81, 48.85, 26.75

 

CMYK 49 / 0 / 58 / 11

HEX #74E25E

RGB 116 226 94

HSL 110, 0.69%, 0.63%

LAB 81.24, -55.99, 53.89

 

CMYK 58 / 19 / 0 / 12

HEX #5FB6E1

RGB 95 182 225

HSL 199.85, 0.68%, 0.63%

LAB 70.4, -13.92, -29.5

 

CMYK 9 / 58 / 0 / 12

HEX #CC5FE1

RGB 204 95 225

HSL 290.31, 0.68%, 0.63%

LAB 58.47, 61.61, -47.52

 

CMYK 0 / 39 / 58 / 12

HEX #E18A5F

RGB 225 138 95

HSL 19.85, 0.68%, 0.63%

LAB 65.76, 29.06, 36.85

 

Description

Color code: RGB 116 226 94 | qconv.com Color code: RGB 116 226 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 226 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 226 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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