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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 204 106 it is the complementary color RGB 139 51 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 204 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 204 106: RGB 121 204 101, RGB 138 222 120, RGB 155 240 139, RGB 172 255 158 and RGB 189 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 204 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 204 106: RGB 116 204 106, RGB 99 186 87, RGB 82 168 68, RGB 65 150 49 and RGB 48 132 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

Complementary color

CMYK 7 / 66 / 0 / 42

HEX #8B3395

RGB 139 51 149

HSL 293.88, 0.49%, 0.39%

LAB 37.89, 50.84, -36.44

 

CMYK 41 / 0 / 50 / 20

HEX #79CC65

RGB 121 204 101

HSL 108.35, 0.5%, 0.6%

LAB 74.94, -44.8, 43.23

 

CMYK 38 / 0 / 46 / 13

HEX #8ADE78

RGB 138 222 120

HSL 109.41, 0.61%, 0.67%

LAB 81.29, -44.69, 42.02

 

CMYK 35 / 0 / 42 / 6

HEX #9BF08B

RGB 155 240 139

HSL 110.5, 0.77%, 0.74%

LAB 87.56, -44.54, 40.82

 

CMYK 33 / 0 / 38 / 0

HEX #ACFF9E

RGB 172 255 158

HSL 111.34, 1%, 0.81%

LAB 92.91, -43.05, 38.56

 

CMYK 26 / 0 / 31 / 0

HEX #BDFFB1

RGB 189 255 177

HSL 110.77, 1%, 0.85%

LAB 94.1, -34.79, 30.85

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 47 / 0 / 53 / 27

HEX #63BA57

RGB 99 186 87

HSL 112.73, 0.42%, 0.54%

LAB 68.36, -45.73, 41.8

 

CMYK 51 / 0 / 60 / 34

HEX #52A844

RGB 82 168 68

HSL 111.6, 0.42%, 0.46%

LAB 61.84, -45.62, 43.01

 

CMYK 57 / 0 / 67 / 41

HEX #419631

RGB 65 150 49

HSL 110.5, 0.51%, 0.39%

LAB 55.23, -45.27, 44.03

 

CMYK 64 / 0 / 77 / 48

HEX #30841E

RGB 48 132 30

HSL 109.41, 0.63%, 0.32%

LAB 48.54, -44.5, 44.56

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 48 / 0 / 46 / 20

HEX #6ACC6F

RGB 106 204 111

HSL 123.06, 0.49%, 0.61%

LAB 74.44, -47.88, 37.55

 

CMYK 48 / 0 / 38 / 20

HEX #6ACC7F

RGB 106 204 127

HSL 132.86, 0.49%, 0.61%

LAB 74.69, -45.37, 29.71

 

CMYK 48 / 0 / 29 / 20

HEX #6ACC90

RGB 106 204 144

HSL 143.27, 0.49%, 0.61%

LAB 74.99, -42.31, 21.21

 

CMYK 48 / 0 / 22 / 20

HEX #6ACCA0

RGB 106 204 160

HSL 153.06, 0.49%, 0.61%

LAB 75.32, -39.09, 13.15

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 43 / 0 / 47 / 80

HEX #1D331B

RGB 29 51 27

HSL 115, 0.31%, 0.15%

LAB 18.83, -14.73, 12.54

 

CMYK 43 / 0 / 48 / 60

HEX #3A6635

RGB 58 102 53

HSL 113.88, 0.32%, 0.3%

LAB 39, -26.11, 22.97

 

CMYK 43 / 0 / 48 / 40

HEX #579950

RGB 87 153 80

HSL 114.25, 0.31%, 0.46%

LAB 57.45, -36.17, 31.81

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 48 / 4 / 0 / 20

HEX #6AC4CC

RGB 106 196 204

HSL 184.9, 0.49%, 0.61%

LAB 74.13, -24.78, -12.36

 

CMYK 0 / 48 / 23 / 20

HEX #CC6A9D

RGB 204 106 157

HSL 328.78, 0.49%, 0.61%

LAB 57.64, 44.84, -9.95

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 48 / 42 / 0 / 20

HEX #6A76CC

RGB 106 118 204

HSL 232.65, 0.49%, 0.61%

LAB 52.26, 18.78, -46.12

 

CMYK 0 / 48 / 42 / 20

HEX #CC6A76

RGB 204 106 118

HSL 352.65, 0.49%, 0.61%

LAB 56.54, 39.91, 11.18

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 48 / 4 / 0 / 20

HEX #6AC4CC

RGB 106 196 204

HSL 184.9, 0.49%, 0.61%

LAB 74.13, -24.78, -12.36

 

CMYK 6 / 48 / 0 / 20

HEX #C06ACC

RGB 192 106 204

HSL 292.65, 0.49%, 0.61%

LAB 57.92, 49.06, -36.64

 

CMYK 0 / 44 / 48 / 20

HEX #CC726A

RGB 204 114 106

HSL 4.9, 0.49%, 0.61%

LAB 57.95, 34.49, 20.09

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 48 / 19 / 0 / 20

HEX #6AA6CC

RGB 106 166 204

HSL 203.27, 0.49%, 0.61%

LAB 65.51, -9.11, -25.43

 

CMYK 6 / 48 / 0 / 20

HEX #C06ACC

RGB 192 106 204

HSL 292.65, 0.49%, 0.61%

LAB 57.92, 49.06, -36.64

 

CMYK 0 / 29 / 48 / 20

HEX #CC906A

RGB 204 144 106

HSL 23.27, 0.49%, 0.61%

LAB 64.82, 18.27, 29.2

 

Description

Color code: RGB 116 204 106 | qconv.com Color code: RGB 116 204 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 204 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 204 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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