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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 188 183 it is the complementary color RGB 139 67 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 188 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 188 183 shade: RGB 121 188 178, RGB 138 206 197, RGB 155 224 216, RGB 172 242 235 and RGB 189 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 188 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 188 183 shade: RGB 116 188 183, RGB 99 170 164, RGB 82 152 145, RGB 65 134 126 and RGB 48 116 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 188 183 shade: RGB 117 189 184, RGB 117 189 164, RGB 117 189 145, RGB 117 189 126 and RGB 128 189 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 188 183 shade: RGB 117 189 184, RGB 117 174 189, RGB 117 155 189, RGB 117 136 189 and RGB 117 117 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 188 183 shade matches the following richer shades: RGB 117 189 184, RGB 101 205 198, RGB 84 222 212, RGB 68 238 226 and RGB 51 255 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 188 183 shade: RGB 117 189 184, RGB 134 172 170, RGB 150 156 155, RGB 167 139 141 and RGB 183 123 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 188 183 shade: RGB 117 189 145, RGB 117 189 164, RGB 117 189 183, RGB 117 176 189 and RGB 117 157 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 188 183 shade: RGB 73 151 145, RGB 89 175 169, RGB 117 189 184, RGB 145 202 198 and RGB 173 216 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 188 183 shade: RGB 116 188 183, RGB 126 117 189 and RGB 189 154 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 188 183 shade: RGB 116 188 183, RGB 183 117 189 and RGB 189 183 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 188 183 shade: RGB 116 188 183, RGB 126 117 189, RGB 189 117 123 and RGB 180 189 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 188 183 shade: RGB 116 188 183, RGB 147 117 189, RGB 189 117 123 and RGB 159 189 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 3 / 26

HEX #74BCB7

RGB 116 188 183

HSL 175.83, 0.35%, 0.6%

LAB 71.62, -23.68, -4.6

 

Complementary color

CMYK 0 / 52 / 48 / 45

HEX #8B4348

RGB 139 67 72

HSL 355.83, 0.35%, 0.4%

LAB 37.79, 31.09, 11.39

 

CMYK 36 / 0 / 5 / 26

HEX #79BCB2

RGB 121 188 178

HSL 171.04, 0.33%, 0.61%

LAB 71.72, -23.51, -1.69

 

CMYK 33 / 0 / 4 / 19

HEX #8ACEC5

RGB 138 206 197

HSL 172.06, 0.41%, 0.67%

LAB 78.21, -23.36, -2.36

 

CMYK 31 / 0 / 4 / 12

HEX #9BE0D8

RGB 155 224 216

HSL 173.04, 0.53%, 0.74%

LAB 84.61, -23.22, -3

 

CMYK 29 / 0 / 3 / 5

HEX #ACF2EB

RGB 172 242 235

HSL 174, 0.73%, 0.81%

LAB 90.9, -23.1, -3.62

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFE

RGB 189 255 254

HSL 179.09, 1%, 0.87%

LAB 95.79, -20.55, -6.17

 

CMYK 38 / 0 / 3 / 26

HEX #74BCB7

RGB 116 188 183

HSL 175.83, 0.35%, 0.6%

LAB 71.62, -23.68, -4.6

 

CMYK 42 / 0 / 4 / 33

HEX #63AAA4

RGB 99 170 164

HSL 174.93, 0.29%, 0.53%

LAB 65.03, -23.77, -3.92

 

CMYK 46 / 0 / 5 / 40

HEX #529891

RGB 82 152 145

HSL 174, 0.3%, 0.46%

LAB 58.32, -23.83, -3.18

 

CMYK 51 / 0 / 6 / 47

HEX #41867E

RGB 65 134 126

HSL 173.04, 0.35%, 0.39%

LAB 51.47, -23.85, -2.39

 

CMYK 59 / 0 / 8 / 55

HEX #30746B

RGB 48 116 107

HSL 172.06, 0.41%, 0.32%

LAB 44.49, -23.77, -1.49

 

CMYK 38 / 0 / 3 / 26

HEX #75BDB8

RGB 117 189 184

HSL 175.83, 0.35%, 0.6%

LAB 71.99, -23.67, -4.6

 

CMYK 38 / 0 / 13 / 26

HEX #75BDA4

RGB 117 189 164

HSL 159.17, 0.35%, 0.6%

LAB 71.46, -28.29, 5.55

 

CMYK 38 / 0 / 23 / 26

HEX #75BD91

RGB 117 189 145

HSL 143.33, 0.35%, 0.6%

LAB 71.02, -32.25, 15.26

 

CMYK 38 / 0 / 33 / 26

HEX #75BD7E

RGB 117 189 126

HSL 127.5, 0.35%, 0.6%

LAB 70.65, -35.74, 24.94

 

CMYK 32 / 0 / 38 / 26

HEX #80BD75

RGB 128 189 117

HSL 110.83, 0.35%, 0.6%

LAB 71.06, -33.64, 30.31

 

CMYK 38 / 0 / 3 / 26

HEX #75BDB8

RGB 117 189 184

HSL 175.83, 0.35%, 0.6%

LAB 71.99, -23.67, -4.6

 

CMYK 38 / 8 / 0 / 26

HEX #75AEBD

RGB 117 174 189

HSL 192.5, 0.35%, 0.6%

LAB 67.82, -14.7, -13.56

 

CMYK 38 / 18 / 0 / 26

HEX #759BBD

RGB 117 155 189

HSL 208.33, 0.35%, 0.6%

LAB 62.42, -4.37, -21.74

 

CMYK 38 / 28 / 0 / 26

HEX #7588BD

RGB 117 136 189

HSL 224.17, 0.35%, 0.6%

LAB 57.14, 6.49, -29.88

 

CMYK 38 / 38 / 0 / 26

HEX #7575BD

RGB 117 117 189

HSL 240, 0.35%, 0.6%

LAB 52.04, 17.78, -37.84

 

CMYK 38 / 0 / 3 / 26

HEX #75BDB8

RGB 117 189 184

HSL 175.83, 0.35%, 0.6%

LAB 71.99, -23.67, -4.6

 

CMYK 51 / 0 / 3 / 20

HEX #65CDC6

RGB 101 205 198

HSL 175.96, 0.51%, 0.6%

LAB 76.38, -31.82, -5.78

 

CMYK 62 / 0 / 5 / 13

HEX #54DED4

RGB 84 222 212

HSL 175.65, 0.68%, 0.6%

LAB 81.23, -39.27, -6.17

 

CMYK 71 / 0 / 5 / 7

HEX #44EEE2

RGB 68 238 226

HSL 175.76, 0.83%, 0.6%

LAB 85.94, -44.9, -6.64

 

CMYK 80 / 0 / 5 / 0

HEX #33FFF1

RGB 51 255 241

HSL 175.88, 1%, 0.6%

LAB 91.04, -49.84, -6.95

 

CMYK 38 / 0 / 3 / 26

HEX #75BDB8

RGB 117 189 184

HSL 175.83, 0.35%, 0.6%

LAB 71.99, -23.67, -4.6

 

CMYK 22 / 0 / 1 / 33

HEX #86ACAA

RGB 134 172 170

HSL 176.84, 0.19%, 0.6%

LAB 67.63, -13.23, -3.2

 

CMYK 4 / 0 / 1 / 39

HEX #969C9B

RGB 150 156 155

HSL 170, 0.03%, 0.6%

LAB 63.86, -2.34, -0.23

 

CMYK 0 / 17 / 16 / 35

HEX #A78B8D

RGB 167 139 141

HSL 355.71, 0.14%, 0.6%

LAB 60.43, 10.9, 2.89

 

CMYK 0 / 33 / 31 / 28

HEX #B77B7F

RGB 183 123 127

HSL 356, 0.29%, 0.6%

LAB 57.81, 23.93, 7.39

 

CMYK 38 / 0 / 23 / 26

HEX #75BD91

RGB 117 189 145

HSL 143.33, 0.35%, 0.6%

LAB 71.02, -32.25, 15.26

 

CMYK 38 / 0 / 13 / 26

HEX #75BDA4

RGB 117 189 164

HSL 159.17, 0.35%, 0.6%

LAB 71.46, -28.29, 5.55

 

CMYK 38 / 0 / 3 / 26

HEX #75BDB7

RGB 117 189 183

HSL 175, 0.35%, 0.6%

LAB 71.96, -23.91, -4.09

 

CMYK 38 / 7 / 0 / 26

HEX #75B0BD

RGB 117 176 189

HSL 190.83, 0.35%, 0.6%

LAB 68.39, -15.76, -12.7

 

CMYK 38 / 17 / 0 / 26

HEX #759DBD

RGB 117 157 189

HSL 206.67, 0.35%, 0.6%

LAB 62.99, -5.49, -20.88

 

CMYK 52 / 0 / 4 / 41

HEX #499791

RGB 73 151 145

HSL 175.38, 0.35%, 0.44%

LAB 57.65, -25.49, -4.21

 

CMYK 49 / 0 / 3 / 31

HEX #59AFA9

RGB 89 175 169

HSL 175.81, 0.35%, 0.52%

LAB 66.25, -27.43, -4.94

 

CMYK 38 / 0 / 3 / 26

HEX #75BDB8

RGB 117 189 184

HSL 175.83, 0.35%, 0.6%

LAB 71.99, -23.67, -4.6

 

CMYK 28 / 0 / 2 / 21

HEX #91CAC6

RGB 145 202 198

HSL 175.79, 0.35%, 0.68%

LAB 77.48, -19.13, -3.93

 

CMYK 20 / 0 / 1 / 15

HEX #ADD8D5

RGB 173 216 213

HSL 175.81, 0.36%, 0.76%

LAB 83.34, -14.57, -3.16

 

CMYK 38 / 0 / 3 / 26

HEX #74BCB7

RGB 116 188 183

HSL 175.83, 0.35%, 0.6%

LAB 71.62, -23.68, -4.6

 

CMYK 33 / 38 / 0 / 26

HEX #7E75BD

RGB 126 117 189

HSL 247.5, 0.35%, 0.6%

LAB 52.77, 20.29, -36.65

 

CMYK 0 / 19 / 38 / 26

HEX #BD9A75

RGB 189 154 117

HSL 30.83, 0.35%, 0.6%

LAB 65.92, 7.85, 24.33

 

CMYK 38 / 0 / 3 / 26

HEX #74BCB7

RGB 116 188 183

HSL 175.83, 0.35%, 0.6%

LAB 71.62, -23.68, -4.6

 

CMYK 3 / 38 / 0 / 26

HEX #B775BD

RGB 183 117 189

HSL 295, 0.35%, 0.6%

LAB 58.47, 37.63, -27.33

 

CMYK 0 / 3 / 38 / 26

HEX #BDB775

RGB 189 183 117

HSL 55, 0.35%, 0.6%

LAB 73.53, -7.7, 34.33

 

CMYK 38 / 0 / 3 / 26

HEX #74BCB7

RGB 116 188 183

HSL 175.83, 0.35%, 0.6%

LAB 71.62, -23.68, -4.6

 

CMYK 33 / 38 / 0 / 26

HEX #7E75BD

RGB 126 117 189

HSL 247.5, 0.35%, 0.6%

LAB 52.77, 20.29, -36.65

 

CMYK 0 / 38 / 35 / 26

HEX #BD757B

RGB 189 117 123

HSL 355, 0.35%, 0.6%

LAB 57.05, 29.03, 8.71

 

CMYK 5 / 0 / 38 / 26

HEX #B4BD75

RGB 180 189 117

HSL 67.5, 0.35%, 0.6%

LAB 74.43, -14.39, 35.35

 

CMYK 38 / 0 / 3 / 26

HEX #74BCB7

RGB 116 188 183

HSL 175.83, 0.35%, 0.6%

LAB 71.62, -23.68, -4.6

 

CMYK 22 / 38 / 0 / 26

HEX #9375BD

RGB 147 117 189

HSL 265, 0.35%, 0.6%

LAB 54.66, 26.46, -33.55

 

CMYK 0 / 38 / 35 / 26

HEX #BD757B

RGB 189 117 123

HSL 355, 0.35%, 0.6%

LAB 57.05, 29.03, 8.71

 

CMYK 16 / 0 / 38 / 26

HEX #9FBD75

RGB 159 189 117

HSL 85, 0.35%, 0.6%

LAB 72.93, -22.52, 33.11

 

Description

Color code: RGB 116 188 183 | qconv.com Color code: RGB 116 188 183 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 188 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 188 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 3 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 3% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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