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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 144.8 247.4 it is the complementary color RGB 139 110.2 7.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 144.8 247.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 144.8 247.4 shade: RGB 121 144.8 242.4, RGB 138 162.8 255, RGB 155 180.8 255, RGB 172 198.8 255 and RGB 189 216.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 144.8 247.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 144.8 247.4 shade: RGB 116 144.8 247.4, RGB 99 126.8 228.4, RGB 82 108.8 209.4, RGB 65 90.8 190.4 and RGB 48 72.8 171.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 144.8 247.4 shade: RGB 114 144 248, RGB 121 114 248, RGB 157 114 248, RGB 193 114 248 and RGB 229 114 248

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 144.8 247.4 shade: RGB 114 144 248 and RGB 114 114 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 144.8 247.4 shade matches the following richer shades: RGB 114 144 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 144.8 247.4 shade: RGB 114 144 248, RGB 126 150 236, RGB 138 157 224, RGB 150 164 212 and RGB 162 171 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 144.8 247.4 shade: RGB 114 217 248, RGB 114 181 248, RGB 114 146 248, RGB 119 114 248 and RGB 154 114 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 144.8 247.4 shade: RGB 36 82 243, RGB 75 113 246, RGB 114 144 248, RGB 154 175 250 and RGB 193 206 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 144.8 247.4 shade: RGB 116 144.8 247.4, RGB 243 114 248 and RGB 199 248 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 144.8 247.4 shade: RGB 116 144.8 247.4, RGB 248 114 146 and RGB 146 248 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 144.8 247.4 shade: RGB 116 144.8 247.4, RGB 243 114 248, RGB 248 217 114 and RGB 119 248 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 144.8 247.4 shade: RGB 116 144.8 247.4, RGB 248 114 212, RGB 248 217 114 and RGB 114 248 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 41 / 0 / 3

HEX #7490F7

RGB 116 144.8 247.4

HSL 226.85, 0.9%, 0.71%

LAB 62.2, 18.36, -54.54

 

Complementary color

CMYK 0 / 21 / 95 / 45

HEX #8B6E07

RGB 139 110.2 7.6

HSL 46.85, 0.9%, 0.29%

LAB 47.88, 2.37, 52.67

 

CMYK 50 / 40 / 0 / 5

HEX #7990F2

RGB 121 144.8 242.4

HSL 228.24, 0.83%, 0.71%

LAB 62.24, 17.91, -51.71

 

CMYK 46 / 36 / 0 / 0

HEX #8AA2FF

RGB 138 162.8 255

HSL 227.28, 1%, 0.77%

LAB 68.57, 15.09, -48.53

 

CMYK 39 / 29 / 0 / 0

HEX #9BB4FF

RGB 155 180.8 255

HSL 224.52, 1%, 0.8%

LAB 74.29, 9.14, -39.5

 

CMYK 33 / 22 / 0 / 0

HEX #ACC6FF

RGB 172 198.8 255

HSL 220.63, 1%, 0.84%

LAB 80.04, 3.82, -30.52

 

CMYK 26 / 15 / 0 / 0

HEX #BDD8FF

RGB 189 216.8 255

HSL 214.73, 1%, 0.87%

LAB 85.79, -0.95, -21.65

 

CMYK 53 / 41 / 0 / 3

HEX #7490F7

RGB 116 144.8 247.4

HSL 226.85, 0.9%, 0.71%

LAB 62.2, 18.36, -54.54

 

CMYK 57 / 44 / 0 / 10

HEX #637EE4

RGB 99 126.8 228.4

HSL 227.11, 0.71%, 0.64%

LAB 55.49, 19.61, -54.78

 

CMYK 61 / 48 / 0 / 18

HEX #526CD1

RGB 82 108.8 209.4

HSL 227.38, 0.58%, 0.57%

LAB 48.65, 21.12, -55.05

 

CMYK 66 / 52 / 0 / 25

HEX #415ABE

RGB 65 90.8 190.4

HSL 227.66, 0.49%, 0.5%

LAB 41.7, 22.94, -55.35

 

CMYK 72 / 58 / 0 / 33

HEX #3048AB

RGB 48 72.8 171.4

HSL 227.94, 0.56%, 0.43%

LAB 34.65, 25.19, -55.63

 

CMYK 54 / 42 / 0 / 3

HEX #7290F8

RGB 114 144 248

HSL 226.57, 0.91%, 0.71%

LAB 61.91, 18.6, -55.34

 

CMYK 51 / 54 / 0 / 3

HEX #7972F8

RGB 121 114 248

HSL 243.13, 0.91%, 0.71%

LAB 54.95, 37.8, -66.48

 

CMYK 37 / 54 / 0 / 3

HEX #9D72F8

RGB 157 114 248

HSL 259.25, 0.91%, 0.71%

LAB 58.02, 45.6, -61.38

 

CMYK 22 / 54 / 0 / 3

HEX #C172F8

RGB 193 114 248

HSL 275.37, 0.91%, 0.71%

LAB 61.78, 54.29, -55.14

 

CMYK 8 / 54 / 0 / 3

HEX #E572F8

RGB 229 114 248

HSL 291.49, 0.91%, 0.71%

LAB 66.11, 63.41, -48.01

 

CMYK 54 / 42 / 0 / 3

HEX #7290F8

RGB 114 144 248

HSL 226.57, 0.91%, 0.71%

LAB 61.91, 18.6, -55.34

 

CMYK 54 / 54 / 0 / 3

HEX #7272F8

RGB 114 114 248

HSL 240, 0.91%, 0.71%

LAB 54.44, 36.44, -67.33

 

CMYK 54 / 42 / 0 / 3

HEX #7290F8

RGB 114 144 248

HSL 226.57, 0.91%, 0.71%

LAB 61.91, 18.6, -55.34

 

CMYK 54 / 42 / 0 / 3

HEX #7290F8

RGB 114 144 248

HSL 226.57, 0.91%, 0.71%

LAB 61.91, 18.6, -55.34

 

CMYK 47 / 36 / 0 / 7

HEX #7E96EC

RGB 126 150 236

HSL 226.91, 0.74%, 0.71%

LAB 63.59, 14.11, -46.03

 

CMYK 38 / 30 / 0 / 12

HEX #8A9DE0

RGB 138 157 224

HSL 226.74, 0.58%, 0.71%

LAB 65.67, 9.71, -36.1

 

CMYK 29 / 23 / 0 / 17

HEX #96A4D4

RGB 150 164 212

HSL 226.45, 0.42%, 0.71%

LAB 67.86, 6.01, -26.02

 

CMYK 19 / 15 / 0 / 22

HEX #A2ABC8

RGB 162 171 200

HSL 225.79, 0.26%, 0.71%

LAB 70.16, 2.97, -15.83

 

CMYK 54 / 13 / 0 / 3

HEX #72D9F8

RGB 114 217 248

HSL 193.88, 0.91%, 0.71%

LAB 81.83, -21.58, -24.31

 

CMYK 54 / 27 / 0 / 3

HEX #72B5F8

RGB 114 181 248

HSL 210, 0.91%, 0.71%

LAB 71.83, -2.61, -39.72

 

CMYK 54 / 41 / 0 / 3

HEX #7292F8

RGB 114 146 248

HSL 225.67, 0.91%, 0.71%

LAB 62.43, 17.42, -54.51

 

CMYK 52 / 54 / 0 / 3

HEX #7772F8

RGB 119 114 248

HSL 242.24, 0.91%, 0.71%

LAB 54.8, 37.41, -66.73

 

CMYK 38 / 54 / 0 / 3

HEX #9A72F8

RGB 154 114 248

HSL 257.91, 0.91%, 0.71%

LAB 57.73, 44.9, -61.85

 

CMYK 85 / 66 / 0 / 5

HEX #2452F3

RGB 36 82 243

HSL 226.67, 0.9%, 0.55%

LAB 42.58, 44.5, -84.03

 

CMYK 70 / 54 / 0 / 4

HEX #4B71F6

RGB 75 113 246

HSL 226.67, 0.9%, 0.63%

LAB 51.79, 30.03, -70.61

 

CMYK 54 / 42 / 0 / 3

HEX #7290F8

RGB 114 144 248

HSL 226.57, 0.91%, 0.71%

LAB 61.91, 18.6, -55.34

 

CMYK 38 / 30 / 0 / 2

HEX #9AAFFA

RGB 154 175 250

HSL 226.88, 0.91%, 0.79%

LAB 72.52, 10.78, -39.56

 

CMYK 23 / 18 / 0 / 1

HEX #C1CEFC

RGB 193 206 252

HSL 226.78, 0.91%, 0.87%

LAB 83.18, 5.26, -23.99

 

CMYK 53 / 41 / 0 / 3

HEX #7490F7

RGB 116 144.8 247.4

HSL 226.85, 0.9%, 0.71%

LAB 62.2, 18.36, -54.54

 

CMYK 2 / 54 / 0 / 3

HEX #F372F8

RGB 243 114 248

HSL 297.76, 0.91%, 0.71%

LAB 67.92, 67, -45.04

 

CMYK 20 / 0 / 54 / 3

HEX #C7F872

RGB 199 248 114

HSL 81.94, 0.91%, 0.71%

LAB 91.91, -35.81, 58.43

 

CMYK 53 / 41 / 0 / 3

HEX #7490F7

RGB 116 144.8 247.4

HSL 226.85, 0.9%, 0.71%

LAB 62.2, 18.36, -54.54

 

CMYK 0 / 54 / 41 / 3

HEX #F87292

RGB 248 114 146

HSL 345.67, 0.91%, 0.71%

LAB 65.02, 54.2, 7.91

 

CMYK 41 / 0 / 54 / 3

HEX #92F872

RGB 146 248 114

HSL 105.67, 0.91%, 0.71%

LAB 89.14, -53.75, 54.49

 

CMYK 53 / 41 / 0 / 3

HEX #7490F7

RGB 116 144.8 247.4

HSL 226.85, 0.9%, 0.71%

LAB 62.2, 18.36, -54.54

 

CMYK 2 / 54 / 0 / 3

HEX #F372F8

RGB 243 114 248

HSL 297.76, 0.91%, 0.71%

LAB 67.92, 67, -45.04

 

CMYK 0 / 13 / 54 / 3

HEX #F8D972

RGB 248 217 114

HSL 46.12, 0.91%, 0.71%

LAB 87.39, -1.62, 54.05

 

CMYK 52 / 0 / 54 / 3

HEX #77F872

RGB 119 248 114

HSL 117.76, 0.91%, 0.71%

LAB 88.1, -61.29, 53

 

CMYK 53 / 41 / 0 / 3

HEX #7490F7

RGB 116 144.8 247.4

HSL 226.85, 0.9%, 0.71%

LAB 62.2, 18.36, -54.54

 

CMYK 0 / 54 / 15 / 3

HEX #F872D4

RGB 248 114 212

HSL 316.12, 0.91%, 0.71%

LAB 67.08, 62.56, -26.35

 

CMYK 0 / 13 / 54 / 3

HEX #F8D972

RGB 248 217 114

HSL 46.12, 0.91%, 0.71%

LAB 87.39, -1.62, 54.05

 

CMYK 54 / 0 / 40 / 3

HEX #72F896

RGB 114 248 150

HSL 136.12, 0.91%, 0.71%

LAB 88.41, -57.43, 36.17

 

Description

Color code: RGB 116 144.8 247.4 | qconv.com Color code: RGB 116 144.8 247.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 144.8 green and 247.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 144.8 247.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 41 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 41% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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