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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 136 237 it is the complementary color RGB 139 119 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 136 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 136 237 shade: RGB 121 136 232, RGB 138 154 251, RGB 155 172 255, RGB 172 190 255 and RGB 189 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 136 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 136 237 shade: RGB 116 136 237, RGB 99 118 218, RGB 82 100 199, RGB 65 82 180 and RGB 48 64 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 136 237 shade: RGB 115 135 237, RGB 128 115 237, RGB 161 115 237, RGB 193 115 237 and RGB 226 115 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 136 237 shade: RGB 115 135 237 and RGB 115 115 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 136 237 shade matches the following richer shades: RGB 115 135 237 and RGB 102 127 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 136 237 shade: RGB 115 135 237, RGB 128 144 224, RGB 141 152 211, RGB 153 161 198 and RGB 166 169 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 136 237 shade: RGB 115 200 237, RGB 115 168 237, RGB 115 135 237, RGB 127 115 237 and RGB 160 115 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 136 237 shade: RGB 42 73 227, RGB 79 104 232, RGB 115 135 237, RGB 152 166 242 and RGB 188 198 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 136 237 shade: RGB 116 136 237, RGB 237 115 233 and RGB 184 237 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 136 237 shade: RGB 116 136 237, RGB 237 115 135 and RGB 135 237 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 136 237 shade: RGB 116 136 237, RGB 237 115 233, RGB 237 217 115 and RGB 115 237 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 136 237 shade: RGB 116 136 237, RGB 237 115 196, RGB 237 217 115 and RGB 115 237 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 43 / 0 / 7

HEX #7488ED

RGB 116 136 237

HSL 230.08, 0.77%, 0.69%

LAB 59.38, 20.36, -53.3

 

Complementary color

CMYK 0 / 14 / 87 / 45

HEX #8B7712

RGB 139 119 18

HSL 50.08, 0.77%, 0.31%

LAB 50.37, -2.41, 52.24

 

CMYK 48 / 41 / 0 / 9

HEX #7988E8

RGB 121 136 232

HSL 231.89, 0.71%, 0.69%

LAB 59.43, 19.97, -50.42

 

CMYK 45 / 39 / 0 / 2

HEX #8A9AFB

RGB 138 154 251

HSL 231.5, 0.93%, 0.76%

LAB 66.12, 19, -50.22

 

CMYK 39 / 33 / 0 / 0

HEX #9BACFF

RGB 155 172 255

HSL 229.8, 1%, 0.8%

LAB 72.02, 14.06, -43.03

 

CMYK 33 / 25 / 0 / 0

HEX #ACBEFF

RGB 172 190 255

HSL 226.99, 1%, 0.84%

LAB 77.77, 8.6, -34.02

 

CMYK 26 / 18 / 0 / 0

HEX #BDD0FF

RGB 189 208 255

HSL 222.73, 1%, 0.87%

LAB 83.52, 3.71, -25.09

 

CMYK 51 / 43 / 0 / 7

HEX #7488ED

RGB 116 136 237

HSL 230.08, 0.77%, 0.69%

LAB 59.38, 20.36, -53.3

 

CMYK 55 / 46 / 0 / 15

HEX #6376DA

RGB 99 118 218

HSL 230.42, 0.62%, 0.62%

LAB 52.59, 21.61, -53.57

 

CMYK 59 / 50 / 0 / 22

HEX #5264C7

RGB 82 100 199

HSL 230.77, 0.51%, 0.55%

LAB 45.68, 23.11, -53.87

 

CMYK 64 / 54 / 0 / 29

HEX #4152B4

RGB 65 82 180

HSL 231.13, 0.47%, 0.48%

LAB 38.64, 24.92, -54.19

 

CMYK 70 / 60 / 0 / 37

HEX #3040A1

RGB 48 64 161

HSL 231.5, 0.54%, 0.41%

LAB 31.51, 27.16, -54.5

 

CMYK 51 / 43 / 0 / 7

HEX #7387ED

RGB 115 135 237

HSL 230.16, 0.77%, 0.69%

LAB 59.05, 20.74, -53.82

 

CMYK 46 / 51 / 0 / 7

HEX #8073ED

RGB 128 115 237

HSL 246.39, 0.77%, 0.69%

LAB 55.04, 35.44, -60.19

 

CMYK 32 / 51 / 0 / 7

HEX #A173ED

RGB 161 115 237

HSL 262.62, 0.77%, 0.69%

LAB 57.99, 43.21, -55.29

 

CMYK 19 / 51 / 0 / 7

HEX #C173ED

RGB 193 115 237

HSL 278.36, 0.77%, 0.69%

LAB 61.41, 51.4, -49.66

 

CMYK 5 / 51 / 0 / 7

HEX #E273ED

RGB 226 115 237

HSL 294.59, 0.77%, 0.69%

LAB 65.39, 60.15, -43.1

 

CMYK 51 / 43 / 0 / 7

HEX #7387ED

RGB 115 135 237

HSL 230.16, 0.77%, 0.69%

LAB 59.05, 20.74, -53.82

 

CMYK 51 / 51 / 0 / 7

HEX #7373ED

RGB 115 115 237

HSL 240, 0.77%, 0.69%

LAB 54.05, 32.68, -61.83

 

CMYK 51 / 43 / 0 / 7

HEX #7387ED

RGB 115 135 237

HSL 230.16, 0.77%, 0.69%

LAB 59.05, 20.74, -53.82

 

CMYK 59 / 49 / 0 / 2

HEX #667FFA

RGB 102 127 250

HSL 229.86, 0.94%, 0.69%

LAB 56.98, 27.07, -64.37

 

CMYK 51 / 43 / 0 / 7

HEX #7387ED

RGB 115 135 237

HSL 230.16, 0.77%, 0.69%

LAB 59.05, 20.74, -53.82

 

CMYK 43 / 36 / 0 / 12

HEX #8090E0

RGB 128 144 224

HSL 230, 0.61%, 0.69%

LAB 61.58, 14.62, -42.54

 

CMYK 33 / 28 / 0 / 17

HEX #8D98D3

RGB 141 152 211

HSL 230.57, 0.44%, 0.69%

LAB 64.02, 9.93, -31.45

 

CMYK 23 / 19 / 0 / 22

HEX #99A1C6

RGB 153 161 198

HSL 229.33, 0.28%, 0.69%

LAB 66.78, 5.21, -19.91

 

CMYK 11 / 9 / 0 / 27

HEX #A6A9BA

RGB 166 169 186

HSL 231, 0.13%, 0.69%

LAB 69.49, 2.35, -9.07

 

CMYK 51 / 16 / 0 / 7

HEX #73C8ED

RGB 115 200 237

HSL 198.2, 0.77%, 0.69%

LAB 76.72, -15.79, -26.23

 

CMYK 51 / 29 / 0 / 7

HEX #73A8ED

RGB 115 168 237

HSL 213.93, 0.77%, 0.69%

LAB 67.85, 1.55, -39.95

 

CMYK 51 / 43 / 0 / 7

HEX #7387ED

RGB 115 135 237

HSL 230.16, 0.77%, 0.69%

LAB 59.05, 20.74, -53.82

 

CMYK 46 / 51 / 0 / 7

HEX #7F73ED

RGB 127 115 237

HSL 245.9, 0.77%, 0.69%

LAB 54.96, 35.22, -60.32

 

CMYK 32 / 51 / 0 / 7

HEX #A073ED

RGB 160 115 237

HSL 262.13, 0.77%, 0.69%

LAB 57.89, 42.97, -55.45

 

CMYK 81 / 68 / 0 / 11

HEX #2A49E3

RGB 42 73 227

HSL 229.95, 0.77%, 0.53%

LAB 39.25, 44.69, -80.47

 

CMYK 66 / 55 / 0 / 9

HEX #4F68E8

RGB 79 104 232

HSL 230.2, 0.77%, 0.61%

LAB 48.75, 31.32, -67.7

 

CMYK 51 / 43 / 0 / 7

HEX #7387ED

RGB 115 135 237

HSL 230.16, 0.77%, 0.69%

LAB 59.05, 20.74, -53.82

 

CMYK 37 / 31 / 0 / 5

HEX #98A6F2

RGB 152 166 242

HSL 230.67, 0.78%, 0.77%

LAB 69.72, 13.18, -39.58

 

CMYK 24 / 20 / 0 / 4

HEX #BCC6F6

RGB 188 198 246

HSL 229.66, 0.76%, 0.85%

LAB 80.59, 6.7, -24.78

 

CMYK 51 / 43 / 0 / 7

HEX #7488ED

RGB 116 136 237

HSL 230.08, 0.77%, 0.69%

LAB 59.38, 20.36, -53.3

 

CMYK 0 / 51 / 2 / 7

HEX #ED73E9

RGB 237 115 233

HSL 301.97, 0.77%, 0.69%

LAB 66.63, 62.4, -38.84

 

CMYK 22 / 0 / 51 / 7

HEX #B8ED73

RGB 184 237 115

HSL 86.07, 0.77%, 0.69%

LAB 87.97, -36.21, 53.12

 

CMYK 51 / 43 / 0 / 7

HEX #7488ED

RGB 116 136 237

HSL 230.08, 0.77%, 0.69%

LAB 59.38, 20.36, -53.3

 

CMYK 0 / 51 / 43 / 7

HEX #ED7387

RGB 237 115 135

HSL 350.16, 0.77%, 0.69%

LAB 63.36, 48.88, 11.63

 

CMYK 43 / 0 / 51 / 7

HEX #87ED73

RGB 135 237 115

HSL 110.16, 0.77%, 0.69%

LAB 85.48, -52.49, 49.54

 

CMYK 51 / 43 / 0 / 7

HEX #7488ED

RGB 116 136 237

HSL 230.08, 0.77%, 0.69%

LAB 59.38, 20.36, -53.3

 

CMYK 0 / 51 / 2 / 7

HEX #ED73E9

RGB 237 115 233

HSL 301.97, 0.77%, 0.69%

LAB 66.63, 62.4, -38.84

 

CMYK 0 / 8 / 51 / 7

HEX #EDD973

RGB 237 217 115

HSL 50.16, 0.77%, 0.69%

LAB 86.44, -5.98, 52.22

 

CMYK 51 / 0 / 50 / 7

HEX #73ED77

RGB 115 237 119

HSL 121.97, 0.77%, 0.69%

LAB 84.76, -57.51, 46.61

 

CMYK 51 / 43 / 0 / 7

HEX #7488ED

RGB 116 136 237

HSL 230.08, 0.77%, 0.69%

LAB 59.38, 20.36, -53.3

 

CMYK 0 / 51 / 17 / 7

HEX #ED73C4

RGB 237 115 196

HSL 320.16, 0.77%, 0.69%

LAB 65.16, 56.52, -20.45

 

CMYK 0 / 8 / 51 / 7

HEX #EDD973

RGB 237 217 115

HSL 50.16, 0.77%, 0.69%

LAB 86.44, -5.98, 52.22

 

CMYK 51 / 0 / 34 / 7

HEX #73ED9C

RGB 115 237 156

HSL 140.16, 0.77%, 0.69%

LAB 85.31, -51.78, 29.05

 

Description

Color code: RGB 116 136 237 | qconv.com Color code: RGB 116 136 237 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 136 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 136 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 43 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 43% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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