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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 128 89 it is the complementary color RGB 139 127 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 128 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 128 89: RGB 121 128 84, RGB 138 146 103, RGB 155 164 122, RGB 172 182 141 and RGB 189 200 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 128 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 128 89: RGB 116 128 89, RGB 99 110 70, RGB 82 92 51, RGB 65 74 32 and RGB 48 56 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

Complementary color

CMYK 16 / 23 / 0 / 35

HEX #8B7FA6

RGB 139 127 166

HSL 258.46, 0.18%, 0.57%

LAB 55.5, 12.67, -19.09

 

CMYK 5 / 0 / 34 / 50

HEX #798054

RGB 121 128 84

HSL 69.55, 0.21%, 0.42%

LAB 52, -10.26, 23.06

 

CMYK 5 / 0 / 29 / 43

HEX #8A9267

RGB 138 146 103

HSL 71.16, 0.17%, 0.49%

LAB 58.92, -10.41, 21.88

 

CMYK 5 / 0 / 26 / 36

HEX #9BA47A

RGB 155 164 122

HSL 72.86, 0.19%, 0.56%

LAB 65.69, -10.53, 20.78

 

CMYK 5 / 0 / 23 / 29

HEX #ACB68D

RGB 172 182 141

HSL 74.63, 0.22%, 0.63%

LAB 72.33, -10.62, 19.75

 

CMYK 5 / 0 / 20 / 22

HEX #BDC8A0

RGB 189 200 160

HSL 76.5, 0.27%, 0.71%

LAB 78.85, -10.7, 18.78

 

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

CMYK 10 / 0 / 36 / 57

HEX #636E46

RGB 99 110 70

HSL 76.5, 0.22%, 0.35%

LAB 44.58, -11.52, 20.97

 

CMYK 11 / 0 / 45 / 64

HEX #525C33

RGB 82 92 51

HSL 74.63, 0.29%, 0.28%

LAB 37.27, -11.39, 22.27

 

CMYK 12 / 0 / 57 / 71

HEX #414A20

RGB 65 74 32

HSL 72.86, 0.4%, 0.21%

LAB 29.73, -11.14, 23.62

 

CMYK 14 / 0 / 77 / 78

HEX #30380D

RGB 48 56 13

HSL 71.16, 0.62%, 0.14%

LAB 21.89, -10.66, 24.72

 

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

CMYK 15 / 0 / 31 / 49

HEX #6E8159

RGB 110 129 89

HSL 88.5, 0.18%, 0.43%

LAB 51.54, -14.55, 19.47

 

CMYK 19 / 0 / 31 / 49

HEX #688159

RGB 104 129 89

HSL 97.5, 0.18%, 0.43%

LAB 51.11, -16.91, 18.82

 

CMYK 25 / 0 / 31 / 49

HEX #618159

RGB 97 129 89

HSL 108, 0.18%, 0.43%

LAB 50.64, -19.58, 18.11

 

CMYK 29 / 0 / 31 / 49

HEX #5B8159

RGB 91 129 89

HSL 117, 0.18%, 0.43%

LAB 50.27, -21.79, 17.54

 

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

CMYK 9 / 0 / 31 / 30

HEX #A2B37C

RGB 162 179 124

HSL 78.55, 0.27%, 0.59%

LAB 70.44, -15.37, 26.19

 

CMYK 10 / 0 / 30 / 10

HEX #D0E6A0

RGB 208 230 160

HSL 78.86, 0.58%, 0.76%

LAB 88.23, -18.79, 31.77

 

CMYK 8 / 0 / 31 / 90

HEX #181A12

RGB 24 26 18

HSL 75, 0.18%, 0.09%

LAB 8.8, -2.88, 4.93

 

CMYK 9 / 0 / 30 / 70

HEX #464D36

RGB 70 77 54

HSL 78.26, 0.18%, 0.26%

LAB 31.52, -7.48, 12.74

 

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

CMYK 31 / 0 / 16 / 49

HEX #59816D

RGB 89 129 109

HSL 150, 0.18%, 0.43%

LAB 50.6, -18.51, 6.42

 

CMYK 3 / 31 / 0 / 49

HEX #7D5981

RGB 125 89 129

HSL 294, 0.18%, 0.43%

LAB 42.9, 22.16, -16.61

 

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

CMYK 31 / 9 / 0 / 49

HEX #597581

RGB 89 117 129

HSL 198, 0.18%, 0.43%

LAB 47.54, -7.04, -9.88

 

CMYK 0 / 31 / 9 / 49

HEX #815975

RGB 129 89 117

HSL 318, 0.18%, 0.43%

LAB 42.91, 21.22, -9.25

 

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

CMYK 31 / 0 / 16 / 49

HEX #59816D

RGB 89 129 109

HSL 150, 0.18%, 0.43%

LAB 50.6, -18.51, 6.42

 

CMYK 22 / 31 / 0 / 49

HEX #655981

RGB 101 89 129

HSL 258, 0.18%, 0.43%

LAB 40.4, 13.84, -20.66

 

CMYK 0 / 31 / 16 / 49

HEX #81596D

RGB 129 89 109

HSL 330, 0.18%, 0.43%

LAB 42.64, 19.76, -4.77

 

CMYK 9 / 0 / 30 / 50

HEX #748059

RGB 116 128 89

HSL 78.46, 0.18%, 0.43%

LAB 51.69, -11.6, 19.75

 

CMYK 31 / 0 / 6 / 49

HEX #598179

RGB 89 129 121

HSL 168, 0.18%, 0.43%

LAB 50.93, -15.77, -0.13

 

CMYK 22 / 31 / 0 / 49

HEX #655981

RGB 101 89 129

HSL 258, 0.18%, 0.43%

LAB 40.4, 13.84, -20.66

 

CMYK 0 / 31 / 25 / 49

HEX #815961

RGB 129 89 97

HSL 348, 0.18%, 0.43%

LAB 42.27, 17.73, 2.04

 

Description

Color code: RGB 116 128 89 | qconv.com Color code: RGB 116 128 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 128 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 128 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 30 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 30% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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