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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 101 80 it is the complementary color RGB 139 154 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 101 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 101 80 shade: RGB 121 101 75, RGB 138 119 94, RGB 155 137 113, RGB 172 155 132 and RGB 189 173 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 101 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 101 80 shade: RGB 116 101 80, RGB 99 83 61, RGB 82 65 42, RGB 65 47 23 and RGB 48 29 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 101 80 shade: RGB 114 100 79, RGB 114 90 79, RGB 114 81 79 and RGB 114 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 101 80 shade: RGB 114 100 79, RGB 114 109 79, RGB 110 114 79, RGB 101 114 79 and RGB 91 114 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 101 80 shade matches the following richer shades: RGB 114 100 79, RGB 130 102 64, RGB 146 105 48, RGB 161 108 32 and RGB 177 110 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 101 80 shade: RGB 114 100 79, RGB 99 97 95, RGB 83 95 111, RGB 67 92 126 and RGB 52 89 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 101 80 shade: RGB 114 81 79, RGB 114 91 79, RGB 114 100 79, RGB 114 109 79 and RGB 110 114 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 101 80 shade: RGB 66 57 46, RGB 90 79 63, RGB 114 100 79, RGB 139 121 96 and RGB 159 142 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 101 80 shade: RGB 116 101 80, RGB 87 114 79 and RGB 86 79 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 101 80 shade: RGB 116 101 80, RGB 79 114 100 and RGB 100 79 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 101 80 shade: RGB 116 101 80, RGB 87 114 79, RGB 79 94 114 and RGB 107 79 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 101 80 shade: RGB 116 101 80, RGB 79 114 82, RGB 79 94 114 and RGB 114 79 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 31 / 55

HEX #746550

RGB 116 101 80

HSL 35, 0.18%, 0.38%

LAB 43.65, 2.48, 14.1

 

Complementary color

CMYK 21 / 12 / 0 / 31

HEX #8B9AAF

RGB 139 154 175

HSL 215, 0.18%, 0.62%

LAB 63.09, -0.7, -12.72

 

CMYK 0 / 17 / 38 / 53

HEX #79654B

RGB 121 101 75

HSL 33.91, 0.23%, 0.38%

LAB 44.06, 3.97, 17.72

 

CMYK 0 / 14 / 32 / 46

HEX #8A775E

RGB 138 119 94

HSL 34.09, 0.19%, 0.45%

LAB 51.16, 3.38, 16.48

 

CMYK 0 / 12 / 27 / 39

HEX #9B8971

RGB 155 137 113

HSL 34.29, 0.17%, 0.53%

LAB 58.09, 2.91, 15.37

 

CMYK 0 / 10 / 23 / 33

HEX #AC9B84

RGB 172 155 132

HSL 34.5, 0.19%, 0.6%

LAB 64.87, 2.5, 14.34

 

CMYK 0 / 8 / 20 / 26

HEX #BDAD97

RGB 189 173 151

HSL 34.74, 0.22%, 0.67%

LAB 71.51, 2.15, 13.39

 

CMYK 0 / 13 / 31 / 55

HEX #746550

RGB 116 101 80

HSL 35, 0.18%, 0.38%

LAB 43.65, 2.48, 14.1

 

CMYK 0 / 16 / 38 / 61

HEX #63533D

RGB 99 83 61

HSL 34.74, 0.24%, 0.31%

LAB 36.32, 3.06, 15.36

 

CMYK 0 / 21 / 49 / 68

HEX #52412A

RGB 82 65 42

HSL 34.5, 0.32%, 0.24%

LAB 28.75, 3.82, 16.79

 

CMYK 0 / 28 / 65 / 75

HEX #412F17

RGB 65 47 23

HSL 34.29, 0.48%, 0.17%

LAB 20.9, 4.9, 18.44

 

CMYK 0 / 40 / 92 / 81

HEX #301D04

RGB 48 29 4

HSL 34.09, 0.85%, 0.1%

LAB 12.71, 6.51, 17.35

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 21 / 31 / 55

HEX #725A4F

RGB 114 90 79

HSL 18.86, 0.18%, 0.38%

LAB 40.34, 8.06, 10.09

 

CMYK 0 / 29 / 31 / 55

HEX #72514F

RGB 114 81 79

HSL 3.43, 0.18%, 0.38%

LAB 37.89, 13.52, 6.65

 

CMYK 0 / 31 / 31 / 55

HEX #724F4F

RGB 114 79 79

HSL 0, 0.18%, 0.38%

LAB 37.36, 14.74, 5.9

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 4 / 31 / 55

HEX #726D4F

RGB 114 109 79

HSL 51.43, 0.18%, 0.38%

LAB 45.74, -3.21, 17.5

 

CMYK 4 / 0 / 31 / 55

HEX #6E724F

RGB 110 114 79

HSL 66.86, 0.18%, 0.38%

LAB 46.86, -7.79, 18.94

 

CMYK 11 / 0 / 31 / 55

HEX #65724F

RGB 101 114 79

HSL 82.29, 0.18%, 0.38%

LAB 46.13, -11.55, 17.83

 

CMYK 20 / 0 / 31 / 55

HEX #5B724F

RGB 91 114 79

HSL 99.43, 0.18%, 0.38%

LAB 45.39, -15.59, 16.71

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 22 / 51 / 49

HEX #826640

RGB 130 102 64

HSL 34.55, 0.34%, 0.38%

LAB 45.11, 6.1, 25.67

 

CMYK 0 / 28 / 67 / 43

HEX #926930

RGB 146 105 48

HSL 34.9, 0.51%, 0.38%

LAB 47.53, 10.28, 37.69

 

CMYK 0 / 33 / 80 / 37

HEX #A16C20

RGB 161 108 32

HSL 35.35, 0.67%, 0.38%

LAB 49.99, 14.56, 48.13

 

CMYK 0 / 38 / 90 / 31

HEX #B16E11

RGB 177 110 17

HSL 34.88, 0.82%, 0.38%

LAB 52.44, 20.18, 56.03

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 2 / 4 / 61

HEX #63615F

RGB 99 97 95

HSL 30, 0.02%, 0.38%

LAB 41.26, 0.38, 1.41

 

CMYK 25 / 14 / 0 / 56

HEX #535F6F

RGB 83 95 111

HSL 214.29, 0.14%, 0.38%

LAB 39.87, -0.68, -10.61

 

CMYK 47 / 27 / 0 / 51

HEX #435C7E

RGB 67 92 126

HSL 214.58, 0.31%, 0.38%

LAB 38.47, 0.53, -22.03

 

CMYK 63 / 37 / 0 / 44

HEX #34598E

RGB 52 89 142

HSL 215.33, 0.46%, 0.38%

LAB 37.53, 4.28, -33.3

 

CMYK 0 / 29 / 31 / 55

HEX #72514F

RGB 114 81 79

HSL 3.43, 0.18%, 0.38%

LAB 37.89, 13.52, 6.65

 

CMYK 0 / 20 / 31 / 55

HEX #725B4F

RGB 114 91 79

HSL 20.57, 0.18%, 0.38%

LAB 40.61, 7.45, 10.47

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 4 / 31 / 55

HEX #726D4F

RGB 114 109 79

HSL 51.43, 0.18%, 0.38%

LAB 45.74, -3.21, 17.5

 

CMYK 4 / 0 / 31 / 55

HEX #6E724F

RGB 110 114 79

HSL 66.86, 0.18%, 0.38%

LAB 46.86, -7.79, 18.94

 

CMYK 0 / 14 / 30 / 74

HEX #42392E

RGB 66 57 46

HSL 33, 0.18%, 0.22%

LAB 24.58, 1.89, 8.31

 

CMYK 0 / 12 / 30 / 65

HEX #5A4F3F

RGB 90 79 63

HSL 35.56, 0.18%, 0.3%

LAB 34.24, 1.74, 11.14

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 13 / 31 / 45

HEX #8B7960

RGB 139 121 96

HSL 34.88, 0.18%, 0.46%

LAB 51.85, 2.94, 16.28

 

CMYK 0 / 11 / 26 / 38

HEX #9F8E75

RGB 159 142 117

HSL 35.71, 0.18%, 0.54%

LAB 59.89, 2.31, 15.66

 

CMYK 0 / 13 / 31 / 55

HEX #746550

RGB 116 101 80

HSL 35, 0.18%, 0.38%

LAB 43.65, 2.48, 14.1

 

CMYK 24 / 0 / 31 / 55

HEX #57724F

RGB 87 114 79

HSL 106.29, 0.18%, 0.38%

LAB 45.12, -17.15, 16.29

 

CMYK 25 / 31 / 0 / 55

HEX #564F72

RGB 86 79 114

HSL 252, 0.18%, 0.38%

LAB 35.57, 11.15, -19.01

 

CMYK 0 / 13 / 31 / 55

HEX #746550

RGB 116 101 80

HSL 35, 0.18%, 0.38%

LAB 43.65, 2.48, 14.1

 

CMYK 31 / 0 / 12 / 55

HEX #4F7264

RGB 79 114 100

HSL 156, 0.18%, 0.38%

LAB 45.11, -15.78, 3.76

 

CMYK 12 / 31 / 0 / 55

HEX #644F72

RGB 100 79 114

HSL 276, 0.18%, 0.38%

LAB 36.96, 16.04, -16.75

 

CMYK 0 / 13 / 31 / 55

HEX #746550

RGB 116 101 80

HSL 35, 0.18%, 0.38%

LAB 43.65, 2.48, 14.1

 

CMYK 24 / 0 / 31 / 55

HEX #57724F

RGB 87 114 79

HSL 106.29, 0.18%, 0.38%

LAB 45.12, -17.15, 16.29

 

CMYK 31 / 18 / 0 / 55

HEX #4F5E72

RGB 79 94 114

HSL 214.29, 0.18%, 0.38%

LAB 39.38, -0.61, -13.21

 

CMYK 6 / 31 / 0 / 55

HEX #6B4F72

RGB 107 79 114

HSL 288, 0.18%, 0.38%

LAB 37.72, 18.55, -15.51

 

CMYK 0 / 13 / 31 / 55

HEX #746550

RGB 116 101 80

HSL 35, 0.18%, 0.38%

LAB 43.65, 2.48, 14.1

 

CMYK 31 / 0 / 28 / 55

HEX #4F7252

RGB 79 114 82

HSL 125.14, 0.18%, 0.38%

LAB 44.67, -19.59, 13.84

 

CMYK 31 / 18 / 0 / 55

HEX #4F5E72

RGB 79 94 114

HSL 214.29, 0.18%, 0.38%

LAB 39.38, -0.61, -13.21

 

CMYK 0 / 31 / 3 / 55

HEX #724F6F

RGB 114 79 111

HSL 305.14, 0.18%, 0.38%

LAB 38.41, 20.47, -12.54

 

Description

Color code: RGB 116 101 80 | qconv.com Color code: RGB 116 101 80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 101 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 101 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 31 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 31% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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