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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116.3 144.4 241 it is the complementary color RGB 138.7 110.6 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116.3 144.4 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116.3 144.4 241 shade: RGB 121.3 144.4 236, RGB 138.3 162.4 255, RGB 155.3 180.4 255, RGB 172.3 198.4 255 and RGB 189.3 216.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116.3 144.4 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116.3 144.4 241 shade: RGB 116.3 144.4 241, RGB 99.3 126.4 222, RGB 82.3 108.4 203, RGB 65.3 90.4 184 and RGB 48.3 72.4 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116.3 144.4 241 shade: RGB 116 144 241, RGB 121 116 241, RGB 155 116 241, RGB 189 116 241 and RGB 223 116 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116.3 144.4 241 shade: RGB 116 144 241 and RGB 116 116 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116.3 144.4 241 shade matches the following richer shades: RGB 116 144 241 and RGB 103 137 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116.3 144.4 241 shade: RGB 116 144 241, RGB 128 151 229, RGB 141 158 216, RGB 153 164 204 and RGB 165 171 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116.3 144.4 241 shade: RGB 116 212 241, RGB 116 179 241, RGB 116 145 241, RGB 120 116 241 and RGB 153 116 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116.3 144.4 241 shade: RGB 41 84 234, RGB 78 114 238, RGB 116 144 241, RGB 153 174 245 and RGB 191 204 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116.3 144.4 241 shade: RGB 116.3 144.4 241, RGB 237 116 241 and RGB 195 241 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116.3 144.4 241 shade: RGB 116.3 144.4 241, RGB 241 116 145 and RGB 145 241 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116.3 144.4 241 shade: RGB 116.3 144.4 241, RGB 237 116 241, RGB 241 212 116 and RGB 120 241 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116.3 144.4 241 shade: RGB 116.3 144.4 241, RGB 241 116 208, RGB 241 212 116 and RGB 116 241 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116.3 144.4 241

HSL 226.48, 0.82%, 0.7%

LAB 61.79, 16.68, -51.68

 

Complementary color

CMYK 0 / 20 / 90 / 46

HEX #8A6E0E

RGB 138.7 110.6 14

HSL 46.48, 0.82%, 0.3%

LAB 47.98, 2.13, 51.32

 

CMYK 49 / 39 / 0 / 7

HEX #7990EC

RGB 121.3 144.4 236

HSL 227.92, 0.75%, 0.7%

LAB 61.84, 16.28, -48.82

 

CMYK 46 / 36 / 0 / 0

HEX #8AA2FF

RGB 138.3 162.4 255

HSL 227.61, 1%, 0.77%

LAB 68.48, 15.39, -48.66

 

CMYK 39 / 29 / 0 / 0

HEX #9BB4FF

RGB 155.3 180.4 255

HSL 224.89, 1%, 0.8%

LAB 74.2, 9.44, -39.63

 

CMYK 32 / 22 / 0 / 0

HEX #ACC6FF

RGB 172.3 198.4 255

HSL 221.06, 1%, 0.84%

LAB 79.95, 4.12, -30.65

 

CMYK 26 / 15 / 0 / 0

HEX #BDD8FF

RGB 189.3 216.4 255

HSL 215.25, 1%, 0.87%

LAB 85.7, -0.66, -21.78

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116.3 144.4 241

HSL 226.48, 0.82%, 0.7%

LAB 61.79, 16.68, -51.68

 

CMYK 55 / 43 / 0 / 13

HEX #637EDE

RGB 99.3 126.4 222

HSL 226.75, 0.65%, 0.63%

LAB 55.04, 17.85, -51.9

 

CMYK 59 / 47 / 0 / 20

HEX #526CCB

RGB 82.3 108.4 203

HSL 227.03, 0.54%, 0.56%

LAB 48.17, 19.26, -52.16

 

CMYK 65 / 51 / 0 / 28

HEX #415AB8

RGB 65.3 90.4 184

HSL 227.31, 0.48%, 0.49%

LAB 41.18, 20.97, -52.46

 

CMYK 71 / 56 / 0 / 35

HEX #3048A5

RGB 48.3 72.4 165

HSL 227.61, 0.55%, 0.42%

LAB 34.06, 23.11, -52.75

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116 144 241

HSL 226.56, 0.82%, 0.7%

LAB 61.66, 16.85, -51.88

 

CMYK 50 / 52 / 0 / 5

HEX #7974F1

RGB 121 116 241

HSL 242.4, 0.82%, 0.7%

LAB 54.98, 34.53, -62.54

 

CMYK 36 / 52 / 0 / 5

HEX #9B74F1

RGB 155 116 241

HSL 258.72, 0.82%, 0.7%

LAB 57.86, 42.21, -57.77

 

CMYK 22 / 52 / 0 / 5

HEX #BD74F1

RGB 189 116 241

HSL 275.04, 0.82%, 0.7%

LAB 61.36, 50.71, -51.97

 

CMYK 7 / 52 / 0 / 5

HEX #DF74F1

RGB 223 116 241

HSL 291.36, 0.82%, 0.7%

LAB 65.38, 59.61, -45.36

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116 144 241

HSL 226.56, 0.82%, 0.7%

LAB 61.66, 16.85, -51.88

 

CMYK 52 / 52 / 0 / 5

HEX #7474F1

RGB 116 116 241

HSL 240, 0.82%, 0.7%

LAB 54.61, 33.5, -63.15

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116 144 241

HSL 226.56, 0.82%, 0.7%

LAB 61.66, 16.85, -51.88

 

CMYK 59 / 46 / 0 / 0

HEX #6789FE

RGB 103 137 254

HSL 226.49, 0.99%, 0.7%

LAB 59.83, 22.55, -62

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116 144 241

HSL 226.56, 0.82%, 0.7%

LAB 61.66, 16.85, -51.88

 

CMYK 44 / 34 / 0 / 10

HEX #8097E5

RGB 128 151 229

HSL 226.34, 0.66%, 0.7%

LAB 63.66, 11.98, -42.06

 

CMYK 35 / 27 / 0 / 15

HEX #8D9ED8

RGB 141 158 216

HSL 226.4, 0.49%, 0.7%

LAB 65.81, 7.82, -31.45

 

CMYK 25 / 20 / 0 / 20

HEX #99A4CC

RGB 153 164 204

HSL 227.06, 0.33%, 0.7%

LAB 67.79, 4.96, -21.7

 

CMYK 14 / 11 / 0 / 25

HEX #A5ABC0

RGB 165 171 192

HSL 226.67, 0.18%, 0.7%

LAB 70.13, 2.18, -11.44

 

CMYK 52 / 12 / 0 / 5

HEX #74D4F1

RGB 116 212 241

HSL 193.92, 0.82%, 0.7%

LAB 80.26, -20.6, -22.96

 

CMYK 52 / 26 / 0 / 5

HEX #74B3F1

RGB 116 179 241

HSL 209.76, 0.82%, 0.7%

LAB 71.08, -3.17, -37.08

 

CMYK 52 / 40 / 0 / 5

HEX #7491F1

RGB 116 145 241

HSL 226.08, 0.82%, 0.7%

LAB 61.92, 16.27, -51.46

 

CMYK 50 / 52 / 0 / 5

HEX #7874F1

RGB 120 116 241

HSL 241.92, 0.82%, 0.7%

LAB 54.9, 34.32, -62.67

 

CMYK 37 / 52 / 0 / 5

HEX #9974F1

RGB 153 116 241

HSL 257.76, 0.82%, 0.7%

LAB 57.67, 41.73, -58.08

 

CMYK 82 / 64 / 0 / 8

HEX #2954EA

RGB 41 84 234

HSL 226.63, 0.82%, 0.54%

LAB 42.39, 40.35, -79.28

 

CMYK 67 / 52 / 0 / 7

HEX #4E72EE

RGB 78 114 238

HSL 226.5, 0.82%, 0.62%

LAB 51.64, 27.05, -66.38

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116 144 241

HSL 226.56, 0.82%, 0.7%

LAB 61.66, 16.85, -51.88

 

CMYK 38 / 29 / 0 / 4

HEX #99AEF5

RGB 153 174 245

HSL 226.3, 0.82%, 0.78%

LAB 71.99, 9.74, -37.69

 

CMYK 23 / 18 / 0 / 2

HEX #BFCCF9

RGB 191 204 249

HSL 226.55, 0.83%, 0.86%

LAB 82.43, 5.06, -23.55

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116.3 144.4 241

HSL 226.48, 0.82%, 0.7%

LAB 61.79, 16.68, -51.68

 

CMYK 2 / 52 / 0 / 5

HEX #ED74F1

RGB 237 116 241

HSL 298.08, 0.82%, 0.7%

LAB 67.16, 63.31, -42.44

 

CMYK 19 / 0 / 52 / 5

HEX #C3F174

RGB 195 241 116

HSL 82.08, 0.82%, 0.7%

LAB 89.75, -33.91, 54.94

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116.3 144.4 241

HSL 226.48, 0.82%, 0.7%

LAB 61.79, 16.68, -51.68

 

CMYK 0 / 52 / 40 / 5

HEX #F17491

RGB 241 116 145

HSL 346.08, 0.82%, 0.7%

LAB 64.35, 50.81, 7.4

 

CMYK 40 / 0 / 52 / 5

HEX #91F174

RGB 145 241 116

HSL 106.08, 0.82%, 0.7%

LAB 87.09, -50.98, 51.12

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116.3 144.4 241

HSL 226.48, 0.82%, 0.7%

LAB 61.79, 16.68, -51.68

 

CMYK 2 / 52 / 0 / 5

HEX #ED74F1

RGB 237 116 241

HSL 298.08, 0.82%, 0.7%

LAB 67.16, 63.31, -42.44

 

CMYK 0 / 12 / 52 / 5

HEX #F1D474

RGB 241 212 116

HSL 46.08, 0.82%, 0.7%

LAB 85.53, -1.74, 50.74

 

CMYK 50 / 0 / 52 / 5

HEX #78F174

RGB 120 241 116

HSL 118.08, 0.82%, 0.7%

LAB 86.09, -58.13, 49.67

 

CMYK 52 / 40 / 0 / 5

HEX #7490F1

RGB 116.3 144.4 241

HSL 226.48, 0.82%, 0.7%

LAB 61.79, 16.68, -51.68

 

CMYK 0 / 52 / 14 / 5

HEX #F174D0

RGB 241 116 208

HSL 315.84, 0.82%, 0.7%

LAB 66.33, 59.03, -25.36

 

CMYK 0 / 12 / 52 / 5

HEX #F1D474

RGB 241 212 116

HSL 46.08, 0.82%, 0.7%

LAB 85.53, -1.74, 50.74

 

CMYK 52 / 0 / 38 / 5

HEX #74F195

RGB 116 241 149

HSL 135.84, 0.82%, 0.7%

LAB 86.4, -54.36, 34.05

 

Description

Color code: RGB 116.3 144.4 241 | qconv.com Color code: RGB 116.3 144.4 241 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116.3 red, 144.4 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116.3 144.4 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 40 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 40% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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