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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116.1 180.8 234 it is the complementary color RGB 138.9 74.2 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116.1 180.8 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116.1 180.8 234 shade: RGB 121.1 180.8 229, RGB 138.1 198.8 248, RGB 155.1 216.8 255, RGB 172.1 234.8 255 and RGB 189.1 252.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116.1 180.8 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116.1 180.8 234 shade: RGB 116.1 180.8 234, RGB 99.1 162.8 215, RGB 82.1 144.8 196, RGB 65.1 126.8 177 and RGB 48.1 108.8 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116.1 180.8 234 shade: RGB 117 181 234, RGB 117 150 234, RGB 117 118 234, RGB 147 117 234 and RGB 179 117 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116.1 180.8 234 shade: RGB 117 181 234, RGB 117 150 234, RGB 117 118 234 and RGB 117 117 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116.1 180.8 234 shade matches the following richer shades: RGB 117 181 234 and RGB 104 182 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116.1 180.8 234 shade: RGB 117 181 234, RGB 130 180 221, RGB 143 179 208, RGB 155 177 196 and RGB 168 176 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116.1 180.8 234 shade: RGB 117 234 224, RGB 117 212 234, RGB 117 181 234, RGB 117 150 234 and RGB 117 119 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116.1 180.8 234 shade: RGB 45 143 223, RGB 81 162 229, RGB 117 181 234, RGB 153 200 239 and RGB 189 219 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116.1 180.8 234 shade: RGB 116.1 180.8 234, RGB 193 117 234 and RGB 228 234 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116.1 180.8 234 shade: RGB 116.1 180.8 234, RGB 234 117 181 and RGB 181 234 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116.1 180.8 234 shade: RGB 116.1 180.8 234, RGB 193 117 234, RGB 234 170 117 and RGB 158 234 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116.1 180.8 234 shade: RGB 116.1 180.8 234, RGB 228 117 234, RGB 234 170 117 and RGB 123 234 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 23 / 0 / 8

HEX #74B4EA

RGB 116.1 180.8 234

HSL 207.07, 0.74%, 0.69%

LAB 71.3, -6.19, -32.94

 

Complementary color

CMYK 0 / 47 / 85 / 46

HEX #8A4A15

RGB 138.9 74.2 21

HSL 27.07, 0.74%, 0.31%

LAB 38.65, 23.54, 41.19

 

CMYK 47 / 21 / 0 / 10

HEX #79B4E5

RGB 121.1 180.8 229

HSL 206.8, 0.67%, 0.69%

LAB 71.35, -6.47, -30.13

 

CMYK 44 / 20 / 0 / 3

HEX #8AC6F8

RGB 138.1 198.8 248

HSL 206.86, 0.89%, 0.76%

LAB 77.84, -6.82, -30.32

 

CMYK 39 / 15 / 0 / 0

HEX #9BD8FF

RGB 155.1 216.8 255

HSL 202.94, 1%, 0.8%

LAB 83.82, -10.23, -24.82

 

CMYK 33 / 8 / 0 / 0

HEX #ACEAFF

RGB 172.1 234.8 255

HSL 194.62, 1%, 0.84%

LAB 89.54, -14.97, -16.09

 

CMYK 26 / 1 / 0 / 0

HEX #BDFCFF

RGB 189.1 252.8 255

HSL 182, 1%, 0.87%

LAB 95.23, -19.23, -7.5

 

CMYK 50 / 23 / 0 / 8

HEX #74B4EA

RGB 116.1 180.8 234

HSL 207.07, 0.74%, 0.69%

LAB 71.3, -6.19, -32.94

 

CMYK 54 / 24 / 0 / 16

HEX #63A2D7

RGB 99.1 162.8 215

HSL 207.02, 0.59%, 0.62%

LAB 64.71, -5.65, -32.78

 

CMYK 58 / 26 / 0 / 23

HEX #5290C4

RGB 82.1 144.8 196

HSL 206.97, 0.49%, 0.55%

LAB 58.01, -4.99, -32.63

 

CMYK 63 / 28 / 0 / 31

HEX #417EB1

RGB 65.1 126.8 177

HSL 206.92, 0.46%, 0.47%

LAB 51.19, -4.14, -32.49

 

CMYK 70 / 31 / 0 / 38

HEX #306C9E

RGB 48.1 108.8 158

HSL 206.86, 0.53%, 0.4%

LAB 44.22, -3.02, -32.34

 

CMYK 50 / 23 / 0 / 8

HEX #75B5EA

RGB 117 181 234

HSL 207.18, 0.74%, 0.69%

LAB 71.4, -6.09, -32.78

 

CMYK 50 / 36 / 0 / 8

HEX #7596EA

RGB 117 150 234

HSL 223.08, 0.74%, 0.69%

LAB 62.96, 11.42, -45.97

 

CMYK 50 / 50 / 0 / 8

HEX #7576EA

RGB 117 118 234

HSL 239.49, 0.74%, 0.69%

LAB 54.74, 30.39, -59.04

 

CMYK 37 / 50 / 0 / 8

HEX #9375EA

RGB 147 117 234

HSL 255.38, 0.74%, 0.69%

LAB 56.94, 37.87, -55.37

 

CMYK 24 / 50 / 0 / 8

HEX #B375EA

RGB 179 117 234

HSL 271.79, 0.74%, 0.69%

LAB 60.11, 46.01, -50.14

 

CMYK 50 / 23 / 0 / 8

HEX #75B5EA

RGB 117 181 234

HSL 207.18, 0.74%, 0.69%

LAB 71.4, -6.09, -32.78

 

CMYK 50 / 36 / 0 / 8

HEX #7596EA

RGB 117 150 234

HSL 223.08, 0.74%, 0.69%

LAB 62.96, 11.42, -45.97

 

CMYK 50 / 50 / 0 / 8

HEX #7576EA

RGB 117 118 234

HSL 239.49, 0.74%, 0.69%

LAB 54.74, 30.39, -59.04

 

CMYK 50 / 50 / 0 / 8

HEX #7575EA

RGB 117 117 234

HSL 240, 0.74%, 0.69%

LAB 54.5, 30.99, -59.43

 

CMYK 50 / 23 / 0 / 8

HEX #75B5EA

RGB 117 181 234

HSL 207.18, 0.74%, 0.69%

LAB 71.4, -6.09, -32.78

 

CMYK 58 / 26 / 0 / 3

HEX #68B6F7

RGB 104 182 247

HSL 207.27, 0.9%, 0.69%

LAB 71.63, -5.47, -39.52

 

CMYK 50 / 23 / 0 / 8

HEX #75B5EA

RGB 117 181 234

HSL 207.18, 0.74%, 0.69%

LAB 71.4, -6.09, -32.78

 

CMYK 41 / 19 / 0 / 13

HEX #82B4DD

RGB 130 180 221

HSL 207.03, 0.57%, 0.69%

LAB 71.29, -6.04, -25.82

 

CMYK 31 / 14 / 0 / 18

HEX #8FB3D0

RGB 143 179 208

HSL 206.77, 0.41%, 0.69%

LAB 71.31, -5.3, -18.61

 

CMYK 21 / 10 / 0 / 23

HEX #9BB1C4

RGB 155 177 196

HSL 207.8, 0.26%, 0.69%

LAB 71.14, -3.43, -12.19

 

CMYK 8 / 4 / 0 / 28

HEX #A8B0B7

RGB 168 176 183

HSL 208, 0.09%, 0.69%

LAB 71.42, -1.41, -4.55

 

CMYK 50 / 0 / 4 / 8

HEX #75EAE0

RGB 117 234 224

HSL 174.87, 0.74%, 0.69%

LAB 86.01, -35.5, -5.34

 

CMYK 50 / 9 / 0 / 8

HEX #75D4EA

RGB 117 212 234

HSL 191.28, 0.74%, 0.69%

LAB 80.07, -22.31, -19.52

 

CMYK 50 / 23 / 0 / 8

HEX #75B5EA

RGB 117 181 234

HSL 207.18, 0.74%, 0.69%

LAB 71.4, -6.09, -32.78

 

CMYK 50 / 36 / 0 / 8

HEX #7596EA

RGB 117 150 234

HSL 223.08, 0.74%, 0.69%

LAB 62.96, 11.42, -45.97

 

CMYK 50 / 49 / 0 / 8

HEX #7577EA

RGB 117 119 234

HSL 238.97, 0.74%, 0.69%

LAB 54.99, 29.8, -58.64

 

CMYK 80 / 36 / 0 / 13

HEX #2D8FDF

RGB 45 143 223

HSL 206.97, 0.74%, 0.53%

LAB 57.59, -0.18, -48.54

 

CMYK 65 / 29 / 0 / 10

HEX #51A2E5

RGB 81 162 229

HSL 207.16, 0.74%, 0.61%

LAB 64.36, -4.23, -41.12

 

CMYK 50 / 23 / 0 / 8

HEX #75B5EA

RGB 117 181 234

HSL 207.18, 0.74%, 0.69%

LAB 71.4, -6.09, -32.78

 

CMYK 36 / 16 / 0 / 6

HEX #99C8EF

RGB 153 200 239

HSL 207.21, 0.73%, 0.77%

LAB 78.64, -6.02, -24.2

 

CMYK 23 / 11 / 0 / 4

HEX #BDDBF5

RGB 189 219 245

HSL 207.86, 0.74%, 0.85%

LAB 86.04, -4.36, -15.99

 

CMYK 50 / 23 / 0 / 8

HEX #74B4EA

RGB 116.1 180.8 234

HSL 207.07, 0.74%, 0.69%

LAB 71.3, -6.19, -32.94

 

CMYK 18 / 50 / 0 / 8

HEX #C175EA

RGB 193 117 234

HSL 278.97, 0.74%, 0.69%

LAB 61.65, 49.73, -47.6

 

CMYK 3 / 0 / 50 / 8

HEX #E4EA75

RGB 228 234 117

HSL 63.08, 0.74%, 0.69%

LAB 90.15, -17.86, 55.51

 

CMYK 50 / 23 / 0 / 8

HEX #74B4EA

RGB 116.1 180.8 234

HSL 207.07, 0.74%, 0.69%

LAB 71.3, -6.19, -32.94

 

CMYK 0 / 50 / 23 / 8

HEX #EA75B5

RGB 234 117 181

HSL 327.18, 0.74%, 0.69%

LAB 64.6, 52.48, -12.85

 

CMYK 23 / 0 / 50 / 8

HEX #B5EA75

RGB 181 234 117

HSL 87.18, 0.74%, 0.69%

LAB 86.97, -35.73, 50.96

 

CMYK 50 / 23 / 0 / 8

HEX #74B4EA

RGB 116.1 180.8 234

HSL 207.07, 0.74%, 0.69%

LAB 71.3, -6.19, -32.94

 

CMYK 18 / 50 / 0 / 8

HEX #C175EA

RGB 193 117 234

HSL 278.97, 0.74%, 0.69%

LAB 61.65, 49.73, -47.6

 

CMYK 0 / 27 / 50 / 8

HEX #EAAA75

RGB 234 170 117

HSL 27.18, 0.74%, 0.69%

LAB 74.53, 17.48, 36.47

 

CMYK 32 / 0 / 50 / 8

HEX #9EEA75

RGB 158 234 117

HSL 98.97, 0.74%, 0.69%

LAB 85.71, -43.74, 49.12

 

CMYK 50 / 23 / 0 / 8

HEX #74B4EA

RGB 116.1 180.8 234

HSL 207.07, 0.74%, 0.69%

LAB 71.3, -6.19, -32.94

 

CMYK 3 / 50 / 0 / 8

HEX #E475EA

RGB 228 117 234

HSL 296.92, 0.74%, 0.69%

LAB 65.87, 59.19, -40.68

 

CMYK 0 / 27 / 50 / 8

HEX #EAAA75

RGB 234 170 117

HSL 27.18, 0.74%, 0.69%

LAB 74.53, 17.48, 36.47

 

CMYK 47 / 0 / 50 / 8

HEX #7BEA75

RGB 123 234 117

HSL 116.92, 0.74%, 0.69%

LAB 84.14, -54.47, 46.86

 

Description

Color code: RGB 116.1 180.8 234 | qconv.com Color code: RGB 116.1 180.8 234 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116.1 red, 180.8 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116.1 180.8 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 23 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 23% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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