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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 92.2 243.6 it is the complementary color RGB 140 162.8 11.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 92.2 243.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 92.2 243.6 shade: RGB 120 92.2 238.6, RGB 137 110.2 255, RGB 154 128.2 255, RGB 171 146.2 255 and RGB 188 164.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 92.2 243.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 92.2 243.6 shade: RGB 115 92.2 243.6, RGB 98 74.2 224.6, RGB 81 56.2 205.6, RGB 64 38.2 186.6 and RGB 47 20.2 167.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 92.2 243.6 shade: RGB 116 93 244, RGB 156 93 244, RGB 197 93 244, RGB 238 93 244 and RGB 244 93 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 92.2 243.6 shade: RGB 116 93 244 and RGB 93 93 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 92.2 243.6 shade matches the following richer shades: RGB 116 93 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 92.2 243.6 shade: RGB 116 93 244, RGB 125 107 230, RGB 135 121 216, RGB 145 135 202 and RGB 155 149 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 92.2 243.6 shade: RGB 93 151 244, RGB 93 110 244, RGB 115 93 244, RGB 156 93 244 and RGB 196 93 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 92.2 243.6 shade: RGB 50 17 238, RGB 82 54 241, RGB 116 93 244, RGB 149 131 246 and RGB 182 170 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 92.2 243.6 shade: RGB 115 92.2 243.6, RGB 244 93 191 and RGB 131 244 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 92.2 243.6 shade: RGB 115 92.2 243.6, RGB 244 115 93 and RGB 93 244 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 92.2 243.6 shade: RGB 115 92.2 243.6, RGB 244 93 191, RGB 221 244 93 and RGB 93 244 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 92.2 243.6 shade: RGB 115 92.2 243.6, RGB 244 93 146, RGB 221 244 93 and RGB 93 244 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 62 / 0 / 4

HEX #735CF3

RGB 115 92.2 243.6

HSL 249.04, 0.87%, 0.66%

LAB 49.3, 47.95, -73.2

 

Complementary color

CMYK 14 / 0 / 93 / 36

HEX #8CA20B

RGB 140 162.8 11.4

HSL 69.04, 0.87%, 0.34%

LAB 63.11, -25.24, 63.89

 

CMYK 50 / 61 / 0 / 6

HEX #785CEE

RGB 120 92.2 238.6

HSL 251.39, 0.82%, 0.65%

LAB 49.36, 47.4, -70.28

 

CMYK 46 / 57 / 0 / 0

HEX #896EFF

RGB 137 110.2 255

HSL 251.1, 1%, 0.72%

LAB 55.82, 45.24, -68.88

 

CMYK 40 / 50 / 0 / 0

HEX #9A80FF

RGB 154 128.2 255

HSL 252.21, 1%, 0.75%

LAB 61.29, 38.78, -60.01

 

CMYK 33 / 43 / 0 / 0

HEX #AB92FF

RGB 171 146.2 255

HSL 253.68, 1%, 0.79%

LAB 66.9, 32.82, -51.01

 

CMYK 26 / 36 / 0 / 0

HEX #BCA4FF

RGB 188 164.2 255

HSL 255.73, 1%, 0.82%

LAB 72.58, 27.37, -41.97

 

CMYK 53 / 62 / 0 / 4

HEX #735CF3

RGB 115 92.2 243.6

HSL 249.04, 0.87%, 0.66%

LAB 49.3, 47.95, -73.2

 

CMYK 56 / 67 / 0 / 12

HEX #624AE0

RGB 98 74.2 224.6

HSL 249.49, 0.71%, 0.59%

LAB 42.67, 49.57, -73.37

 

CMYK 61 / 73 / 0 / 19

HEX #5138CD

RGB 81 56.2 205.6

HSL 249.96, 0.6%, 0.51%

LAB 36.05, 51.2, -73.35

 

CMYK 66 / 80 / 0 / 27

HEX #4026BA

RGB 64 38.2 186.6

HSL 250.43, 0.66%, 0.44%

LAB 29.56, 52.62, -72.96

 

CMYK 72 / 88 / 0 / 34

HEX #2F14A7

RGB 47 20.2 167.6

HSL 250.91, 0.78%, 0.37%

LAB 23.42, 53.31, -71.81

 

CMYK 52 / 62 / 0 / 4

HEX #745DF4

RGB 116 93 244

HSL 249.14, 0.87%, 0.66%

LAB 49.58, 47.79, -72.96

 

CMYK 36 / 62 / 0 / 4

HEX #9C5DF4

RGB 156 93 244

HSL 265.03, 0.87%, 0.66%

LAB 53.42, 55.57, -66.57

 

CMYK 19 / 62 / 0 / 4

HEX #C55DF4

RGB 197 93 244

HSL 281.32, 0.87%, 0.66%

LAB 58.26, 64.57, -58.53

 

CMYK 2 / 62 / 0 / 4

HEX #EE5DF4

RGB 238 93 244

HSL 297.62, 0.87%, 0.66%

LAB 63.78, 74.02, -49.4

 

CMYK 0 / 62 / 14 / 4

HEX #F45DD1

RGB 244 93 209

HSL 313.91, 0.87%, 0.66%

LAB 63.07, 70.05, -30.91

 

CMYK 52 / 62 / 0 / 4

HEX #745DF4

RGB 116 93 244

HSL 249.14, 0.87%, 0.66%

LAB 49.58, 47.79, -72.96

 

CMYK 62 / 62 / 0 / 4

HEX #5D5DF4

RGB 93 93 244

HSL 240, 0.87%, 0.66%

LAB 47.86, 44.05, -75.84

 

CMYK 52 / 62 / 0 / 4

HEX #745DF4

RGB 116 93 244

HSL 249.14, 0.87%, 0.66%

LAB 49.58, 47.79, -72.96

 

CMYK 52 / 62 / 0 / 4

HEX #745DF4

RGB 116 93 244

HSL 249.14, 0.87%, 0.66%

LAB 49.58, 47.79, -72.96

 

CMYK 46 / 53 / 0 / 10

HEX #7D6BE6

RGB 125 107 230

HSL 248.78, 0.71%, 0.66%

LAB 52.5, 37.44, -60.37

 

CMYK 38 / 44 / 0 / 15

HEX #8779D8

RGB 135 121 216

HSL 248.84, 0.55%, 0.66%

LAB 55.87, 27.68, -47.05

 

CMYK 28 / 33 / 0 / 21

HEX #9187CA

RGB 145 135 202

HSL 248.96, 0.39%, 0.66%

LAB 59.54, 18.59, -33.34

 

CMYK 18 / 21 / 0 / 26

HEX #9B95BC

RGB 155 149 188

HSL 249.23, 0.23%, 0.66%

LAB 63.42, 10.3, -19.41

 

CMYK 62 / 38 / 0 / 4

HEX #5D97F4

RGB 93 151 244

HSL 216.95, 0.87%, 0.66%

LAB 62.5, 9.14, -52.27

 

CMYK 62 / 55 / 0 / 4

HEX #5D6EF4

RGB 93 110 244

HSL 233.25, 0.87%, 0.66%

LAB 51.85, 33.86, -69.36

 

CMYK 53 / 62 / 0 / 4

HEX #735DF4

RGB 115 93 244

HSL 248.74, 0.87%, 0.66%

LAB 49.5, 47.61, -73.1

 

CMYK 36 / 62 / 0 / 4

HEX #9C5DF4

RGB 156 93 244

HSL 265.03, 0.87%, 0.66%

LAB 53.42, 55.57, -66.57

 

CMYK 20 / 62 / 0 / 4

HEX #C45DF4

RGB 196 93 244

HSL 280.93, 0.87%, 0.66%

LAB 58.13, 64.34, -58.74

 

CMYK 79 / 93 / 0 / 7

HEX #3211EE

RGB 50 17 238

HSL 248.96, 0.87%, 0.5%

LAB 32.37, 72.92, -98.11

 

CMYK 66 / 78 / 0 / 5

HEX #5236F1

RGB 82 54 241

HSL 248.98, 0.87%, 0.58%

LAB 39.21, 62.72, -88.39

 

CMYK 52 / 62 / 0 / 4

HEX #745DF4

RGB 116 93 244

HSL 249.14, 0.87%, 0.66%

LAB 49.58, 47.79, -72.96

 

CMYK 39 / 47 / 0 / 4

HEX #9583F6

RGB 149 131 246

HSL 249.39, 0.86%, 0.74%

LAB 61.02, 33.56, -55.51

 

CMYK 27 / 32 / 0 / 2

HEX #B6AAF9

RGB 182 170 249

HSL 249.11, 0.87%, 0.82%

LAB 73.24, 21.01, -37.74

 

CMYK 53 / 62 / 0 / 4

HEX #735CF3

RGB 115 92.2 243.6

HSL 249.04, 0.87%, 0.66%

LAB 49.3, 47.95, -73.2

 

CMYK 0 / 62 / 22 / 4

HEX #F45DBF

RGB 244 93 191

HSL 321.06, 0.87%, 0.66%

LAB 62.36, 67.56, -21.8

 

CMYK 46 / 0 / 62 / 4

HEX #83F45D

RGB 131 244 93

HSL 104.9, 0.87%, 0.66%

LAB 87.15, -58.75, 61.16

 

CMYK 53 / 62 / 0 / 4

HEX #735CF3

RGB 115 92.2 243.6

HSL 249.04, 0.87%, 0.66%

LAB 49.3, 47.95, -73.2

 

CMYK 0 / 53 / 62 / 4

HEX #F4735D

RGB 244 115 93

HSL 8.74, 0.87%, 0.66%

LAB 63.58, 47.88, 35.79

 

CMYK 62 / 0 / 53 / 4

HEX #5DF473

RGB 93 244 115

HSL 128.74, 0.87%, 0.66%

LAB 86.14, -65.69, 50

 

CMYK 53 / 62 / 0 / 4

HEX #735CF3

RGB 115 92.2 243.6

HSL 249.04, 0.87%, 0.66%

LAB 49.3, 47.95, -73.2

 

CMYK 0 / 62 / 22 / 4

HEX #F45DBF

RGB 244 93 191

HSL 321.06, 0.87%, 0.66%

LAB 62.36, 67.56, -21.8

 

CMYK 9 / 0 / 62 / 4

HEX #DDF45D

RGB 221 244 93

HSL 69.14, 0.87%, 0.66%

LAB 92.07, -27.25, 67.94

 

CMYK 62 / 0 / 40 / 4

HEX #5DF492

RGB 93 244 146

HSL 141.06, 0.87%, 0.66%

LAB 86.56, -61.05, 35.62

 

CMYK 53 / 62 / 0 / 4

HEX #735CF3

RGB 115 92.2 243.6

HSL 249.04, 0.87%, 0.66%

LAB 49.3, 47.95, -73.2

 

CMYK 0 / 62 / 40 / 4

HEX #F45D92

RGB 244 93 146

HSL 338.94, 0.87%, 0.66%

LAB 60.9, 62.25, 1.91

 

CMYK 9 / 0 / 62 / 4

HEX #DDF45D

RGB 221 244 93

HSL 69.14, 0.87%, 0.66%

LAB 92.07, -27.25, 67.94

 

CMYK 62 / 0 / 22 / 4

HEX #5DF4BF

RGB 93 244 191

HSL 158.94, 0.87%, 0.66%

LAB 87.38, -52.29, 13.81

 

Description

Color code: RGB 115 92.2 243.6 | qconv.com Color code: RGB 115 92.2 243.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 92.2 green and 243.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 92.2 243.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 62 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 62% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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