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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 53 45 it is the complementary color RGB 140 202 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 53 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 53 45 shade: RGB 120 53 40, RGB 137 71 59, RGB 154 89 78, RGB 171 107 97 and RGB 188 125 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 53 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 53 45 shade: RGB 115 53 45, RGB 98 35 26, RGB 81 17 7, RGB 64 0 0 and RGB 47 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 53 45 shade: RGB 114 52 44 and RGB 114 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 53 45 shade: RGB 114 52 44, RGB 114 71 44, RGB 114 90 44, RGB 114 108 44 and RGB 100 114 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 53 45 shade matches the following richer shades: RGB 114 52 44, RGB 127 42 31, RGB 139 32 19 and RGB 152 23 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 53 45 shade: RGB 114 52 44, RGB 101 62 57, RGB 88 72 70, RGB 75 82 83 and RGB 63 92 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 53 45 shade: RGB 114 44 74, RGB 114 44 56, RGB 114 51 44, RGB 114 70 44 and RGB 114 88 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 53 45 shade: RGB 54 25 21, RGB 84 39 33, RGB 114 52 44, RGB 144 66 56 and RGB 173 79 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 53 45 shade: RGB 115 53 45, RGB 93 114 44 and RGB 44 65 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 53 45 shade: RGB 115 53 45, RGB 44 114 51 and RGB 51 44 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 53 45 shade: RGB 115 53 45, RGB 93 114 44, RGB 44 107 114 and RGB 65 44 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 53 45 shade: RGB 115 53 45, RGB 72 114 44, RGB 44 107 114 and RGB 86 44 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 61 / 55

HEX #73352D

RGB 115 53 45

HSL 6.86, 0.44%, 0.31%

LAB 30.35, 26.54, 17.88

 

Complementary color

CMYK 33 / 4 / 0 / 18

HEX #8CCAD2

RGB 140 202 210

HSL 186.86, 0.44%, 0.69%

LAB 77.56, -17.76, -10.31

 

CMYK 0 / 56 / 67 / 53

HEX #783528

RGB 120 53 40

HSL 9.75, 0.5%, 0.31%

LAB 31.1, 28.24, 22.14

 

CMYK 0 / 48 / 57 / 46

HEX #89473B

RGB 137 71 59

HSL 9.23, 0.4%, 0.38%

LAB 38.09, 26.8, 19.83

 

CMYK 0 / 42 / 49 / 40

HEX #9A594E

RGB 154 89 78

HSL 8.68, 0.33%, 0.45%

LAB 45.03, 25.51, 17.93

 

CMYK 0 / 37 / 43 / 33

HEX #AB6B61

RGB 171 107 97

HSL 8.11, 0.31%, 0.53%

LAB 51.88, 24.37, 16.33

 

CMYK 0 / 34 / 38 / 26

HEX #BC7D74

RGB 188 125 116

HSL 7.5, 0.35%, 0.6%

LAB 58.62, 23.36, 14.94

 

CMYK 0 / 54 / 61 / 55

HEX #73352D

RGB 115 53 45

HSL 6.86, 0.44%, 0.31%

LAB 30.35, 26.54, 17.88

 

CMYK 0 / 64 / 73 / 62

HEX #62231A

RGB 98 35 26

HSL 7.5, 0.58%, 0.24%

LAB 23.25, 27.95, 20.62

 

CMYK 0 / 79 / 91 / 68

HEX #511107

RGB 81 17 7

HSL 8.11, 0.84%, 0.17%

LAB 16.33, 29.05, 22.04

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 100 / 100 / 82

HEX #2F0000

RGB 47 0 0

HSL 0, 1%, 0.09%

LAB 5.46, 23.03, 8.63

 

CMYK 0 / 54 / 61 / 55

HEX #72342C

RGB 114 52 44

HSL 6.86, 0.44%, 0.31%

LAB 29.95, 26.6, 17.97

 

CMYK 0 / 61 / 61 / 55

HEX #722C2C

RGB 114 44 44

HSL 0, 0.44%, 0.31%

LAB 28.28, 30.94, 15.8

 

CMYK 0 / 54 / 61 / 55

HEX #72342C

RGB 114 52 44

HSL 6.86, 0.44%, 0.31%

LAB 29.95, 26.6, 17.97

 

CMYK 0 / 38 / 61 / 55

HEX #72472C

RGB 114 71 44

HSL 23.14, 0.44%, 0.31%

LAB 34.53, 15.43, 23.71

 

CMYK 0 / 21 / 61 / 55

HEX #725A2C

RGB 114 90 44

HSL 39.43, 0.44%, 0.31%

LAB 39.7, 3.94, 29.9

 

CMYK 0 / 5 / 61 / 55

HEX #726C2C

RGB 114 108 44

HSL 54.86, 0.44%, 0.31%

LAB 44.92, -6.59, 35.85

 

CMYK 12 / 0 / 61 / 55

HEX #64722C

RGB 100 114 44

HSL 72, 0.44%, 0.31%

LAB 45.53, -16.31, 36.2

 

CMYK 0 / 54 / 61 / 55

HEX #72342C

RGB 114 52 44

HSL 6.86, 0.44%, 0.31%

LAB 29.95, 26.6, 17.97

 

CMYK 0 / 67 / 76 / 50

HEX #7F2A1F

RGB 127 42 31

HSL 6.88, 0.61%, 0.31%

LAB 30.08, 36.08, 26.78

 

CMYK 0 / 77 / 86 / 45

HEX #8B2013

RGB 139 32 19

HSL 6.5, 0.76%, 0.31%

LAB 30.8, 43.98, 35.11

 

CMYK 0 / 85 / 96 / 40

HEX #981706

RGB 152 23 6

HSL 6.99, 0.92%, 0.31%

LAB 32.48, 50.53, 43.4

 

CMYK 0 / 54 / 61 / 55

HEX #72342C

RGB 114 52 44

HSL 6.86, 0.44%, 0.31%

LAB 29.95, 26.6, 17.97

 

CMYK 0 / 39 / 44 / 60

HEX #653E39

RGB 101 62 57

HSL 6.82, 0.28%, 0.31%

LAB 30.66, 16.43, 10.22

 

CMYK 0 / 18 / 20 / 65

HEX #584846

RGB 88 72 70

HSL 6.67, 0.11%, 0.31%

LAB 32.15, 6.41, 3.74

 

CMYK 10 / 1 / 0 / 67

HEX #4B5253

RGB 75 82 83

HSL 187.5, 0.05%, 0.31%

LAB 34.3, -2.55, -1.55

 

CMYK 34 / 3 / 0 / 63

HEX #3F5C5F

RGB 63 92 95

HSL 185.63, 0.2%, 0.31%

LAB 37, -9.85, -5.17

 

CMYK 0 / 61 / 35 / 55

HEX #722C4A

RGB 114 44 74

HSL 334.29, 0.44%, 0.31%

LAB 29.09, 34.18, -2.89

 

CMYK 0 / 61 / 51 / 55

HEX #722C38

RGB 114 44 56

HSL 349.71, 0.44%, 0.31%

LAB 28.55, 32.05, 8.26

 

CMYK 0 / 55 / 61 / 55

HEX #72332C

RGB 114 51 44

HSL 6, 0.44%, 0.31%

LAB 29.73, 27.16, 17.69

 

CMYK 0 / 39 / 61 / 55

HEX #72462C

RGB 114 70 44

HSL 22.29, 0.44%, 0.31%

LAB 34.27, 16.04, 23.4

 

CMYK 0 / 23 / 61 / 55

HEX #72582C

RGB 114 88 44

HSL 37.71, 0.44%, 0.31%

LAB 39.14, 5.14, 29.24

 

CMYK 0 / 54 / 61 / 79

HEX #361915

RGB 54 25 21

HSL 7.27, 0.44%, 0.15%

LAB 12.82, 13.91, 9.23

 

CMYK 0 / 54 / 61 / 67

HEX #542721

RGB 84 39 33

HSL 7.06, 0.44%, 0.23%

LAB 21.75, 20.25, 13.59

 

CMYK 0 / 54 / 61 / 55

HEX #72342C

RGB 114 52 44

HSL 6.86, 0.44%, 0.31%

LAB 29.95, 26.6, 17.97

 

CMYK 0 / 54 / 61 / 44

HEX #904238

RGB 144 66 56

HSL 6.82, 0.44%, 0.39%

LAB 38.04, 32.15, 21.81

 

CMYK 0 / 54 / 61 / 32

HEX #AD4F43

RGB 173 79 67

HSL 6.79, 0.44%, 0.47%

LAB 45.47, 37.51, 25.59

 

CMYK 0 / 54 / 61 / 55

HEX #73352D

RGB 115 53 45

HSL 6.86, 0.44%, 0.31%

LAB 30.35, 26.54, 17.88

 

CMYK 18 / 0 / 61 / 55

HEX #5D722C

RGB 93 114 44

HSL 78, 0.44%, 0.31%

LAB 45, -19.38, 35.46

 

CMYK 61 / 43 / 0 / 55

HEX #2C4172

RGB 44 65 114

HSL 222, 0.44%, 0.31%

LAB 28.2, 8.21, -30.8

 

CMYK 0 / 54 / 61 / 55

HEX #73352D

RGB 115 53 45

HSL 6.86, 0.44%, 0.31%

LAB 30.35, 26.54, 17.88

 

CMYK 61 / 0 / 55 / 55

HEX #2C7233

RGB 44 114 51

HSL 126, 0.44%, 0.31%

LAB 42.47, -36.13, 28.25

 

CMYK 55 / 61 / 0 / 55

HEX #332C72

RGB 51 44 114

HSL 246, 0.44%, 0.31%

LAB 22.72, 24.15, -39.56

 

CMYK 0 / 54 / 61 / 55

HEX #73352D

RGB 115 53 45

HSL 6.86, 0.44%, 0.31%

LAB 30.35, 26.54, 17.88

 

CMYK 18 / 0 / 61 / 55

HEX #5D722C

RGB 93 114 44

HSL 78, 0.44%, 0.31%

LAB 45, -19.38, 35.46

 

CMYK 61 / 6 / 0 / 55

HEX #2C6B72

RGB 44 107 114

HSL 186, 0.44%, 0.31%

LAB 41.64, -17.75, -9.98

 

CMYK 43 / 61 / 0 / 55

HEX #412C72

RGB 65 44 114

HSL 258, 0.44%, 0.31%

LAB 24.13, 27.41, -37.22

 

CMYK 0 / 54 / 61 / 55

HEX #73352D

RGB 115 53 45

HSL 6.86, 0.44%, 0.31%

LAB 30.35, 26.54, 17.88

 

CMYK 37 / 0 / 61 / 55

HEX #48722C

RGB 72 114 44

HSL 96, 0.44%, 0.31%

LAB 43.65, -27.98, 33.56

 

CMYK 61 / 6 / 0 / 55

HEX #2C6B72

RGB 44 107 114

HSL 186, 0.44%, 0.31%

LAB 41.64, -17.75, -9.98

 

CMYK 25 / 61 / 0 / 55

HEX #562C72

RGB 86 44 114

HSL 276, 0.44%, 0.31%

LAB 26.72, 32.92, -32.92

 

Description

Color code: RGB 115 53 45 | qconv.com Color code: RGB 115 53 45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 53 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 53 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 61 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 61% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Inicio - Asociación ...
Link: http://www.vinosnavarra.com

Verification of their color palette as a manufacturer!

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