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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 53 203 it is the complementary color RGB 140 202 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 53 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 53 203 shade: RGB 120 53 198, RGB 137 71 217, RGB 154 89 236, RGB 171 107 255 and RGB 188 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 53 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 53 203 shade: RGB 115 53 203, RGB 98 35 184, RGB 81 17 165, RGB 64 0 146 and RGB 47 0 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 53 203 shade: RGB 114 52 203, RGB 155 52 203, RGB 196 52 203, RGB 203 52 169 and RGB 203 52 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 53 203 shade: RGB 114 52 203, RGB 74 52 203 and RGB 52 52 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 53 203 shade matches the following richer shades: RGB 114 52 203, RGB 111 32 223 and RGB 107 11 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 53 203 shade: RGB 114 52 203, RGB 118 73 182, RGB 122 94 161, RGB 125 114 141 and RGB 129 135 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 53 203 shade: RGB 52 72 203, RGB 72 52 203, RGB 112 52 203, RGB 153 52 203 and RGB 193 52 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 53 203 shade: RGB 77 35 137, RGB 96 44 170, RGB 114 52 203, RGB 137 85 211 and RGB 160 118 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 53 203 shade: RGB 115 53 203, RGB 203 52 112 and RGB 52 203 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 53 203 shade: RGB 115 53 203, RGB 203 112 52 and RGB 52 203 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 53 203 shade: RGB 115 53 203, RGB 203 52 112, RGB 143 203 52 and RGB 52 203 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 53 203 shade: RGB 115 53 203, RGB 203 52 67, RGB 143 203 52 and RGB 52 203 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 74 / 0 / 20

HEX #7335CB

RGB 115 53 203

HSL 264.8, 0.59%, 0.5%

LAB 38.73, 57.08, -67.31

 

Complementary color

CMYK 31 / 0 / 74 / 21

HEX #8CCA34

RGB 140 202 52

HSL 84.8, 0.59%, 0.5%

LAB 74.87, -41.82, 64.06

 

CMYK 39 / 73 / 0 / 22

HEX #7835C6

RGB 120 53 198

HSL 267.72, 0.58%, 0.49%

LAB 38.93, 56.68, -64.06

 

CMYK 37 / 67 / 0 / 15

HEX #8947D9

RGB 137 71 217

HSL 267.12, 0.66%, 0.56%

LAB 45.41, 56.08, -64.4

 

CMYK 35 / 62 / 0 / 7

HEX #9A59EC

RGB 154 89 236

HSL 266.53, 0.79%, 0.64%

LAB 51.92, 55.23, -64.52

 

CMYK 33 / 58 / 0 / 0

HEX #AB6BFF

RGB 171 107 255

HSL 265.95, 1%, 0.71%

LAB 58.41, 54.29, -64.54

 

CMYK 26 / 51 / 0 / 0

HEX #BC7DFF

RGB 188 125 255

HSL 269.08, 1%, 0.75%

LAB 63.82, 48.87, -55.79

 

CMYK 43 / 74 / 0 / 20

HEX #7335CB

RGB 115 53 203

HSL 264.8, 0.59%, 0.5%

LAB 38.73, 57.08, -67.31

 

CMYK 47 / 81 / 0 / 28

HEX #6223B8

RGB 98 35 184

HSL 265.37, 0.68%, 0.43%

LAB 32.39, 57.29, -66.63

 

CMYK 51 / 90 / 0 / 35

HEX #5111A5

RGB 81 17 165

HSL 265.95, 0.81%, 0.36%

LAB 26.35, 56.48, -65.26

 

CMYK 56 / 100 / 0 / 43

HEX #400092

RGB 64 0 146

HSL 266.3, 1%, 0.29%

LAB 20.69, 54.4, -63.03

 

CMYK 63 / 100 / 0 / 50

HEX #2F007F

RGB 47 0 127

HSL 262.2, 1%, 0.25%

LAB 16.19, 48.64, -58.62

 

CMYK 44 / 74 / 0 / 20

HEX #7234CB

RGB 114 52 203

HSL 264.64, 0.59%, 0.5%

LAB 38.45, 57.36, -67.77

 

CMYK 24 / 74 / 0 / 20

HEX #9B34CB

RGB 155 52 203

HSL 280.93, 0.59%, 0.5%

LAB 43.85, 64.6, -58.75

 

CMYK 3 / 74 / 0 / 20

HEX #C434CB

RGB 196 52 203

HSL 297.22, 0.59%, 0.5%

LAB 50.1, 72.68, -48.38

 

CMYK 0 / 74 / 17 / 20

HEX #CB34A9

RGB 203 52 169

HSL 313.51, 0.59%, 0.5%

LAB 49.52, 69.09, -29.41

 

CMYK 0 / 74 / 36 / 20

HEX #CB3481

RGB 203 52 129

HSL 329.4, 0.59%, 0.5%

LAB 47.93, 64.2, -7.9

 

CMYK 44 / 74 / 0 / 20

HEX #7234CB

RGB 114 52 203

HSL 264.64, 0.59%, 0.5%

LAB 38.45, 57.36, -67.77

 

CMYK 64 / 74 / 0 / 20

HEX #4A34CB

RGB 74 52 203

HSL 248.74, 0.59%, 0.5%

LAB 34.44, 51.75, -74.5

 

CMYK 74 / 74 / 0 / 20

HEX #3434CB

RGB 52 52 203

HSL 240, 0.59%, 0.5%

LAB 32.91, 49.55, -77.08

 

CMYK 44 / 74 / 0 / 20

HEX #7234CB

RGB 114 52 203

HSL 264.64, 0.59%, 0.5%

LAB 38.45, 57.36, -67.77

 

CMYK 50 / 86 / 0 / 13

HEX #6F20DF

RGB 111 32 223

HSL 264.82, 0.75%, 0.5%

LAB 37.37, 69.27, -81.1

 

CMYK 56 / 95 / 0 / 4

HEX #6B0BF4

RGB 107 11 244

HSL 264.72, 0.91%, 0.5%

LAB 37.66, 78.08, -92.59

 

CMYK 44 / 74 / 0 / 20

HEX #7234CB

RGB 114 52 203

HSL 264.64, 0.59%, 0.5%

LAB 38.45, 57.36, -67.77

 

CMYK 35 / 60 / 0 / 29

HEX #7649B6

RGB 118 73 182

HSL 264.77, 0.43%, 0.5%

LAB 41.21, 42.12, -51.01

 

CMYK 24 / 42 / 0 / 37

HEX #7A5EA1

RGB 122 94 161

HSL 265.07, 0.26%, 0.5%

LAB 45.24, 25.59, -32.17

 

CMYK 11 / 19 / 0 / 45

HEX #7D728D

RGB 125 114 141

HSL 264.44, 0.11%, 0.5%

LAB 49.88, 9.83, -13.17

 

CMYK 4 / 0 / 11 / 47

HEX #818778

RGB 129 135 120

HSL 84, 0.06%, 0.5%

LAB 55.43, -5.11, 7.31

 

CMYK 74 / 65 / 0 / 20

HEX #3448CB

RGB 52 72 203

HSL 232.05, 0.59%, 0.5%

LAB 37.26, 37.7, -69.93

 

CMYK 65 / 74 / 0 / 20

HEX #4834CB

RGB 72 52 203

HSL 247.95, 0.59%, 0.5%

LAB 34.28, 51.52, -74.77

 

CMYK 45 / 74 / 0 / 20

HEX #7034CB

RGB 112 52 203

HSL 263.84, 0.59%, 0.5%

LAB 38.22, 57.04, -68.16

 

CMYK 25 / 74 / 0 / 20

HEX #9934CB

RGB 153 52 203

HSL 280.13, 0.59%, 0.5%

LAB 43.57, 64.22, -59.23

 

CMYK 5 / 74 / 0 / 20

HEX #C134CB

RGB 193 52 203

HSL 296.03, 0.59%, 0.5%

LAB 49.62, 72.08, -49.17

 

CMYK 44 / 74 / 0 / 46

HEX #4D2389

RGB 77 35 137

HSL 264.71, 0.59%, 0.34%

LAB 25.52, 41.76, -49.43

 

CMYK 44 / 74 / 0 / 33

HEX #602CAA

RGB 96 44 170

HSL 264.76, 0.59%, 0.42%

LAB 32.24, 49.57, -58.55

 

CMYK 44 / 74 / 0 / 20

HEX #7234CB

RGB 114 52 203

HSL 264.64, 0.59%, 0.5%

LAB 38.45, 57.36, -67.77

 

CMYK 35 / 60 / 0 / 17

HEX #8955D3

RGB 137 85 211

HSL 264.76, 0.59%, 0.58%

LAB 47.65, 47.39, -57.34

 

CMYK 27 / 46 / 0 / 14

HEX #A076DC

RGB 160 118 220

HSL 264.71, 0.59%, 0.66%

LAB 57.65, 37.1, -46.33

 

CMYK 43 / 74 / 0 / 20

HEX #7335CB

RGB 115 53 203

HSL 264.8, 0.59%, 0.5%

LAB 38.73, 57.08, -67.31

 

CMYK 0 / 74 / 45 / 20

HEX #CB3470

RGB 203 52 112

HSL 336.16, 0.59%, 0.5%

LAB 47.39, 62.51, 1.69

 

CMYK 74 / 0 / 74 / 20

HEX #34CB34

RGB 52 203 52

HSL 120, 0.59%, 0.5%

LAB 72.02, -66.06, 60.19

 

CMYK 43 / 74 / 0 / 20

HEX #7335CB

RGB 115 53 203

HSL 264.8, 0.59%, 0.5%

LAB 38.73, 57.08, -67.31

 

CMYK 0 / 45 / 74 / 20

HEX #CB7034

RGB 203 112 52

HSL 23.84, 0.59%, 0.5%

LAB 56.62, 31.33, 47.65

 

CMYK 74 / 0 / 45 / 20

HEX #34CB70

RGB 52 203 112

HSL 143.84, 0.59%, 0.5%

LAB 72.64, -58.74, 34.43

 

CMYK 43 / 74 / 0 / 20

HEX #7335CB

RGB 115 53 203

HSL 264.8, 0.59%, 0.5%

LAB 38.73, 57.08, -67.31

 

CMYK 0 / 74 / 45 / 20

HEX #CB3470

RGB 203 52 112

HSL 336.16, 0.59%, 0.5%

LAB 47.39, 62.51, 1.69

 

CMYK 30 / 0 / 74 / 20

HEX #8FCB34

RGB 143 203 52

HSL 83.84, 0.59%, 0.5%

LAB 75.33, -41.15, 64.56

 

CMYK 74 / 0 / 30 / 20

HEX #34CB8F

RGB 52 203 143

HSL 156.16, 0.59%, 0.5%

LAB 73.17, -52.74, 19

 

CMYK 43 / 74 / 0 / 20

HEX #7335CB

RGB 115 53 203

HSL 264.8, 0.59%, 0.5%

LAB 38.73, 57.08, -67.31

 

CMYK 0 / 74 / 67 / 20

HEX #CB3443

RGB 203 52 67

HSL 354.04, 0.59%, 0.5%

LAB 46.39, 59.24, 27.84

 

CMYK 30 / 0 / 74 / 20

HEX #8FCB34

RGB 143 203 52

HSL 83.84, 0.59%, 0.5%

LAB 75.33, -41.15, 64.56

 

CMYK 74 / 0 / 7 / 20

HEX #34CBBC

RGB 52 203 188

HSL 174.04, 0.59%, 0.5%

LAB 74.24, -41.66, -3.69

 

Description

Color code: RGB 115 53 203 | qconv.com Color code: RGB 115 53 203 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 53 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 53 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 74 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 74% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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