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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 224 57 it is the complementary color RGB 140 31 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 224 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 224 57 shade: RGB 120 224 52, RGB 137 242 71, RGB 154 255 90, RGB 171 255 109 and RGB 188 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 224 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 224 57 shade: RGB 115 224 57, RGB 98 206 38, RGB 81 188 19, RGB 64 170 0 and RGB 47 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 224 57 shade: RGB 115 224 56, RGB 160 224 56, RGB 205 224 56, RGB 224 198 56 and RGB 224 153 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 224 57 shade: RGB 115 224 56, RGB 69 224 56, RGB 56 224 89, RGB 56 224 134 and RGB 56 224 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 224 57 shade matches the following richer shades: RGB 115 224 56 and RGB 109 243 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 224 57 shade: RGB 115 224 56, RGB 120 205 75, RGB 126 187 94, RGB 132 168 112 and RGB 137 150 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 224 57 shade: RGB 204 224 56, RGB 160 224 56, RGB 115 224 56, RGB 70 224 56 and RGB 56 224 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 224 57 shade: RGB 77 171 27, RGB 93 207 32, RGB 115 224 56, RGB 140 230 92 and RGB 165 235 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 224 57 shade: RGB 115 224 57, RGB 56 224 199 and RGB 224 56 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 224 57 shade: RGB 115 224 57, RGB 56 115 224 and RGB 224 56 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 224 57 shade: RGB 115 224 57, RGB 56 224 199, RGB 165 56 224 and RGB 224 56 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 224 57 shade: RGB 115 224 57, RGB 56 199 224, RGB 165 56 224 and RGB 224 82 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 75 / 12

HEX #73E039

RGB 115 224 57

HSL 99.16, 0.73%, 0.55%

LAB 80.32, -58.63, 67.32

 

Complementary color

CMYK 29 / 84 / 0 / 22

HEX #8C1FC6

RGB 140 31 198

HSL 279.16, 0.73%, 0.45%

LAB 38.95, 67.77, -63.9

 

CMYK 46 / 0 / 77 / 12

HEX #78E034

RGB 120 224 52

HSL 96.28, 0.74%, 0.54%

LAB 80.49, -57.45, 69.13

 

CMYK 43 / 0 / 71 / 5

HEX #89F247

RGB 137 242 71

HSL 96.84, 0.87%, 0.61%

LAB 86.64, -57.97, 69.16

 

CMYK 40 / 0 / 65 / 0

HEX #9AFF5A

RGB 154 255 90

HSL 96.73, 1%, 0.68%

LAB 91.29, -56.35, 67.16

 

CMYK 33 / 0 / 57 / 0

HEX #ABFF6D

RGB 171 255 109

HSL 94.52, 1%, 0.71%

LAB 92.26, -49.18, 60.63

 

CMYK 26 / 0 / 50 / 0

HEX #BCFF80

RGB 188 255 128

HSL 91.65, 1%, 0.75%

LAB 93.35, -41.48, 53.64

 

CMYK 49 / 0 / 75 / 12

HEX #73E039

RGB 115 224 57

HSL 99.16, 0.73%, 0.55%

LAB 80.32, -58.63, 67.32

 

CMYK 52 / 0 / 82 / 19

HEX #62CE26

RGB 98 206 38

HSL 98.57, 0.69%, 0.48%

LAB 74.11, -57.88, 66.86

 

CMYK 57 / 0 / 90 / 26

HEX #51BC13

RGB 81 188 19

HSL 97.99, 0.82%, 0.41%

LAB 67.85, -56.78, 65.32

 

CMYK 62 / 0 / 100 / 33

HEX #40AA00

RGB 64 170 0

HSL 97.41, 1%, 0.33%

LAB 61.52, -55.26, 62.55

 

CMYK 69 / 0 / 100 / 40

HEX #2F9800

RGB 47 152 0

HSL 101.45, 1%, 0.3%

LAB 55.13, -53.02, 57.3

 

CMYK 49 / 0 / 75 / 12

HEX #73E038

RGB 115 224 56

HSL 98.93, 0.73%, 0.55%

LAB 80.32, -58.69, 67.64

 

CMYK 29 / 0 / 75 / 12

HEX #A0E038

RGB 160 224 56

HSL 82.86, 0.73%, 0.55%

LAB 82.42, -43.77, 70.39

 

CMYK 8 / 0 / 75 / 12

HEX #CDE038

RGB 205 224 56

HSL 66.79, 0.73%, 0.55%

LAB 85.29, -26.23, 74.12

 

CMYK 0 / 12 / 75 / 12

HEX #E0C638

RGB 224 198 56

HSL 50.71, 0.73%, 0.55%

LAB 79.91, -5.39, 69.66

 

CMYK 0 / 32 / 75 / 12

HEX #E09938

RGB 224 153 56

HSL 34.64, 0.73%, 0.55%

LAB 68.69, 18.33, 58.91

 

CMYK 49 / 0 / 75 / 12

HEX #73E038

RGB 115 224 56

HSL 98.93, 0.73%, 0.55%

LAB 80.32, -58.69, 67.64

 

CMYK 69 / 0 / 75 / 12

HEX #45E038

RGB 69 224 56

HSL 115.36, 0.73%, 0.55%

LAB 78.96, -69.55, 65.86

 

CMYK 75 / 0 / 60 / 12

HEX #38E059

RGB 56 224 89

HSL 131.79, 0.73%, 0.55%

LAB 78.97, -68.57, 53.05

 

CMYK 75 / 0 / 40 / 12

HEX #38E086

RGB 56 224 134

HSL 147.86, 0.73%, 0.55%

LAB 79.54, -61.86, 32.28

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B3

RGB 56 224 179

HSL 163.93, 0.73%, 0.55%

LAB 80.41, -52.38, 10.08

 

CMYK 49 / 0 / 75 / 12

HEX #73E038

RGB 115 224 56

HSL 98.93, 0.73%, 0.55%

LAB 80.32, -58.69, 67.64

 

CMYK 55 / 0 / 84 / 5

HEX #6DF326

RGB 109 243 38

HSL 99.22, 0.9%, 0.55%

LAB 85.75, -67.97, 77.41

 

CMYK 49 / 0 / 75 / 12

HEX #73E038

RGB 115 224 56

HSL 98.93, 0.73%, 0.55%

LAB 80.32, -58.69, 67.64

 

CMYK 41 / 0 / 63 / 20

HEX #78CD4B

RGB 120 205 75

HSL 99.23, 0.57%, 0.55%

LAB 74.93, -48.32, 55.05

 

CMYK 33 / 0 / 50 / 27

HEX #7EBB5E

RGB 126 187 94

HSL 99.35, 0.41%, 0.55%

LAB 70.02, -36.55, 40.7

 

CMYK 21 / 0 / 33 / 34

HEX #84A870

RGB 132 168 112

HSL 98.57, 0.24%, 0.55%

LAB 65.03, -22.84, 25.05

 

CMYK 9 / 0 / 13 / 41

HEX #899683

RGB 137 150 131

HSL 101.05, 0.08%, 0.55%

LAB 60.58, -8.36, 8.44

 

CMYK 9 / 0 / 75 / 12

HEX #CCE038

RGB 204 224 56

HSL 67.14, 0.73%, 0.55%

LAB 85.22, -26.63, 74.03

 

CMYK 29 / 0 / 75 / 12

HEX #A0E038

RGB 160 224 56

HSL 82.86, 0.73%, 0.55%

LAB 82.42, -43.77, 70.39

 

CMYK 49 / 0 / 75 / 12

HEX #73E038

RGB 115 224 56

HSL 98.93, 0.73%, 0.55%

LAB 80.32, -58.69, 67.64

 

CMYK 69 / 0 / 75 / 12

HEX #46E038

RGB 70 224 56

HSL 115, 0.73%, 0.55%

LAB 78.98, -69.37, 65.89

 

CMYK 75 / 0 / 61 / 12

HEX #38E057

RGB 56 224 87

HSL 131.07, 0.73%, 0.55%

LAB 78.95, -68.81, 53.9

 

CMYK 55 / 0 / 84 / 33

HEX #4DAB1B

RGB 77 171 27

HSL 99.17, 0.73%, 0.39%

LAB 62.32, -51.42, 58.77

 

CMYK 55 / 0 / 85 / 19

HEX #5DCF20

RGB 93 207 32

HSL 99.09, 0.73%, 0.47%

LAB 74.23, -59.87, 68.37

 

CMYK 49 / 0 / 75 / 12

HEX #73E038

RGB 115 224 56

HSL 98.93, 0.73%, 0.55%

LAB 80.32, -58.69, 67.64

 

CMYK 39 / 0 / 60 / 10

HEX #8CE65C

RGB 140 230 92

HSL 99.13, 0.73%, 0.63%

LAB 83.41, -50.57, 57.5

 

CMYK 30 / 0 / 46 / 8

HEX #A5EB80

RGB 165 235 128

HSL 99.25, 0.73%, 0.71%

LAB 86.49, -40.52, 44.93

 

CMYK 49 / 0 / 75 / 12

HEX #73E039

RGB 115 224 57

HSL 99.16, 0.73%, 0.55%

LAB 80.32, -58.63, 67.32

 

CMYK 75 / 0 / 11 / 12

HEX #38E0C7

RGB 56 224 199

HSL 171.07, 0.73%, 0.55%

LAB 80.89, -47.38, 0.18

 

CMYK 0 / 75 / 19 / 12

HEX #E038B6

RGB 224 56 182

HSL 315, 0.73%, 0.55%

LAB 54.08, 74.47, -29.64

 

CMYK 49 / 0 / 75 / 12

HEX #73E039

RGB 115 224 57

HSL 99.16, 0.73%, 0.55%

LAB 80.32, -58.63, 67.32

 

CMYK 75 / 49 / 0 / 12

HEX #3873E0

RGB 56 115 224

HSL 218.93, 0.73%, 0.55%

LAB 50.08, 18.49, -61.09

 

CMYK 0 / 75 / 49 / 12

HEX #E03873

RGB 224 56 115

HSL 338.93, 0.73%, 0.55%

LAB 51.74, 67.25, 6.61

 

CMYK 49 / 0 / 75 / 12

HEX #73E039

RGB 115 224 57

HSL 99.16, 0.73%, 0.55%

LAB 80.32, -58.63, 67.32

 

CMYK 75 / 0 / 11 / 12

HEX #38E0C7

RGB 56 224 199

HSL 171.07, 0.73%, 0.55%

LAB 80.89, -47.38, 0.18

 

CMYK 26 / 75 / 0 / 12

HEX #A538E0

RGB 165 56 224

HSL 278.93, 0.73%, 0.55%

LAB 47.25, 69.26, -65.23

 

CMYK 0 / 75 / 63 / 12

HEX #E03852

RGB 224 56 82

HSL 350.71, 0.73%, 0.55%

LAB 51.02, 64.94, 25.53

 

CMYK 49 / 0 / 75 / 12

HEX #73E039

RGB 115 224 57

HSL 99.16, 0.73%, 0.55%

LAB 80.32, -58.63, 67.32

 

CMYK 75 / 11 / 0 / 12

HEX #38C7E0

RGB 56 199 224

HSL 188.93, 0.73%, 0.55%

LAB 74.23, -28.83, -23.17

 

CMYK 26 / 75 / 0 / 12

HEX #A538E0

RGB 165 56 224

HSL 278.93, 0.73%, 0.55%

LAB 47.25, 69.26, -65.23

 

CMYK 0 / 63 / 75 / 12

HEX #E05238

RGB 224 82 56

HSL 9.29, 0.73%, 0.55%

LAB 54.2, 53.97, 44.08

 

Description

Color code: RGB 115 224 57 | qconv.com Color code: RGB 115 224 57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 224 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 224 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 75 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 75% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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