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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 111 113 it is the complementary color RGB 140 144 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 111 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 111 113 shade: RGB 120 111 108, RGB 137 129 127, RGB 154 147 146, RGB 171 165 165 and RGB 188 183 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 111 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 111 113 shade: RGB 115 111 113, RGB 98 93 94, RGB 81 75 75, RGB 64 57 56 and RGB 47 39 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 111 113 shade: RGB 114 109 112, RGB 114 109 110 and RGB 114 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 111 113 shade: RGB 114 109 112, RGB 114 109 113, RGB 114 109 114, RGB 113 109 114 and RGB 111 109 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 111 113 shade matches the following richer shades: RGB 114 109 112, RGB 132 91 112, RGB 150 73 112, RGB 168 55 112 and RGB 187 37 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 111 113 shade: RGB 114 109 112, RGB 96 128 112, RGB 78 146 112, RGB 59 164 112 and RGB 41 182 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 111 113 shade: RGB 114 109 114, RGB 114 109 113, RGB 114 109 112, RGB 114 109 111 and RGB 114 110 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 111 113 shade: RGB 72 69 70, RGB 93 89 91, RGB 114 109 112, RGB 135 130 132 and RGB 155 151 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 111 113 shade: RGB 115 111 113, RGB 114 113 109 and RGB 109 113 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 111 113 shade: RGB 115 111 113, RGB 112 114 109 and RGB 109 112 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 111 113 shade: RGB 115 111 113, RGB 114 113 109, RGB 109 114 112 and RGB 109 111 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 111 113 shade: RGB 115 111 113, RGB 114 114 109, RGB 109 114 112 and RGB 109 109 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 2 / 55

HEX #736F71

RGB 115 111 113

HSL 330, 0.02%, 0.44%

LAB 47.24, 1.94, -0.57

 

Complementary color

CMYK 3 / 0 / 1 / 44

HEX #8C908E

RGB 140 144 142

HSL 150, 0.02%, 0.56%

LAB 59.41, -1.85, 0.54

 

CMYK 0 / 8 / 10 / 53

HEX #786F6C

RGB 120 111 108

HSL 15, 0.05%, 0.45%

LAB 47.55, 2.93, 2.92

 

CMYK 0 / 6 / 7 / 46

HEX #89817F

RGB 137 129 127

HSL 12, 0.04%, 0.52%

LAB 54.61, 2.64, 2.16

 

CMYK 0 / 5 / 5 / 40

HEX #9A9392

RGB 154 147 146

HSL 7.5, 0.04%, 0.59%

LAB 61.49, 2.39, 1.44

 

CMYK 0 / 4 / 4 / 33

HEX #ABA5A5

RGB 171 165 165

HSL 0, 0.03%, 0.66%

LAB 68.23, 2.16, 0.76

 

CMYK 0 / 3 / 2 / 26

HEX #BCB7B8

RGB 188 183 184

HSL 348, 0.04%, 0.73%

LAB 74.84, 1.95, 0.11

 

CMYK 0 / 3 / 2 / 55

HEX #736F71

RGB 115 111 113

HSL 330, 0.02%, 0.44%

LAB 47.24, 1.94, -0.57

 

CMYK 0 / 5 / 4 / 62

HEX #625D5E

RGB 98 93 94

HSL 348, 0.03%, 0.37%

LAB 39.97, 2.2, 0.14

 

CMYK 0 / 7 / 7 / 68

HEX #514B4B

RGB 81 75 75

HSL 0, 0.04%, 0.31%

LAB 32.46, 2.49, 0.89

 

CMYK 0 / 11 / 13 / 75

HEX #403938

RGB 64 57 56

HSL 7.5, 0.07%, 0.24%

LAB 24.64, 2.85, 1.73

 

CMYK 0 / 17 / 21 / 82

HEX #2F2725

RGB 47 39 37

HSL 12, 0.12%, 0.16%

LAB 16.45, 3.31, 2.7

 

CMYK 0 / 4 / 2 / 55

HEX #726D70

RGB 114 109 112

HSL 324, 0.02%, 0.44%

LAB 46.56, 2.54, -0.98

 

CMYK 0 / 4 / 4 / 55

HEX #726D6E

RGB 114 109 110

HSL 348, 0.02%, 0.44%

LAB 46.5, 2.14, 0.13

 

CMYK 0 / 4 / 4 / 55

HEX #726D6D

RGB 114 109 109

HSL 0, 0.02%, 0.44%

LAB 46.47, 1.94, 0.69

 

CMYK 0 / 4 / 2 / 55

HEX #726D70

RGB 114 109 112

HSL 324, 0.02%, 0.44%

LAB 46.56, 2.54, -0.98

 

CMYK 0 / 4 / 1 / 55

HEX #726D71

RGB 114 109 113

HSL 312, 0.02%, 0.44%

LAB 46.59, 2.74, -1.54

 

CMYK 0 / 4 / 0 / 55

HEX #726D72

RGB 114 109 114

HSL 300, 0.02%, 0.44%

LAB 46.62, 2.95, -2.09

 

CMYK 1 / 4 / 0 / 55

HEX #716D72

RGB 113 109 114

HSL 288, 0.02%, 0.44%

LAB 46.53, 2.56, -2.23

 

CMYK 3 / 4 / 0 / 55

HEX #6F6D72

RGB 111 109 114

HSL 264, 0.02%, 0.44%

LAB 46.35, 1.8, -2.51

 

CMYK 0 / 4 / 2 / 55

HEX #726D70

RGB 114 109 112

HSL 324, 0.02%, 0.44%

LAB 46.56, 2.54, -0.98

 

CMYK 0 / 31 / 15 / 48

HEX #845B70

RGB 132 91 112

HSL 329.27, 0.18%, 0.44%

LAB 43.59, 20.26, -5.15

 

CMYK 0 / 51 / 25 / 41

HEX #964970

RGB 150 73 112

HSL 329.61, 0.35%, 0.44%

LAB 41.87, 37.06, -7.45

 

CMYK 0 / 67 / 33 / 34

HEX #A83770

RGB 168 55 112

HSL 329.73, 0.51%, 0.44%

LAB 41.57, 51.39, -7.6

 

CMYK 0 / 80 / 40 / 27

HEX #BB2570

RGB 187 37 112

HSL 330, 0.67%, 0.44%

LAB 42.85, 62.71, -5.34

 

CMYK 0 / 4 / 2 / 55

HEX #726D70

RGB 114 109 112

HSL 324, 0.02%, 0.44%

LAB 46.56, 2.54, -0.98

 

CMYK 25 / 0 / 13 / 50

HEX #608070

RGB 96 128 112

HSL 150, 0.14%, 0.44%

LAB 50.8, -14.94, 5

 

CMYK 47 / 0 / 23 / 43

HEX #4E9270

RGB 78 146 112

HSL 150, 0.3%, 0.44%

LAB 55.43, -29.83, 11.44

 

CMYK 64 / 0 / 32 / 36

HEX #3BA470

RGB 59 164 112

HSL 150.29, 0.47%, 0.44%

LAB 60.47, -42.47, 18.33

 

CMYK 77 / 0 / 38 / 29

HEX #29B670

RGB 41 182 112

HSL 150.21, 0.63%, 0.44%

LAB 65.82, -52.51, 25.49

 

CMYK 0 / 4 / 0 / 55

HEX #726D72

RGB 114 109 114

HSL 300, 0.02%, 0.44%

LAB 46.62, 2.95, -2.09

 

CMYK 0 / 4 / 1 / 55

HEX #726D71

RGB 114 109 113

HSL 312, 0.02%, 0.44%

LAB 46.59, 2.74, -1.54

 

CMYK 0 / 4 / 2 / 55

HEX #726D70

RGB 114 109 112

HSL 324, 0.02%, 0.44%

LAB 46.56, 2.54, -0.98

 

CMYK 0 / 4 / 3 / 55

HEX #726D6F

RGB 114 109 111

HSL 336, 0.02%, 0.44%

LAB 46.53, 2.34, -0.43

 

CMYK 0 / 4 / 4 / 55

HEX #726E6D

RGB 114 110 109

HSL 12, 0.02%, 0.44%

LAB 46.76, 1.35, 1.1

 

CMYK 0 / 4 / 3 / 72

HEX #484546

RGB 72 69 70

HSL 340, 0.02%, 0.28%

LAB 29.6, 1.47, -0.16

 

CMYK 0 / 4 / 2 / 64

HEX #5D595B

RGB 93 89 91

HSL 330, 0.02%, 0.36%

LAB 38.25, 2.02, -0.58

 

CMYK 0 / 4 / 2 / 55

HEX #726D70

RGB 114 109 112

HSL 324, 0.02%, 0.44%

LAB 46.56, 2.54, -0.98

 

CMYK 0 / 4 / 2 / 47

HEX #878284

RGB 135 130 132

HSL 336, 0.02%, 0.52%

LAB 54.85, 2.27, -0.42

 

CMYK 0 / 3 / 1 / 39

HEX #9B9799

RGB 155 151 153

HSL 330, 0.02%, 0.6%

LAB 62.85, 1.84, -0.54

 

CMYK 0 / 3 / 2 / 55

HEX #736F71

RGB 115 111 113

HSL 330, 0.02%, 0.44%

LAB 47.24, 1.94, -0.57

 

CMYK 0 / 1 / 4 / 55

HEX #72716D

RGB 114 113 109

HSL 48, 0.02%, 0.44%

LAB 47.61, -0.41, 2.35

 

CMYK 4 / 1 / 0 / 55

HEX #6D7172

RGB 109 113 114

HSL 192, 0.02%, 0.44%

LAB 47.34, -1.31, -1.09

 

CMYK 0 / 3 / 2 / 55

HEX #736F71

RGB 115 111 113

HSL 330, 0.02%, 0.44%

LAB 47.24, 1.94, -0.57

 

CMYK 2 / 0 / 4 / 55

HEX #70726D

RGB 112 114 109

HSL 84, 0.02%, 0.44%

LAB 47.73, -1.77, 2.5

 

CMYK 4 / 2 / 0 / 55

HEX #6D7072

RGB 109 112 114

HSL 204, 0.02%, 0.44%

LAB 47.05, -0.72, -1.51

 

CMYK 0 / 3 / 2 / 55

HEX #736F71

RGB 115 111 113

HSL 330, 0.02%, 0.44%

LAB 47.24, 1.94, -0.57

 

CMYK 0 / 1 / 4 / 55

HEX #72716D

RGB 114 113 109

HSL 48, 0.02%, 0.44%

LAB 47.61, -0.41, 2.35

 

CMYK 4 / 0 / 2 / 55

HEX #6D7270

RGB 109 114 112

HSL 156, 0.02%, 0.44%

LAB 47.57, -2.31, 0.44

 

CMYK 4 / 3 / 0 / 55

HEX #6D6F72

RGB 109 111 114

HSL 216, 0.02%, 0.44%

LAB 46.76, -0.13, -1.94

 

CMYK 0 / 3 / 2 / 55

HEX #736F71

RGB 115 111 113

HSL 330, 0.02%, 0.44%

LAB 47.24, 1.94, -0.57

 

CMYK 0 / 0 / 4 / 55

HEX #72726D

RGB 114 114 109

HSL 60, 0.02%, 0.44%

LAB 47.9, -0.99, 2.76

 

CMYK 4 / 0 / 2 / 55

HEX #6D7270

RGB 109 114 112

HSL 156, 0.02%, 0.44%

LAB 47.57, -2.31, 0.44

 

CMYK 4 / 4 / 0 / 55

HEX #6D6D72

RGB 109 109 114

HSL 240, 0.02%, 0.44%

LAB 46.18, 1.05, -2.78

 

Description

Color code: RGB 115 111 113 | qconv.com Color code: RGB 115 111 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 111 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 111 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 2 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 2% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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