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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115.5 129 160 it is the complementary color RGB 139.5 126 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115.5 129 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115.5 129 160 shade: RGB 120.5 129 155, RGB 137.5 147 174, RGB 154.5 165 193, RGB 171.5 183 212 and RGB 188.5 201 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115.5 129 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115.5 129 160 shade: RGB 115.5 129 160, RGB 98.5 111 141, RGB 81.5 93 122, RGB 64.5 75 103 and RGB 47.5 57 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115.5 129 160 shade: RGB 115 129 160, RGB 115 117 160, RGB 126 115 160, RGB 138 115 160 and RGB 150 115 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115.5 129 160 shade: RGB 115 129 160, RGB 115 117 160 and RGB 115 115 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115.5 129 160 shade matches the following richer shades: RGB 115 129 160, RGB 96 121 179, RGB 77 114 198, RGB 58 107 217 and RGB 39 99 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115.5 129 160 shade: RGB 115 129 160, RGB 134 136 141, RGB 153 144 122, RGB 172 151 103 and RGB 191 159 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115.5 129 160 shade: RGB 115 153 160, RGB 115 141 160, RGB 115 130 160, RGB 115 118 160 and RGB 125 115 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115.5 129 160 shade: RGB 78 89 115, RGB 95 108 139, RGB 115 129 160, RGB 140 151 177 and RGB 165 173 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115.5 129 160 shade: RGB 115.5 129 160, RGB 155 115 160 and RGB 147 160 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115.5 129 160 shade: RGB 115.5 129 160, RGB 160 115 130 and RGB 130 160 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115.5 129 160 shade: RGB 115.5 129 160, RGB 155 115 160, RGB 160 146 115 and RGB 121 160 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115.5 129 160 shade: RGB 115.5 129 160, RGB 160 115 152, RGB 160 146 115 and RGB 115 160 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115.5 129 160

HSL 221.8, 0.19%, 0.54%

LAB 53.94, 2.39, -18.18

 

Complementary color

CMYK 0 / 10 / 32 / 45

HEX #8B7E5F

RGB 139.5 126 95

HSL 41.8, 0.19%, 0.46%

LAB 53.25, 0.15, 18.78

 

CMYK 22 / 17 / 0 / 39

HEX #78819B

RGB 120.5 129 155

HSL 225.22, 0.15%, 0.54%

LAB 54.13, 2.76, -14.96

 

CMYK 21 / 16 / 0 / 32

HEX #8993AE

RGB 137.5 147 174

HSL 224.38, 0.18%, 0.61%

LAB 61.03, 2.52, -15.27

 

CMYK 20 / 15 / 0 / 24

HEX #9AA5C1

RGB 154.5 165 193

HSL 223.64, 0.24%, 0.68%

LAB 67.78, 2.3, -15.6

 

CMYK 19 / 14 / 0 / 17

HEX #ABB7D4

RGB 171.5 183 212

HSL 222.96, 0.32%, 0.75%

LAB 74.4, 2.1, -15.93

 

CMYK 18 / 13 / 0 / 9

HEX #BCC9E7

RGB 188.5 201 231

HSL 222.35, 0.47%, 0.82%

LAB 80.9, 1.91, -16.28

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115.5 129 160

HSL 221.8, 0.19%, 0.54%

LAB 53.94, 2.39, -18.18

 

CMYK 30 / 21 / 0 / 45

HEX #626F8D

RGB 98.5 111 141

HSL 222.35, 0.18%, 0.47%

LAB 46.86, 2.69, -17.96

 

CMYK 33 / 24 / 0 / 52

HEX #515D7A

RGB 81.5 93 122

HSL 222.96, 0.2%, 0.4%

LAB 39.59, 3.04, -17.78

 

CMYK 37 / 27 / 0 / 60

HEX #404B67

RGB 64.5 75 103

HSL 223.64, 0.23%, 0.33%

LAB 32.07, 3.47, -17.65

 

CMYK 43 / 32 / 0 / 67

HEX #2F3954

RGB 47.5 57 84

HSL 224.38, 0.28%, 0.26%

LAB 24.27, 4.03, -17.6

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115 129 160

HSL 221.33, 0.19%, 0.54%

LAB 53.9, 2.23, -18.23

 

CMYK 28 / 27 / 0 / 37

HEX #7375A0

RGB 115 117 160

HSL 237.33, 0.19%, 0.54%

LAB 50.58, 9.32, -23.34

 

CMYK 21 / 28 / 0 / 37

HEX #7E73A0

RGB 126 115 160

HSL 254.67, 0.19%, 0.54%

LAB 50.96, 14.03, -22.67

 

CMYK 14 / 28 / 0 / 37

HEX #8A73A0

RGB 138 115 160

HSL 270.67, 0.19%, 0.54%

LAB 52.07, 18, -20.87

 

CMYK 6 / 28 / 0 / 37

HEX #9673A0

RGB 150 115 160

HSL 286.67, 0.19%, 0.54%

LAB 53.26, 22.06, -18.94

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115 129 160

HSL 221.33, 0.19%, 0.54%

LAB 53.9, 2.23, -18.23

 

CMYK 28 / 27 / 0 / 37

HEX #7375A0

RGB 115 117 160

HSL 237.33, 0.19%, 0.54%

LAB 50.58, 9.32, -23.34

 

CMYK 28 / 28 / 0 / 37

HEX #7373A0

RGB 115 115 160

HSL 240, 0.19%, 0.54%

LAB 50.03, 10.51, -24.18

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115 129 160

HSL 221.33, 0.19%, 0.54%

LAB 53.9, 2.23, -18.23

 

CMYK 46 / 32 / 0 / 30

HEX #6079B3

RGB 96 121 179

HSL 221.93, 0.35%, 0.54%

LAB 51.17, 6.86, -33.55

 

CMYK 61 / 42 / 0 / 22

HEX #4D72C6

RGB 77 114 198

HSL 221.65, 0.51%, 0.54%

LAB 49.12, 13.06, -47.8

 

CMYK 73 / 51 / 0 / 15

HEX #3A6BD9

RGB 58 107 217

HSL 221.51, 0.68%, 0.54%

LAB 47.53, 21.21, -61.25

 

CMYK 83 / 58 / 0 / 7

HEX #2763EC

RGB 39 99 236

HSL 221.73, 0.84%, 0.54%

LAB 46.19, 31.48, -74.18

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115 129 160

HSL 221.33, 0.19%, 0.54%

LAB 53.9, 2.23, -18.23

 

CMYK 5 / 4 / 0 / 45

HEX #86888D

RGB 134 136 141

HSL 222.86, 0.03%, 0.54%

LAB 56.68, 0.28, -2.94

 

CMYK 0 / 6 / 20 / 40

HEX #99907A

RGB 153 144 122

HSL 42.58, 0.13%, 0.54%

LAB 60, -0.44, 12.9

 

CMYK 0 / 12 / 40 / 33

HEX #AC9767

RGB 172 151 103

HSL 41.74, 0.29%, 0.54%

LAB 63.25, 0.84, 28.15

 

CMYK 0 / 17 / 56 / 25

HEX #BF9F54

RGB 191 159 84

HSL 42.06, 0.46%, 0.54%

LAB 66.91, 2.66, 43.06

 

CMYK 28 / 4 / 0 / 37

HEX #7399A0

RGB 115 153 160

HSL 189.33, 0.19%, 0.54%

LAB 60.75, -11.29, -7.91

 

CMYK 28 / 12 / 0 / 37

HEX #738DA0

RGB 115 141 160

HSL 205.33, 0.19%, 0.54%

LAB 57.3, -4.65, -13.08

 

CMYK 28 / 19 / 0 / 37

HEX #7382A0

RGB 115 130 160

HSL 220, 0.19%, 0.54%

LAB 54.18, 1.65, -17.81

 

CMYK 28 / 26 / 0 / 37

HEX #7376A0

RGB 115 118 160

HSL 236, 0.19%, 0.54%

LAB 50.85, 8.72, -22.91

 

CMYK 22 / 28 / 0 / 37

HEX #7D73A0

RGB 125 115 160

HSL 253.33, 0.19%, 0.54%

LAB 50.87, 13.7, -22.81

 

CMYK 32 / 23 / 0 / 55

HEX #4E5973

RGB 78 89 115

HSL 222.16, 0.19%, 0.38%

LAB 37.85, 2.43, -16.18

 

CMYK 32 / 22 / 0 / 45

HEX #5F6C8B

RGB 95 108 139

HSL 222.27, 0.19%, 0.46%

LAB 45.66, 2.85, -18.63

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115 129 160

HSL 221.33, 0.19%, 0.54%

LAB 53.9, 2.23, -18.23

 

CMYK 21 / 15 / 0 / 31

HEX #8C97B1

RGB 140 151 177

HSL 222.16, 0.19%, 0.62%

LAB 62.41, 1.77, -14.87

 

CMYK 15 / 10 / 0 / 24

HEX #A5ADC1

RGB 165 173 193

HSL 222.86, 0.18%, 0.7%

LAB 70.69, 1.3, -11.15

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115.5 129 160

HSL 221.8, 0.19%, 0.54%

LAB 53.94, 2.39, -18.18

 

CMYK 3 / 28 / 0 / 37

HEX #9B73A0

RGB 155 115 160

HSL 293.33, 0.19%, 0.54%

LAB 53.78, 23.77, -18.1

 

CMYK 8 / 0 / 28 / 37

HEX #93A073

RGB 147 160 115

HSL 77.33, 0.19%, 0.54%

LAB 63.82, -12.57, 21.98

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115.5 129 160

HSL 221.8, 0.19%, 0.54%

LAB 53.94, 2.39, -18.18

 

CMYK 0 / 28 / 19 / 37

HEX #A07382

RGB 160 115 130

HSL 340, 0.19%, 0.54%

LAB 53.33, 20.07, -1.18

 

CMYK 19 / 0 / 28 / 37

HEX #82A073

RGB 130 160 115

HSL 100, 0.19%, 0.54%

LAB 62.61, -19.04, 20.14

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115.5 129 160

HSL 221.8, 0.19%, 0.54%

LAB 53.94, 2.39, -18.18

 

CMYK 3 / 28 / 0 / 37

HEX #9B73A0

RGB 155 115 160

HSL 293.33, 0.19%, 0.54%

LAB 53.78, 23.77, -18.1

 

CMYK 0 / 9 / 28 / 37

HEX #A09273

RGB 160 146 115

HSL 41.33, 0.19%, 0.54%

LAB 61.02, 0.2, 18.35

 

CMYK 24 / 0 / 28 / 37

HEX #79A073

RGB 121 160 115

HSL 112, 0.19%, 0.54%

LAB 62.04, -22.32, 19.26

 

CMYK 28 / 19 / 0 / 37

HEX #7381A0

RGB 115.5 129 160

HSL 221.8, 0.19%, 0.54%

LAB 53.94, 2.39, -18.18

 

CMYK 0 / 28 / 5 / 37

HEX #A07398

RGB 160 115 152

HSL 310.67, 0.19%, 0.54%

LAB 54.03, 23.95, -13.01

 

CMYK 0 / 9 / 28 / 37

HEX #A09273

RGB 160 146 115

HSL 41.33, 0.19%, 0.54%

LAB 61.02, 0.2, 18.35

 

CMYK 28 / 0 / 23 / 37

HEX #73A07C

RGB 115 160 124

HSL 132, 0.19%, 0.54%

LAB 61.86, -22.78, 13.97

 

Description

Color code: RGB 115.5 129 160 | qconv.com Color code: RGB 115.5 129 160 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115.5 red, 129 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115.5 129 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 19 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 19% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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