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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115.1 201 135 it is the complementary color RGB 139.9 54 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115.1 201 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115.1 201 135 shade: RGB 120.1 201 130, RGB 137.1 219 149, RGB 154.1 237 168, RGB 171.1 255 187 and RGB 188.1 255 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115.1 201 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115.1 201 135 shade: RGB 115.1 201 135, RGB 98.1 183 116, RGB 81.1 165 97, RGB 64.1 147 78 and RGB 47.1 129 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115.1 201 135 shade: RGB 115 201 135, RGB 119 201 115, RGB 142 201 115, RGB 165 201 115 and RGB 188 201 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115.1 201 135 shade: RGB 115 201 135, RGB 115 201 158, RGB 115 201 181, RGB 115 197 201 and RGB 115 174 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115.1 201 135 shade matches the following richer shades: RGB 115 201 135, RGB 100 216 127, RGB 84 232 118 and RGB 68 248 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115.1 201 135 shade: RGB 115 201 135, RGB 131 185 144, RGB 147 169 152, RGB 162 154 160 and RGB 178 138 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115.1 201 135 shade: RGB 142 201 115, RGB 120 201 115, RGB 115 201 134, RGB 115 201 157 and RGB 115 201 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115.1 201 135 shade: RGB 65 168 89, RGB 86 189 110, RGB 115 201 135, RGB 145 212 161 and RGB 175 224 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115.1 201 135 shade: RGB 115.1 201 135, RGB 115 165 201 and RGB 201 115 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115.1 201 135 shade: RGB 115.1 201 135, RGB 134 115 201 and RGB 201 134 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115.1 201 135 shade: RGB 115.1 201 135, RGB 115 165 201, RGB 201 115 182 and RGB 201 151 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115.1 201 135 shade: RGB 115.1 201 135, RGB 115 140 201, RGB 201 115 182 and RGB 201 177 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115.1 201 135

HSL 133.9, 0.44%, 0.62%

LAB 74.3, -40.15, 25.08

 

Complementary color

CMYK 0 / 61 / 14 / 45

HEX #8B3678

RGB 139.9 54 120

HSL 313.9, 0.44%, 0.38%

LAB 37.04, 44.58, -19.91

 

CMYK 40 / 0 / 35 / 21

HEX #78C982

RGB 120.1 201 130

HSL 127.34, 0.43%, 0.63%

LAB 74.44, -39.54, 27.92

 

CMYK 37 / 0 / 32 / 14

HEX #89DB95

RGB 137.1 219 149

HSL 128.72, 0.53%, 0.7%

LAB 80.83, -39.29, 26.76

 

CMYK 35 / 0 / 29 / 7

HEX #9AEDA8

RGB 154.1 237 168

HSL 130.06, 0.7%, 0.77%

LAB 87.13, -39.04, 25.66

 

CMYK 33 / 0 / 27 / 0

HEX #ABFFBB

RGB 171.1 255 187

HSL 131.37, 1%, 0.84%

LAB 93.35, -38.78, 24.63

 

CMYK 26 / 0 / 19 / 0

HEX #BCFFCE

RGB 188.1 255 206

HSL 136.05, 1%, 0.87%

LAB 94.6, -30.28, 16.81

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115.1 201 135

HSL 133.9, 0.44%, 0.62%

LAB 74.3, -40.15, 25.08

 

CMYK 46 / 0 / 37 / 28

HEX #62B774

RGB 98.1 183 116

HSL 132.65, 0.37%, 0.55%

LAB 67.82, -40.37, 26.31

 

CMYK 51 / 0 / 41 / 35

HEX #51A561

RGB 81.1 165 97

HSL 131.37, 0.34%, 0.48%

LAB 61.24, -40.52, 27.63

 

CMYK 56 / 0 / 47 / 42

HEX #40934E

RGB 64.1 147 78

HSL 130.06, 0.39%, 0.41%

LAB 54.56, -40.54, 29.03

 

CMYK 63 / 0 / 54 / 49

HEX #2F813B

RGB 47.1 129 59

HSL 128.72, 0.47%, 0.35%

LAB 47.78, -40.33, 30.51

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115 201 135

HSL 133.95, 0.44%, 0.62%

LAB 74.3, -40.18, 25.08

 

CMYK 41 / 0 / 43 / 21

HEX #77C973

RGB 119 201 115

HSL 117.21, 0.44%, 0.62%

LAB 74.15, -42.22, 35.26

 

CMYK 29 / 0 / 43 / 21

HEX #8EC973

RGB 142 201 115

HSL 101.16, 0.44%, 0.62%

LAB 75.3, -34.7, 36.98

 

CMYK 18 / 0 / 43 / 21

HEX #A5C973

RGB 165 201 115

HSL 85.12, 0.44%, 0.62%

LAB 76.69, -26.38, 39.02

 

CMYK 6 / 0 / 43 / 21

HEX #BCC973

RGB 188 201 115

HSL 69.07, 0.44%, 0.62%

LAB 78.29, -17.52, 41.37

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115 201 135

HSL 133.95, 0.44%, 0.62%

LAB 74.3, -40.18, 25.08

 

CMYK 43 / 0 / 21 / 21

HEX #73C99E

RGB 115 201 158

HSL 150, 0.44%, 0.62%

LAB 74.75, -35.8, 13.48

 

CMYK 43 / 0 / 10 / 21

HEX #73C9B5

RGB 115 201 181

HSL 166.05, 0.44%, 0.62%

LAB 75.3, -30.77, 1.87

 

CMYK 43 / 2 / 0 / 21

HEX #73C5C9

RGB 115 197 201

HSL 182.79, 0.44%, 0.62%

LAB 74.7, -23.95, -9.85

 

CMYK 43 / 13 / 0 / 21

HEX #73AEC9

RGB 115 174 201

HSL 198.84, 0.44%, 0.62%

LAB 68.12, -12.05, -19.74

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115 201 135

HSL 133.95, 0.44%, 0.62%

LAB 74.3, -40.18, 25.08

 

CMYK 54 / 0 / 41 / 15

HEX #64D87F

RGB 100 216 127

HSL 133.97, 0.6%, 0.62%

LAB 78.08, -51.84, 34.12

 

CMYK 64 / 0 / 49 / 9

HEX #54E876

RGB 84 232 118

HSL 133.78, 0.76%, 0.62%

LAB 82.33, -62.79, 43.87

 

CMYK 73 / 0 / 56 / 3

HEX #44F86E

RGB 68 248 110

HSL 134, 0.93%, 0.62%

LAB 86.75, -72.07, 52.88

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115 201 135

HSL 133.95, 0.44%, 0.62%

LAB 74.3, -40.18, 25.08

 

CMYK 29 / 0 / 22 / 27

HEX #83B990

RGB 131 185 144

HSL 134.44, 0.28%, 0.62%

LAB 70.55, -26.16, 15.25

 

CMYK 13 / 0 / 10 / 34

HEX #93A998

RGB 147 169 152

HSL 133.64, 0.11%, 0.62%

LAB 67.16, -11.02, 6.2

 

CMYK 0 / 5 / 1 / 36

HEX #A29AA0

RGB 162 154 160

HSL 315, 0.04%, 0.62%

LAB 64.43, 4.04, -2.1

 

CMYK 0 / 22 / 5 / 30

HEX #B28AA9

RGB 178 138 169

HSL 313.5, 0.21%, 0.62%

LAB 62.09, 20.46, -10.49

 

CMYK 29 / 0 / 43 / 21

HEX #8EC973

RGB 142 201 115

HSL 101.16, 0.44%, 0.62%

LAB 75.3, -34.7, 36.98

 

CMYK 40 / 0 / 43 / 21

HEX #78C973

RGB 120 201 115

HSL 116.51, 0.44%, 0.62%

LAB 74.19, -41.92, 35.33

 

CMYK 43 / 0 / 33 / 21

HEX #73C986

RGB 115 201 134

HSL 133.26, 0.44%, 0.62%

LAB 74.28, -40.36, 25.58

 

CMYK 43 / 0 / 22 / 21

HEX #73C99D

RGB 115 201 157

HSL 149.3, 0.44%, 0.62%

LAB 74.73, -36, 13.99

 

CMYK 43 / 0 / 11 / 21

HEX #73C9B3

RGB 115 201 179

HSL 164.65, 0.44%, 0.62%

LAB 75.25, -31.23, 2.88

 

CMYK 61 / 0 / 47 / 34

HEX #41A859

RGB 65 168 89

HSL 133.98, 0.44%, 0.46%

LAB 61.52, -47.1, 32.09

 

CMYK 54 / 0 / 42 / 26

HEX #56BD6E

RGB 86 189 110

HSL 133.98, 0.44%, 0.54%

LAB 69.11, -47.14, 31.07

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115 201 135

HSL 133.95, 0.44%, 0.62%

LAB 74.3, -40.18, 25.08

 

CMYK 32 / 0 / 24 / 17

HEX #91D4A1

RGB 145 212 161

HSL 134.33, 0.44%, 0.7%

LAB 79.43, -31.55, 18.64

 

CMYK 22 / 0 / 17 / 12

HEX #AFE0BA

RGB 175 224 186

HSL 133.47, 0.44%, 0.78%

LAB 84.98, -23.21, 13.5

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115.1 201 135

HSL 133.9, 0.44%, 0.62%

LAB 74.3, -40.15, 25.08

 

CMYK 43 / 18 / 0 / 21

HEX #73A5C9

RGB 115 165 201

HSL 205.12, 0.44%, 0.62%

LAB 65.57, -7.17, -23.63

 

CMYK 0 / 43 / 35 / 21

HEX #C97383

RGB 201 115 131

HSL 348.84, 0.44%, 0.62%

LAB 58.34, 35.61, 6.12

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115.1 201 135

HSL 133.9, 0.44%, 0.62%

LAB 74.3, -40.15, 25.08

 

CMYK 33 / 43 / 0 / 21

HEX #8673C9

RGB 134 115 201

HSL 253.26, 0.44%, 0.62%

LAB 53.54, 26.91, -42.24

 

CMYK 0 / 33 / 43 / 21

HEX #C98673

RGB 201 134 115

HSL 13.26, 0.44%, 0.62%

LAB 62.26, 23.46, 20.74

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115.1 201 135

HSL 133.9, 0.44%, 0.62%

LAB 74.3, -40.15, 25.08

 

CMYK 43 / 18 / 0 / 21

HEX #73A5C9

RGB 115 165 201

HSL 205.12, 0.44%, 0.62%

LAB 65.57, -7.17, -23.63

 

CMYK 0 / 43 / 9 / 21

HEX #C973B6

RGB 201 115 182

HSL 313.26, 0.44%, 0.62%

LAB 59.94, 43.14, -20.9

 

CMYK 0 / 25 / 43 / 21

HEX #C99773

RGB 201 151 115

HSL 25.12, 0.44%, 0.62%

LAB 66.36, 14.15, 26.24

 

CMYK 43 / 0 / 33 / 21

HEX #73C987

RGB 115.1 201 135

HSL 133.9, 0.44%, 0.62%

LAB 74.3, -40.15, 25.08

 

CMYK 43 / 30 / 0 / 21

HEX #738CC9

RGB 115 140 201

HSL 222.56, 0.44%, 0.62%

LAB 58.62, 7.01, -34.37

 

CMYK 0 / 43 / 9 / 21

HEX #C973B6

RGB 201 115 182

HSL 313.26, 0.44%, 0.62%

LAB 59.94, 43.14, -20.9

 

CMYK 0 / 12 / 43 / 21

HEX #C9B173

RGB 201 177 115

HSL 43.26, 0.44%, 0.62%

LAB 72.96, 0.11, 34.85

 

Description

Color code: RGB 115.1 201 135 | qconv.com Color code: RGB 115.1 201 135 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115.1 red, 201 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115.1 201 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 33 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 33% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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