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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 32 238 it is the complementary color RGB 141 223 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 32 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 32 238: RGB 119 32 233, RGB 136 50 252, RGB 153 68 255, RGB 170 86 255 and RGB 187 104 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 32 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 32 238: RGB 114 32 238, RGB 97 14 219, RGB 80 0 200, RGB 63 0 181 and RGB 46 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

Complementary color

CMYK 37 / 0 / 92 / 13

HEX #8DDF11

RGB 141 223 17

HSL 83.88, 0.86%, 0.47%

LAB 81, -51.49, 77.49

 

CMYK 49 / 86 / 0 / 9

HEX #7720E9

RGB 119 32 233

HSL 265.97, 0.82%, 0.52%

LAB 39.31, 72.43, -83.58

 

CMYK 46 / 80 / 0 / 1

HEX #8832FC

RGB 136 50 252

HSL 265.54, 0.97%, 0.59%

LAB 45, 73.14, -84.84

 

CMYK 40 / 73 / 0 / 0

HEX #9944FF

RGB 153 68 255

HSL 267.27, 1%, 0.63%

LAB 49.65, 69.35, -78.83

 

CMYK 33 / 66 / 0 / 0

HEX #AA56FF

RGB 170 86 255

HSL 269.82, 1%, 0.67%

LAB 54.47, 64.44, -70.9

 

CMYK 27 / 59 / 0 / 0

HEX #BB68FF

RGB 187 104 255

HSL 272.98, 1%, 0.7%

LAB 59.6, 59.42, -62.53

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 56 / 94 / 0 / 14

HEX #610EDB

RGB 97 14 219

HSL 264.29, 0.88%, 0.46%

LAB 33.92, 71.28, -84.56

 

CMYK 60 / 100 / 0 / 22

HEX #5000C8

RGB 80 0 200

HSL 264, 1%, 0.39%

LAB 29.1, 67.99, -81.58

 

CMYK 65 / 100 / 0 / 29

HEX #3F00B5

RGB 63 0 181

HSL 260.88, 1%, 0.35%

LAB 24.93, 62.65, -77.31

 

CMYK 72 / 100 / 0 / 36

HEX #2E00A2

RGB 46 0 162

HSL 257.04, 1%, 0.32%

LAB 20.79, 57.3, -72.78

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 39 / 87 / 0 / 7

HEX #9120EE

RGB 145 32 238

HSL 272.91, 0.86%, 0.53%

LAB 43.1, 76.46, -80.05

 

CMYK 25 / 87 / 0 / 7

HEX #B320EE

RGB 179 32 238

HSL 282.82, 0.86%, 0.53%

LAB 47.99, 80.97, -71.86

 

CMYK 10 / 87 / 0 / 7

HEX #D620EE

RGB 214 32 238

HSL 293.01, 0.86%, 0.53%

LAB 53.49, 86.31, -62.69

 

CMYK 0 / 87 / 5 / 7

HEX #EE20E3

RGB 238 32 227

HSL 303.2, 0.86%, 0.53%

LAB 56.84, 88.71, -50.92

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 53 / 85 / 0 / 87

HEX #100522

RGB 16 5 34

HSL 262.76, 0.74%, 0.08%

LAB 3.02, 9.79, -15.67

 

CMYK 52 / 87 / 0 / 67

HEX #290B55

RGB 41 11 85

HSL 264.32, 0.77%, 0.19%

LAB 11.73, 32.52, -38.38

 

CMYK 52 / 87 / 0 / 47

HEX #411288

RGB 65 18 136

HSL 263.9, 0.77%, 0.3%

LAB 21.33, 47.05, -55.73

 

CMYK 52 / 87 / 0 / 27

HEX #5A19BB

RGB 90 25 187

HSL 264.07, 0.76%, 0.42%

LAB 30.54, 60.5, -71.5

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 0 / 87 / 51 / 7

HEX #EE2075

RGB 238 32 117

HSL 335.24, 0.86%, 0.53%

LAB 52.39, 76.71, 6.69

 

CMYK 85 / 0 / 87 / 7

HEX #23EE20

RGB 35 238 32

HSL 119.13, 0.86%, 0.53%

LAB 82.71, -79.34, 75.38

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 0 / 53 / 87 / 7

HEX #EE6F20

RGB 238 111 32

HSL 23.01, 0.86%, 0.53%

LAB 61.35, 45.01, 62.14

 

CMYK 87 / 0 / 53 / 7

HEX #20EE6F

RGB 32 238 111

HSL 143.01, 0.86%, 0.53%

LAB 83.23, -72.66, 48.09

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 0 / 87 / 51 / 7

HEX #EE2075

RGB 238 32 117

HSL 335.24, 0.86%, 0.53%

LAB 52.39, 76.71, 6.69

 

CMYK 33 / 0 / 87 / 7

HEX #9FEE20

RGB 159 238 32

HSL 83.01, 0.86%, 0.53%

LAB 86.32, -50.94, 79.9

 

CMYK 87 / 0 / 36 / 7

HEX #20EE98

RGB 32 238 152

HSL 154.95, 0.86%, 0.53%

LAB 83.82, -65.72, 28.79

 

CMYK 52 / 87 / 0 / 7

HEX #7220EE

RGB 114 32 238

HSL 263.88, 0.86%, 0.53%

LAB 39.21, 73.09, -86.59

 

CMYK 0 / 87 / 76 / 7

HEX #EE2038

RGB 238 32 56

HSL 353.01, 0.86%, 0.53%

LAB 51.26, 73.47, 41.68

 

CMYK 33 / 0 / 87 / 7

HEX #9FEE20

RGB 159 238 32

HSL 83.01, 0.86%, 0.53%

LAB 86.32, -50.94, 79.9

 

CMYK 87 / 0 / 10 / 7

HEX #20EED6

RGB 32 238 214

HSL 173.01, 0.86%, 0.53%

LAB 85.15, -51.26, -1.54

 

Description

Color code: RGB 114 32 238 | qconv.com Color code: RGB 114 32 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 32 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 32 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 87 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 87% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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