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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 31 39 it is the complementary color RGB 141 224 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 31 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 31 39 shade: RGB 119 31 34, RGB 136 49 53, RGB 153 67 72, RGB 170 85 91 and RGB 187 103 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 31 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 31 39 shade: RGB 114 31 39, RGB 97 13 20, RGB 80 0 1, RGB 63 0 0 and RGB 46 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 31 39 shade: RGB 112 30 38 and RGB 112 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 31 39 shade: RGB 112 30 38, RGB 112 30 60, RGB 112 30 82, RGB 112 30 104 and RGB 97 30 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 31 39 shade matches the following richer shades: RGB 112 30 38, RGB 123 19 29 and RGB 135 7 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 31 39 shade: RGB 112 30 38, RGB 100 42 47, RGB 88 53 57, RGB 77 65 66 and RGB 65 76 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 31 39 shade: RGB 112 30 82, RGB 112 30 60, RGB 112 30 38, RGB 112 44 30 and RGB 112 65 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 31 39 shade: RGB 47 12 16, RGB 79 21 27, RGB 112 30 38, RGB 144 39 49 and RGB 176 48 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 31 39 shade: RGB 114 31 39, RGB 103 112 30 and RGB 30 71 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 31 39 shade: RGB 114 31 39, RGB 38 112 30 and RGB 30 38 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 31 39 shade: RGB 114 31 39, RGB 103 112 30, RGB 30 112 103 and RGB 38 30 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 31 39 shade: RGB 114 31 39, RGB 79 112 30, RGB 30 112 103 and RGB 63 30 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 66 / 55

HEX #721F27

RGB 114 31 39

HSL 354.22, 0.57%, 0.28%

LAB 25.87, 36.75, 15.99

 

Complementary color

CMYK 37 / 0 / 4 / 12

HEX #8DE0D8

RGB 141 224 216

HSL 174.22, 0.57%, 0.72%

LAB 83.93, -27.01, -4.08

 

CMYK 0 / 74 / 71 / 53

HEX #771F22

RGB 119 31 34

HSL 357.95, 0.59%, 0.29%

LAB 26.78, 38.18, 20.65

 

CMYK 0 / 64 / 61 / 47

HEX #883135

RGB 136 49 53

HSL 357.24, 0.47%, 0.36%

LAB 33.32, 37.49, 17.33

 

CMYK 0 / 56 / 53 / 40

HEX #994348

RGB 153 67 72

HSL 356.51, 0.39%, 0.43%

LAB 40.01, 36.47, 14.78

 

CMYK 0 / 50 / 46 / 33

HEX #AA555B

RGB 170 85 91

HSL 355.76, 0.33%, 0.5%

LAB 46.71, 35.36, 12.76

 

CMYK 0 / 45 / 41 / 27

HEX #BB676E

RGB 187 103 110

HSL 355, 0.38%, 0.57%

LAB 53.37, 34.29, 11.09

 

CMYK 0 / 73 / 66 / 55

HEX #721F27

RGB 114 31 39

HSL 354.22, 0.57%, 0.28%

LAB 25.87, 36.75, 15.99

 

CMYK 0 / 87 / 79 / 62

HEX #610D14

RGB 97 13 20

HSL 355, 0.76%, 0.22%

LAB 19.56, 36.55, 20.22

 

CMYK 0 / 100 / 99 / 69

HEX #500001

RGB 80 0 1

HSL 359.25, 1%, 0.16%

LAB 13.87, 34.58, 21.29

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 73 / 66 / 56

HEX #701E26

RGB 112 30 38

HSL 354.15, 0.58%, 0.28%

LAB 25.3, 36.4, 15.84

 

CMYK 0 / 73 / 73 / 56

HEX #701E1E

RGB 112 30 30

HSL 0, 0.58%, 0.28%

LAB 25.16, 35.91, 20.96

 

CMYK 0 / 73 / 66 / 56

HEX #701E26

RGB 112 30 38

HSL 354.15, 0.58%, 0.28%

LAB 25.3, 36.4, 15.84

 

CMYK 0 / 73 / 46 / 56

HEX #701E3C

RGB 112 30 60

HSL 338.05, 0.58%, 0.28%

LAB 25.86, 38.34, 1.71

 

CMYK 0 / 73 / 27 / 56

HEX #701E52

RGB 112 30 82

HSL 321.95, 0.58%, 0.28%

LAB 26.68, 41.08, -11.84

 

CMYK 0 / 73 / 7 / 56

HEX #701E68

RGB 112 30 104

HSL 305.85, 0.58%, 0.28%

LAB 27.77, 44.55, -24.57

 

CMYK 13 / 73 / 0 / 56

HEX #611E70

RGB 97 30 112

HSL 289.02, 0.58%, 0.28%

LAB 25.68, 42.33, -33.2

 

CMYK 0 / 73 / 66 / 56

HEX #701E26

RGB 112 30 38

HSL 354.15, 0.58%, 0.28%

LAB 25.3, 36.4, 15.84

 

CMYK 0 / 85 / 76 / 52

HEX #7B131D

RGB 123 19 29

HSL 354.23, 0.73%, 0.28%

LAB 26.06, 43.39, 23.24

 

CMYK 0 / 95 / 86 / 47

HEX #870713

RGB 135 7 19

HSL 354.38, 0.9%, 0.28%

LAB 27.71, 49.09, 31.97

 

CMYK 0 / 73 / 66 / 56

HEX #701E26

RGB 112 30 38

HSL 354.15, 0.58%, 0.28%

LAB 25.3, 36.4, 15.84

 

CMYK 0 / 58 / 53 / 61

HEX #642A2F

RGB 100 42 47

HSL 354.83, 0.41%, 0.28%

LAB 25.47, 26.71, 9.63

 

CMYK 0 / 40 / 35 / 65

HEX #583539

RGB 88 53 57

HSL 353.14, 0.25%, 0.28%

LAB 26.5, 16.32, 4.11

 

CMYK 0 / 16 / 14 / 70

HEX #4D4142

RGB 77 65 66

HSL 355, 0.08%, 0.28%

LAB 28.78, 5.35, 1.3

 

CMYK 14 / 0 / 1 / 70

HEX #414C4B

RGB 65 76 75

HSL 174.55, 0.08%, 0.28%

LAB 31.35, -4.62, -0.9

 

CMYK 0 / 73 / 27 / 56

HEX #701E52

RGB 112 30 82

HSL 321.95, 0.58%, 0.28%

LAB 26.68, 41.08, -11.84

 

CMYK 0 / 73 / 46 / 56

HEX #701E3C

RGB 112 30 60

HSL 338.05, 0.58%, 0.28%

LAB 25.86, 38.34, 1.71

 

CMYK 0 / 73 / 66 / 56

HEX #701E26

RGB 112 30 38

HSL 354.15, 0.58%, 0.28%

LAB 25.3, 36.4, 15.84

 

CMYK 0 / 61 / 73 / 56

HEX #702C1E

RGB 112 44 30

HSL 10.24, 0.58%, 0.28%

LAB 27.68, 29.16, 23.93

 

CMYK 0 / 42 / 73 / 56

HEX #70411E

RGB 112 65 30

HSL 25.61, 0.58%, 0.28%

LAB 32.52, 17.1, 29.38

 

CMYK 0 / 74 / 66 / 82

HEX #2F0C10

RGB 47 12 16

HSL 353.14, 0.59%, 0.12%

LAB 8.17, 18.3, 5.63

 

CMYK 0 / 73 / 66 / 69

HEX #4F151B

RGB 79 21 27

HSL 353.79, 0.58%, 0.2%

LAB 16.88, 27.58, 11.19

 

CMYK 0 / 73 / 66 / 56

HEX #701E26

RGB 112 30 38

HSL 354.15, 0.58%, 0.28%

LAB 25.3, 36.4, 15.84

 

CMYK 0 / 73 / 66 / 44

HEX #902731

RGB 144 39 49

HSL 354.29, 0.57%, 0.36%

LAB 33.14, 44.35, 19.95

 

CMYK 0 / 73 / 66 / 31

HEX #B0303C

RGB 176 48 60

HSL 354.38, 0.57%, 0.44%

LAB 40.69, 51.94, 23.87

 

CMYK 0 / 73 / 66 / 55

HEX #721F27

RGB 114 31 39

HSL 354.22, 0.57%, 0.28%

LAB 25.87, 36.75, 15.99

 

CMYK 8 / 0 / 73 / 56

HEX #67701E

RGB 103 112 30

HSL 66.59, 0.58%, 0.28%

LAB 45.03, -14.9, 42.08

 

CMYK 73 / 37 / 0 / 56

HEX #1E4770

RGB 30 71 112

HSL 210, 0.58%, 0.28%

LAB 29.29, 0.64, -27.84

 

CMYK 0 / 73 / 66 / 55

HEX #721F27

RGB 114 31 39

HSL 354.22, 0.57%, 0.28%

LAB 25.87, 36.75, 15.99

 

CMYK 66 / 0 / 73 / 56

HEX #26701E

RGB 38 112 30

HSL 114.15, 0.58%, 0.28%

LAB 41.37, -39.41, 37.17

 

CMYK 73 / 66 / 0 / 56

HEX #1E2670

RGB 30 38 112

HSL 234.15, 0.58%, 0.28%

LAB 19.36, 23.7, -43.82

 

CMYK 0 / 73 / 66 / 55

HEX #721F27

RGB 114 31 39

HSL 354.22, 0.57%, 0.28%

LAB 25.87, 36.75, 15.99

 

CMYK 8 / 0 / 73 / 56

HEX #67701E

RGB 103 112 30

HSL 66.59, 0.58%, 0.28%

LAB 45.03, -14.9, 42.08

 

CMYK 73 / 0 / 8 / 56

HEX #1E7067

RGB 30 112 103

HSL 173.41, 0.58%, 0.28%

LAB 42.53, -26.26, -2.04

 

CMYK 66 / 73 / 0 / 56

HEX #261E70

RGB 38 30 112

HSL 245.85, 0.58%, 0.28%

LAB 17.97, 30.2, -46.08

 

CMYK 0 / 73 / 66 / 55

HEX #721F27

RGB 114 31 39

HSL 354.22, 0.57%, 0.28%

LAB 25.87, 36.75, 15.99

 

CMYK 29 / 0 / 73 / 56

HEX #4F701E

RGB 79 112 30

HSL 84.15, 0.58%, 0.28%

LAB 43.28, -25.49, 39.74

 

CMYK 73 / 0 / 8 / 56

HEX #1E7067

RGB 30 112 103

HSL 173.41, 0.58%, 0.28%

LAB 42.53, -26.26, -2.04

 

CMYK 44 / 73 / 0 / 56

HEX #3F1E70

RGB 63 30 112

HSL 264.15, 0.58%, 0.28%

LAB 20.65, 34.68, -41.57

 

Description

Color code: RGB 114 31 39 | qconv.com Color code: RGB 114 31 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 31 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 31 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 66 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 66% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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