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Color name
RGB 114 253 109

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 253 109 it is the complementary color RGB 141 2 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 253 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 253 109 shade: RGB 119 253 104, RGB 136 255 123, RGB 153 255 142, RGB 170 255 161 and RGB 187 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 253 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 253 109 shade: RGB 114 253 109, RGB 97 235 90, RGB 80 217 71, RGB 63 199 52 and RGB 46 181 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 253 109 shade: RGB 114 252 109, RGB 152 252 109, RGB 191 252 109, RGB 230 252 109 and RGB 252 236 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 253 109 shade: RGB 114 252 109, RGB 109 252 143, RGB 109 252 181, RGB 109 252 220 and RGB 109 246 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 253 109 shade matches the following richer shades: RGB 114 252 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 253 109 shade: RGB 114 252 109, RGB 125 240 121, RGB 136 228 133, RGB 147 216 145 and RGB 158 204 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 253 109 shade: RGB 193 252 109, RGB 154 252 109, RGB 116 252 109, RGB 109 252 140 and RGB 109 252 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 253 109 shade: RGB 35 251 28, RGB 75 252 68, RGB 114 252 109, RGB 153 253 149 and RGB 192 254 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 253 109 shade: RGB 114 253 109, RGB 109 231 252 and RGB 252 109 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 253 109 shade: RGB 114 253 109, RGB 109 116 252 and RGB 252 109 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 253 109 shade: RGB 114 253 109, RGB 109 231 252, RGB 245 109 252 and RGB 252 130 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 253 109 shade: RGB 114 253 109, RGB 109 188 252, RGB 245 109 252 and RGB 252 173 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 57 / 1

HEX #72FD6D

RGB 114 253 109

HSL 117.92, 0.97%, 0.71%

LAB 89.36, -64.95, 56.68

 

Complementary color

CMYK 3 / 99 / 0 / 43

HEX #8D0292

RGB 141 2 146

HSL 297.92, 0.97%, 0.29%

LAB 33.52, 63.73, -41.56

 

CMYK 53 / 0 / 59 / 1

HEX #77FD68

RGB 119 253 104

HSL 113.96, 0.97%, 0.7%

LAB 89.47, -64.26, 59.02

 

CMYK 47 / 0 / 52 / 0

HEX #88FF7B

RGB 136 255 123

HSL 114.09, 1%, 0.74%

LAB 90.86, -58.37, 52.36

 

CMYK 40 / 0 / 44 / 0

HEX #99FF8E

RGB 153 255 142

HSL 114.16, 1%, 0.78%

LAB 91.79, -51.08, 44.74

 

CMYK 33 / 0 / 37 / 0

HEX #AAFFA1

RGB 170 255 161

HSL 114.26, 1%, 0.82%

LAB 92.86, -43.24, 36.99

 

CMYK 27 / 0 / 29 / 0

HEX #BBFFB4

RGB 187 255 180

HSL 114.4, 1%, 0.85%

LAB 94.05, -34.97, 29.25

 

CMYK 55 / 0 / 57 / 1

HEX #72FD6D

RGB 114 253 109

HSL 117.92, 0.97%, 0.71%

LAB 89.36, -64.95, 56.68

 

CMYK 59 / 0 / 62 / 8

HEX #61EB5A

RGB 97 235 90

HSL 117.1, 0.78%, 0.64%

LAB 83.28, -64.56, 57.77

 

CMYK 63 / 0 / 67 / 15

HEX #50D947

RGB 80 217 71

HSL 116.3, 0.66%, 0.56%

LAB 77.15, -63.92, 58.68

 

CMYK 68 / 0 / 74 / 22

HEX #3FC734

RGB 63 199 52

HSL 115.51, 0.59%, 0.49%

LAB 70.98, -62.9, 59.22

 

CMYK 75 / 0 / 82 / 29

HEX #2EB521

RGB 46 181 33

HSL 114.73, 0.69%, 0.42%

LAB 64.75, -61.35, 59.09

 

CMYK 55 / 0 / 57 / 1

HEX #72FC6D

RGB 114 252 109

HSL 117.9, 0.96%, 0.71%

LAB 89.07, -64.59, 56.33

 

CMYK 40 / 0 / 57 / 1

HEX #98FC6D

RGB 152 252 109

HSL 101.96, 0.96%, 0.71%

LAB 90.51, -54.05, 58.38

 

CMYK 24 / 0 / 57 / 1

HEX #BFFC6D

RGB 191 252 109

HSL 85.59, 0.96%, 0.71%

LAB 92.49, -40.96, 61.17

 

CMYK 9 / 0 / 57 / 1

HEX #E6FC6D

RGB 230 252 109

HSL 69.23, 0.96%, 0.71%

LAB 94.97, -26.35, 64.65

 

CMYK 0 / 6 / 57 / 1

HEX #FCEC6D

RGB 252 236 109

HSL 53.29, 0.96%, 0.71%

LAB 92.48, -9.91, 62.31

 

CMYK 55 / 0 / 57 / 1

HEX #72FC6D

RGB 114 252 109

HSL 117.9, 0.96%, 0.71%

LAB 89.07, -64.59, 56.33

 

CMYK 57 / 0 / 43 / 1

HEX #6DFC8F

RGB 109 252 143

HSL 134.27, 0.96%, 0.71%

LAB 89.33, -61.21, 40.78

 

CMYK 57 / 0 / 28 / 1

HEX #6DFCB5

RGB 109 252 181

HSL 150.21, 0.96%, 0.71%

LAB 89.96, -54.54, 22.61

 

CMYK 57 / 0 / 13 / 1

HEX #6DFCDC

RGB 109 252 220

HSL 166.57, 0.96%, 0.71%

LAB 90.8, -46.13, 3.72

 

CMYK 57 / 2 / 0 / 1

HEX #6DF6FC

RGB 109 246 252

HSL 182.52, 0.96%, 0.71%

LAB 89.95, -35.44, -14.17

 

CMYK 55 / 0 / 57 / 1

HEX #72FC6D

RGB 114 252 109

HSL 117.9, 0.96%, 0.71%

LAB 89.07, -64.59, 56.33

 

CMYK 55 / 0 / 57 / 1

HEX #72FC6D

RGB 114 252 109

HSL 117.9, 0.96%, 0.71%

LAB 89.07, -64.59, 56.33

 

CMYK 48 / 0 / 50 / 6

HEX #7DF079

RGB 125 240 121

HSL 117.98, 0.8%, 0.71%

LAB 86.04, -55.77, 47.31

 

CMYK 40 / 0 / 42 / 11

HEX #88E485

RGB 136 228 133

HSL 118.11, 0.64%, 0.71%

LAB 83.13, -46.07, 37.92

 

CMYK 32 / 0 / 33 / 15

HEX #93D891

RGB 147 216 145

HSL 118.31, 0.48%, 0.71%

LAB 80.38, -35.51, 28.31

 

CMYK 23 / 0 / 23 / 20

HEX #9ECC9D

RGB 158 204 157

HSL 118.72, 0.32%, 0.71%

LAB 77.81, -24.18, 18.61

 

CMYK 23 / 0 / 57 / 1

HEX #C1FC6D

RGB 193 252 109

HSL 84.76, 0.96%, 0.71%

LAB 92.6, -40.24, 61.33

 

CMYK 39 / 0 / 57 / 1

HEX #9AFC6D

RGB 154 252 109

HSL 101.12, 0.96%, 0.71%

LAB 90.59, -53.43, 58.5

 

CMYK 54 / 0 / 57 / 1

HEX #74FC6D

RGB 116 252 109

HSL 117.06, 0.96%, 0.71%

LAB 89.13, -64.1, 56.42

 

CMYK 57 / 0 / 44 / 1

HEX #6DFC8C

RGB 109 252 140

HSL 133.01, 0.96%, 0.71%

LAB 89.28, -61.67, 42.18

 

CMYK 57 / 0 / 29 / 1

HEX #6DFCB2

RGB 109 252 178

HSL 148.95, 0.96%, 0.71%

LAB 89.9, -55.13, 24.07

 

CMYK 86 / 0 / 89 / 2

HEX #23FB1C

RGB 35 251 28

HSL 118.12, 0.97%, 0.55%

LAB 86.72, -83.01, 79.55

 

CMYK 70 / 0 / 73 / 1

HEX #4BFC44

RGB 75 252 68

HSL 117.72, 0.97%, 0.63%

LAB 87.74, -76.4, 70.68

 

CMYK 55 / 0 / 57 / 1

HEX #72FC6D

RGB 114 252 109

HSL 117.9, 0.96%, 0.71%

LAB 89.07, -64.59, 56.33

 

CMYK 40 / 0 / 41 / 1

HEX #99FD95

RGB 153 253 149

HSL 117.69, 0.96%, 0.79%

LAB 91.32, -49.28, 40.74

 

CMYK 24 / 0 / 25 / 0

HEX #C0FEBE

RGB 192 254 190

HSL 118.13, 0.97%, 0.87%

LAB 94.23, -31.31, 24.48

 

CMYK 55 / 0 / 57 / 1

HEX #72FD6D

RGB 114 253 109

HSL 117.92, 0.97%, 0.71%

LAB 89.36, -64.95, 56.68

 

CMYK 57 / 8 / 0 / 1

HEX #6DE7FC

RGB 109 231 252

HSL 188.81, 0.96%, 0.71%

LAB 85.72, -28.33, -20.53

 

CMYK 0 / 57 / 31 / 1

HEX #FC6DAD

RGB 252 109 173

HSL 333.15, 0.96%, 0.71%

LAB 65.48, 60.76, -6.74

 

CMYK 55 / 0 / 57 / 1

HEX #72FD6D

RGB 114 253 109

HSL 117.92, 0.97%, 0.71%

LAB 89.36, -64.95, 56.68

 

CMYK 57 / 54 / 0 / 1

HEX #6D74FC

RGB 109 116 252

HSL 237.06, 0.96%, 0.71%

LAB 54.83, 35.57, -68.92

 

CMYK 0 / 57 / 54 / 1

HEX #FC6D74

RGB 252 109 116

HSL 357.06, 0.96%, 0.71%

LAB 64.07, 55.13, 23.8

 

CMYK 55 / 0 / 57 / 1

HEX #72FD6D

RGB 114 253 109

HSL 117.92, 0.97%, 0.71%

LAB 89.36, -64.95, 56.68

 

CMYK 57 / 8 / 0 / 1

HEX #6DE7FC

RGB 109 231 252

HSL 188.81, 0.96%, 0.71%

LAB 85.72, -28.33, -20.53

 

CMYK 3 / 57 / 0 / 1

HEX #F56DFC

RGB 245 109 252

HSL 297.06, 0.96%, 0.71%

LAB 67.56, 70.4, -47.78

 

CMYK 0 / 48 / 57 / 1

HEX #FC826D

RGB 252 130 109

HSL 8.81, 0.96%, 0.71%

LAB 67.85, 44.59, 32.65

 

CMYK 55 / 0 / 57 / 1

HEX #72FD6D

RGB 114 253 109

HSL 117.92, 0.97%, 0.71%

LAB 89.36, -64.95, 56.68

 

CMYK 57 / 25 / 0 / 1

HEX #6DBCFC

RGB 109 188 252

HSL 206.85, 0.96%, 0.71%

LAB 73.7, -6.24, -38.97

 

CMYK 3 / 57 / 0 / 1

HEX #F56DFC

RGB 245 109 252

HSL 297.06, 0.96%, 0.71%

LAB 67.56, 70.4, -47.78

 

CMYK 0 / 31 / 57 / 1

HEX #FCAD6D

RGB 252 173 109

HSL 26.85, 0.96%, 0.71%

LAB 77.09, 22.47, 44.23

 

Description

Color code: RGB 114 253 109 | qconv.com Color code: RGB 114 253 109 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 253 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 253 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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