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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 185 102 it is the complementary color RGB 141 70 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 185 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 185 102 shade: RGB 119 185 97, RGB 136 203 116, RGB 153 221 135, RGB 170 239 154 and RGB 187 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 185 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 185 102 shade: RGB 114 185 102, RGB 97 167 83, RGB 80 149 64, RGB 63 131 45 and RGB 46 113 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 185 102 shade: RGB 113 184 101, RGB 135 184 101, RGB 158 184 101, RGB 180 184 101 and RGB 184 165 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 185 102 shade: RGB 113 184 101, RGB 101 184 111, RGB 101 184 134, RGB 101 184 156 and RGB 101 184 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 185 102 shade matches the following richer shades: RGB 113 184 101, RGB 100 202 83, RGB 87 220 64 and RGB 74 238 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 185 102 shade: RGB 113 184 101, RGB 126 166 119, RGB 139 148 137, RGB 152 129 155 and RGB 164 111 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 185 102 shade: RGB 158 184 101, RGB 135 184 101, RGB 113 184 101, RGB 101 184 110 and RGB 101 184 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 185 102 shade: RGB 74 139 63, RGB 90 167 76, RGB 113 184 101, RGB 139 197 129 and RGB 165 210 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 185 102 shade: RGB 114 185 102, RGB 101 180 184 and RGB 184 101 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 185 102 shade: RGB 114 185 102, RGB 101 113 184 and RGB 184 101 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 185 102 shade: RGB 114 185 102, RGB 101 180 184, RGB 171 101 184 and RGB 184 105 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 185 102 shade: RGB 114 185 102, RGB 101 155 184, RGB 171 101 184 and RGB 184 130 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 45 / 27

HEX #72B966

RGB 114 185 102

HSL 111.33, 0.37%, 0.56%

LAB 68.92, -38.63, 35.17

 

Complementary color

CMYK 8 / 54 / 0 / 40

HEX #8D4699

RGB 141 70 153

HSL 291.33, 0.37%, 0.44%

LAB 41.76, 43.02, -32.73

 

CMYK 36 / 0 / 48 / 27

HEX #77B961

RGB 119 185 97

HSL 105, 0.39%, 0.55%

LAB 69.1, -37.66, 37.98

 

CMYK 33 / 0 / 43 / 20

HEX #88CB74

RGB 136 203 116

HSL 106.21, 0.46%, 0.63%

LAB 75.58, -37.52, 36.76

 

CMYK 31 / 0 / 39 / 13

HEX #99DD87

RGB 153 221 135

HSL 107.44, 0.56%, 0.7%

LAB 81.97, -37.34, 35.57

 

CMYK 29 / 0 / 36 / 6

HEX #AAEF9A

RGB 170 239 154

HSL 108.71, 0.73%, 0.77%

LAB 88.26, -37.15, 34.43

 

CMYK 27 / 0 / 32 / 0

HEX #BBFFAD

RGB 187 255 173

HSL 109.76, 1%, 0.84%

LAB 93.93, -36.04, 32.6

 

CMYK 38 / 0 / 45 / 27

HEX #72B966

RGB 114 185 102

HSL 111.33, 0.37%, 0.56%

LAB 68.92, -38.63, 35.17

 

CMYK 42 / 0 / 50 / 35

HEX #61A753

RGB 97 167 83

HSL 110, 0.34%, 0.49%

LAB 62.34, -38.76, 36.44

 

CMYK 46 / 0 / 57 / 42

HEX #509540

RGB 80 149 64

HSL 108.71, 0.4%, 0.42%

LAB 55.66, -38.77, 37.7

 

CMYK 52 / 0 / 66 / 49

HEX #3F832D

RGB 63 131 45

HSL 107.44, 0.49%, 0.35%

LAB 48.86, -38.59, 38.82

 

CMYK 59 / 0 / 77 / 56

HEX #2E711A

RGB 46 113 26

HSL 106.21, 0.63%, 0.27%

LAB 41.95, -38.03, 39.48

 

CMYK 39 / 0 / 45 / 28

HEX #71B865

RGB 113 184 101

HSL 111.33, 0.37%, 0.56%

LAB 68.56, -38.65, 35.21

 

CMYK 27 / 0 / 45 / 28

HEX #87B865

RGB 135 184 101

HSL 95.42, 0.37%, 0.56%

LAB 69.73, -31.08, 36.94

 

CMYK 14 / 0 / 45 / 28

HEX #9EB865

RGB 158 184 101

HSL 78.8, 0.37%, 0.56%

LAB 71.21, -22.39, 39.1

 

CMYK 2 / 0 / 45 / 28

HEX #B4B865

RGB 180 184 101

HSL 62.89, 0.37%, 0.56%

LAB 72.84, -13.59, 41.48

 

CMYK 0 / 10 / 45 / 28

HEX #B8A565

RGB 184 165 101

HSL 46.27, 0.37%, 0.56%

LAB 68.05, -1.96, 35.6

 

CMYK 39 / 0 / 45 / 28

HEX #71B865

RGB 113 184 101

HSL 111.33, 0.37%, 0.56%

LAB 68.56, -38.65, 35.21

 

CMYK 45 / 0 / 40 / 28

HEX #65B86F

RGB 101 184 111

HSL 127.23, 0.37%, 0.56%

LAB 68.16, -40.82, 29.42

 

CMYK 45 / 0 / 27 / 28

HEX #65B886

RGB 101 184 134

HSL 143.86, 0.37%, 0.56%

LAB 68.58, -36.67, 17.71

 

CMYK 45 / 0 / 15 / 28

HEX #65B89C

RGB 101 184 156

HSL 159.76, 0.37%, 0.56%

LAB 69.07, -32.01, 6.41

 

CMYK 45 / 0 / 3 / 28

HEX #65B8B2

RGB 101 184 178

HSL 175.66, 0.37%, 0.56%

LAB 69.66, -26.73, -4.83

 

CMYK 39 / 0 / 45 / 28

HEX #71B865

RGB 113 184 101

HSL 111.33, 0.37%, 0.56%

LAB 68.56, -38.65, 35.21

 

CMYK 50 / 0 / 59 / 21

HEX #64CA53

RGB 100 202 83

HSL 111.43, 0.53%, 0.56%

LAB 73.27, -52.34, 49.46

 

CMYK 60 / 0 / 71 / 14

HEX #57DC40

RGB 87 220 64

HSL 111.15, 0.69%, 0.56%

LAB 78.22, -63.99, 62.5

 

CMYK 69 / 0 / 81 / 7

HEX #4AEE2E

RGB 74 238 46

HSL 111.25, 0.85%, 0.56%

LAB 83.34, -73.62, 72.99

 

CMYK 39 / 0 / 45 / 28

HEX #71B865

RGB 113 184 101

HSL 111.33, 0.37%, 0.56%

LAB 68.56, -38.65, 35.21

 

CMYK 24 / 0 / 28 / 35

HEX #7EA677

RGB 126 166 119

HSL 111.06, 0.21%, 0.56%

LAB 64.19, -22.88, 20.05

 

CMYK 6 / 0 / 7 / 42

HEX #8B9489

RGB 139 148 137

HSL 109.09, 0.05%, 0.56%

LAB 60.32, -5.4, 4.69

 

CMYK 2 / 17 / 0 / 39

HEX #98819B

RGB 152 129 155

HSL 293.08, 0.12%, 0.56%

LAB 56.82, 13.63, -10.63

 

CMYK 5 / 36 / 0 / 32

HEX #A46FAD

RGB 164 111 173

HSL 291.29, 0.27%, 0.56%

LAB 54.32, 31.7, -24.73

 

CMYK 14 / 0 / 45 / 28

HEX #9EB865

RGB 158 184 101

HSL 78.8, 0.37%, 0.56%

LAB 71.21, -22.39, 39.1

 

CMYK 27 / 0 / 45 / 28

HEX #87B865

RGB 135 184 101

HSL 95.42, 0.37%, 0.56%

LAB 69.73, -31.08, 36.94

 

CMYK 39 / 0 / 45 / 28

HEX #71B865

RGB 113 184 101

HSL 111.33, 0.37%, 0.56%

LAB 68.56, -38.65, 35.21

 

CMYK 45 / 0 / 40 / 28

HEX #65B86E

RGB 101 184 110

HSL 126.51, 0.37%, 0.56%

LAB 68.15, -40.98, 29.92

 

CMYK 45 / 0 / 28 / 28

HEX #65B885

RGB 101 184 133

HSL 143.13, 0.37%, 0.56%

LAB 68.56, -36.87, 18.23

 

CMYK 47 / 0 / 55 / 45

HEX #4A8B3F

RGB 74 139 63

HSL 111.32, 0.38%, 0.4%

LAB 52.15, -36.45, 33.97

 

CMYK 46 / 0 / 54 / 35

HEX #5AA74C

RGB 90 167 76

HSL 110.77, 0.37%, 0.48%

LAB 61.94, -41.86, 39.37

 

CMYK 39 / 0 / 45 / 28

HEX #71B865

RGB 113 184 101

HSL 111.33, 0.37%, 0.56%

LAB 68.56, -38.65, 35.21

 

CMYK 29 / 0 / 35 / 23

HEX #8BC581

RGB 139 197 129

HSL 111.18, 0.37%, 0.64%

LAB 74.19, -31.84, 28.29

 

CMYK 21 / 0 / 25 / 18

HEX #A5D29D

RGB 165 210 157

HSL 110.94, 0.37%, 0.72%

LAB 79.91, -24.73, 21.59

 

CMYK 38 / 0 / 45 / 27

HEX #72B966

RGB 114 185 102

HSL 111.33, 0.37%, 0.56%

LAB 68.92, -38.63, 35.17

 

CMYK 45 / 2 / 0 / 28

HEX #65B4B8

RGB 101 180 184

HSL 182.89, 0.37%, 0.56%

LAB 68.66, -23.19, -9.62

 

CMYK 0 / 45 / 21 / 28

HEX #B86592

RGB 184 101 146

HSL 327.47, 0.37%, 0.56%

LAB 53.57, 39.07, -9.9

 

CMYK 38 / 0 / 45 / 27

HEX #72B966

RGB 114 185 102

HSL 111.33, 0.37%, 0.56%

LAB 68.92, -38.63, 35.17

 

CMYK 45 / 39 / 0 / 28

HEX #6571B8

RGB 101 113 184

HSL 231.33, 0.37%, 0.56%

LAB 49.54, 14.51, -38.98

 

CMYK 0 / 45 / 39 / 28

HEX #B86571

RGB 184 101 113

HSL 351.33, 0.37%, 0.56%

LAB 52.61, 34.58, 8.18

 

CMYK 38 / 0 / 45 / 27

HEX #72B966

RGB 114 185 102

HSL 111.33, 0.37%, 0.56%

LAB 68.92, -38.63, 35.17

 

CMYK 45 / 2 / 0 / 28

HEX #65B4B8

RGB 101 180 184

HSL 182.89, 0.37%, 0.56%

LAB 68.66, -23.19, -9.62

 

CMYK 7 / 45 / 0 / 28

HEX #AB65B8

RGB 171 101 184

HSL 290.6, 0.37%, 0.56%

LAB 53.41, 41.62, -32.43

 

CMYK 0 / 43 / 45 / 28

HEX #B86965

RGB 184 105 101

HSL 2.89, 0.37%, 0.56%

LAB 53.2, 31.07, 16.07

 

CMYK 38 / 0 / 45 / 27

HEX #72B966

RGB 114 185 102

HSL 111.33, 0.37%, 0.56%

LAB 68.92, -38.63, 35.17

 

CMYK 45 / 16 / 0 / 28

HEX #659BB8

RGB 101 155 184

HSL 200.96, 0.37%, 0.56%

LAB 61.37, -10, -20.62

 

CMYK 7 / 45 / 0 / 28

HEX #AB65B8

RGB 171 101 184

HSL 290.6, 0.37%, 0.56%

LAB 53.41, 41.62, -32.43

 

CMYK 0 / 29 / 45 / 28

HEX #B88265

RGB 184 130 101

HSL 20.96, 0.37%, 0.56%

LAB 59.06, 17.26, 23.98

 

Description

Color code: RGB 114 185 102 | qconv.com Color code: RGB 114 185 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 185 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 185 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 45 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 45% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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