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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 128.2 156.6 it is the complementary color RGB 141 126.8 98.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 128.2 156.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 128.2 156.6 shade: RGB 119 128.2 151.6, RGB 136 146.2 170.6, RGB 153 164.2 189.6, RGB 170 182.2 208.6 and RGB 187 200.2 227.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 128.2 156.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 128.2 156.6 shade: RGB 114 128.2 156.6, RGB 97 110.2 137.6, RGB 80 92.2 118.6, RGB 63 74.2 99.6 and RGB 46 56.2 80.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 128.2 156.6 shade: RGB 114 128 157, RGB 114 116 157, RGB 122 114 157, RGB 134 114 157 and RGB 146 114 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 128.2 156.6 shade: RGB 114 128 157, RGB 114 116 157 and RGB 114 114 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 128.2 156.6 shade matches the following richer shades: RGB 114 128 157, RGB 94 121 176, RGB 75 115 196, RGB 55 109 215 and RGB 36 102 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 128.2 156.6 shade: RGB 114 128 157, RGB 133 134 137, RGB 152 141 118, RGB 172 147 99 and RGB 191 154 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 128.2 156.6 shade: RGB 114 151 157, RGB 114 139 157, RGB 114 128 157, RGB 114 116 157 and RGB 122 114 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 128.2 156.6 shade: RGB 77 88 111, RGB 94 108 135, RGB 114 128 157, RGB 138 150 174 and RGB 162 172 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 128.2 156.6 shade: RGB 114 128.2 156.6, RGB 151 114 157 and RGB 145 157 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 128.2 156.6 shade: RGB 114 128.2 156.6, RGB 157 114 128 and RGB 128 157 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 128.2 156.6 shade: RGB 114 128.2 156.6, RGB 151 114 157, RGB 157 142 114 and RGB 119 157 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 128.2 156.6 shade: RGB 114 128.2 156.6, RGB 157 114 150, RGB 157 142 114 and RGB 114 157 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 18 / 0 / 39

HEX #72809C

RGB 114 128.2 156.6

HSL 220, 0.18%, 0.53%

LAB 53.48, 1.52, -16.92

 

Complementary color

CMYK 0 / 10 / 30 / 45

HEX #8D7E62

RGB 141 126.8 98.4

HSL 40, 0.18%, 0.47%

LAB 53.69, 0.81, 17.44

 

CMYK 22 / 15 / 0 / 41

HEX #778097

RGB 119 128.2 151.6

HSL 223.07, 0.14%, 0.53%

LAB 53.67, 1.91, -13.69

 

CMYK 20 / 14 / 0 / 33

HEX #8892AA

RGB 136 146.2 170.6

HSL 222.31, 0.17%, 0.6%

LAB 60.59, 1.69, -14.03

 

CMYK 19 / 13 / 0 / 26

HEX #99A4BD

RGB 153 164.2 189.6

HSL 221.64, 0.22%, 0.67%

LAB 67.35, 1.49, -14.38

 

CMYK 19 / 13 / 0 / 18

HEX #AAB6D0

RGB 170 182.2 208.6

HSL 221.04, 0.29%, 0.74%

LAB 73.98, 1.31, -14.73

 

CMYK 18 / 12 / 0 / 11

HEX #BBC8E3

RGB 187 200.2 227.6

HSL 220.49, 0.43%, 0.81%

LAB 80.49, 1.13, -15.1

 

CMYK 27 / 18 / 0 / 39

HEX #72809C

RGB 114 128.2 156.6

HSL 220, 0.18%, 0.53%

LAB 53.48, 1.52, -16.92

 

CMYK 30 / 20 / 0 / 46

HEX #616E89

RGB 97 110.2 137.6

HSL 220.49, 0.17%, 0.46%

LAB 46.39, 1.79, -16.67

 

CMYK 33 / 22 / 0 / 53

HEX #505C76

RGB 80 92.2 118.6

HSL 221.04, 0.19%, 0.39%

LAB 39.1, 2.1, -16.46

 

CMYK 37 / 26 / 0 / 61

HEX #3F4A63

RGB 63 74.2 99.6

HSL 221.64, 0.23%, 0.32%

LAB 31.56, 2.48, -16.29

 

CMYK 43 / 30 / 0 / 68

HEX #2E3850

RGB 46 56.2 80.6

HSL 222.31, 0.27%, 0.25%

LAB 23.73, 2.98, -16.2

 

CMYK 27 / 18 / 0 / 38

HEX #72809D

RGB 114 128 157

HSL 220.47, 0.18%, 0.53%

LAB 53.44, 1.74, -17.21

 

CMYK 27 / 26 / 0 / 38

HEX #72749D

RGB 114 116 157

HSL 237.21, 0.18%, 0.53%

LAB 50.1, 8.82, -22.32

 

CMYK 22 / 27 / 0 / 38

HEX #7A729D

RGB 122 114 157

HSL 251.16, 0.18%, 0.53%

LAB 50.22, 12.59, -22.08

 

CMYK 15 / 27 / 0 / 38

HEX #86729D

RGB 134 114 157

HSL 267.91, 0.18%, 0.53%

LAB 51.31, 16.56, -20.31

 

CMYK 7 / 27 / 0 / 38

HEX #92729D

RGB 146 114 157

HSL 284.65, 0.18%, 0.53%

LAB 52.49, 20.64, -18.41

 

CMYK 27 / 18 / 0 / 38

HEX #72809D

RGB 114 128 157

HSL 220.47, 0.18%, 0.53%

LAB 53.44, 1.74, -17.21

 

CMYK 27 / 26 / 0 / 38

HEX #72749D

RGB 114 116 157

HSL 237.21, 0.18%, 0.53%

LAB 50.1, 8.82, -22.32

 

CMYK 27 / 27 / 0 / 38

HEX #72729D

RGB 114 114 157

HSL 240, 0.18%, 0.53%

LAB 49.55, 10.02, -23.17

 

CMYK 27 / 18 / 0 / 38

HEX #72809D

RGB 114 128 157

HSL 220.47, 0.18%, 0.53%

LAB 53.44, 1.74, -17.21

 

CMYK 47 / 31 / 0 / 31

HEX #5E79B0

RGB 94 121 176

HSL 220.24, 0.34%, 0.53%

LAB 50.91, 5.44, -32.24

 

CMYK 62 / 41 / 0 / 23

HEX #4B73C4

RGB 75 115 196

HSL 220.17, 0.51%, 0.53%

LAB 49.18, 11.37, -46.56

 

CMYK 74 / 49 / 0 / 16

HEX #376DD7

RGB 55 109 215

HSL 219.75, 0.67%, 0.53%

LAB 47.82, 18.83, -59.64

 

CMYK 85 / 56 / 0 / 8

HEX #2466EA

RGB 36 102 234

HSL 220, 0.83%, 0.53%

LAB 46.74, 28.61, -72.17

 

CMYK 27 / 18 / 0 / 38

HEX #72809D

RGB 114 128 157

HSL 220.47, 0.18%, 0.53%

LAB 53.44, 1.74, -17.21

 

CMYK 3 / 2 / 0 / 46

HEX #858689

RGB 133 134 137

HSL 225, 0.02%, 0.53%

LAB 55.93, 0.23, -1.74

 

CMYK 0 / 7 / 22 / 40

HEX #988D76

RGB 152 141 118

HSL 40.59, 0.14%, 0.53%

LAB 59.01, 0.21, 13.76

 

CMYK 0 / 15 / 42 / 33

HEX #AC9363

RGB 172 147 99

HSL 39.45, 0.31%, 0.53%

LAB 62.12, 2.58, 28.85

 

CMYK 0 / 19 / 59 / 25

HEX #BF9A4F

RGB 191 154 79

HSL 40.18, 0.47%, 0.53%

LAB 65.56, 4.97, 43.96

 

CMYK 27 / 4 / 0 / 38

HEX #72979D

RGB 114 151 157

HSL 188.37, 0.18%, 0.53%

LAB 60.02, -11.24, -7.31

 

CMYK 27 / 11 / 0 / 38

HEX #728B9D

RGB 114 139 157

HSL 205.12, 0.18%, 0.53%

LAB 56.56, -4.58, -12.48

 

CMYK 27 / 18 / 0 / 38

HEX #72809D

RGB 114 128 157

HSL 220.47, 0.18%, 0.53%

LAB 53.44, 1.74, -17.21

 

CMYK 27 / 26 / 0 / 38

HEX #72749D

RGB 114 116 157

HSL 237.21, 0.18%, 0.53%

LAB 50.1, 8.82, -22.32

 

CMYK 22 / 27 / 0 / 38

HEX #7A729D

RGB 122 114 157

HSL 251.16, 0.18%, 0.53%

LAB 50.22, 12.59, -22.08

 

CMYK 31 / 21 / 0 / 56

HEX #4D586F

RGB 77 88 111

HSL 220.59, 0.18%, 0.37%

LAB 37.31, 1.61, -14.54

 

CMYK 30 / 20 / 0 / 47

HEX #5E6C87

RGB 94 108 135

HSL 219.51, 0.18%, 0.45%

LAB 45.43, 1.45, -16.6

 

CMYK 27 / 18 / 0 / 38

HEX #72809D

RGB 114 128 157

HSL 220.47, 0.18%, 0.53%

LAB 53.44, 1.74, -17.21

 

CMYK 21 / 14 / 0 / 32

HEX #8A96AE

RGB 138 150 174

HSL 220, 0.18%, 0.61%

LAB 61.89, 0.99, -13.97

 

CMYK 15 / 10 / 0 / 25

HEX #A2ACBF

RGB 162 172 191

HSL 219.31, 0.18%, 0.69%

LAB 70.14, 0.43, -10.9

 

CMYK 27 / 18 / 0 / 39

HEX #72809C

RGB 114 128.2 156.6

HSL 220, 0.18%, 0.53%

LAB 53.48, 1.52, -16.92

 

CMYK 4 / 27 / 0 / 38

HEX #97729D

RGB 151 114 157

HSL 291.63, 0.18%, 0.53%

LAB 53, 22.36, -17.58

 

CMYK 8 / 0 / 27 / 38

HEX #919D72

RGB 145 157 114

HSL 76.74, 0.18%, 0.53%

LAB 62.8, -11.91, 21.12

 

CMYK 27 / 18 / 0 / 39

HEX #72809C

RGB 114 128.2 156.6

HSL 220, 0.18%, 0.53%

LAB 53.48, 1.52, -16.92

 

CMYK 0 / 27 / 18 / 38

HEX #9D7280

RGB 157 114 128

HSL 340.47, 0.18%, 0.53%

LAB 52.69, 19.16, -0.98

 

CMYK 18 / 0 / 27 / 38

HEX #809D72

RGB 128 157 114

HSL 100.47, 0.18%, 0.53%

LAB 61.58, -18.4, 19.27

 

CMYK 27 / 18 / 0 / 39

HEX #72809C

RGB 114 128.2 156.6

HSL 220, 0.18%, 0.53%

LAB 53.48, 1.52, -16.92

 

CMYK 4 / 27 / 0 / 38

HEX #97729D

RGB 151 114 157

HSL 291.63, 0.18%, 0.53%

LAB 53, 22.36, -17.58

 

CMYK 0 / 10 / 27 / 38

HEX #9D8E72

RGB 157 142 114

HSL 39.07, 0.18%, 0.53%

LAB 59.64, 1.07, 16.98

 

CMYK 24 / 0 / 27 / 38

HEX #779D72

RGB 119 157 114

HSL 113.02, 0.18%, 0.53%

LAB 61, -21.68, 18.38

 

CMYK 27 / 18 / 0 / 39

HEX #72809C

RGB 114 128.2 156.6

HSL 220, 0.18%, 0.53%

LAB 53.48, 1.52, -16.92

 

CMYK 0 / 27 / 4 / 38

HEX #9D7296

RGB 157 114 150

HSL 309.77, 0.18%, 0.53%

LAB 53.39, 23.08, -12.84

 

CMYK 0 / 10 / 27 / 38

HEX #9D8E72

RGB 157 142 114

HSL 39.07, 0.18%, 0.53%

LAB 59.64, 1.07, 16.98

 

CMYK 27 / 0 / 23 / 38

HEX #729D79

RGB 114 157 121

HSL 129.77, 0.18%, 0.53%

LAB 60.84, -22.17, 14.22

 

Description

Color code: RGB 114 128.2 156.6 | qconv.com Color code: RGB 114 128.2 156.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 128.2 green and 156.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 128.2 156.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 18 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 18% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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