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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114.3 165 185 it is the complementary color RGB 140.7 90 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114.3 165 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114.3 165 185 shade: RGB 119.3 165 180, RGB 136.3 183 199, RGB 153.3 201 218, RGB 170.3 219 237 and RGB 187.3 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114.3 165 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114.3 165 185 shade: RGB 114.3 165 185, RGB 97.3 147 166, RGB 80.3 129 147, RGB 63.3 111 128 and RGB 46.3 93 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114.3 165 185 shade: RGB 115 166 186, RGB 115 147 186, RGB 115 128 186, RGB 121 115 186 and RGB 141 115 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114.3 165 185 shade: RGB 115 166 186, RGB 115 147 186, RGB 115 128 186 and RGB 115 115 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114.3 165 185 shade matches the following richer shades: RGB 115 166 186, RGB 98 173 203, RGB 81 181 220, RGB 64 188 237 and RGB 47 195 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114.3 165 185 shade: RGB 115 166 186, RGB 132 159 169, RGB 149 151 152, RGB 166 144 135 and RGB 183 137 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114.3 165 185 shade: RGB 115 186 167, RGB 115 186 186, RGB 115 167 186, RGB 115 148 186 and RGB 115 129 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114.3 165 185 shade: RGB 72 125 146, RGB 87 148 172, RGB 115 166 186, RGB 143 183 200 and RGB 170 201 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114.3 165 185 shade: RGB 114.3 165 185, RGB 148 115 186 and RGB 186 177 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114.3 165 185 shade: RGB 114.3 165 185, RGB 186 115 167 and RGB 167 186 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114.3 165 185 shade: RGB 114.3 165 185, RGB 148 115 186, RGB 186 134 115 and RGB 153 186 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114.3 165 185 shade: RGB 114.3 165 185, RGB 169 115 186, RGB 186 134 115 and RGB 131 186 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 11 / 0 / 27

HEX #72A5B9

RGB 114.3 165 185

HSL 196.97, 0.34%, 0.59%

LAB 64.97, -11.67, -15.64

 

Complementary color

CMYK 0 / 36 / 50 / 45

HEX #8C5A46

RGB 140.7 90 70

HSL 16.97, 0.34%, 0.41%

LAB 43.35, 18.51, 20.15

 

CMYK 34 / 8 / 0 / 29

HEX #77A5B4

RGB 119.3 165 180

HSL 194.83, 0.29%, 0.59%

LAB 65.08, -11.56, -12.66

 

CMYK 32 / 8 / 0 / 22

HEX #88B7C7

RGB 136.3 183 199

HSL 195.31, 0.36%, 0.66%

LAB 71.72, -11.58, -13.09

 

CMYK 30 / 8 / 0 / 15

HEX #99C9DA

RGB 153.3 201 218

HSL 195.77, 0.47%, 0.73%

LAB 78.25, -11.6, -13.52

 

CMYK 28 / 8 / 0 / 7

HEX #AADBED

RGB 170.3 219 237

HSL 196.19, 0.65%, 0.8%

LAB 84.67, -11.62, -13.94

 

CMYK 27 / 7 / 0 / 0

HEX #BBEDFF

RGB 187.3 237 255

HSL 195.95, 1%, 0.87%

LAB 90.96, -11.87, -13.88

 

CMYK 38 / 11 / 0 / 27

HEX #72A5B9

RGB 114.3 165 185

HSL 196.97, 0.34%, 0.59%

LAB 64.97, -11.67, -15.64

 

CMYK 41 / 11 / 0 / 35

HEX #6193A6

RGB 97.3 147 166

HSL 196.59, 0.28%, 0.52%

LAB 58.21, -11.57, -15.24

 

CMYK 45 / 12 / 0 / 42

HEX #508193

RGB 80.3 129 147

HSL 196.19, 0.29%, 0.45%

LAB 51.3, -11.43, -14.84

 

CMYK 51 / 13 / 0 / 50

HEX #3F6F80

RGB 63.3 111 128

HSL 195.77, 0.34%, 0.38%

LAB 44.22, -11.22, -14.42

 

CMYK 58 / 15 / 0 / 57

HEX #2E5D6D

RGB 46.3 93 109

HSL 195.31, 0.4%, 0.3%

LAB 36.97, -10.89, -13.98

 

CMYK 38 / 11 / 0 / 27

HEX #73A6BA

RGB 115 166 186

HSL 196.9, 0.34%, 0.59%

LAB 65.33, -11.76, -15.66

 

CMYK 38 / 21 / 0 / 27

HEX #7393BA

RGB 115 147 186

HSL 212.96, 0.34%, 0.59%

LAB 59.94, -1.24, -23.86

 

CMYK 38 / 31 / 0 / 27

HEX #7380BA

RGB 115 128 186

HSL 229.01, 0.34%, 0.59%

LAB 54.69, 9.81, -31.99

 

CMYK 35 / 38 / 0 / 27

HEX #7973BA

RGB 121 115 186

HSL 245.07, 0.34%, 0.59%

LAB 51.69, 19.25, -36.64

 

CMYK 24 / 38 / 0 / 27

HEX #8D73BA

RGB 141 115 186

HSL 261.97, 0.34%, 0.59%

LAB 53.46, 25.09, -33.75

 

CMYK 38 / 11 / 0 / 27

HEX #73A6BA

RGB 115 166 186

HSL 196.9, 0.34%, 0.59%

LAB 65.33, -11.76, -15.66

 

CMYK 38 / 21 / 0 / 27

HEX #7393BA

RGB 115 147 186

HSL 212.96, 0.34%, 0.59%

LAB 59.94, -1.24, -23.86

 

CMYK 38 / 31 / 0 / 27

HEX #7380BA

RGB 115 128 186

HSL 229.01, 0.34%, 0.59%

LAB 54.69, 9.81, -31.99

 

CMYK 38 / 38 / 0 / 27

HEX #7373BA

RGB 115 115 186

HSL 240, 0.34%, 0.59%

LAB 51.21, 17.59, -37.43

 

CMYK 38 / 11 / 0 / 27

HEX #73A6BA

RGB 115 166 186

HSL 196.9, 0.34%, 0.59%

LAB 65.33, -11.76, -15.66

 

CMYK 52 / 15 / 0 / 20

HEX #62ADCB

RGB 98 173 203

HSL 197.14, 0.5%, 0.59%

LAB 67.12, -15.01, -22.44

 

CMYK 63 / 18 / 0 / 14

HEX #51B5DC

RGB 81 181 220

HSL 196.83, 0.67%, 0.59%

LAB 69.44, -17.46, -28.28

 

CMYK 73 / 21 / 0 / 7

HEX #40BCED

RGB 64 188 237

HSL 196.99, 0.83%, 0.59%

LAB 71.67, -18.2, -34.14

 

CMYK 81 / 23 / 0 / 0

HEX #2FC3FE

RGB 47 195 254

HSL 197.1, 0.99%, 0.59%

LAB 74.06, -17.97, -39.63

 

CMYK 38 / 11 / 0 / 27

HEX #73A6BA

RGB 115 166 186

HSL 196.9, 0.34%, 0.59%

LAB 65.33, -11.76, -15.66

 

CMYK 22 / 6 / 0 / 34

HEX #849FA9

RGB 132 159 169

HSL 196.22, 0.18%, 0.59%

LAB 63.81, -7.1, -8.32

 

CMYK 2 / 1 / 0 / 40

HEX #959798

RGB 149 151 152

HSL 200, 0.01%, 0.59%

LAB 62.33, -0.52, -0.79

 

CMYK 0 / 13 / 19 / 35

HEX #A69087

RGB 166 144 135

HSL 17.42, 0.15%, 0.59%

LAB 61.48, 6.72, 7.8

 

CMYK 0 / 25 / 36 / 28

HEX #B78976

RGB 183 137 118

HSL 17.54, 0.31%, 0.59%

LAB 61.02, 14.94, 17.02

 

CMYK 38 / 0 / 10 / 27

HEX #73BAA7

RGB 115 186 167

HSL 163.94, 0.34%, 0.59%

LAB 70.56, -26.71, 2.61

 

CMYK 38 / 0 / 0 / 27

HEX #73BABA

RGB 115 186 186

HSL 180, 0.34%, 0.59%

LAB 71.08, -22.2, -7.04

 

CMYK 38 / 10 / 0 / 27

HEX #73A7BA

RGB 115 167 186

HSL 196.06, 0.34%, 0.59%

LAB 65.61, -12.29, -15.22

 

CMYK 38 / 20 / 0 / 27

HEX #7394BA

RGB 115 148 186

HSL 212.11, 0.34%, 0.59%

LAB 60.22, -1.8, -23.43

 

CMYK 38 / 31 / 0 / 27

HEX #7381BA

RGB 115 129 186

HSL 228.17, 0.34%, 0.59%

LAB 54.96, 9.22, -31.56

 

CMYK 51 / 14 / 0 / 43

HEX #487D92

RGB 72 125 146

HSL 197.03, 0.34%, 0.43%

LAB 49.64, -11.57, -16.81

 

CMYK 49 / 14 / 0 / 33

HEX #5794AC

RGB 87 148 172

HSL 196.94, 0.34%, 0.51%

LAB 58.21, -13.04, -18.7

 

CMYK 38 / 11 / 0 / 27

HEX #73A6BA

RGB 115 166 186

HSL 196.9, 0.34%, 0.59%

LAB 65.33, -11.76, -15.66

 

CMYK 29 / 9 / 0 / 22

HEX #8FB7C8

RGB 143 183 200

HSL 197.89, 0.34%, 0.67%

LAB 72.15, -9.39, -12.96

 

CMYK 20 / 6 / 0 / 16

HEX #AAC9D5

RGB 170 201 213

HSL 196.74, 0.34%, 0.75%

LAB 79.11, -7.76, -9.43

 

CMYK 38 / 11 / 0 / 27

HEX #72A5B9

RGB 114.3 165 185

HSL 196.97, 0.34%, 0.59%

LAB 64.97, -11.67, -15.64

 

CMYK 20 / 38 / 0 / 27

HEX #9473BA

RGB 148 115 186

HSL 267.89, 0.34%, 0.59%

LAB 54.14, 27.21, -32.64

 

CMYK 0 / 5 / 38 / 27

HEX #BAB173

RGB 186 177 115

HSL 52.39, 0.34%, 0.59%

LAB 71.64, -5.99, 32.89

 

CMYK 38 / 11 / 0 / 27

HEX #72A5B9

RGB 114.3 165 185

HSL 196.97, 0.34%, 0.59%

LAB 64.97, -11.67, -15.64

 

CMYK 0 / 38 / 10 / 27

HEX #BA73A7

RGB 186 115 167

HSL 316.06, 0.34%, 0.59%

LAB 57.55, 35.65, -16.1

 

CMYK 10 / 0 / 38 / 27

HEX #A7BA73

RGB 167 186 115

HSL 76.06, 0.34%, 0.59%

LAB 72.61, -18.21, 33.85

 

CMYK 38 / 11 / 0 / 27

HEX #72A5B9

RGB 114.3 165 185

HSL 196.97, 0.34%, 0.59%

LAB 64.97, -11.67, -15.64

 

CMYK 20 / 38 / 0 / 27

HEX #9473BA

RGB 148 115 186

HSL 267.89, 0.34%, 0.59%

LAB 54.14, 27.21, -32.64

 

CMYK 0 / 28 / 38 / 27

HEX #BA8673

RGB 186 134 115

HSL 16.06, 0.34%, 0.59%

LAB 60.54, 17.45, 18.12

 

CMYK 18 / 0 / 38 / 27

HEX #99BA73

RGB 153 186 115

HSL 87.89, 0.34%, 0.59%

LAB 71.64, -23.56, 32.41

 

CMYK 38 / 11 / 0 / 27

HEX #72A5B9

RGB 114.3 165 185

HSL 196.97, 0.34%, 0.59%

LAB 64.97, -11.67, -15.64

 

CMYK 9 / 38 / 0 / 27

HEX #A973BA

RGB 169 115 186

HSL 285.63, 0.34%, 0.59%

LAB 56.33, 33.72, -29.06

 

CMYK 0 / 28 / 38 / 27

HEX #BA8673

RGB 186 134 115

HSL 16.06, 0.34%, 0.59%

LAB 60.54, 17.45, 18.12

 

CMYK 30 / 0 / 38 / 27

HEX #83BA73

RGB 131 186 115

HSL 106.48, 0.34%, 0.59%

LAB 70.3, -31.51, 30.4

 

Description

Color code: RGB 114.3 165 185 | qconv.com Color code: RGB 114.3 165 185 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114.3 red, 165 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114.3 165 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 11 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 11% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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