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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114.3 126.4 243 it is the complementary color RGB 140.7 128.6 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114.3 126.4 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114.3 126.4 243 shade: RGB 119.3 126.4 238, RGB 136.3 144.4 255, RGB 153.3 162.4 255, RGB 170.3 180.4 255 and RGB 187.3 198.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114.3 126.4 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114.3 126.4 243 shade: RGB 114.3 126.4 243, RGB 97.3 108.4 224, RGB 80.3 90.4 205, RGB 63.3 72.4 186 and RGB 46.3 54.4 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114.3 126.4 243 shade: RGB 114 126 243, RGB 137 114 243, RGB 171 114 243, RGB 206 114 243 and RGB 241 114 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114.3 126.4 243 shade: RGB 114 126 243 and RGB 114 114 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114.3 126.4 243 shade matches the following richer shades: RGB 114 126 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114.3 126.4 243 shade: RGB 114 126 243, RGB 127 136 230, RGB 139 146 218, RGB 151 156 206 and RGB 164 167 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114.3 126.4 243 shade: RGB 114 196 243, RGB 114 161 243, RGB 114 127 243, RGB 136 114 243 and RGB 170 114 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114.3 126.4 243 shade: RGB 38 57 236, RGB 76 92 239, RGB 114 126 243, RGB 152 161 246 and RGB 190 196 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114.3 126.4 243 shade: RGB 114.3 126.4 243, RGB 243 114 230 and RGB 179 243 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114.3 126.4 243 shade: RGB 114.3 126.4 243, RGB 243 114 127 and RGB 127 243 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114.3 126.4 243 shade: RGB 114.3 126.4 243, RGB 243 114 230, RGB 243 230 114 and RGB 114 243 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114.3 126.4 243 shade: RGB 114.3 126.4 243, RGB 243 114 191, RGB 243 230 114 and RGB 114 243 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114.3 126.4 243

HSL 234.36, 0.84%, 0.7%

LAB 57.17, 27.57, -60.16

 

Complementary color

CMYK 0 / 9 / 91 / 45

HEX #8C800C

RGB 140.7 128.6 12

HSL 54.36, 0.84%, 0.3%

LAB 53.23, -7.1, 56.01

 

CMYK 50 / 47 / 0 / 7

HEX #777EEE

RGB 119.3 126.4 238

HSL 236.41, 0.78%, 0.7%

LAB 57.21, 27.09, -57.3

 

CMYK 47 / 43 / 0 / 0

HEX #8890FF

RGB 136.3 144.4 255

HSL 235.91, 1%, 0.77%

LAB 63.79, 25.33, -56.1

 

CMYK 40 / 36 / 0 / 0

HEX #99A2FF

RGB 153.3 162.4 255

HSL 234.63, 1%, 0.8%

LAB 69.47, 19.06, -47.04

 

CMYK 33 / 29 / 0 / 0

HEX #AAB4FF

RGB 170.3 180.4 255

HSL 232.85, 1%, 0.83%

LAB 75.2, 13.43, -37.99

 

CMYK 27 / 22 / 0 / 0

HEX #BBC6FF

RGB 187.3 198.4 255

HSL 230.16, 1%, 0.87%

LAB 80.96, 8.37, -29.02

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114.3 126.4 243

HSL 234.36, 0.84%, 0.7%

LAB 57.17, 27.57, -60.16

 

CMYK 57 / 52 / 0 / 12

HEX #616CE0

RGB 97.3 108.4 224

HSL 234.74, 0.67%, 0.63%

LAB 50.39, 29.07, -60.48

 

CMYK 61 / 56 / 0 / 20

HEX #505ACD

RGB 80.3 90.4 205

HSL 235.14, 0.55%, 0.56%

LAB 43.52, 30.82, -60.82

 

CMYK 66 / 61 / 0 / 27

HEX #3F48BA

RGB 63.3 72.4 186

HSL 235.55, 0.49%, 0.49%

LAB 36.55, 32.9, -61.13

 

CMYK 72 / 67 / 0 / 35

HEX #2E36A7

RGB 46.3 54.4 167

HSL 235.97, 0.57%, 0.42%

LAB 29.55, 35.34, -61.32

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114 126 243

HSL 234.42, 0.84%, 0.7%

LAB 57.05, 27.75, -60.36

 

CMYK 44 / 53 / 0 / 5

HEX #8972F3

RGB 137 114 243

HSL 250.7, 0.84%, 0.7%

LAB 55.91, 39.72, -62.08

 

CMYK 30 / 53 / 0 / 5

HEX #AB72F3

RGB 171 114 243

HSL 266.51, 0.84%, 0.7%

LAB 59.13, 47.7, -56.76

 

CMYK 15 / 53 / 0 / 5

HEX #CE72F3

RGB 206 114 243

HSL 282.79, 0.84%, 0.7%

LAB 63.03, 56.54, -50.3

 

CMYK 1 / 53 / 0 / 5

HEX #F172F3

RGB 241 114 243

HSL 299.07, 0.84%, 0.7%

LAB 67.43, 65.62, -43.08

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114 126 243

HSL 234.42, 0.84%, 0.7%

LAB 57.05, 27.75, -60.36

 

CMYK 53 / 53 / 0 / 5

HEX #7272F3

RGB 114 114 243

HSL 240, 0.84%, 0.7%

LAB 54.12, 34.91, -65.07

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114 126 243

HSL 234.42, 0.84%, 0.7%

LAB 57.05, 27.75, -60.36

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114 126 243

HSL 234.42, 0.84%, 0.7%

LAB 57.05, 27.75, -60.36

 

CMYK 45 / 41 / 0 / 10

HEX #7F88E6

RGB 127 136 230

HSL 234.76, 0.67%, 0.7%

LAB 59.74, 20.8, -48.8

 

CMYK 36 / 33 / 0 / 15

HEX #8B92DA

RGB 139 146 218

HSL 234.68, 0.52%, 0.7%

LAB 62.6, 14.68, -37.56

 

CMYK 27 / 24 / 0 / 19

HEX #979CCE

RGB 151 156 206

HSL 234.55, 0.36%, 0.7%

LAB 65.6, 9.33, -26.16

 

CMYK 15 / 13 / 0 / 24

HEX #A4A7C1

RGB 164 167 193

HSL 233.79, 0.19%, 0.7%

LAB 69.03, 4.27, -13.65

 

CMYK 53 / 19 / 0 / 5

HEX #72C4F3

RGB 114 196 243

HSL 201.86, 0.84%, 0.7%

LAB 75.78, -12.19, -30.9

 

CMYK 53 / 34 / 0 / 5

HEX #72A1F3

RGB 114 161 243

HSL 218.14, 0.84%, 0.7%

LAB 66.17, 7.14, -45.87

 

CMYK 53 / 48 / 0 / 5

HEX #727FF3

RGB 114 127 243

HSL 233.95, 0.84%, 0.7%

LAB 57.3, 27.15, -59.96

 

CMYK 44 / 53 / 0 / 5

HEX #8872F3

RGB 136 114 243

HSL 250.23, 0.84%, 0.7%

LAB 55.83, 39.5, -62.23

 

CMYK 30 / 53 / 0 / 5

HEX #AA72F3

RGB 170 114 243

HSL 266.05, 0.84%, 0.7%

LAB 59.02, 47.45, -56.93

 

CMYK 84 / 76 / 0 / 7

HEX #2639EC

RGB 38 57 236

HSL 234.24, 0.84%, 0.54%

LAB 36.73, 56.62, -89.74

 

CMYK 68 / 62 / 0 / 6

HEX #4C5CEF

RGB 76 92 239

HSL 234.11, 0.84%, 0.62%

LAB 46.21, 40.65, -75.78

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114 126 243

HSL 234.42, 0.84%, 0.7%

LAB 57.05, 27.75, -60.36

 

CMYK 38 / 35 / 0 / 4

HEX #98A1F6

RGB 152 161 246

HSL 234.26, 0.84%, 0.78%

LAB 68.62, 17.09, -43.49

 

CMYK 24 / 21 / 0 / 2

HEX #BEC4F9

RGB 190 196 249

HSL 233.9, 0.83%, 0.86%

LAB 80.33, 9.07, -26.76

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114.3 126.4 243

HSL 234.36, 0.84%, 0.7%

LAB 57.17, 27.57, -60.16

 

CMYK 0 / 53 / 5 / 5

HEX #F372E6

RGB 243 114 230

HSL 306.05, 0.84%, 0.7%

LAB 67.13, 63.98, -36.35

 

CMYK 26 / 0 / 53 / 5

HEX #B3F372

RGB 179 243 114

HSL 89.77, 0.84%, 0.7%

LAB 89.35, -40.79, 55.14

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114.3 126.4 243

HSL 234.36, 0.84%, 0.7%

LAB 57.17, 27.57, -60.16

 

CMYK 0 / 53 / 48 / 5

HEX #F3727F

RGB 243 114 127

HSL 353.95, 0.84%, 0.7%

LAB 63.85, 50.66, 17.02

 

CMYK 48 / 0 / 53 / 5

HEX #7FF372

RGB 127 243 114

HSL 113.95, 0.84%, 0.7%

LAB 86.91, -57.27, 51.65

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114.3 126.4 243

HSL 234.36, 0.84%, 0.7%

LAB 57.17, 27.57, -60.16

 

CMYK 0 / 53 / 5 / 5

HEX #F372E6

RGB 243 114 230

HSL 306.05, 0.84%, 0.7%

LAB 67.13, 63.98, -36.35

 

CMYK 0 / 5 / 53 / 5

HEX #F3E672

RGB 243 230 114

HSL 53.95, 0.84%, 0.7%

LAB 90.26, -10.17, 57.31

 

CMYK 53 / 0 / 48 / 5

HEX #72F37F

RGB 114 243 127

HSL 126.05, 0.84%, 0.7%

LAB 86.61, -58.97, 45.08

 

CMYK 53 / 48 / 0 / 5

HEX #727EF3

RGB 114.3 126.4 243

HSL 234.36, 0.84%, 0.7%

LAB 57.17, 27.57, -60.16

 

CMYK 0 / 53 / 21 / 5

HEX #F372BF

RGB 243 114 191

HSL 324.19, 0.84%, 0.7%

LAB 65.63, 58.08, -16.83

 

CMYK 0 / 5 / 53 / 5

HEX #F3E672

RGB 243 230 114

HSL 53.95, 0.84%, 0.7%

LAB 90.26, -10.17, 57.31

 

CMYK 53 / 0 / 32 / 5

HEX #72F3A6

RGB 114 243 166

HSL 144.19, 0.84%, 0.7%

LAB 87.21, -52.66, 26.52

 

Description

Color code: RGB 114.3 126.4 243 | qconv.com Color code: RGB 114.3 126.4 243 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114.3 red, 126.4 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114.3 126.4 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 48 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 48% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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