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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114.1 183 124 it is the complementary color RGB 140.9 72 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114.1 183 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114.1 183 124 shade: RGB 119.1 183 119, RGB 136.1 201 138, RGB 153.1 219 157, RGB 170.1 237 176 and RGB 187.1 255 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114.1 183 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114.1 183 124 shade: RGB 114.1 183 124, RGB 97.1 165 105, RGB 80.1 147 86, RGB 63.1 129 67 and RGB 46.1 111 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114.1 183 124 shade: RGB 114 182 123, RGB 122 182 114, RGB 141 182 114, RGB 159 182 114 and RGB 178 182 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114.1 183 124 shade: RGB 114 182 123, RGB 114 182 142, RGB 114 182 160, RGB 114 182 179 and RGB 114 167 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114.1 183 124 shade matches the following richer shades: RGB 114 182 123, RGB 96 200 111, RGB 79 217 99, RGB 62 234 86 and RGB 44 251 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114.1 183 124 shade: RGB 114 182 123, RGB 131 165 136, RGB 148 148 148, RGB 166 130 161 and RGB 183 113 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114.1 183 124 shade: RGB 141 182 114, RGB 123 182 114, RGB 114 182 123, RGB 114 182 141 and RGB 114 182 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114.1 183 124 shade: RGB 73 141 82, RGB 87 168 98, RGB 114 182 123, RGB 141 196 149 and RGB 168 210 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114.1 183 124 shade: RGB 114.1 183 124, RGB 114 159 182 and RGB 182 114 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114.1 183 124 shade: RGB 114.1 183 124, RGB 123 114 182 and RGB 182 123 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114.1 183 124 shade: RGB 114.1 183 124, RGB 114 159 182, RGB 182 114 173 and RGB 182 136 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114.1 183 124 shade: RGB 114.1 183 124, RGB 114 139 182, RGB 182 114 173 and RGB 182 157 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 32 / 28

HEX #72B77C

RGB 114.1 183 124

HSL 128.62, 0.32%, 0.58%

LAB 68.68, -34.22, 23.33

 

Complementary color

CMYK 0 / 49 / 7 / 45

HEX #8C4883

RGB 140.9 72 131

HSL 308.62, 0.32%, 0.42%

LAB 41.1, 37.68, -20.42

 

CMYK 35 / 0 / 35 / 28

HEX #77B777

RGB 119.1 183 119

HSL 119.91, 0.31%, 0.59%

LAB 68.84, -33.47, 26.25

 

CMYK 32 / 0 / 31 / 21

HEX #88C98A

RGB 136.1 201 138

HSL 121.76, 0.38%, 0.66%

LAB 75.36, -33.22, 25.11

 

CMYK 30 / 0 / 28 / 14

HEX #99DB9D

RGB 153.1 219 157

HSL 123.55, 0.48%, 0.73%

LAB 81.77, -32.97, 24.02

 

CMYK 28 / 0 / 26 / 7

HEX #AAEDB0

RGB 170.1 237 176

HSL 125.29, 0.65%, 0.8%

LAB 88.09, -32.73, 23

 

CMYK 27 / 0 / 24 / 0

HEX #BBFFC3

RGB 187.1 255 195

HSL 126.98, 1%, 0.87%

LAB 94.33, -32.5, 22.03

 

CMYK 38 / 0 / 32 / 28

HEX #72B77C

RGB 114.1 183 124

HSL 128.62, 0.32%, 0.58%

LAB 68.68, -34.22, 23.33

 

CMYK 41 / 0 / 36 / 35

HEX #61A569

RGB 97.1 165 105

HSL 126.98, 0.27%, 0.51%

LAB 62.06, -34.47, 24.54

 

CMYK 46 / 0 / 41 / 42

HEX #509356

RGB 80.1 147 86

HSL 125.29, 0.29%, 0.45%

LAB 55.33, -34.69, 25.83

 

CMYK 51 / 0 / 48 / 49

HEX #3F8143

RGB 63.1 129 67

HSL 123.55, 0.34%, 0.38%

LAB 48.47, -34.81, 27.22

 

CMYK 58 / 0 / 57 / 56

HEX #2E6F30

RGB 46.1 111 48

HSL 121.76, 0.41%, 0.31%

LAB 41.48, -34.74, 28.66

 

CMYK 37 / 0 / 32 / 29

HEX #72B67B

RGB 114 182 123

HSL 127.94, 0.32%, 0.58%

LAB 68.36, -33.96, 23.43

 

CMYK 33 / 0 / 37 / 29

HEX #7AB672

RGB 122 182 114

HSL 112.94, 0.32%, 0.58%

LAB 68.61, -32.84, 28.62

 

CMYK 23 / 0 / 37 / 29

HEX #8DB672

RGB 141 182 114

HSL 96.18, 0.32%, 0.58%

LAB 69.71, -26.18, 30.26

 

CMYK 13 / 0 / 37 / 29

HEX #9FB672

RGB 159 182 114

HSL 80.29, 0.32%, 0.58%

LAB 70.9, -19.41, 32.04

 

CMYK 2 / 0 / 37 / 29

HEX #B2B672

RGB 178 182 114

HSL 63.53, 0.32%, 0.58%

LAB 72.32, -11.94, 34.16

 

CMYK 37 / 0 / 32 / 29

HEX #72B67B

RGB 114 182 123

HSL 127.94, 0.32%, 0.58%

LAB 68.36, -33.96, 23.43

 

CMYK 37 / 0 / 22 / 29

HEX #72B68E

RGB 114 182 142

HSL 144.71, 0.32%, 0.58%

LAB 68.74, -30.41, 13.67

 

CMYK 37 / 0 / 12 / 29

HEX #72B6A0

RGB 114 182 160

HSL 160.59, 0.32%, 0.58%

LAB 69.16, -26.6, 4.42

 

CMYK 37 / 0 / 2 / 29

HEX #72B6B3

RGB 114 182 179

HSL 177.35, 0.32%, 0.58%

LAB 69.67, -22.16, -5.29

 

CMYK 37 / 8 / 0 / 29

HEX #72A7B6

RGB 114 167 182

HSL 193.24, 0.32%, 0.58%

LAB 65.43, -13.61, -13.28

 

CMYK 37 / 0 / 32 / 29

HEX #72B67B

RGB 114 182 123

HSL 127.94, 0.32%, 0.58%

LAB 68.36, -33.96, 23.43

 

CMYK 52 / 0 / 45 / 22

HEX #60C86F

RGB 96 200 111

HSL 128.65, 0.49%, 0.58%

LAB 72.85, -48.93, 35.45

 

CMYK 64 / 0 / 54 / 15

HEX #4FD963

RGB 79 217 99

HSL 128.7, 0.64%, 0.58%

LAB 77.39, -61.03, 46.8

 

CMYK 74 / 0 / 63 / 8

HEX #3EEA56

RGB 62 234 86

HSL 128.37, 0.8%, 0.58%

LAB 82.13, -71.24, 57.93

 

CMYK 82 / 0 / 71 / 2

HEX #2CFB4A

RGB 44 251 74

HSL 128.7, 0.96%, 0.58%

LAB 87.01, -79.67, 67.72

 

CMYK 37 / 0 / 32 / 29

HEX #72B67B

RGB 114 182 123

HSL 127.94, 0.32%, 0.58%

LAB 68.36, -33.96, 23.43

 

CMYK 21 / 0 / 18 / 35

HEX #83A588

RGB 131 165 136

HSL 128.82, 0.16%, 0.58%

LAB 64.57, -17.57, 11.25

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 0 / 22 / 3 / 35

HEX #A682A1

RGB 166 130 161

HSL 308.33, 0.17%, 0.58%

LAB 58.64, 19.22, -11.21

 

CMYK 0 / 38 / 5 / 28

HEX #B771AD

RGB 183 113 173

HSL 308.57, 0.33%, 0.58%

LAB 56.97, 36.8, -20.47

 

CMYK 23 / 0 / 37 / 29

HEX #8DB672

RGB 141 182 114

HSL 96.18, 0.32%, 0.58%

LAB 69.71, -26.18, 30.26

 

CMYK 32 / 0 / 37 / 29

HEX #7BB672

RGB 123 182 114

HSL 112.06, 0.32%, 0.58%

LAB 68.67, -32.51, 28.7

 

CMYK 37 / 0 / 32 / 29

HEX #72B67B

RGB 114 182 123

HSL 127.94, 0.32%, 0.58%

LAB 68.36, -33.96, 23.43

 

CMYK 37 / 0 / 23 / 29

HEX #72B68D

RGB 114 182 141

HSL 143.82, 0.32%, 0.58%

LAB 68.72, -30.61, 14.19

 

CMYK 37 / 0 / 13 / 29

HEX #72B69F

RGB 114 182 159

HSL 159.71, 0.32%, 0.58%

LAB 69.14, -26.82, 4.93

 

CMYK 48 / 0 / 42 / 45

HEX #498D52

RGB 73 141 82

HSL 127.94, 0.32%, 0.42%

LAB 53.03, -34.79, 24.97

 

CMYK 48 / 0 / 42 / 34

HEX #57A862

RGB 87 168 98

HSL 128.15, 0.32%, 0.5%

LAB 62.43, -40, 28.69

 

CMYK 37 / 0 / 32 / 29

HEX #72B67B

RGB 114 182 123

HSL 127.94, 0.32%, 0.58%

LAB 68.36, -33.96, 23.43

 

CMYK 28 / 0 / 24 / 23

HEX #8DC495

RGB 141 196 149

HSL 128.73, 0.32%, 0.66%

LAB 74.39, -27.35, 17.98

 

CMYK 20 / 0 / 17 / 18

HEX #A8D2AE

RGB 168 210 174

HSL 128.57, 0.32%, 0.74%

LAB 80.45, -20.79, 13.37

 

CMYK 38 / 0 / 32 / 28

HEX #72B77C

RGB 114.1 183 124

HSL 128.62, 0.32%, 0.58%

LAB 68.68, -34.22, 23.33

 

CMYK 37 / 13 / 0 / 29

HEX #729FB6

RGB 114 159 182

HSL 200.29, 0.32%, 0.58%

LAB 63.14, -9.28, -16.74

 

CMYK 0 / 37 / 27 / 29

HEX #B67284

RGB 182 114 132

HSL 344.12, 0.32%, 0.58%

LAB 55.73, 29.24, 1.47

 

CMYK 38 / 0 / 32 / 28

HEX #72B77C

RGB 114.1 183 124

HSL 128.62, 0.32%, 0.58%

LAB 68.68, -34.22, 23.33

 

CMYK 32 / 37 / 0 / 29

HEX #7B72B6

RGB 123 114 182

HSL 247.94, 0.32%, 0.58%

LAB 51.41, 19.34, -34.77

 

CMYK 0 / 32 / 37 / 29

HEX #B67B72

RGB 182 123 114

HSL 7.94, 0.32%, 0.58%

LAB 57.39, 21.85, 14.27

 

CMYK 38 / 0 / 32 / 28

HEX #72B77C

RGB 114.1 183 124

HSL 128.62, 0.32%, 0.58%

LAB 68.68, -34.22, 23.33

 

CMYK 37 / 13 / 0 / 29

HEX #729FB6

RGB 114 159 182

HSL 200.29, 0.32%, 0.58%

LAB 63.14, -9.28, -16.74

 

CMYK 0 / 37 / 5 / 29

HEX #B672AD

RGB 182 114 173

HSL 307.94, 0.32%, 0.58%

LAB 57.07, 35.93, -20.32

 

CMYK 0 / 25 / 37 / 29

HEX #B68872

RGB 182 136 114

HSL 19.41, 0.32%, 0.58%

LAB 60.58, 14.59, 18.66

 

CMYK 38 / 0 / 32 / 28

HEX #72B77C

RGB 114.1 183 124

HSL 128.62, 0.32%, 0.58%

LAB 68.68, -34.22, 23.33

 

CMYK 37 / 24 / 0 / 29

HEX #728BB6

RGB 114 139 182

HSL 217.94, 0.32%, 0.58%

LAB 57.48, 1.97, -25.38

 

CMYK 0 / 37 / 5 / 29

HEX #B672AD

RGB 182 114 173

HSL 307.94, 0.32%, 0.58%

LAB 57.07, 35.93, -20.32

 

CMYK 0 / 14 / 37 / 29

HEX #B69D72

RGB 182 157 114

HSL 37.94, 0.32%, 0.58%

LAB 65.96, 2.99, 25.91

 

Description

Color code: RGB 114.1 183 124 | qconv.com Color code: RGB 114.1 183 124 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114.1 red, 183 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114.1 183 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 32 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 32% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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