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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114.1 129 31 it is the complementary color RGB 140.9 126 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114.1 129 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114.1 129 31 shade: RGB 119.1 129 26, RGB 136.1 147 45, RGB 153.1 165 64, RGB 170.1 183 83 and RGB 187.1 201 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114.1 129 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114.1 129 31 shade: RGB 114.1 129 31, RGB 97.1 111 12, RGB 80.1 93 0, RGB 63.1 75 0 and RGB 46.1 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114.1 129 31 shade: RGB 113 127 31, RGB 127 116 31, RGB 127 90 31, RGB 127 64 31 and RGB 127 38 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114.1 129 31 shade: RGB 113 127 31, RGB 87 127 31, RGB 61 127 31, RGB 35 127 31 and RGB 31 127 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114.1 129 31 shade matches the following richer shades: RGB 113 127 31, RGB 122 140 18 and RGB 130 153 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114.1 129 31 shade: RGB 113 127 31, RGB 104 114 44, RGB 95 102 56, RGB 86 89 69 and RGB 77 76 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114.1 129 31 shade: RGB 127 90 31, RGB 127 116 31, RGB 113 127 31, RGB 87 127 31 and RGB 61 127 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114.1 129 31 shade: RGB 54 61 15, RGB 83 94 23, RGB 113 127 31, RGB 142 160 39 and RGB 171 194 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114.1 129 31 shade: RGB 114.1 129 31, RGB 31 127 65 and RGB 103 31 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114.1 129 31 shade: RGB 114.1 129 31, RGB 31 113 127 and RGB 127 31 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114.1 129 31 shade: RGB 114.1 129 31, RGB 31 127 65, RGB 45 31 127 and RGB 127 31 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114.1 129 31 shade: RGB 114.1 129 31, RGB 31 127 94, RGB 45 31 127 and RGB 127 31 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 76 / 49

HEX #72811F

RGB 114.1 129 31

HSL 69.12, 0.61%, 0.31%

LAB 51.13, -18.86, 47.93

 

Complementary color

CMYK 37 / 44 / 0 / 12

HEX #8C7EE0

RGB 140.9 126 224

HSL 249.12, 0.61%, 0.69%

LAB 58, 28.46, -48.14

 

CMYK 8 / 0 / 80 / 49

HEX #77811A

RGB 119.1 129 26

HSL 65.77, 0.66%, 0.3%

LAB 51.5, -16.86, 50.14

 

CMYK 7 / 0 / 69 / 42

HEX #88932D

RGB 136.1 147 45

HSL 66.41, 0.53%, 0.38%

LAB 58.32, -17.71, 50.18

 

CMYK 7 / 0 / 61 / 35

HEX #99A540

RGB 153.1 165 64

HSL 67.07, 0.44%, 0.45%

LAB 65.01, -18.34, 49.52

 

CMYK 7 / 0 / 55 / 28

HEX #AAB753

RGB 170.1 183 83

HSL 67.74, 0.41%, 0.52%

LAB 71.59, -18.83, 48.55

 

CMYK 7 / 0 / 49 / 21

HEX #BBC966

RGB 187.1 201 102

HSL 68.42, 0.48%, 0.59%

LAB 78.06, -19.21, 47.44

 

CMYK 12 / 0 / 76 / 49

HEX #72811F

RGB 114.1 129 31

HSL 69.12, 0.61%, 0.31%

LAB 51.13, -18.86, 47.93

 

CMYK 13 / 0 / 89 / 56

HEX #616F0C

RGB 97.1 111 12

HSL 68.42, 0.8%, 0.24%

LAB 44.15, -17.91, 47.05

 

CMYK 14 / 0 / 100 / 64

HEX #505D00

RGB 80.1 93 0

HSL 68.32, 1%, 0.18%

LAB 37, -16.59, 43.87

 

CMYK 16 / 0 / 100 / 71

HEX #3F4B00

RGB 63.1 75 0

HSL 69.52, 1%, 0.15%

LAB 29.64, -14.89, 37.74

 

CMYK 19 / 0 / 100 / 78

HEX #2E3900

RGB 46.1 57 0

HSL 71.47, 1%, 0.11%

LAB 21.98, -13.15, 30.16

 

CMYK 11 / 0 / 76 / 50

HEX #717F1F

RGB 113 127 31

HSL 68.75, 0.61%, 0.31%

LAB 50.44, -18.31, 47.24

 

CMYK 0 / 9 / 76 / 50

HEX #7F741F

RGB 127 116 31

HSL 53.13, 0.61%, 0.31%

LAB 48.39, -5.87, 45.69

 

CMYK 0 / 29 / 76 / 50

HEX #7F5A1F

RGB 127 90 31

HSL 36.88, 0.61%, 0.31%

LAB 41.09, 9.23, 38.5

 

CMYK 0 / 50 / 76 / 50

HEX #7F401F

RGB 127 64 31

HSL 20.63, 0.61%, 0.31%

LAB 34.55, 24.52, 31.69

 

CMYK 0 / 70 / 76 / 50

HEX #7F261F

RGB 127 38 31

HSL 4.38, 0.61%, 0.31%

LAB 29.41, 37.89, 26.02

 

CMYK 11 / 0 / 76 / 50

HEX #717F1F

RGB 113 127 31

HSL 68.75, 0.61%, 0.31%

LAB 50.44, -18.31, 47.24

 

CMYK 31 / 0 / 76 / 50

HEX #577F1F

RGB 87 127 31

HSL 85, 0.61%, 0.31%

LAB 48.64, -29.42, 44.87

 

CMYK 52 / 0 / 76 / 50

HEX #3D7F1F

RGB 61 127 31

HSL 101.25, 0.61%, 0.31%

LAB 47.33, -38.81, 43.13

 

CMYK 72 / 0 / 76 / 50

HEX #237F1F

RGB 35 127 31

HSL 117.5, 0.61%, 0.31%

LAB 46.49, -45.5, 42.02

 

CMYK 76 / 0 / 58 / 50

HEX #1F7F35

RGB 31 127 53

HSL 133.75, 0.61%, 0.31%

LAB 46.61, -43.72, 32.1

 

CMYK 11 / 0 / 76 / 50

HEX #717F1F

RGB 113 127 31

HSL 68.75, 0.61%, 0.31%

LAB 50.44, -18.31, 47.24

 

CMYK 13 / 0 / 87 / 45

HEX #7A8C12

RGB 122 140 18

HSL 68.85, 0.77%, 0.31%

LAB 55.01, -21.55, 55.52

 

CMYK 15 / 0 / 97 / 40

HEX #829905

RGB 130 153 5

HSL 69.32, 0.94%, 0.31%

LAB 59.47, -24.84, 61.63

 

CMYK 11 / 0 / 76 / 50

HEX #717F1F

RGB 113 127 31

HSL 68.75, 0.61%, 0.31%

LAB 50.44, -18.31, 47.24

 

CMYK 9 / 0 / 61 / 55

HEX #68722C

RGB 104 114 44

HSL 68.57, 0.44%, 0.31%

LAB 45.85, -14.52, 36.65

 

CMYK 7 / 0 / 45 / 60

HEX #5F6638

RGB 95 102 56

HSL 69.13, 0.29%, 0.31%

LAB 41.57, -10.64, 25.04

 

CMYK 3 / 0 / 22 / 65

HEX #565945

RGB 86 89 69

HSL 69, 0.13%, 0.31%

LAB 37.03, -5.11, 11.2

 

CMYK 6 / 7 / 0 / 68

HEX #4D4C52

RGB 77 76 82

HSL 250, 0.04%, 0.31%

LAB 32.6, 1.75, -3.4

 

CMYK 0 / 29 / 76 / 50

HEX #7F5A1F

RGB 127 90 31

HSL 36.88, 0.61%, 0.31%

LAB 41.09, 9.23, 38.5

 

CMYK 0 / 9 / 76 / 50

HEX #7F741F

RGB 127 116 31

HSL 53.13, 0.61%, 0.31%

LAB 48.39, -5.87, 45.69

 

CMYK 11 / 0 / 76 / 50

HEX #717F1F

RGB 113 127 31

HSL 68.75, 0.61%, 0.31%

LAB 50.44, -18.31, 47.24

 

CMYK 31 / 0 / 76 / 50

HEX #577F1F

RGB 87 127 31

HSL 85, 0.61%, 0.31%

LAB 48.64, -29.42, 44.87

 

CMYK 52 / 0 / 76 / 50

HEX #3D7F1F

RGB 61 127 31

HSL 101.25, 0.61%, 0.31%

LAB 47.33, -38.81, 43.13

 

CMYK 11 / 0 / 75 / 76

HEX #363D0F

RGB 54 61 15

HSL 69.13, 0.61%, 0.15%

LAB 24.18, -10.47, 26.29

 

CMYK 12 / 0 / 76 / 63

HEX #535E17

RGB 83 94 23

HSL 69.3, 0.61%, 0.23%

LAB 37.67, -14.77, 37.13

 

CMYK 11 / 0 / 76 / 50

HEX #717F1F

RGB 113 127 31

HSL 68.75, 0.61%, 0.31%

LAB 50.44, -18.31, 47.24

 

CMYK 11 / 0 / 76 / 37

HEX #8EA027

RGB 142 160 39

HSL 68.93, 0.61%, 0.39%

LAB 62.54, -22.1, 56.69

 

CMYK 12 / 0 / 76 / 24

HEX #ABC22F

RGB 171 194 47

HSL 69.39, 0.61%, 0.47%

LAB 74.47, -26.22, 66

 

CMYK 12 / 0 / 76 / 49

HEX #72811F

RGB 114.1 129 31

HSL 69.12, 0.61%, 0.31%

LAB 51.13, -18.86, 47.93

 

CMYK 76 / 0 / 49 / 50

HEX #1F7F41

RGB 31 127 65

HSL 141.25, 0.61%, 0.31%

LAB 46.78, -41.79, 25.96

 

CMYK 19 / 76 / 0 / 50

HEX #671F7F

RGB 103 31 127

HSL 285, 0.61%, 0.31%

LAB 27.83, 46.43, -39.23

 

CMYK 12 / 0 / 76 / 49

HEX #72811F

RGB 114.1 129 31

HSL 69.12, 0.61%, 0.31%

LAB 51.13, -18.86, 47.93

 

CMYK 76 / 11 / 0 / 50

HEX #1F717F

RGB 31 113 127

HSL 188.75, 0.61%, 0.31%

LAB 43.7, -18.95, -14.72

 

CMYK 0 / 76 / 11 / 50

HEX #7F1F71

RGB 127 31 113

HSL 308.75, 0.61%, 0.31%

LAB 31.08, 49.46, -24.96

 

CMYK 12 / 0 / 76 / 49

HEX #72811F

RGB 114.1 129 31

HSL 69.12, 0.61%, 0.31%

LAB 51.13, -18.86, 47.93

 

CMYK 76 / 0 / 49 / 50

HEX #1F7F41

RGB 31 127 65

HSL 141.25, 0.61%, 0.31%

LAB 46.78, -41.79, 25.96

 

CMYK 65 / 76 / 0 / 50

HEX #2D1F7F

RGB 45 31 127

HSL 248.75, 0.61%, 0.31%

LAB 20.32, 35.69, -51.79

 

CMYK 0 / 76 / 26 / 50

HEX #7F1F5E

RGB 127 31 94

HSL 320.63, 0.61%, 0.31%

LAB 30.16, 46.63, -14.16

 

CMYK 12 / 0 / 76 / 49

HEX #72811F

RGB 114.1 129 31

HSL 69.12, 0.61%, 0.31%

LAB 51.13, -18.86, 47.93

 

CMYK 76 / 0 / 26 / 50

HEX #1F7F5E

RGB 31 127 94

HSL 159.38, 0.61%, 0.31%

LAB 47.34, -35.6, 10.23

 

CMYK 65 / 76 / 0 / 50

HEX #2D1F7F

RGB 45 31 127

HSL 248.75, 0.61%, 0.31%

LAB 20.32, 35.69, -51.79

 

CMYK 0 / 76 / 49 / 50

HEX #7F1F41

RGB 127 31 65

HSL 338.75, 0.61%, 0.31%

LAB 29.09, 43.22, 3.38

 

Description

Color code: RGB 114.1 129 31 | qconv.com Color code: RGB 114.1 129 31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114.1 red, 129 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114.1 129 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 76 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 76% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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