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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 178 201 it is the complementary color RGB 142 77 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 178 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 178 201: RGB 118 178 196, RGB 135 196 215, RGB 152 214 234, RGB 169 232 253 and RGB 186 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 178 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 178 201: RGB 113 178 201, RGB 96 160 182, RGB 79 142 163, RGB 62 124 144 and RGB 45 106 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

 

Complementary color

CMYK 0 / 46 / 62 / 44

HEX #8E4D36

RGB 142 77 54

HSL 15.68, 0.45%, 0.38%

LAB 40.12, 25.11, 25.56

 

CMYK 40 / 9 / 0 / 23

HEX #76B2C4

RGB 118 178 196

HSL 193.85, 0.4%, 0.62%

LAB 69.24, -14.73, -15.28

 

CMYK 37 / 9 / 0 / 16

HEX #87C4D7

RGB 135 196 215

HSL 194.25, 0.5%, 0.69%

LAB 75.78, -14.79, -15.7

 

CMYK 35 / 9 / 0 / 8

HEX #98D6EA

RGB 152 214 234

HSL 194.63, 0.66%, 0.76%

LAB 82.22, -14.83, -16.12

 

CMYK 33 / 8 / 0 / 1

HEX #A9E8FD

RGB 169 232 253

HSL 195, 0.95%, 0.83%

LAB 88.56, -14.87, -16.53

 

CMYK 27 / 2 / 0 / 0

HEX #BAFAFF

RGB 186 250 255

HSL 184.35, 1%, 0.86%

LAB 94.33, -18.72, -8.87

 

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

Pantone® 7458 C

CMYK 47 / 12 / 0 / 29

HEX #60A0B6

RGB 96 160 182

HSL 195.35, 0.37%, 0.55%

LAB 62.51, -14.52, -17.77

 

CMYK 52 / 13 / 0 / 36

HEX #4F8EA3

RGB 79 142 163

HSL 195, 0.35%, 0.47%

LAB 55.74, -14.28, -17.36

 

CMYK 57 / 14 / 0 / 44

HEX #3E7C90

RGB 62 124 144

HSL 194.63, 0.4%, 0.4%

LAB 48.83, -13.94, -16.92

 

CMYK 64 / 15 / 0 / 51

HEX #2D6A7D

RGB 45 106 125

HSL 194.25, 0.47%, 0.33%

LAB 41.76, -13.42, -16.44

 

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

Pantone® 7458 C

CMYK 43 / 18 / 0 / 21

HEX #72A5C9

RGB 114 165 201

HSL 204.83, 0.45%, 0.62%

LAB 65.52, -7.43, -23.72

 

CMYK 43 / 25 / 0 / 21

HEX #7296C9

RGB 114 150 201

HSL 215.17, 0.45%, 0.62%

LAB 61.31, 0.97, -30.19

 

CMYK 43 / 32 / 0 / 21

HEX #7288C9

RGB 114 136 201

HSL 224.83, 0.45%, 0.62%

LAB 57.47, 9.1, -36.18

 

CMYK 43 / 40 / 0 / 21

HEX #7279C9

RGB 114 121 201

HSL 235.17, 0.45%, 0.62%

LAB 53.46, 18.03, -42.48

 

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

Pantone® 7458 C

CMYK 44 / 12 / 0 / 1

HEX #8EDFFC

RGB 142 223 252

HSL 195.82, 0.95%, 0.77%

LAB 84.77, -17.4, -21.85

 

CMYK 44 / 10 / 0 / 81

HEX #1B2B30

RGB 27 43 48

HSL 194.29, 0.28%, 0.15%

LAB 16.38, -5.07, -5.37

 

CMYK 43 / 11 / 0 / 61

HEX #385863

RGB 56 88 99

HSL 195.35, 0.28%, 0.3%

LAB 35.44, -8.49, -10.04

 

CMYK 44 / 11 / 0 / 41

HEX #548596

RGB 84 133 150

HSL 195.45, 0.28%, 0.46%

LAB 52.8, -11.83, -14.29

 

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

Pantone® 7458 C

CMYK 24 / 43 / 0 / 21

HEX #9972C9

RGB 153 114 201

HSL 266.9, 0.45%, 0.62%

LAB 55.1, 32.83, -39.67

 

CMYK 0 / 6 / 43 / 21

HEX #C9BC72

RGB 201 188 114

HSL 51.03, 0.45%, 0.62%

LAB 75.82, -5.78, 39

 

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

Pantone® 7458 C

CMYK 0 / 43 / 11 / 21

HEX #C972B3

RGB 201 114 179

HSL 315.17, 0.45%, 0.62%

LAB 59.62, 43.16, -19.66

 

CMYK 11 / 0 / 43 / 21

HEX #B3C972

RGB 179 201 114

HSL 75.17, 0.45%, 0.62%

LAB 77.62, -21.15, 40.9

 

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

Pantone® 7458 C

CMYK 24 / 43 / 0 / 21

HEX #9972C9

RGB 153 114 201

HSL 266.9, 0.45%, 0.62%

LAB 55.1, 32.83, -39.67

 

CMYK 0 / 32 / 43 / 21

HEX #C98872

RGB 201 136 114

HSL 15.17, 0.45%, 0.62%

LAB 62.71, 22.26, 21.91

 

CMYK 19 / 0 / 43 / 21

HEX #A2C972

RGB 162 201 114

HSL 86.9, 0.45%, 0.62%

LAB 76.48, -27.63, 39.22

 

CMYK 44 / 11 / 0 / 21

HEX #71B2C9

RGB 113 178 201

HSL 195.68, 0.45%, 0.62%

LAB 69.16, -14.69, -18.17

Pantone® 7458 C

CMYK 11 / 43 / 0 / 21

HEX #B372C9

RGB 179 114 201

HSL 284.83, 0.45%, 0.62%

LAB 57.88, 40.44, -35.11

 

CMYK 0 / 32 / 43 / 21

HEX #C98872

RGB 201 136 114

HSL 15.17, 0.45%, 0.62%

LAB 62.71, 22.26, 21.91

 

CMYK 32 / 0 / 43 / 21

HEX #88C972

RGB 136 201 114

HSL 104.83, 0.45%, 0.62%

LAB 74.97, -36.89, 36.98

 

Description

Color code: RGB 113 178 201 | qconv.com Color code: RGB 113 178 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 178 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 178 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 11 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 11% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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