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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 177 0 it is the complementary color RGB 142 78 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 177 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 177 0: RGB 118 177 0, RGB 135 195 14, RGB 152 213 33, RGB 169 231 52 and RGB 186 249 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 177 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 177 0: RGB 113 177 0, RGB 96 159 0, RGB 79 141 0, RGB 62 123 0 and RGB 45 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

Complementary color

CMYK 44 / 69 / 0 / 0

HEX #8E4EFF

RGB 142 78 255

HSL 261.69, 1%, 0.65%

LAB 50, 63.09, -78.3

 

CMYK 33 / 0 / 100 / 31

HEX #76B100

RGB 118 177 0

HSL 80, 1%, 0.35%

LAB 65.98, -40.91, 67.01

 

CMYK 31 / 0 / 93 / 24

HEX #87C30E

RGB 135 195 14

HSL 79.89, 0.87%, 0.41%

LAB 72.37, -42.05, 70.78

 

CMYK 29 / 0 / 85 / 16

HEX #98D521

RGB 152 213 33

HSL 80.33, 0.73%, 0.48%

LAB 78.68, -42.96, 73.06

 

CMYK 27 / 0 / 77 / 9

HEX #A9E734

RGB 169 231 52

HSL 80.78, 0.79%, 0.55%

LAB 84.91, -43.66, 74.12

 

CMYK 25 / 0 / 71 / 2

HEX #BAF947

RGB 186 249 71

HSL 81.24, 0.94%, 0.63%

LAB 91.07, -44.21, 74.38

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 40 / 0 / 100 / 38

HEX #609F00

RGB 96 159 0

HSL 83.77, 1%, 0.31%

LAB 59.24, -41.36, 61.3

 

CMYK 44 / 0 / 100 / 45

HEX #4F8D00

RGB 79 141 0

HSL 86.38, 1%, 0.28%

LAB 52.63, -39.88, 55.81

 

CMYK 50 / 0 / 100 / 52

HEX #3E7B00

RGB 62 123 0

HSL 89.76, 1%, 0.24%

LAB 45.89, -38.3, 50.22

 

CMYK 57 / 0 / 100 / 59

HEX #2D6900

RGB 45 105 0

HSL 94.29, 1%, 0.21%

LAB 39, -36.53, 44.51

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 52 / 0 / 100 / 30

HEX #56B200

RGB 86 178 0

HSL 91.01, 1%, 0.35%

LAB 64.82, -52.17, 65.47

 

CMYK 69 / 0 / 100 / 30

HEX #38B200

RGB 56 178 0

HSL 101.12, 1%, 0.35%

LAB 63.9, -59.68, 64.36

 

CMYK 85 / 0 / 100 / 30

HEX #1AB200

RGB 26 178 0

HSL 111.24, 1%, 0.35%

LAB 63.39, -64.15, 63.74

 

CMYK 100 / 0 / 99 / 30

HEX #00B202

RGB 0 178 2

HSL 120.67, 1%, 0.35%

LAB 63.21, -65.76, 63.26

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 36 / 0 / 100 / 11

HEX #92E400

RGB 146 228 0

HSL 81.58, 1%, 0.45%

LAB 82.7, -51.99, 80.53

 

CMYK 38 / 0 / 100 / 91

HEX #0F1800

RGB 15 24 0

HSL 82.5, 1%, 0.05%

LAB 6.82, -7.94, 10.07

 

CMYK 36 / 0 / 100 / 71

HEX #304B00

RGB 48 75 0

HSL 81.6, 1%, 0.15%

LAB 28.54, -21.99, 36.39

 

CMYK 37 / 0 / 100 / 51

HEX #507E00

RGB 80 126 0

HSL 81.9, 1%, 0.25%

LAB 47.79, -33, 52.08

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 100 / 0 / 45 / 30

HEX #00B262

RGB 0 178 98

HSL 153.03, 1%, 0.35%

LAB 63.94, -56.76, 30.3

 

CMYK 5 / 100 / 0 / 30

HEX #A900B2

RGB 169 0 178

HSL 296.97, 1%, 0.35%

LAB 40.65, 73.57, -49.15

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 100 / 35 / 0 / 30

HEX #0074B2

RGB 0 116 178

HSL 200.9, 1%, 0.35%

LAB 46.59, -3.95, -40.4

 

CMYK 0 / 100 / 35 / 30

HEX #B20074

RGB 178 0 116

HSL 320.9, 1%, 0.35%

LAB 39.11, 67.15, -13.63

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 100 / 0 / 45 / 30

HEX #00B262

RGB 0 178 98

HSL 153.03, 1%, 0.35%

LAB 63.94, -56.76, 30.3

 

CMYK 65 / 100 / 0 / 30

HEX #3E00B2

RGB 62 0 178

HSL 260.9, 1%, 0.35%

LAB 24.44, 61.89, -76.33

 

CMYK 0 / 100 / 55 / 30

HEX #B20050

RGB 178 0 80

HSL 333.03, 1%, 0.35%

LAB 37.92, 64.02, 7.54

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 100 / 0 / 15 / 30

HEX #00B297

RGB 0 178 151

HSL 170.9, 1%, 0.35%

LAB 65.02, -44.55, 3.05

 

CMYK 65 / 100 / 0 / 30

HEX #3E00B2

RGB 62 0 178

HSL 260.9, 1%, 0.35%

LAB 24.44, 61.89, -76.33

 

CMYK 0 / 100 / 85 / 30

HEX #B2001A

RGB 178 0 26

HSL 351.24, 1%, 0.35%

LAB 37, 61.55, 40.05

 

Description

Color code: RGB 113 177 0 | qconv.com Color code: RGB 113 177 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 177 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 177 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 100 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 100% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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