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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 144.8 232.4 it is the complementary color RGB 142 110.2 22.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 144.8 232.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 144.8 232.4 shade: RGB 118 144.8 227.4, RGB 135 162.8 246.4, RGB 152 180.8 255, RGB 169 198.8 255 and RGB 186 216.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 144.8 232.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 144.8 232.4 shade: RGB 113 144.8 232.4, RGB 96 126.8 213.4, RGB 79 108.8 194.4, RGB 62 90.8 175.4 and RGB 45 72.8 156.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 144.8 232.4 shade: RGB 114 146 233, RGB 114 114 233, RGB 146 114 233, RGB 178 114 233 and RGB 211 114 233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 144.8 232.4 shade: RGB 114 146 233 and RGB 114 114 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 144.8 232.4 shade matches the following richer shades: RGB 114 146 233 and RGB 101 139 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 144.8 232.4 shade: RGB 114 146 233, RGB 127 152 220, RGB 140 158 207, RGB 153 164 193 and RGB 167 170 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 144.8 232.4 shade: RGB 114 209 233, RGB 114 177 233, RGB 114 146 233, RGB 114 114 233 and RGB 146 114 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 144.8 232.4 shade: RGB 42 90 222, RGB 78 118 227, RGB 114 146 233, RGB 150 173 239 and RGB 185 201 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 144.8 232.4 shade: RGB 113 144.8 232.4, RGB 225 114 233 and RGB 193 233 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 144.8 232.4 shade: RGB 113 144.8 232.4, RGB 233 114 146 and RGB 146 233 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 144.8 232.4 shade: RGB 113 144.8 232.4, RGB 225 114 233, RGB 233 201 114 and RGB 122 233 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 144.8 232.4 shade: RGB 113 144.8 232.4, RGB 233 114 205, RGB 233 201 114 and RGB 114 233 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 38 / 0 / 9

HEX #7190E8

RGB 113 144.8 232.4

HSL 224.02, 0.73%, 0.68%

LAB 61.26, 13.08, -47.77

 

Complementary color

CMYK 0 / 22 / 84 / 44

HEX #8E6E16

RGB 142 110.2 22.6

HSL 44.02, 0.73%, 0.32%

LAB 48.27, 4.16, 49.21

 

CMYK 48 / 36 / 0 / 11

HEX #7690E3

RGB 118 144.8 227.4

HSL 225.3, 0.66%, 0.68%

LAB 61.32, 12.71, -44.9

 

CMYK 45 / 34 / 0 / 3

HEX #87A2F6

RGB 135 162.8 246.4

HSL 225.03, 0.87%, 0.75%

LAB 67.99, 11.9, -44.78

 

CMYK 40 / 29 / 0 / 0

HEX #98B4FF

RGB 152 180.8 255

HSL 223.22, 1%, 0.8%

LAB 74.1, 8.37, -39.8

 

CMYK 34 / 22 / 0 / 0

HEX #A9C6FF

RGB 169 198.8 255

HSL 219.21, 1%, 0.83%

LAB 79.85, 2.99, -30.83

 

CMYK 27 / 15 / 0 / 0

HEX #BAD8FF

RGB 186 216.8 255

HSL 213.22, 1%, 0.86%

LAB 85.6, -1.82, -21.96

 

CMYK 51 / 38 / 0 / 9

HEX #7190E8

RGB 113 144.8 232.4

HSL 224.02, 0.73%, 0.68%

LAB 61.26, 13.08, -47.77

 

CMYK 55 / 41 / 0 / 16

HEX #607ED5

RGB 96 126.8 213.4

HSL 224.26, 0.59%, 0.61%

LAB 54.49, 14.15, -47.95

 

CMYK 59 / 44 / 0 / 24

HEX #4F6CC2

RGB 79 108.8 194.4

HSL 224.51, 0.49%, 0.54%

LAB 47.59, 15.45, -48.17

 

CMYK 65 / 48 / 0 / 31

HEX #3E5AAF

RGB 62 90.8 175.4

HSL 224.76, 0.48%, 0.47%

LAB 40.55, 17.07, -48.43

 

CMYK 71 / 53 / 0 / 39

HEX #2D489C

RGB 45 72.8 156.4

HSL 225.03, 0.55%, 0.39%

LAB 33.37, 19.12, -48.7

 

CMYK 51 / 37 / 0 / 9

HEX #7292E9

RGB 114 146 233

HSL 223.87, 0.73%, 0.68%

LAB 61.67, 12.78, -47.46

 

CMYK 51 / 51 / 0 / 9

HEX #7272E9

RGB 114 114 233

HSL 240, 0.73%, 0.68%

LAB 53.49, 31.85, -60.5

 

CMYK 37 / 51 / 0 / 9

HEX #9272E9

RGB 146 114 233

HSL 256.13, 0.73%, 0.68%

LAB 56.12, 39.07, -56.14

 

CMYK 24 / 51 / 0 / 9

HEX #B272E9

RGB 178 114 233

HSL 272.27, 0.73%, 0.68%

LAB 59.33, 47.13, -50.83

 

CMYK 9 / 51 / 0 / 9

HEX #D372E9

RGB 211 114 233

HSL 288.91, 0.73%, 0.68%

LAB 63.15, 55.87, -44.54

 

CMYK 51 / 37 / 0 / 9

HEX #7292E9

RGB 114 146 233

HSL 223.87, 0.73%, 0.68%

LAB 61.67, 12.78, -47.46

 

CMYK 51 / 51 / 0 / 9

HEX #7272E9

RGB 114 114 233

HSL 240, 0.73%, 0.68%

LAB 53.49, 31.85, -60.5

 

CMYK 51 / 37 / 0 / 9

HEX #7292E9

RGB 114 146 233

HSL 223.87, 0.73%, 0.68%

LAB 61.67, 12.78, -47.46

 

CMYK 59 / 43 / 0 / 4

HEX #658BF6

RGB 101 139 246

HSL 224.28, 0.89%, 0.68%

LAB 59.79, 18.38, -57.67

 

CMYK 51 / 37 / 0 / 9

HEX #7292E9

RGB 114 146 233

HSL 223.87, 0.73%, 0.68%

LAB 61.67, 12.78, -47.46

 

CMYK 42 / 31 / 0 / 14

HEX #7F98DC

RGB 127 152 220

HSL 223.87, 0.57%, 0.68%

LAB 63.45, 8.58, -37.4

 

CMYK 32 / 24 / 0 / 19

HEX #8C9ECF

RGB 140 158 207

HSL 223.88, 0.41%, 0.68%

LAB 65.38, 5.2, -27.12

 

CMYK 21 / 15 / 0 / 24

HEX #99A4C1

RGB 153 164 193

HSL 223.5, 0.24%, 0.68%

LAB 67.41, 2.38, -16.18

 

CMYK 7 / 6 / 0 / 29

HEX #A7AAB4

RGB 167 170 180

HSL 226.15, 0.08%, 0.68%

LAB 69.65, 0.91, -5.5

 

CMYK 51 / 10 / 0 / 9

HEX #72D1E9

RGB 114 209 233

HSL 192.1, 0.73%, 0.68%

LAB 79.08, -21.72, -20.5

 

CMYK 51 / 24 / 0 / 9

HEX #72B1E9

RGB 114 177 233

HSL 208.24, 0.73%, 0.68%

LAB 70.11, -4.87, -34.25

 

CMYK 51 / 37 / 0 / 9

HEX #7292E9

RGB 114 146 233

HSL 223.87, 0.73%, 0.68%

LAB 61.67, 12.78, -47.46

 

CMYK 51 / 51 / 0 / 9

HEX #7272E9

RGB 114 114 233

HSL 240, 0.73%, 0.68%

LAB 53.49, 31.85, -60.5

 

CMYK 37 / 51 / 0 / 9

HEX #9272E9

RGB 146 114 233

HSL 256.13, 0.73%, 0.68%

LAB 56.12, 39.07, -56.14

 

CMYK 81 / 59 / 0 / 13

HEX #2A5ADE

RGB 42 90 222

HSL 224, 0.73%, 0.52%

LAB 42.88, 32.24, -71.66

 

CMYK 66 / 48 / 0 / 11

HEX #4E76E3

RGB 78 118 227

HSL 223.89, 0.73%, 0.6%

LAB 51.98, 20.76, -59.68

 

CMYK 51 / 37 / 0 / 9

HEX #7292E9

RGB 114 146 233

HSL 223.87, 0.73%, 0.68%

LAB 61.67, 12.78, -47.46

 

CMYK 37 / 28 / 0 / 6

HEX #96ADEF

RGB 150 173 239

HSL 224.49, 0.74%, 0.76%

LAB 71.28, 7.91, -35.53

 

CMYK 24 / 18 / 0 / 4

HEX #B9C9F4

RGB 185 201 244

HSL 223.73, 0.73%, 0.84%

LAB 81.08, 3.74, -22.98

 

CMYK 51 / 38 / 0 / 9

HEX #7190E8

RGB 113 144.8 232.4

HSL 224.02, 0.73%, 0.68%

LAB 61.26, 13.08, -47.77

 

CMYK 3 / 51 / 0 / 9

HEX #E172E9

RGB 225 114 233

HSL 295.97, 0.73%, 0.68%

LAB 64.9, 59.63, -41.66

 

CMYK 17 / 0 / 51 / 9

HEX #C1E972

RGB 193 233 114

HSL 80.17, 0.73%, 0.68%

LAB 87.4, -31.15, 53.04

 

CMYK 51 / 38 / 0 / 9

HEX #7190E8

RGB 113 144.8 232.4

HSL 224.02, 0.73%, 0.68%

LAB 61.26, 13.08, -47.77

 

CMYK 0 / 51 / 37 / 9

HEX #E97292

RGB 233 114 146

HSL 343.87, 0.73%, 0.68%

LAB 62.87, 49.18, 4.56

 

CMYK 37 / 0 / 51 / 9

HEX #92E972

RGB 146 233 114

HSL 103.87, 0.73%, 0.68%

LAB 84.79, -47.58, 49.29

 

CMYK 51 / 38 / 0 / 9

HEX #7190E8

RGB 113 144.8 232.4

HSL 224.02, 0.73%, 0.68%

LAB 61.26, 13.08, -47.77

 

CMYK 3 / 51 / 0 / 9

HEX #E172E9

RGB 225 114 233

HSL 295.97, 0.73%, 0.68%

LAB 64.9, 59.63, -41.66

 

CMYK 0 / 14 / 51 / 9

HEX #E9C972

RGB 233 201 114

HSL 43.87, 0.73%, 0.68%

LAB 82.01, 0.5, 47.28

 

CMYK 48 / 0 / 51 / 9

HEX #7AE972

RGB 122 233 114

HSL 115.97, 0.73%, 0.68%

LAB 83.77, -54.73, 47.81

 

CMYK 51 / 38 / 0 / 9

HEX #7190E8

RGB 113 144.8 232.4

HSL 224.02, 0.73%, 0.68%

LAB 61.26, 13.08, -47.77

 

CMYK 0 / 51 / 12 / 9

HEX #E972CD

RGB 233 114 205

HSL 314.12, 0.73%, 0.68%

LAB 64.78, 57.17, -26.15

 

CMYK 0 / 14 / 51 / 9

HEX #E9C972

RGB 233 201 114

HSL 43.87, 0.73%, 0.68%

LAB 82.01, 0.5, 47.28

 

CMYK 51 / 0 / 39 / 9

HEX #72E98E

RGB 114 233 142

HSL 134.12, 0.73%, 0.68%

LAB 83.87, -52.79, 34.21

 

Description

Color code: RGB 113 144.8 232.4 | qconv.com Color code: RGB 113 144.8 232.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 144.8 green and 232.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 144.8 232.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 38 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 38% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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