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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 138 157 it is the complementary color RGB 142 117 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 138 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 138 157 shade: RGB 118 138 152, RGB 135 156 171, RGB 152 174 190, RGB 169 192 209 and RGB 186 210 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 138 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 138 157 shade: RGB 113 138 157, RGB 96 120 138, RGB 79 102 119, RGB 62 84 100 and RGB 45 66 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 138 157 shade: RGB 113 138 156, RGB 113 126 156, RGB 113 114 156, RGB 123 113 156 and RGB 135 113 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 138 157 shade: RGB 113 138 156, RGB 113 126 156, RGB 113 114 156 and RGB 113 113 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 138 157 shade matches the following richer shades: RGB 113 138 156, RGB 94 140 176, RGB 74 143 195, RGB 55 146 214 and RGB 36 148 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 138 157 shade: RGB 113 138 156, RGB 132 135 137, RGB 152 132 117, RGB 171 130 98 and RGB 191 127 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 138 157 shade: RGB 113 156 151, RGB 113 150 156, RGB 113 138 156, RGB 113 127 156 and RGB 113 115 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 138 157 shade: RGB 76 96 110, RGB 93 117 135, RGB 113 138 156, RGB 137 158 173 and RGB 162 178 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 138 157 shade: RGB 113 138 157, RGB 140 113 156 and RGB 156 156 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 138 157 shade: RGB 113 138 157, RGB 156 113 138 and RGB 138 156 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 138 157 shade: RGB 113 138 157, RGB 140 113 156, RGB 156 131 113 and RGB 130 156 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 138 157 shade: RGB 113 138 157, RGB 153 113 156, RGB 156 131 113 and RGB 117 156 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 12 / 0 / 38

HEX #718A9D

RGB 113 138 157

HSL 205.91, 0.18%, 0.53%

LAB 56.21, -4.33, -13.02

 

Complementary color

CMYK 0 / 18 / 31 / 44

HEX #8E7562

RGB 142 117 98

HSL 25.91, 0.18%, 0.47%

LAB 51.1, 6.78, 14.14

 

CMYK 22 / 9 / 0 / 40

HEX #768A98

RGB 118 138 152

HSL 204.71, 0.14%, 0.53%

LAB 56.38, -3.95, -9.85

 

CMYK 21 / 9 / 0 / 33

HEX #879CAB

RGB 135 156 171

HSL 205, 0.18%, 0.6%

LAB 63.23, -4.03, -10.28

 

CMYK 20 / 8 / 0 / 25

HEX #98AEBE

RGB 152 174 190

HSL 205.26, 0.23%, 0.67%

LAB 69.94, -4.11, -10.71

 

CMYK 19 / 8 / 0 / 18

HEX #A9C0D1

RGB 169 192 209

HSL 205.5, 0.3%, 0.74%

LAB 76.52, -4.19, -11.15

 

CMYK 18 / 8 / 0 / 11

HEX #BAD2E4

RGB 186 210 228

HSL 205.71, 0.44%, 0.81%

LAB 82.98, -4.27, -11.57

 

CMYK 28 / 12 / 0 / 38

HEX #718A9D

RGB 113 138 157

HSL 205.91, 0.18%, 0.53%

LAB 56.21, -4.33, -13.02

 

CMYK 30 / 13 / 0 / 46

HEX #60788A

RGB 96 120 138

HSL 205.71, 0.18%, 0.46%

LAB 49.2, -4.21, -12.65

 

CMYK 34 / 14 / 0 / 53

HEX #4F6677

RGB 79 102 119

HSL 205.5, 0.2%, 0.39%

LAB 42, -4.08, -12.3

 

CMYK 38 / 16 / 0 / 61

HEX #3E5464

RGB 62 84 100

HSL 205.26, 0.23%, 0.32%

LAB 34.57, -3.92, -11.95

 

CMYK 44 / 19 / 0 / 68

HEX #2D4251

RGB 45 66 81

HSL 205, 0.29%, 0.25%

LAB 26.87, -3.7, -11.63

 

CMYK 28 / 12 / 0 / 39

HEX #718A9C

RGB 113 138 156

HSL 205.12, 0.18%, 0.53%

LAB 56.18, -4.58, -12.49

 

CMYK 28 / 19 / 0 / 39

HEX #717E9C

RGB 113 126 156

HSL 221.86, 0.18%, 0.53%

LAB 52.77, 2.33, -17.66

 

CMYK 28 / 27 / 0 / 39

HEX #71729C

RGB 113 114 156

HSL 238.6, 0.18%, 0.53%

LAB 49.43, 9.44, -22.77

 

CMYK 21 / 28 / 0 / 39

HEX #7B719C

RGB 123 113 156

HSL 253.95, 0.18%, 0.53%

LAB 50, 13.27, -21.82

 

CMYK 13 / 28 / 0 / 39

HEX #87719C

RGB 135 113 156

HSL 270.7, 0.18%, 0.53%

LAB 51.11, 17.26, -20.03

 

CMYK 28 / 12 / 0 / 39

HEX #718A9C

RGB 113 138 156

HSL 205.12, 0.18%, 0.53%

LAB 56.18, -4.58, -12.49

 

CMYK 28 / 19 / 0 / 39

HEX #717E9C

RGB 113 126 156

HSL 221.86, 0.18%, 0.53%

LAB 52.77, 2.33, -17.66

 

CMYK 28 / 27 / 0 / 39

HEX #71729C

RGB 113 114 156

HSL 238.6, 0.18%, 0.53%

LAB 49.43, 9.44, -22.77

 

CMYK 28 / 28 / 0 / 39

HEX #71719C

RGB 113 113 156

HSL 240, 0.18%, 0.53%

LAB 49.16, 10.04, -23.2

 

CMYK 28 / 12 / 0 / 39

HEX #718A9C

RGB 113 138 156

HSL 205.12, 0.18%, 0.53%

LAB 56.18, -4.58, -12.49

 

CMYK 47 / 20 / 0 / 31

HEX #5E8CB0

RGB 94 140 176

HSL 206.34, 0.34%, 0.53%

LAB 56.36, -5.68, -23.79

 

CMYK 62 / 27 / 0 / 24

HEX #4A8FC3

RGB 74 143 195

HSL 205.79, 0.5%, 0.53%

LAB 57.12, -5.86, -33.49

 

CMYK 74 / 32 / 0 / 16

HEX #3792D6

RGB 55 146 214

HSL 205.66, 0.66%, 0.53%

LAB 58.25, -4.05, -42.45

 

CMYK 85 / 37 / 0 / 8

HEX #2494EA

RGB 36 148 234

HSL 206.06, 0.83%, 0.53%

LAB 59.43, 0.15, -51.74

 

CMYK 28 / 12 / 0 / 39

HEX #718A9C

RGB 113 138 156

HSL 205.12, 0.18%, 0.53%

LAB 56.18, -4.58, -12.49

 

CMYK 4 / 1 / 0 / 46

HEX #848789

RGB 132 135 137

HSL 204, 0.02%, 0.53%

LAB 56.13, -0.7, -1.46

 

CMYK 0 / 13 / 23 / 40

HEX #988475

RGB 152 132 117

HSL 25.71, 0.15%, 0.53%

LAB 56.55, 5.12, 10.89

 

CMYK 0 / 24 / 43 / 33

HEX #AB8262

RGB 171 130 98

HSL 26.3, 0.3%, 0.53%

LAB 57.56, 11.52, 23.41

 

CMYK 0 / 34 / 59 / 25

HEX #BF7F4F

RGB 191 127 79

HSL 25.71, 0.47%, 0.53%

LAB 58.81, 19.82, 35.92

 

CMYK 28 / 0 / 3 / 39

HEX #719C97

RGB 113 156 151

HSL 173.02, 0.18%, 0.53%

LAB 61.24, -15.66, -2.11

 

CMYK 28 / 4 / 0 / 39

HEX #71969C

RGB 113 150 156

HSL 188.37, 0.18%, 0.53%

LAB 59.64, -11.24, -7.31

 

CMYK 28 / 12 / 0 / 39

HEX #718A9C

RGB 113 138 156

HSL 205.12, 0.18%, 0.53%

LAB 56.18, -4.58, -12.49

 

CMYK 28 / 19 / 0 / 39

HEX #717F9C

RGB 113 127 156

HSL 220.47, 0.18%, 0.53%

LAB 53.05, 1.75, -17.23

 

CMYK 28 / 26 / 0 / 39

HEX #71739C

RGB 113 115 156

HSL 237.21, 0.18%, 0.53%

LAB 49.7, 8.84, -22.35

 

CMYK 31 / 13 / 0 / 57

HEX #4C606E

RGB 76 96 110

HSL 204.71, 0.18%, 0.36%

LAB 39.63, -3.91, -10.4

 

CMYK 31 / 13 / 0 / 47

HEX #5D7587

RGB 93 117 135

HSL 205.71, 0.18%, 0.45%

LAB 48.01, -4.2, -12.7

 

CMYK 28 / 12 / 0 / 39

HEX #718A9C

RGB 113 138 156

HSL 205.12, 0.18%, 0.53%

LAB 56.18, -4.58, -12.49

 

CMYK 21 / 9 / 0 / 32

HEX #899EAD

RGB 137 158 173

HSL 205, 0.18%, 0.61%

LAB 63.99, -4.03, -10.26

 

CMYK 15 / 6 / 0 / 25

HEX #A2B2BE

RGB 162 178 190

HSL 205.71, 0.18%, 0.69%

LAB 71.72, -3.04, -7.99

 

CMYK 28 / 12 / 0 / 38

HEX #718A9D

RGB 113 138 157

HSL 205.91, 0.18%, 0.53%

LAB 56.21, -4.33, -13.02

 

CMYK 10 / 28 / 0 / 39

HEX #8C719C

RGB 140 113 156

HSL 277.67, 0.18%, 0.53%

LAB 51.59, 18.96, -19.24

 

CMYK 0 / 0 / 28 / 39

HEX #9C9C71

RGB 156 156 113

HSL 60, 0.18%, 0.53%

LAB 63.37, -7.16, 22.6

 

CMYK 28 / 12 / 0 / 38

HEX #718A9D

RGB 113 138 157

HSL 205.91, 0.18%, 0.53%

LAB 56.21, -4.33, -13.02

 

CMYK 0 / 28 / 12 / 39

HEX #9C718A

RGB 156 113 138

HSL 325.12, 0.18%, 0.53%

LAB 52.63, 21.08, -6.95

 

CMYK 12 / 0 / 28 / 39

HEX #8A9C71

RGB 138 156 113

HSL 85.12, 0.18%, 0.53%

LAB 61.97, -14.25, 20.47

 

CMYK 28 / 12 / 0 / 38

HEX #718A9D

RGB 113 138 157

HSL 205.91, 0.18%, 0.53%

LAB 56.21, -4.33, -13.02

 

CMYK 10 / 28 / 0 / 39

HEX #8C719C

RGB 140 113 156

HSL 277.67, 0.18%, 0.53%

LAB 51.59, 18.96, -19.24

 

CMYK 0 / 16 / 28 / 39

HEX #9C8371

RGB 156 131 113

HSL 25.12, 0.18%, 0.53%

LAB 56.58, 6.7, 13.29

 

CMYK 17 / 0 / 28 / 39

HEX #829C71

RGB 130 156 113

HSL 96.28, 0.18%, 0.53%

LAB 61.41, -17.29, 19.6

 

CMYK 28 / 12 / 0 / 38

HEX #718A9D

RGB 113 138 157

HSL 205.91, 0.18%, 0.53%

LAB 56.21, -4.33, -13.02

 

CMYK 2 / 28 / 0 / 39

HEX #99719C

RGB 153 113 156

HSL 295.81, 0.18%, 0.53%

LAB 52.93, 23.43, -17.08

 

CMYK 0 / 16 / 28 / 39

HEX #9C8371

RGB 156 131 113

HSL 25.12, 0.18%, 0.53%

LAB 56.58, 6.7, 13.29

 

CMYK 25 / 0 / 28 / 39

HEX #759C71

RGB 117 156 113

HSL 114.42, 0.18%, 0.53%

LAB 60.56, -22.06, 18.31

 

Description

Color code: RGB 113 138 157 | qconv.com Color code: RGB 113 138 157 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 138 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 138 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 12 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 12% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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