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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 110.2 162.6 it is the complementary color RGB 142 144.8 92.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 110.2 162.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 110.2 162.6 shade: RGB 118 110.2 157.6, RGB 135 128.2 176.6, RGB 152 146.2 195.6, RGB 169 164.2 214.6 and RGB 186 182.2 233.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 110.2 162.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 110.2 162.6 shade: RGB 113 110.2 162.6, RGB 96 92.2 143.6, RGB 79 74.2 124.6, RGB 62 56.2 105.6 and RGB 45 38.2 86.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 110.2 162.6 shade: RGB 112 109 162, RGB 126 109 162, RGB 140 109 162, RGB 154 109 162 and RGB 162 109 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 110.2 162.6 shade: RGB 112 109 162 and RGB 109 109 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 110.2 162.6 shade matches the following richer shades: RGB 112 109 162, RGB 94 89 181, RGB 77 70 200, RGB 60 51 220 and RGB 42 31 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 110.2 162.6 shade: RGB 112 109 162, RGB 129 128 142, RGB 146 148 123, RGB 164 167 103 and RGB 181 186 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 110.2 162.6 shade: RGB 109 134 162, RGB 109 120 162, RGB 111 109 162, RGB 125 109 162 and RGB 140 109 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 110.2 162.6 shade: RGB 75 73 115, RGB 92 89 140, RGB 112 109 162, RGB 136 134 178 and RGB 161 159 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 110.2 162.6 shade: RGB 113 110.2 162.6, RGB 162 109 148 and RGB 127 162 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 110.2 162.6 shade: RGB 113 110.2 162.6, RGB 162 111 109 and RGB 109 162 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 110.2 162.6 shade: RGB 113 110.2 162.6, RGB 162 109 148, RGB 159 162 109 and RGB 109 162 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 110.2 162.6 shade: RGB 113 110.2 162.6, RGB 162 109 133, RGB 159 162 109 and RGB 109 162 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 32 / 0 / 36

HEX #716EA2

RGB 113 110.2 162.6

HSL 243.21, 0.22%, 0.53%

LAB 48.68, 13.47, -27.81

 

Complementary color

CMYK 2 / 0 / 36 / 43

HEX #8E905C

RGB 142 144.8 92.4

HSL 63.21, 0.22%, 0.47%

LAB 58.71, -9.57, 27.51

 

CMYK 25 / 30 / 0 / 38

HEX #766E9D

RGB 118 110.2 157.6

HSL 249.87, 0.2%, 0.53%

LAB 48.89, 13.73, -24.52

 

CMYK 24 / 27 / 0 / 31

HEX #8780B0

RGB 135 128.2 176.6

HSL 248.43, 0.24%, 0.6%

LAB 55.89, 13.18, -24.62

 

CMYK 22 / 25 / 0 / 23

HEX #9892C3

RGB 152 146.2 195.6

HSL 247.04, 0.29%, 0.67%

LAB 62.73, 12.7, -24.76

 

CMYK 21 / 23 / 0 / 16

HEX #A9A4D6

RGB 169 164.2 214.6

HSL 245.71, 0.38%, 0.74%

LAB 69.43, 12.27, -24.93

 

CMYK 20 / 22 / 0 / 8

HEX #BAB6E9

RGB 186 182.2 233.6

HSL 244.44, 0.55%, 0.82%

LAB 76, 11.88, -25.12

 

CMYK 31 / 32 / 0 / 36

HEX #716EA2

RGB 113 110.2 162.6

HSL 243.21, 0.22%, 0.53%

LAB 48.68, 13.47, -27.81

 

CMYK 33 / 36 / 0 / 44

HEX #605C8F

RGB 96 92.2 143.6

HSL 244.44, 0.22%, 0.46%

LAB 41.5, 14.15, -27.83

 

CMYK 37 / 40 / 0 / 51

HEX #4F4A7C

RGB 79 74.2 124.6

HSL 245.71, 0.25%, 0.39%

LAB 34.1, 14.96, -27.93

 

CMYK 41 / 47 / 0 / 59

HEX #3E3869

RGB 62 56.2 105.6

HSL 247.04, 0.31%, 0.32%

LAB 26.46, 15.97, -28.12

 

CMYK 48 / 56 / 0 / 66

HEX #2D2656

RGB 45 38.2 86.6

HSL 248.43, 0.39%, 0.24%

LAB 18.53, 17.27, -28.4

 

CMYK 31 / 33 / 0 / 36

HEX #706DA2

RGB 112 109 162

HSL 243.4, 0.22%, 0.53%

LAB 48.25, 13.73, -28.13

 

CMYK 22 / 33 / 0 / 36

HEX #7E6DA2

RGB 126 109 162

HSL 259.25, 0.22%, 0.53%

LAB 49.47, 18.1, -26.13

 

CMYK 14 / 33 / 0 / 36

HEX #8C6DA2

RGB 140 109 162

HSL 275.09, 0.22%, 0.53%

LAB 50.83, 22.64, -23.93

 

CMYK 5 / 33 / 0 / 36

HEX #9A6DA2

RGB 154 109 162

HSL 290.94, 0.22%, 0.53%

LAB 52.3, 27.29, -21.53

 

CMYK 0 / 33 / 4 / 36

HEX #A26D9B

RGB 162 109 155

HSL 307.92, 0.22%, 0.53%

LAB 52.93, 28.63, -16.4

 

CMYK 31 / 33 / 0 / 36

HEX #706DA2

RGB 112 109 162

HSL 243.4, 0.22%, 0.53%

LAB 48.25, 13.73, -28.13

 

CMYK 33 / 33 / 0 / 36

HEX #6D6DA2

RGB 109 109 162

HSL 240, 0.22%, 0.53%

LAB 48, 12.83, -28.53

 

CMYK 31 / 33 / 0 / 36

HEX #706DA2

RGB 112 109 162

HSL 243.4, 0.22%, 0.53%

LAB 48.25, 13.73, -28.13

 

CMYK 48 / 51 / 0 / 29

HEX #5E59B5

RGB 94 89 181

HSL 243.26, 0.38%, 0.53%

LAB 42.55, 26.71, -48.38

 

CMYK 62 / 65 / 0 / 22

HEX #4D46C8

RGB 77 70 200

HSL 243.23, 0.54%, 0.53%

LAB 38.07, 41.13, -66.8

 

CMYK 73 / 77 / 0 / 14

HEX #3C33DC

RGB 60 51 220

HSL 243.2, 0.71%, 0.53%

LAB 34.99, 56.08, -83.46

 

CMYK 82 / 87 / 0 / 6

HEX #2A1FEF

RGB 42 31 239

HSL 243.17, 0.87%, 0.53%

LAB 33.36, 69.1, -97.05

 

CMYK 31 / 33 / 0 / 36

HEX #706DA2

RGB 112 109 162

HSL 243.4, 0.22%, 0.53%

LAB 48.25, 13.73, -28.13

 

CMYK 9 / 10 / 0 / 44

HEX #81808E

RGB 129 128 142

HSL 244.29, 0.06%, 0.53%

LAB 54.09, 3.27, -7.4

 

CMYK 1 / 0 / 17 / 42

HEX #92947B

RGB 146 148 123

HSL 64.8, 0.1%, 0.53%

LAB 60.53, -5.24, 13

 

CMYK 2 / 0 / 38 / 35

HEX #A4A767

RGB 164 167 103

HSL 62.81, 0.27%, 0.53%

LAB 66.91, -11.06, 32.74

 

CMYK 3 / 0 / 55 / 27

HEX #B5BA54

RGB 181 186 84

HSL 62.94, 0.43%, 0.53%

LAB 73.27, -15.76, 50.23

 

CMYK 33 / 17 / 0 / 36

HEX #6D86A2

RGB 109 134 162

HSL 211.7, 0.22%, 0.53%

LAB 54.98, -1.99, -17.79

 

CMYK 33 / 26 / 0 / 36

HEX #6D78A2

RGB 109 120 162

HSL 227.55, 0.22%, 0.53%

LAB 51.03, 6.21, -23.84

 

CMYK 31 / 33 / 0 / 36

HEX #6F6DA2

RGB 111 109 162

HSL 242.26, 0.22%, 0.53%

LAB 48.17, 13.43, -28.27

 

CMYK 23 / 33 / 0 / 36

HEX #7D6DA2

RGB 125 109 162

HSL 258.11, 0.22%, 0.53%

LAB 49.38, 17.78, -26.28

 

CMYK 14 / 33 / 0 / 36

HEX #8C6DA2

RGB 140 109 162

HSL 275.09, 0.22%, 0.53%

LAB 50.83, 22.64, -23.93

 

CMYK 35 / 37 / 0 / 55

HEX #4B4973

RGB 75 73 115

HSL 242.86, 0.22%, 0.37%

LAB 32.92, 11.68, -23.83

 

CMYK 34 / 36 / 0 / 45

HEX #5C598C

RGB 92 89 140

HSL 243.53, 0.22%, 0.45%

LAB 40.1, 13.92, -27.86

 

CMYK 31 / 33 / 0 / 36

HEX #706DA2

RGB 112 109 162

HSL 243.4, 0.22%, 0.53%

LAB 48.25, 13.73, -28.13

 

CMYK 24 / 25 / 0 / 30

HEX #8886B2

RGB 136 134 178

HSL 242.73, 0.22%, 0.61%

LAB 57.56, 10.46, -22.85

 

CMYK 17 / 18 / 0 / 24

HEX #A19FC2

RGB 161 159 194

HSL 243.43, 0.22%, 0.69%

LAB 66.72, 7.96, -17.71

 

CMYK 31 / 32 / 0 / 36

HEX #716EA2

RGB 113 110.2 162.6

HSL 243.21, 0.22%, 0.53%

LAB 48.68, 13.47, -27.81

 

CMYK 0 / 33 / 9 / 36

HEX #A26D94

RGB 162 109 148

HSL 315.85, 0.22%, 0.53%

LAB 52.68, 27.34, -12.68

 

CMYK 22 / 0 / 33 / 36

HEX #7FA26D

RGB 127 162 109

HSL 99.62, 0.22%, 0.53%

LAB 62.89, -22.13, 23.77

 

CMYK 31 / 32 / 0 / 36

HEX #716EA2

RGB 113 110.2 162.6

HSL 243.21, 0.22%, 0.53%

LAB 48.68, 13.47, -27.81

 

CMYK 0 / 31 / 33 / 36

HEX #A26F6D

RGB 162 111 109

HSL 2.26, 0.22%, 0.53%

LAB 52.01, 19.98, 9.3

 

CMYK 33 / 0 / 31 / 36

HEX #6DA26F

RGB 109 162 111

HSL 122.26, 0.22%, 0.53%

LAB 61.86, -28.16, 21.1

 

CMYK 31 / 32 / 0 / 36

HEX #716EA2

RGB 113 110.2 162.6

HSL 243.21, 0.22%, 0.53%

LAB 48.68, 13.47, -27.81

 

CMYK 0 / 33 / 9 / 36

HEX #A26D94

RGB 162 109 148

HSL 315.85, 0.22%, 0.53%

LAB 52.68, 27.34, -12.68

 

CMYK 2 / 0 / 33 / 36

HEX #9FA26D

RGB 159 162 109

HSL 63.4, 0.22%, 0.53%

LAB 65.21, -9.7, 27.27

 

CMYK 33 / 0 / 25 / 36

HEX #6DA27A

RGB 109 162 122

HSL 134.72, 0.22%, 0.53%

LAB 62.08, -26.16, 15.34

 

CMYK 31 / 32 / 0 / 36

HEX #716EA2

RGB 113 110.2 162.6

HSL 243.21, 0.22%, 0.53%

LAB 48.68, 13.47, -27.81

 

CMYK 0 / 33 / 18 / 36

HEX #A26D85

RGB 162 109 133

HSL 332.83, 0.22%, 0.53%

LAB 52.19, 24.74, -4.6

 

CMYK 2 / 0 / 33 / 36

HEX #9FA26D

RGB 159 162 109

HSL 63.4, 0.22%, 0.53%

LAB 65.21, -9.7, 27.27

 

CMYK 33 / 0 / 15 / 36

HEX #6DA28A

RGB 109 162 138

HSL 152.83, 0.22%, 0.53%

LAB 62.45, -22.92, 6.93

 

Description

Color code: RGB 113 110.2 162.6 | qconv.com Color code: RGB 113 110.2 162.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 110.2 green and 162.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 110.2 162.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 32 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 32% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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