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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 103 89 it is the complementary color RGB 142 152 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 103 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 103 89 shade: RGB 118 103 84, RGB 135 121 103, RGB 152 139 122, RGB 169 157 141 and RGB 186 175 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 103 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 103 89 shade: RGB 113 103 89, RGB 96 85 70, RGB 79 67 51, RGB 62 49 32 and RGB 45 31 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 103 89 shade: RGB 114 104 89, RGB 114 97 89, RGB 114 90 89 and RGB 114 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 103 89 shade: RGB 114 104 89, RGB 114 110 89, RGB 111 114 89, RGB 104 114 89 and RGB 98 114 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 103 89 shade matches the following richer shades: RGB 114 104 89, RGB 130 106 73, RGB 147 109 56, RGB 163 112 40 and RGB 180 115 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 103 89 shade: RGB 114 104 89, RGB 97 101 106, RGB 81 98 122, RGB 64 95 139 and RGB 48 93 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 103 89 shade: RGB 114 90 89, RGB 114 97 89, RGB 114 104 89, RGB 114 110 89 and RGB 111 114 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 103 89 shade: RGB 68 61 53, RGB 91 82 71, RGB 114 104 89, RGB 137 125 107 and RGB 156 145 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 103 89 shade: RGB 113 103 89, RGB 95 114 89 and RGB 94 89 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 103 89 shade: RGB 113 103 89, RGB 89 114 104 and RGB 104 89 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 103 89 shade: RGB 113 103 89, RGB 95 114 89, RGB 89 99 114 and RGB 108 89 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 103 89 shade: RGB 113 103 89, RGB 89 114 91, RGB 89 99 114 and RGB 114 89 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 21 / 56

HEX #716759

RGB 113 103 89

HSL 35, 0.12%, 0.4%

LAB 44.14, 1.43, 9.33

 

Complementary color

CMYK 14 / 8 / 0 / 35

HEX #8E98A6

RGB 142 152 166

HSL 215, 0.12%, 0.6%

LAB 62.47, -0.62, -8.55

 

CMYK 0 / 13 / 29 / 54

HEX #766754

RGB 118 103 84

HSL 33.53, 0.17%, 0.4%

LAB 44.51, 2.76, 12.92

 

CMYK 0 / 10 / 24 / 47

HEX #877967

RGB 135 121 103

HSL 33.75, 0.13%, 0.47%

LAB 51.62, 2.32, 11.84

 

CMYK 0 / 9 / 20 / 40

HEX #988B7A

RGB 152 139 122

HSL 34, 0.13%, 0.54%

LAB 58.55, 1.96, 10.86

 

CMYK 0 / 7 / 17 / 34

HEX #A99D8D

RGB 169 157 141

HSL 34.29, 0.14%, 0.61%

LAB 65.34, 1.64, 9.94

 

CMYK 0 / 6 / 14 / 27

HEX #BAAFA0

RGB 186 175 160

HSL 34.62, 0.16%, 0.68%

LAB 71.99, 1.36, 9.09

 

CMYK 0 / 9 / 21 / 56

HEX #716759

RGB 113 103 89

HSL 35, 0.12%, 0.4%

LAB 44.14, 1.43, 9.33

 

CMYK 0 / 11 / 27 / 62

HEX #605546

RGB 96 85 70

HSL 34.62, 0.16%, 0.33%

LAB 36.79, 1.84, 10.41

 

CMYK 0 / 15 / 35 / 69

HEX #4F4333

RGB 79 67 51

HSL 34.29, 0.22%, 0.25%

LAB 29.2, 2.36, 11.63

 

CMYK 0 / 21 / 48 / 76

HEX #3E3120

RGB 62 49 32

HSL 34, 0.32%, 0.18%

LAB 21.3, 3.08, 13.06

 

CMYK 0 / 31 / 71 / 82

HEX #2D1F0D

RGB 45 31 13

HSL 33.75, 0.55%, 0.11%

LAB 13.03, 4.21, 13.93

 

CMYK 0 / 9 / 22 / 55

HEX #726859

RGB 114 104 89

HSL 36, 0.12%, 0.4%

LAB 44.52, 1.26, 9.88

 

CMYK 0 / 15 / 22 / 55

HEX #726159

RGB 114 97 89

HSL 19.2, 0.12%, 0.4%

LAB 42.53, 5.43, 7.08

 

CMYK 0 / 21 / 22 / 55

HEX #725A59

RGB 114 90 89

HSL 2.4, 0.12%, 0.4%

LAB 40.59, 9.65, 4.31

 

CMYK 0 / 22 / 22 / 55

HEX #725959

RGB 114 89 89

HSL 0, 0.12%, 0.4%

LAB 40.32, 10.26, 3.92

 

CMYK 0 / 9 / 22 / 55

HEX #726859

RGB 114 104 89

HSL 36, 0.12%, 0.4%

LAB 44.52, 1.26, 9.88

 

CMYK 0 / 4 / 22 / 55

HEX #726E59

RGB 114 110 89

HSL 50.4, 0.12%, 0.4%

LAB 46.25, -2.25, 12.29

 

CMYK 3 / 0 / 22 / 55

HEX #6F7259

RGB 111 114 89

HSL 67.2, 0.12%, 0.4%

LAB 47.15, -5.8, 13.51

 

CMYK 9 / 0 / 22 / 55

HEX #687259

RGB 104 114 89

HSL 84, 0.12%, 0.4%

LAB 46.58, -8.66, 12.62

 

CMYK 14 / 0 / 22 / 55

HEX #627259

RGB 98 114 89

HSL 98.4, 0.12%, 0.4%

LAB 46.11, -11.06, 11.91

 

CMYK 0 / 9 / 22 / 55

HEX #726859

RGB 114 104 89

HSL 36, 0.12%, 0.4%

LAB 44.52, 1.26, 9.88

 

CMYK 0 / 18 / 44 / 49

HEX #826A49

RGB 130 106 73

HSL 34.74, 0.28%, 0.4%

LAB 46.36, 4.75, 22.1

 

CMYK 0 / 26 / 62 / 42

HEX #936D38

RGB 147 109 56

HSL 34.95, 0.45%, 0.4%

LAB 48.79, 8.99, 35

 

CMYK 0 / 31 / 75 / 36

HEX #A37028

RGB 163 112 40

HSL 35.12, 0.61%, 0.4%

LAB 51.3, 13.53, 46.1

 

CMYK 0 / 36 / 87 / 29

HEX #B47317

RGB 180 115 23

HSL 35.16, 0.77%, 0.4%

LAB 54.06, 18.86, 55.78

 

CMYK 0 / 9 / 22 / 55

HEX #726859

RGB 114 104 89

HSL 36, 0.12%, 0.4%

LAB 44.52, 1.26, 9.88

 

CMYK 8 / 5 / 0 / 58

HEX #61656A

RGB 97 101 106

HSL 213.33, 0.04%, 0.4%

LAB 42.6, -0.45, -3.36

 

CMYK 34 / 20 / 0 / 52

HEX #51627A

RGB 81 98 122

HSL 215.12, 0.2%, 0.4%

LAB 41.04, -0.2, -15.56

 

CMYK 54 / 32 / 0 / 45

HEX #405F8B

RGB 64 95 139

HSL 215.2, 0.37%, 0.4%

LAB 39.81, 2.1, -27.86

 

CMYK 69 / 40 / 0 / 39

HEX #305D9B

RGB 48 93 155

HSL 214.77, 0.53%, 0.4%

LAB 39.28, 5.74, -38.37

 

CMYK 0 / 21 / 22 / 55

HEX #725A59

RGB 114 90 89

HSL 2.4, 0.12%, 0.4%

LAB 40.59, 9.65, 4.31

 

CMYK 0 / 15 / 22 / 55

HEX #726159

RGB 114 97 89

HSL 19.2, 0.12%, 0.4%

LAB 42.53, 5.43, 7.08

 

CMYK 0 / 9 / 22 / 55

HEX #726859

RGB 114 104 89

HSL 36, 0.12%, 0.4%

LAB 44.52, 1.26, 9.88

 

CMYK 0 / 4 / 22 / 55

HEX #726E59

RGB 114 110 89

HSL 50.4, 0.12%, 0.4%

LAB 46.25, -2.25, 12.29

 

CMYK 3 / 0 / 22 / 55

HEX #6F7259

RGB 111 114 89

HSL 67.2, 0.12%, 0.4%

LAB 47.15, -5.8, 13.51

 

CMYK 0 / 10 / 22 / 73

HEX #443D35

RGB 68 61 53

HSL 32, 0.12%, 0.24%

LAB 26.23, 1.45, 6.03

 

CMYK 0 / 10 / 22 / 64

HEX #5B5247

RGB 91 82 71

HSL 33, 0.12%, 0.32%

LAB 35.43, 1.66, 7.8

 

CMYK 0 / 9 / 22 / 55

HEX #726859

RGB 114 104 89

HSL 36, 0.12%, 0.4%

LAB 44.52, 1.26, 9.88

 

CMYK 0 / 9 / 22 / 46

HEX #897D6B

RGB 137 125 107

HSL 36, 0.12%, 0.48%

LAB 53, 1.48, 11.48

 

CMYK 0 / 7 / 17 / 39

HEX #9C9181

RGB 156 145 129

HSL 35.56, 0.12%, 0.56%

LAB 60.7, 1.3, 9.96

 

CMYK 0 / 9 / 21 / 56

HEX #716759

RGB 113 103 89

HSL 35, 0.12%, 0.4%

LAB 44.14, 1.43, 9.33

 

CMYK 17 / 0 / 22 / 55

HEX #5F7259

RGB 95 114 89

HSL 105.6, 0.12%, 0.4%

LAB 45.89, -12.24, 11.57

 

CMYK 18 / 22 / 0 / 55

HEX #5E5972

RGB 94 89 114

HSL 252, 0.12%, 0.4%

LAB 39.14, 7.65, -13.47

 

CMYK 0 / 9 / 21 / 56

HEX #716759

RGB 113 103 89

HSL 35, 0.12%, 0.4%

LAB 44.14, 1.43, 9.33

 

CMYK 22 / 0 / 9 / 55

HEX #597268

RGB 89 114 104

HSL 156, 0.12%, 0.4%

LAB 45.85, -11.41, 2.53

 

CMYK 9 / 22 / 0 / 55

HEX #685972

RGB 104 89 114

HSL 276, 0.12%, 0.4%

LAB 40.09, 11.28, -11.94

 

CMYK 0 / 9 / 21 / 56

HEX #716759

RGB 113 103 89

HSL 35, 0.12%, 0.4%

LAB 44.14, 1.43, 9.33

 

CMYK 17 / 0 / 22 / 55

HEX #5F7259

RGB 95 114 89

HSL 105.6, 0.12%, 0.4%

LAB 45.89, -12.24, 11.57

 

CMYK 22 / 13 / 0 / 55

HEX #596372

RGB 89 99 114

HSL 216, 0.12%, 0.4%

LAB 41.63, -0.26, -9.74

 

CMYK 5 / 22 / 0 / 55

HEX #6C5972

RGB 108 89 114

HSL 285.6, 0.12%, 0.4%

LAB 40.49, 12.76, -11.29

 

CMYK 0 / 9 / 21 / 56

HEX #716759

RGB 113 103 89

HSL 35, 0.12%, 0.4%

LAB 44.14, 1.43, 9.33

 

CMYK 22 / 0 / 20 / 55

HEX #59725B

RGB 89 114 91

HSL 124.8, 0.12%, 0.4%

LAB 45.52, -14.14, 9.79

 

CMYK 22 / 13 / 0 / 55

HEX #596372

RGB 89 99 114

HSL 216, 0.12%, 0.4%

LAB 41.63, -0.26, -9.74

 

CMYK 0 / 22 / 2 / 55

HEX #725970

RGB 114 89 112

HSL 304.8, 0.12%, 0.4%

LAB 41.04, 14.59, -9.17

 

Description

Color code: RGB 113 103 89 | qconv.com Color code: RGB 113 103 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 103 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 103 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 21 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 21% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - タニタ食堂とは|タニタ食堂
Link: http://www.tanita.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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