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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113.7 110.6 28 it is the complementary color RGB 141.3 144.4 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113.7 110.6 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113.7 110.6 28 shade: RGB 118.7 110.6 23, RGB 135.7 128.6 42, RGB 152.7 146.6 61, RGB 169.7 164.6 80 and RGB 186.7 182.6 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113.7 110.6 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113.7 110.6 28 shade: RGB 113.7 110.6 28, RGB 96.7 92.6 9, RGB 79.7 74.6 0, RGB 62.7 56.6 0 and RGB 45.7 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113.7 110.6 28 shade: RGB 114 111 29, RGB 114 88 29, RGB 114 65 29, RGB 114 42 29 and RGB 114 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113.7 110.6 28 shade: RGB 114 111 29, RGB 94 114 29, RGB 71 114 29, RGB 48 114 29 and RGB 29 114 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113.7 110.6 28 shade matches the following richer shades: RGB 114 111 29, RGB 126 122 17 and RGB 137 133 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113.7 110.6 28 shade: RGB 114 111 29, RGB 103 100 40, RGB 91 90 52, RGB 80 79 63 and RGB 68 68 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113.7 110.6 28 shade: RGB 114 64 29, RGB 114 87 29, RGB 114 110 29, RGB 96 114 29 and RGB 73 114 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113.7 110.6 28 shade: RGB 48 47 12, RGB 81 79 20, RGB 114 111 29, RGB 147 143 37 and RGB 180 175 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113.7 110.6 28 shade: RGB 113.7 110.6 28, RGB 29 114 41 and RGB 76 29 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113.7 110.6 28 shade: RGB 113.7 110.6 28, RGB 29 114 110 and RGB 110 29 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113.7 110.6 28 shade: RGB 113.7 110.6 28, RGB 29 114 41, RGB 29 33 114 and RGB 114 29 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113.7 110.6 28 shade: RGB 113.7 110.6 28, RGB 29 114 67, RGB 29 33 114 and RGB 114 29 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 75 / 55

HEX #716E1C

RGB 113.7 110.6 28

HSL 57.83, 0.6%, 0.28%

LAB 45.53, -9.25, 43.68

 

Complementary color

CMYK 38 / 36 / 0 / 11

HEX #8D90E3

RGB 141.3 144.4 227

HSL 237.83, 0.6%, 0.72%

LAB 62.76, 18.67, -42.29

 

CMYK 0 / 7 / 81 / 53

HEX #766E17

RGB 118.7 110.6 23

HSL 54.92, 0.68%, 0.28%

LAB 45.97, -7.11, 46.11

 

CMYK 0 / 5 / 69 / 47

HEX #87802A

RGB 135.7 128.6 42

HSL 55.45, 0.53%, 0.35%

LAB 52.92, -8.24, 45.93

 

CMYK 0 / 4 / 60 / 40

HEX #98923D

RGB 152.7 146.6 61

HSL 56.01, 0.43%, 0.42%

LAB 59.73, -9.1, 45.07

 

CMYK 0 / 3 / 53 / 33

HEX #A9A450

RGB 169.7 164.6 80

HSL 56.59, 0.36%, 0.49%

LAB 66.41, -9.78, 43.96

 

CMYK 0 / 2 / 47 / 27

HEX #BAB663

RGB 186.7 182.6 99

HSL 57.19, 0.39%, 0.56%

LAB 72.98, -10.32, 42.77

 

CMYK 0 / 3 / 75 / 55

HEX #716E1C

RGB 113.7 110.6 28

HSL 57.83, 0.6%, 0.28%

LAB 45.53, -9.25, 43.68

 

CMYK 0 / 4 / 91 / 62

HEX #605C09

RGB 96.7 92.6 9

HSL 57.19, 0.83%, 0.21%

LAB 38.38, -7.98, 42.98

 

CMYK 0 / 6 / 100 / 69

HEX #4F4A00

RGB 79.7 74.6 0

HSL 56.16, 1%, 0.16%

LAB 31.04, -6.25, 39.46

 

CMYK 0 / 10 / 100 / 75

HEX #3E3800

RGB 62.7 56.6 0

HSL 54.16, 1%, 0.12%

LAB 23.45, -4.11, 32.19

 

CMYK 0 / 16 / 100 / 82

HEX #2D2600

RGB 45.7 38.6 0

HSL 50.68, 1%, 0.09%

LAB 15.48, -1.79, 22.55

 

CMYK 0 / 3 / 75 / 55

HEX #726F1D

RGB 114 111 29

HSL 57.88, 0.59%, 0.28%

LAB 45.68, -9.28, 43.45

 

CMYK 0 / 23 / 75 / 55

HEX #72581D

RGB 114 88 29

HSL 41.65, 0.59%, 0.28%

LAB 38.98, 4.09, 36.79

 

CMYK 0 / 43 / 75 / 55

HEX #72411D

RGB 114 65 29

HSL 25.41, 0.59%, 0.28%

LAB 32.8, 17.97, 30.32

 

CMYK 0 / 63 / 75 / 55

HEX #722A1D

RGB 114 42 29

HSL 9.18, 0.59%, 0.28%

LAB 27.63, 30.95, 24.58

 

CMYK 0 / 75 / 75 / 55

HEX #721D1D

RGB 114 29 29

HSL 0, 0.59%, 0.28%

LAB 25.4, 36.98, 21.99

 

CMYK 0 / 3 / 75 / 55

HEX #726F1D

RGB 114 111 29

HSL 57.88, 0.59%, 0.28%

LAB 45.68, -9.28, 43.45

 

CMYK 18 / 0 / 75 / 55

HEX #5E721D

RGB 94 114 29

HSL 74.12, 0.59%, 0.28%

LAB 44.95, -20.11, 42.16

 

CMYK 38 / 0 / 75 / 55

HEX #47721D

RGB 71 114 29

HSL 90.35, 0.59%, 0.28%

LAB 43.45, -29.74, 40.18

 

CMYK 58 / 0 / 75 / 55

HEX #30721D

RGB 48 114 29

HSL 106.59, 0.59%, 0.28%

LAB 42.39, -37.61, 38.75

 

CMYK 75 / 0 / 72 / 55

HEX #1D7220

RGB 29 114 32

HSL 122.12, 0.59%, 0.28%

LAB 41.85, -41.92, 36.74

 

CMYK 0 / 3 / 75 / 55

HEX #726F1D

RGB 114 111 29

HSL 57.88, 0.59%, 0.28%

LAB 45.68, -9.28, 43.45

 

CMYK 0 / 3 / 87 / 51

HEX #7E7A11

RGB 126 122 17

HSL 57.8, 0.76%, 0.28%

LAB 49.97, -10.23, 51.67

 

CMYK 0 / 3 / 96 / 46

HEX #898505

RGB 137 133 5

HSL 58.18, 0.93%, 0.28%

LAB 54.14, -11.35, 57.81

 

CMYK 0 / 3 / 75 / 55

HEX #726F1D

RGB 114 111 29

HSL 57.88, 0.59%, 0.28%

LAB 45.68, -9.28, 43.45

 

CMYK 0 / 3 / 61 / 60

HEX #676428

RGB 103 100 40

HSL 57.14, 0.44%, 0.28%

LAB 41.46, -7.48, 33.72

 

CMYK 0 / 1 / 43 / 64

HEX #5B5A34

RGB 91 90 52

HSL 58.46, 0.27%, 0.28%

LAB 37.45, -6.01, 22.08

 

CMYK 0 / 1 / 21 / 69

HEX #504F3F

RGB 80 79 63

HSL 56.47, 0.12%, 0.28%

LAB 33.26, -2.72, 9.62

 

CMYK 9 / 9 / 0 / 71

HEX #44444B

RGB 68 68 75

HSL 240, 0.05%, 0.28%

LAB 29.09, 1.62, -4.21

 

CMYK 0 / 44 / 75 / 55

HEX #72401D

RGB 114 64 29

HSL 24.71, 0.59%, 0.28%

LAB 32.55, 18.57, 30.05

 

CMYK 0 / 24 / 75 / 55

HEX #72571D

RGB 114 87 29

HSL 40.94, 0.59%, 0.28%

LAB 38.69, 4.69, 36.5

 

CMYK 0 / 4 / 75 / 55

HEX #726E1D

RGB 114 110 29

HSL 57.18, 0.59%, 0.28%

LAB 45.38, -8.72, 43.16

 

CMYK 16 / 0 / 75 / 55

HEX #60721D

RGB 96 114 29

HSL 72.71, 0.59%, 0.28%

LAB 45.1, -19.22, 42.36

 

CMYK 36 / 0 / 75 / 55

HEX #49721D

RGB 73 114 29

HSL 88.94, 0.59%, 0.28%

LAB 43.57, -28.96, 40.33

 

CMYK 0 / 2 / 75 / 81

HEX #302F0C

RGB 48 47 12

HSL 58.33, 0.6%, 0.12%

LAB 18.75, -5.12, 21.66

 

CMYK 0 / 2 / 75 / 68

HEX #514F14

RGB 81 79 20

HSL 58.03, 0.6%, 0.2%

LAB 32.68, -7.32, 33.41

 

CMYK 0 / 3 / 75 / 55

HEX #726F1D

RGB 114 111 29

HSL 57.88, 0.59%, 0.28%

LAB 45.68, -9.28, 43.45

 

CMYK 0 / 3 / 75 / 42

HEX #938F25

RGB 147 143 37

HSL 57.82, 0.6%, 0.36%

LAB 58.02, -11.18, 53.26

 

CMYK 0 / 3 / 75 / 29

HEX #B4AF2D

RGB 180 175 45

HSL 57.78, 0.6%, 0.44%

LAB 69.86, -12.99, 62.61

 

CMYK 0 / 3 / 75 / 55

HEX #716E1C

RGB 113.7 110.6 28

HSL 57.83, 0.6%, 0.28%

LAB 45.53, -9.25, 43.68

 

CMYK 75 / 0 / 64 / 55

HEX #1D7229

RGB 29 114 41

HSL 128.47, 0.59%, 0.28%

LAB 41.93, -40.88, 32.65

 

CMYK 33 / 75 / 0 / 55

HEX #4C1D72

RGB 76 29 114

HSL 273.18, 0.59%, 0.28%

LAB 22.41, 38.46, -39.93

 

CMYK 0 / 3 / 75 / 55

HEX #716E1C

RGB 113.7 110.6 28

HSL 57.83, 0.6%, 0.28%

LAB 45.53, -9.25, 43.68

 

CMYK 75 / 0 / 4 / 55

HEX #1D726E

RGB 29 114 110

HSL 177.18, 0.59%, 0.28%

LAB 43.39, -25.28, -4.98

 

CMYK 4 / 75 / 0 / 55

HEX #6E1D72

RGB 110 29 114

HSL 297.18, 0.59%, 0.28%

LAB 27.87, 46.22, -30.87

 

CMYK 0 / 3 / 75 / 55

HEX #716E1C

RGB 113.7 110.6 28

HSL 57.83, 0.6%, 0.28%

LAB 45.53, -9.25, 43.68

 

CMYK 75 / 0 / 64 / 55

HEX #1D7229

RGB 29 114 41

HSL 128.47, 0.59%, 0.28%

LAB 41.93, -40.88, 32.65

 

CMYK 75 / 71 / 0 / 55

HEX #1D2172

RGB 29 33 114

HSL 237.18, 0.59%, 0.28%

LAB 18.2, 27.75, -47

 

CMYK 0 / 75 / 11 / 55

HEX #721D65

RGB 114 29 101

HSL 309.18, 0.59%, 0.28%

LAB 27.83, 44.94, -22.5

 

CMYK 0 / 3 / 75 / 55

HEX #716E1C

RGB 113.7 110.6 28

HSL 57.83, 0.6%, 0.28%

LAB 45.53, -9.25, 43.68

 

CMYK 75 / 0 / 41 / 55

HEX #1D7243

RGB 29 114 67

HSL 146.82, 0.59%, 0.28%

LAB 42.31, -36.52, 19.05

 

CMYK 75 / 71 / 0 / 55

HEX #1D2172

RGB 29 33 114

HSL 237.18, 0.59%, 0.28%

LAB 18.2, 27.75, -47

 

CMYK 0 / 75 / 33 / 55

HEX #721D4C

RGB 114 29 76

HSL 326.82, 0.59%, 0.28%

LAB 26.67, 41.26, -7.83

 

Description

Color code: RGB 113.7 110.6 28 | qconv.com Color code: RGB 113.7 110.6 28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113.7 red, 110.6 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113.7 110.6 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 75 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 75% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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