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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113.5 162 125 it is the complementary color RGB 141.5 93 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113.5 162 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113.5 162 125 shade: RGB 118.5 162 120, RGB 135.5 180 139, RGB 152.5 198 158, RGB 169.5 216 177 and RGB 186.5 234 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113.5 162 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113.5 162 125 shade: RGB 113.5 162 125, RGB 96.5 144 106, RGB 79.5 126 87, RGB 62.5 108 68 and RGB 45.5 90 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113.5 162 125 shade: RGB 113 162 125, RGB 115 162 113, RGB 128 162 113, RGB 141 162 113 and RGB 155 162 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113.5 162 125 shade: RGB 113 162 125, RGB 113 162 138, RGB 113 162 151, RGB 113 160 162 and RGB 113 147 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113.5 162 125 shade matches the following richer shades: RGB 113 162 125, RGB 94 181 115, RGB 75 200 105, RGB 56 219 95 and RGB 37 238 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113.5 162 125 shade: RGB 113 162 125, RGB 132 143 135, RGB 151 124 145, RGB 170 105 155 and RGB 189 86 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113.5 162 125 shade: RGB 128 162 113, RGB 115 162 113, RGB 113 162 125, RGB 113 162 138 and RGB 113 162 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113.5 162 125 shade: RGB 76 117 86, RGB 92 142 104, RGB 113 162 125, RGB 138 179 148 and RGB 163 195 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113.5 162 125 shade: RGB 113.5 162 125, RGB 113 141 162 and RGB 162 113 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113.5 162 125 shade: RGB 113.5 162 125, RGB 125 113 162 and RGB 162 125 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113.5 162 125 shade: RGB 113.5 162 125, RGB 113 141 162, RGB 162 113 151 and RGB 162 134 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113.5 162 125 shade: RGB 113.5 162 125, RGB 113 126 162, RGB 162 113 151 and RGB 162 149 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113.5 162 125

HSL 134.23, 0.21%, 0.54%

LAB 62.39, -24.1, 14.15

 

Complementary color

CMYK 0 / 34 / 8 / 45

HEX #8D5D82

RGB 141.5 93 130

HSL 314.23, 0.21%, 0.46%

LAB 45.83, 25.89, -12.57

 

CMYK 27 / 0 / 26 / 36

HEX #76A278

RGB 118.5 162 120

HSL 122.07, 0.19%, 0.55%

LAB 62.58, -23.33, 17.22

 

CMYK 25 / 0 / 23 / 29

HEX #87B48B

RGB 135.5 180 139

HSL 124.72, 0.23%, 0.62%

LAB 69.25, -23.1, 16.2

 

CMYK 23 / 0 / 20 / 22

HEX #98C69E

RGB 152.5 198 158

HSL 127.25, 0.29%, 0.69%

LAB 75.81, -22.9, 15.25

 

CMYK 22 / 0 / 18 / 15

HEX #A9D8B1

RGB 169.5 216 177

HSL 129.68, 0.37%, 0.76%

LAB 82.26, -22.71, 14.35

 

CMYK 20 / 0 / 16 / 8

HEX #BAEAC4

RGB 186.5 234 196

HSL 132, 0.53%, 0.82%

LAB 88.61, -22.55, 13.5

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113.5 162 125

HSL 134.23, 0.21%, 0.54%

LAB 62.39, -24.1, 14.15

 

CMYK 33 / 0 / 26 / 44

HEX #60906A

RGB 96.5 144 106

HSL 132, 0.2%, 0.47%

LAB 55.58, -24.37, 15.2

 

CMYK 37 / 0 / 31 / 51

HEX #4F7E57

RGB 79.5 126 87

HSL 129.68, 0.23%, 0.4%

LAB 48.63, -24.66, 16.35

 

CMYK 42 / 0 / 37 / 58

HEX #3E6C44

RGB 62.5 108 68

HSL 127.25, 0.27%, 0.33%

LAB 41.51, -24.94, 17.62

 

CMYK 49 / 0 / 46 / 65

HEX #2D5A31

RGB 45.5 90 49

HSL 124.72, 0.33%, 0.27%

LAB 34.2, -25.17, 19.03

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113 162 125

HSL 134.69, 0.21%, 0.54%

LAB 62.37, -24.27, 14.1

 

CMYK 29 / 0 / 30 / 36

HEX #73A271

RGB 115 162 113

HSL 117.55, 0.21%, 0.54%

LAB 62.23, -25.77, 20.57

 

CMYK 21 / 0 / 30 / 36

HEX #80A271

RGB 128 162 113

HSL 101.63, 0.21%, 0.54%

LAB 63.03, -21.13, 21.78

 

CMYK 13 / 0 / 30 / 36

HEX #8DA271

RGB 141 162 113

HSL 85.71, 0.21%, 0.54%

LAB 63.91, -16.24, 23.12

 

CMYK 4 / 0 / 30 / 36

HEX #9BA271

RGB 155 162 113

HSL 68.57, 0.21%, 0.54%

LAB 64.96, -10.76, 24.71

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113 162 125

HSL 134.69, 0.21%, 0.54%

LAB 62.37, -24.27, 14.1

 

CMYK 30 / 0 / 15 / 36

HEX #71A28A

RGB 113 162 138

HSL 150.61, 0.21%, 0.54%

LAB 62.66, -21.65, 7.27

 

CMYK 30 / 0 / 7 / 36

HEX #71A297

RGB 113 162 151

HSL 166.53, 0.21%, 0.54%

LAB 63, -18.81, 0.46

 

CMYK 30 / 1 / 0 / 36

HEX #71A0A2

RGB 113 160 162

HSL 182.45, 0.21%, 0.54%

LAB 62.73, -15.17, -6.12

 

CMYK 30 / 9 / 0 / 36

HEX #7193A2

RGB 113 147 162

HSL 198.37, 0.21%, 0.54%

LAB 58.96, -8.12, -11.74

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113 162 125

HSL 134.69, 0.21%, 0.54%

LAB 62.37, -24.27, 14.1

 

CMYK 48 / 0 / 36 / 29

HEX #5EB573

RGB 94 181 115

HSL 134.48, 0.37%, 0.54%

LAB 67.03, -40.81, 25.75

 

CMYK 63 / 0 / 48 / 22

HEX #4BC869

RGB 75 200 105

HSL 134.4, 0.53%, 0.54%

LAB 72.11, -54.77, 37.38

 

CMYK 74 / 0 / 57 / 14

HEX #38DB5F

RGB 56 219 95

HSL 134.36, 0.69%, 0.54%

LAB 77.48, -66.21, 48.63

 

CMYK 84 / 0 / 64 / 7

HEX #25EE55

RGB 37 238 85

HSL 134.33, 0.86%, 0.54%

LAB 83.02, -75.46, 59.23

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113 162 125

HSL 134.69, 0.21%, 0.54%

LAB 62.37, -24.27, 14.1

 

CMYK 8 / 0 / 6 / 44

HEX #848F87

RGB 132 143 135

HSL 136.36, 0.05%, 0.54%

LAB 58.32, -5.59, 2.88

 

CMYK 0 / 18 / 4 / 41

HEX #977C91

RGB 151 124 145

HSL 313.33, 0.11%, 0.54%

LAB 55.11, 14.19, -7.41

 

CMYK 0 / 38 / 9 / 33

HEX #AA699B

RGB 170 105 155

HSL 313.85, 0.28%, 0.54%

LAB 52.97, 33.61, -16.26

 

CMYK 0 / 54 / 13 / 26

HEX #BD56A5

RGB 189 86 165

HSL 313.98, 0.44%, 0.54%

LAB 52.05, 51.23, -23.3

 

CMYK 21 / 0 / 30 / 36

HEX #80A271

RGB 128 162 113

HSL 101.63, 0.21%, 0.54%

LAB 63.03, -21.13, 21.78

 

CMYK 29 / 0 / 30 / 36

HEX #73A271

RGB 115 162 113

HSL 117.55, 0.21%, 0.54%

LAB 62.23, -25.77, 20.57

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113 162 125

HSL 134.69, 0.21%, 0.54%

LAB 62.37, -24.27, 14.1

 

CMYK 30 / 0 / 15 / 36

HEX #71A28A

RGB 113 162 138

HSL 150.61, 0.21%, 0.54%

LAB 62.66, -21.65, 7.27

 

CMYK 30 / 0 / 7 / 36

HEX #71A297

RGB 113 162 151

HSL 166.53, 0.21%, 0.54%

LAB 63, -18.81, 0.46

 

CMYK 35 / 0 / 26 / 54

HEX #4C7556

RGB 76 117 86

HSL 134.63, 0.21%, 0.38%

LAB 45.54, -21.44, 12.66

 

CMYK 35 / 0 / 27 / 44

HEX #5C8E68

RGB 92 142 104

HSL 134.4, 0.21%, 0.46%

LAB 54.68, -25.25, 15.04

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113 162 125

HSL 134.69, 0.21%, 0.54%

LAB 62.37, -24.27, 14.1

 

CMYK 23 / 0 / 17 / 30

HEX #8AB394

RGB 138 179 148

HSL 134.63, 0.21%, 0.62%

LAB 69.31, -20.09, 11.39

 

CMYK 16 / 0 / 12 / 24

HEX #A3C3AB

RGB 163 195 171

HSL 135, 0.21%, 0.7%

LAB 75.92, -15.46, 8.5

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113.5 162 125

HSL 134.23, 0.21%, 0.54%

LAB 62.39, -24.1, 14.15

 

CMYK 30 / 13 / 0 / 36

HEX #718DA2

RGB 113 141 162

HSL 205.71, 0.21%, 0.54%

LAB 57.24, -4.76, -14.33

 

CMYK 0 / 30 / 25 / 36

HEX #A27179

RGB 162 113 121

HSL 350.2, 0.21%, 0.54%

LAB 52.81, 20.56, 3.38

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113.5 162 125

HSL 134.23, 0.21%, 0.54%

LAB 62.39, -24.1, 14.15

 

CMYK 23 / 30 / 0 / 36

HEX #7D71A2

RGB 125 113 162

HSL 254.69, 0.21%, 0.54%

LAB 50.43, 15.39, -24.66

 

CMYK 0 / 23 / 30 / 36

HEX #A27D71

RGB 162 125 113

HSL 14.69, 0.21%, 0.54%

LAB 55.63, 12.54, 12.05

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113.5 162 125

HSL 134.23, 0.21%, 0.54%

LAB 62.39, -24.1, 14.15

 

CMYK 30 / 13 / 0 / 36

HEX #718DA2

RGB 113 141 162

HSL 205.71, 0.21%, 0.54%

LAB 57.24, -4.76, -14.33

 

CMYK 0 / 30 / 7 / 36

HEX #A27197

RGB 162 113 151

HSL 313.47, 0.21%, 0.54%

LAB 53.74, 25.61, -12.85

 

CMYK 0 / 17 / 30 / 36

HEX #A28671

RGB 162 134 113

HSL 25.71, 0.21%, 0.54%

LAB 57.96, 7.44, 15.3

 

CMYK 30 / 0 / 23 / 36

HEX #71A27D

RGB 113.5 162 125

HSL 134.23, 0.21%, 0.54%

LAB 62.39, -24.1, 14.15

 

CMYK 30 / 22 / 0 / 36

HEX #717EA2

RGB 113 126 162

HSL 224.08, 0.21%, 0.54%

LAB 52.99, 3.88, -20.8

 

CMYK 0 / 30 / 7 / 36

HEX #A27197

RGB 162 113 151

HSL 313.47, 0.21%, 0.54%

LAB 53.74, 25.61, -12.85

 

CMYK 0 / 8 / 30 / 36

HEX #A29571

RGB 162 149 113

HSL 44.08, 0.21%, 0.54%

LAB 61.97, -0.92, 20.79

 

Description

Color code: RGB 113.5 162 125 | qconv.com Color code: RGB 113.5 162 125 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113.5 red, 162 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113.5 162 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 23 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 23% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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