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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 254 37 it is the complementary color RGB 143 1 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 254 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 254 37 shade: RGB 117 254 32, RGB 134 255 51, RGB 151 255 70, RGB 168 255 89 and RGB 185 255 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 254 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 254 37 shade: RGB 112 254 37, RGB 95 236 18, RGB 78 218 0, RGB 61 200 0 and RGB 44 182 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 254 37 shade: RGB 111 253 36, RGB 170 253 36, RGB 228 253 36, RGB 253 220 36 and RGB 253 161 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 254 37 shade: RGB 111 253 36, RGB 53 253 36, RGB 36 253 78, RGB 36 253 137 and RGB 36 253 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 254 37 shade matches the following richer shades: RGB 111 253 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 254 37 shade: RGB 111 253 36, RGB 117 236 54, RGB 122 218 72, RGB 128 200 90 and RGB 133 182 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 254 37 shade: RGB 228 253 36, RGB 170 253 36, RGB 112 253 36, RGB 54 253 36 and RGB 36 253 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 254 37 shade: RGB 72 207 1, RGB 86 248 1, RGB 111 253 36, RGB 138 254 77 and RGB 165 254 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 254 37 shade: RGB 112 254 37, RGB 36 253 221 and RGB 253 36 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 254 37 shade: RGB 112 254 37, RGB 36 112 253 and RGB 253 36 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 254 37 shade: RGB 112 254 37, RGB 36 253 221, RGB 177 36 253 and RGB 253 36 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 254 37 shade: RGB 112 254 37, RGB 36 221 253, RGB 177 36 253 and RGB 253 69 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 85 / 0

HEX #70FE25

RGB 112 254 37

HSL 99.26, 0.99%, 0.57%

LAB 89.14, -70.97, 80.61

 

Complementary color

CMYK 34 / 100 / 0 / 15

HEX #8F01DA

RGB 143 1 218

HSL 279.26, 0.99%, 0.43%

LAB 39.45, 76.99, -74.65

 

CMYK 54 / 0 / 87 / 0

HEX #75FE20

RGB 117 254 32

HSL 97.03, 0.99%, 0.56%

LAB 89.29, -69.86, 81.72

 

CMYK 47 / 0 / 80 / 0

HEX #86FF33

RGB 134 255 51

HSL 95.59, 1%, 0.6%

LAB 90.24, -64.84, 78.69

 

CMYK 41 / 0 / 73 / 0

HEX #97FF46

RGB 151 255 70

HSL 93.73, 1%, 0.64%

LAB 91.03, -58.7, 74.08

 

CMYK 34 / 0 / 65 / 0

HEX #A8FF59

RGB 168 255 89

HSL 91.45, 1%, 0.67%

LAB 91.94, -51.87, 68.44

 

CMYK 27 / 0 / 58 / 0

HEX #B9FF6C

RGB 185 255 108

HSL 88.57, 1%, 0.71%

LAB 92.98, -44.48, 62.07

 

CMYK 56 / 0 / 85 / 0

HEX #70FE25

RGB 112 254 37

HSL 99.26, 0.99%, 0.57%

LAB 89.14, -70.97, 80.61

 

CMYK 60 / 0 / 92 / 7

HEX #5FEC12

RGB 95 236 18

HSL 98.81, 0.86%, 0.5%

LAB 83.16, -69.64, 78.4

 

CMYK 64 / 0 / 100 / 15

HEX #4EDA00

RGB 78 218 0

HSL 98.53, 1%, 0.43%

LAB 77.14, -67.92, 75.09

 

CMYK 70 / 0 / 100 / 22

HEX #3DC800

RGB 61 200 0

HSL 101.7, 1%, 0.39%

LAB 71.08, -65.67, 70.11

 

CMYK 76 / 0 / 100 / 29

HEX #2CB600

RGB 44 182 0

HSL 105.49, 1%, 0.36%

LAB 64.96, -63.06, 65.09

 

CMYK 56 / 0 / 86 / 1

HEX #6FFD24

RGB 111 253 36

HSL 99.26, 0.98%, 0.57%

LAB 88.81, -70.92, 80.5

 

CMYK 33 / 0 / 86 / 1

HEX #AAFD24

RGB 170 253 36

HSL 82.95, 0.98%, 0.57%

LAB 91.2, -53.07, 83.5

 

CMYK 10 / 0 / 86 / 1

HEX #E4FD24

RGB 228 253 36

HSL 66.91, 0.98%, 0.57%

LAB 94.68, -31.13, 87.81

 

CMYK 0 / 13 / 86 / 1

HEX #FDDC24

RGB 253 220 36

HSL 50.88, 0.98%, 0.57%

LAB 88.06, -4.85, 83.25

 

CMYK 0 / 36 / 86 / 1

HEX #FDA124

RGB 253 161 36

HSL 34.56, 0.98%, 0.57%

LAB 73.87, 25.65, 71.81

 

CMYK 56 / 0 / 86 / 1

HEX #6FFD24

RGB 111 253 36

HSL 99.26, 0.98%, 0.57%

LAB 88.81, -70.92, 80.5

 

CMYK 79 / 0 / 86 / 1

HEX #35FD24

RGB 53 253 36

HSL 115.3, 0.98%, 0.57%

LAB 87.55, -81.55, 78.92

 

CMYK 86 / 0 / 69 / 1

HEX #24FD4E

RGB 36 253 78

HSL 131.61, 0.98%, 0.57%

LAB 87.57, -80.59, 66.84

 

CMYK 86 / 0 / 46 / 1

HEX #24FD89

RGB 36 253 137

HSL 147.93, 0.98%, 0.57%

LAB 88.18, -73.19, 41.93

 

CMYK 86 / 0 / 23 / 1

HEX #24FDC3

RGB 36 253 195

HSL 163.96, 0.98%, 0.57%

LAB 89.19, -61.68, 14.16

 

CMYK 56 / 0 / 86 / 1

HEX #6FFD24

RGB 111 253 36

HSL 99.26, 0.98%, 0.57%

LAB 88.81, -70.92, 80.5

 

CMYK 56 / 0 / 86 / 1

HEX #6FFD24

RGB 111 253 36

HSL 99.26, 0.98%, 0.57%

LAB 88.81, -70.92, 80.5

 

CMYK 50 / 0 / 77 / 7

HEX #75EC36

RGB 117 236 54

HSL 99.23, 0.83%, 0.57%

LAB 83.99, -62.64, 71.81

 

CMYK 44 / 0 / 67 / 15

HEX #7ADA48

RGB 122 218 72

HSL 99.45, 0.66%, 0.57%

LAB 78.9, -53.17, 60.57

 

CMYK 36 / 0 / 55 / 22

HEX #80C85A

RGB 128 200 90

HSL 99.27, 0.5%, 0.57%

LAB 73.96, -42.09, 47.36

 

CMYK 27 / 0 / 41 / 29

HEX #85B66B

RGB 133 182 107

HSL 99.2, 0.34%, 0.57%

LAB 69.11, -30.06, 33.05

 

CMYK 10 / 0 / 86 / 1

HEX #E4FD24

RGB 228 253 36

HSL 66.91, 0.98%, 0.57%

LAB 94.68, -31.13, 87.81

 

CMYK 33 / 0 / 86 / 1

HEX #AAFD24

RGB 170 253 36

HSL 82.95, 0.98%, 0.57%

LAB 91.2, -53.07, 83.5

 

CMYK 56 / 0 / 86 / 1

HEX #70FD24

RGB 112 253 36

HSL 98.99, 0.98%, 0.57%

LAB 88.84, -70.67, 80.54

 

CMYK 79 / 0 / 86 / 1

HEX #36FD24

RGB 54 253 36

HSL 115.02, 0.98%, 0.57%

LAB 87.56, -81.43, 78.94

 

CMYK 86 / 0 / 70 / 1

HEX #24FD4C

RGB 36 253 76

HSL 131.06, 0.98%, 0.57%

LAB 87.56, -80.77, 67.55

 

CMYK 65 / 0 / 100 / 19

HEX #48CF01

RGB 72 207 1

HSL 99.32, 0.99%, 0.41%

LAB 73.55, -65.67, 72.08

 

CMYK 65 / 0 / 100 / 3

HEX #56F801

RGB 86 248 1

HSL 99.35, 0.99%, 0.49%

LAB 86.56, -75.65, 82.57

 

CMYK 56 / 0 / 86 / 1

HEX #6FFD24

RGB 111 253 36

HSL 99.26, 0.98%, 0.57%

LAB 88.81, -70.92, 80.5

 

CMYK 46 / 0 / 70 / 0

HEX #8AFE4D

RGB 138 254 77

HSL 99.32, 0.99%, 0.65%

LAB 90.24, -61.81, 70.71

 

CMYK 35 / 0 / 54 / 0

HEX #A5FE76

RGB 165 254 118

HSL 99.26, 0.99%, 0.73%

LAB 91.77, -49.83, 56.02

 

CMYK 56 / 0 / 85 / 0

HEX #70FE25

RGB 112 254 37

HSL 99.26, 0.99%, 0.57%

LAB 89.14, -70.97, 80.61

 

CMYK 86 / 0 / 13 / 1

HEX #24FDDD

RGB 36 253 221

HSL 171.15, 0.98%, 0.57%

LAB 89.79, -55.33, 1.57

 

CMYK 0 / 86 / 21 / 1

HEX #FD24C7

RGB 253 36 199

HSL 314.93, 0.98%, 0.57%

LAB 58.29, 87.27, -32.53

 

CMYK 56 / 0 / 85 / 0

HEX #70FE25

RGB 112 254 37

HSL 99.26, 0.99%, 0.57%

LAB 89.14, -70.97, 80.61

 

CMYK 86 / 56 / 0 / 1

HEX #2470FD

RGB 36 112 253

HSL 218.99, 0.98%, 0.57%

LAB 50.75, 29.41, -76.24

 

CMYK 0 / 86 / 56 / 1

HEX #FD2470

RGB 253 36 112

HSL 338.99, 0.98%, 0.57%

LAB 55.39, 79.24, 14.34

 

CMYK 56 / 0 / 85 / 0

HEX #70FE25

RGB 112 254 37

HSL 99.26, 0.99%, 0.57%

LAB 89.14, -70.97, 80.61

 

CMYK 86 / 0 / 13 / 1

HEX #24FDDD

RGB 36 253 221

HSL 171.15, 0.98%, 0.57%

LAB 89.79, -55.33, 1.57

 

CMYK 30 / 86 / 0 / 1

HEX #B124FD

RGB 177 36 253

HSL 278.99, 0.98%, 0.57%

LAB 49.13, 82.67, -78.43

 

CMYK 0 / 86 / 73 / 1

HEX #FD2445

RGB 253 36 69

HSL 350.88, 0.98%, 0.57%

LAB 54.63, 77.04, 38.85

 

CMYK 56 / 0 / 85 / 0

HEX #70FE25

RGB 112 254 37

HSL 99.26, 0.99%, 0.57%

LAB 89.14, -70.97, 80.61

 

CMYK 86 / 13 / 0 / 1

HEX #24DDFD

RGB 36 221 253

HSL 188.85, 0.98%, 0.57%

LAB 81.39, -32.08, -27.79

 

CMYK 30 / 86 / 0 / 1

HEX #B124FD

RGB 177 36 253

HSL 278.99, 0.98%, 0.57%

LAB 49.13, 82.67, -78.43

 

CMYK 0 / 73 / 86 / 1

HEX #FD4524

RGB 253 69 36

HSL 9.12, 0.98%, 0.57%

LAB 57.33, 67.61, 58.42

 

Description

Color code: RGB 112 254 37 | qconv.com Color code: RGB 112 254 37 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 254 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 254 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 85 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 85% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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