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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 20 234 it is the complementary color RGB 143 235 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 20 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 20 234 shade: RGB 117 20 229, RGB 134 38 248, RGB 151 56 255, RGB 168 74 255 and RGB 185 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 20 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 95 2 215, RGB 78 0 196, RGB 61 0 177 and RGB 44 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 170 20 234, RGB 227 20 234, RGB 234 20 183 and RGB 234 20 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 54 20 234 and RGB 20 20 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 20 234 shade matches the following richer shades: RGB 112 20 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 115 41 213, RGB 118 61 193, RGB 121 82 172 and RGB 124 102 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 20 234 shade: RGB 20 45 234, RGB 52 20 234, RGB 109 20 234, RGB 166 20 234 and RGB 223 20 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 20 234 shade: RGB 76 13 158, RGB 94 17 196, RGB 112 20 234, RGB 135 58 237 and RGB 158 96 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 234 20 102 and RGB 20 234 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 234 109 20 and RGB 20 234 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 234 20 102, RGB 145 234 20 and RGB 20 234 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 20 234 shade: RGB 112 20 234, RGB 234 20 38, RGB 145 234 20 and RGB 20 234 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

Complementary color

CMYK 39 / 0 / 91 / 8

HEX #8FEB15

RGB 143 235 21

HSL 85.79, 0.84%, 0.5%

LAB 84.64, -55.49, 79.97

 

CMYK 49 / 91 / 0 / 10

HEX #7514E5

RGB 117 20 229

HSL 267.85, 0.84%, 0.49%

LAB 37.73, 74.12, -83.91

 

CMYK 46 / 85 / 0 / 3

HEX #8626F8

RGB 134 38 248

HSL 267.43, 0.94%, 0.56%

LAB 43.11, 75.78, -85.72

 

CMYK 41 / 78 / 0 / 0

HEX #9738FF

RGB 151 56 255

HSL 268.64, 1%, 0.61%

LAB 47.79, 73.71, -81.88

 

CMYK 34 / 71 / 0 / 0

HEX #A84AFF

RGB 168 74 255

HSL 271.16, 1%, 0.65%

LAB 52.33, 69.38, -74.38

 

CMYK 27 / 64 / 0 / 0

HEX #B95CFF

RGB 185 92 255

HSL 274.23, 1%, 0.68%

LAB 57.26, 64.72, -66.31

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 56 / 99 / 0 / 16

HEX #5F02D7

RGB 95 2 215

HSL 266.2, 0.98%, 0.43%

LAB 32.66, 72, -84.34

 

CMYK 60 / 100 / 0 / 23

HEX #4E00C4

RGB 78 0 196

HSL 263.88, 1%, 0.38%

LAB 28.39, 66.96, -80.4

 

CMYK 66 / 100 / 0 / 31

HEX #3D00B1

RGB 61 0 177

HSL 260.68, 1%, 0.35%

LAB 24.21, 61.6, -76.11

 

CMYK 72 / 100 / 0 / 38

HEX #2C009E

RGB 44 0 158

HSL 256.71, 1%, 0.31%

LAB 20.06, 56.23, -71.55

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 27 / 91 / 0 / 8

HEX #AA14EA

RGB 170 20 234

HSL 282.06, 0.84%, 0.5%

LAB 45.62, 81.08, -73.53

 

CMYK 3 / 91 / 0 / 8

HEX #E314EA

RGB 227 20 234

HSL 298.04, 0.84%, 0.5%

LAB 54.84, 89.44, -58.17

 

CMYK 0 / 91 / 22 / 8

HEX #EA14B7

RGB 234 20 183

HSL 314.3, 0.84%, 0.5%

LAB 53.4, 83.9, -31.16

 

CMYK 0 / 91 / 47 / 8

HEX #EA147D

RGB 234 20 125

HSL 330.56, 0.84%, 0.5%

LAB 51.24, 78.15, 0.07

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 77 / 91 / 0 / 8

HEX #3614EA

RGB 54 20 234

HSL 249.53, 0.84%, 0.5%

LAB 32.31, 71.36, -95.93

 

CMYK 91 / 91 / 0 / 8

HEX #1414EA

RGB 20 20 234

HSL 240, 0.84%, 0.5%

LAB 30.85, 70.57, -98.4

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 46 / 81 / 0 / 16

HEX #7329D5

RGB 115 41 213

HSL 265.81, 0.68%, 0.5%

LAB 37.9, 64.42, -74.46

 

CMYK 39 / 68 / 0 / 24

HEX #763DC1

RGB 118 61 193

HSL 265.91, 0.52%, 0.5%

LAB 39.65, 51.29, -59.98

 

CMYK 30 / 52 / 0 / 33

HEX #7952AC

RGB 121 82 172

HSL 266, 0.35%, 0.5%

LAB 42.88, 35.18, -42.42

 

CMYK 18 / 33 / 0 / 40

HEX #7C6698

RGB 124 102 152

HSL 266.4, 0.2%, 0.5%

LAB 47.05, 19.22, -24.02

 

CMYK 91 / 81 / 0 / 8

HEX #142DEA

RGB 20 45 234

HSL 232.99, 0.84%, 0.5%

LAB 33.91, 61.39, -93.3

 

CMYK 78 / 91 / 0 / 8

HEX #3414EA

RGB 52 20 234

HSL 248.97, 0.84%, 0.5%

LAB 32.19, 71.3, -96.13

 

CMYK 53 / 91 / 0 / 8

HEX #6D14EA

RGB 109 20 234

HSL 264.95, 0.84%, 0.5%

LAB 37.28, 74.54, -87.53

 

CMYK 29 / 91 / 0 / 8

HEX #A614EA

RGB 166 20 234

HSL 280.93, 0.84%, 0.5%

LAB 45.01, 80.57, -74.55

 

CMYK 5 / 91 / 0 / 8

HEX #DF14EA

RGB 223 20 234

HSL 296.92, 0.84%, 0.5%

LAB 54.16, 88.8, -59.28

 

CMYK 52 / 92 / 0 / 38

HEX #4C0D9E

RGB 76 13 158

HSL 266.07, 0.85%, 0.34%

LAB 24.62, 55.29, -63.89

 

CMYK 52 / 91 / 0 / 23

HEX #5E11C4

RGB 94 17 196

HSL 265.81, 0.84%, 0.42%

LAB 31.27, 65.13, -75.58

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 43 / 76 / 0 / 7

HEX #873AED

RGB 135 58 237

HSL 265.81, 0.83%, 0.58%

LAB 44.65, 66.42, -77

 

CMYK 34 / 60 / 0 / 5

HEX #9E60F1

RGB 158 96 241

HSL 265.66, 0.84%, 0.66%

LAB 54.01, 53.72, -63.92

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 0 / 91 / 56 / 8

HEX #EA1466

RGB 234 20 102

HSL 337.01, 0.84%, 0.5%

LAB 50.63, 76.49, 13.22

 

CMYK 91 / 0 / 90 / 8

HEX #14EA17

RGB 20 234 23

HSL 120.84, 0.84%, 0.5%

LAB 81.32, -79.57, 75.69

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 0 / 53 / 91 / 8

HEX #EA6D14

RGB 234 109 20

HSL 24.95, 0.84%, 0.5%

LAB 60.32, 44.24, 64.68

 

CMYK 91 / 0 / 53 / 8

HEX #14EA6D

RGB 20 234 109

HSL 144.95, 0.84%, 0.5%

LAB 81.89, -72.41, 47.37

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 0 / 91 / 56 / 8

HEX #EA1466

RGB 234 20 102

HSL 337.01, 0.84%, 0.5%

LAB 50.63, 76.49, 13.22

 

CMYK 38 / 0 / 91 / 8

HEX #91EA14

RGB 145 234 20

HSL 84.95, 0.84%, 0.5%

LAB 84.44, -54.45, 79.97

 

CMYK 91 / 0 / 35 / 8

HEX #14EA98

RGB 20 234 152

HSL 157.01, 0.84%, 0.5%

LAB 82.52, -64.98, 27.02

 

CMYK 52 / 91 / 0 / 8

HEX #7014EA

RGB 112 20 234

HSL 265.79, 0.84%, 0.5%

LAB 37.64, 74.79, -86.94

 

CMYK 0 / 91 / 84 / 8

HEX #EA1426

RGB 234 20 38

HSL 354.95, 0.84%, 0.5%

LAB 49.66, 73.77, 49.53

 

CMYK 38 / 0 / 91 / 8

HEX #91EA14

RGB 145 234 20

HSL 84.95, 0.84%, 0.5%

LAB 84.44, -54.45, 79.97

 

CMYK 91 / 0 / 8 / 8

HEX #14EAD8

RGB 20 234 216

HSL 174.95, 0.84%, 0.5%

LAB 83.94, -49.62, -4.39

 

Description

Color code: RGB 112 20 234 | qconv.com Color code: RGB 112 20 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 20 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 20 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 91 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 91% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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