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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 203 206 it is the complementary color RGB 143 52 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 203 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 203 206 shade: RGB 117 203 201, RGB 134 221 220, RGB 151 239 239, RGB 168 255 255 and RGB 185 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 203 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 203 206 shade: RGB 112 203 206, RGB 95 185 187, RGB 78 167 168, RGB 61 149 149 and RGB 44 131 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 203 206 shade: RGB 110 202 205, RGB 110 176 205, RGB 110 151 205, RGB 110 125 205 and RGB 121 110 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 203 206 shade: RGB 110 202 205, RGB 110 176 205, RGB 110 151 205, RGB 110 125 205 and RGB 110 110 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 203 206 shade matches the following richer shades: RGB 110 202 205, RGB 94 217 221, RGB 79 231 236 and RGB 63 246 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 203 206 shade: RGB 110 202 205, RGB 126 187 189, RGB 141 173 174, RGB 157 158 158 and RGB 173 143 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 203 206 shade: RGB 110 205 156, RGB 110 205 181, RGB 110 203 205, RGB 110 178 205 and RGB 110 153 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 203 206 shade: RGB 59 170 174, RGB 79 191 195, RGB 110 202 205, RGB 141 213 216 and RGB 172 224 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 203 206 shade: RGB 112 203 206, RGB 131 110 205 and RGB 205 169 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 203 206 shade: RGB 112 203 206, RGB 205 110 203 and RGB 203 205 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 203 206 shade: RGB 112 203 206, RGB 131 110 205, RGB 205 112 110 and RGB 185 205 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 203 206 shade: RGB 112 203 206, RGB 159 110 205, RGB 205 112 110 and RGB 156 205 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 1 / 0 / 19

HEX #70CBCE

RGB 112 203 206

HSL 181.91, 0.49%, 0.62%

LAB 76.44, -26.35, -9.96

 

Complementary color

CMYK 0 / 64 / 66 / 44

HEX #8F3431

RGB 143 52 49

HSL 1.91, 0.49%, 0.38%

LAB 35.04, 38.35, 22.3

 

CMYK 42 / 0 / 1 / 20

HEX #75CBC9

RGB 117 203 201

HSL 178.6, 0.45%, 0.63%

LAB 76.5, -26.43, -7.15

 

CMYK 39 / 0 / 0 / 13

HEX #86DDDC

RGB 134 221 220

HSL 179.31, 0.56%, 0.7%

LAB 82.89, -26.39, -7.77

 

CMYK 37 / 0 / 0 / 6

HEX #97EFEF

RGB 151 239 239

HSL 180, 0.73%, 0.76%

LAB 89.18, -26.33, -8.37

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 46 / 1 / 0 / 19

HEX #70CBCE

RGB 112 203 206

HSL 181.91, 0.49%, 0.62%

LAB 76.44, -26.35, -9.96

 

CMYK 49 / 1 / 0 / 27

HEX #5FB9BB

RGB 95 185 187

HSL 181.3, 0.4%, 0.55%

LAB 69.98, -26.28, -9.32

 

CMYK 54 / 1 / 0 / 34

HEX #4EA7A8

RGB 78 167 168

HSL 180.67, 0.37%, 0.48%

LAB 63.41, -26.14, -8.64

 

CMYK 59 / 0 / 0 / 42

HEX #3D9595

RGB 61 149 149

HSL 180, 0.42%, 0.41%

LAB 56.74, -25.89, -7.89

 

CMYK 66 / 0 / 1 / 49

HEX #2C8382

RGB 44 131 130

HSL 179.31, 0.5%, 0.34%

LAB 49.95, -25.46, -7.05

 

CMYK 46 / 1 / 0 / 20

HEX #6ECACD

RGB 110 202 205

HSL 181.89, 0.49%, 0.62%

LAB 76.05, -26.58, -10.02

 

CMYK 46 / 14 / 0 / 20

HEX #6EB0CD

RGB 110 176 205

HSL 198.32, 0.49%, 0.62%

LAB 68.59, -13.26, -21.26

 

CMYK 46 / 26 / 0 / 20

HEX #6E97CD

RGB 110 151 205

HSL 214.11, 0.49%, 0.62%

LAB 61.53, 0.55, -32.11

 

CMYK 46 / 39 / 0 / 20

HEX #6E7DCD

RGB 110 125 205

HSL 230.53, 0.49%, 0.62%

LAB 54.44, 15.82, -43.22

 

CMYK 41 / 46 / 0 / 20

HEX #796ECD

RGB 121 110 205

HSL 246.95, 0.49%, 0.62%

LAB 51.41, 27.56, -47.98

 

CMYK 46 / 1 / 0 / 20

HEX #6ECACD

RGB 110 202 205

HSL 181.89, 0.49%, 0.62%

LAB 76.05, -26.58, -10.02

 

CMYK 46 / 14 / 0 / 20

HEX #6EB0CD

RGB 110 176 205

HSL 198.32, 0.49%, 0.62%

LAB 68.59, -13.26, -21.26

 

CMYK 46 / 26 / 0 / 20

HEX #6E97CD

RGB 110 151 205

HSL 214.11, 0.49%, 0.62%

LAB 61.53, 0.55, -32.11

 

CMYK 46 / 39 / 0 / 20

HEX #6E7DCD

RGB 110 125 205

HSL 230.53, 0.49%, 0.62%

LAB 54.44, 15.82, -43.22

 

CMYK 46 / 46 / 0 / 20

HEX #6E6ECD

RGB 110 110 205

HSL 240, 0.49%, 0.62%

LAB 50.54, 24.88, -49.41

 

CMYK 46 / 1 / 0 / 20

HEX #6ECACD

RGB 110 202 205

HSL 181.89, 0.49%, 0.62%

LAB 76.05, -26.58, -10.02

 

CMYK 57 / 2 / 0 / 13

HEX #5ED9DD

RGB 94 217 221

HSL 181.89, 0.65%, 0.62%

LAB 80.31, -32.83, -12.3

 

CMYK 67 / 2 / 0 / 7

HEX #4FE7EC

RGB 79 231 236

HSL 181.91, 0.81%, 0.62%

LAB 84.42, -37.61, -14.15

 

CMYK 75 / 2 / 0 / 1

HEX #3FF6FC

RGB 63 246 252

HSL 181.9, 0.97%, 0.62%

LAB 88.92, -41.8, -15.82

 

CMYK 46 / 1 / 0 / 20

HEX #6ECACD

RGB 110 202 205

HSL 181.89, 0.49%, 0.62%

LAB 76.05, -26.58, -10.02

 

CMYK 33 / 1 / 0 / 26

HEX #7EBBBD

RGB 126 187 189

HSL 181.9, 0.32%, 0.62%

LAB 71.99, -19, -7.27

 

CMYK 19 / 1 / 0 / 32

HEX #8DADAE

RGB 141 173 174

HSL 181.82, 0.17%, 0.62%

LAB 68.46, -10.65, -4.14

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 0 / 17 / 18 / 32

HEX #AD8F8E

RGB 173 143 142

HSL 1.94, 0.16%, 0.62%

LAB 62.07, 11.11, 4.76

 

CMYK 46 / 0 / 24 / 20

HEX #6ECD9C

RGB 110 205 156

HSL 149.05, 0.49%, 0.62%

LAB 75.69, -39.35, 15.83

 

CMYK 46 / 0 / 12 / 20

HEX #6ECDB5

RGB 110 205 181

HSL 164.84, 0.49%, 0.62%

LAB 76.26, -33.91, 3.25

 

CMYK 46 / 1 / 0 / 20

HEX #6ECBCD

RGB 110 203 205

HSL 181.26, 0.49%, 0.62%

LAB 76.34, -27.07, -9.59

 

CMYK 46 / 13 / 0 / 20

HEX #6EB2CD

RGB 110 178 205

HSL 197.05, 0.49%, 0.62%

LAB 69.16, -14.33, -20.39

 

CMYK 46 / 25 / 0 / 20

HEX #6E99CD

RGB 110 153 205

HSL 212.84, 0.49%, 0.62%

LAB 62.09, -0.59, -31.25

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 59 / 2 / 0 / 24

HEX #4FBFC3

RGB 79 191 195

HSL 182.07, 0.49%, 0.54%

LAB 71.46, -30.23, -11.54

 

CMYK 46 / 1 / 0 / 20

HEX #6ECACD

RGB 110 202 205

HSL 181.89, 0.49%, 0.62%

LAB 76.05, -26.58, -10.02

 

CMYK 35 / 1 / 0 / 15

HEX #8DD5D8

RGB 141 213 216

HSL 182.4, 0.49%, 0.7%

LAB 80.85, -21.6, -8.62

 

CMYK 24 / 1 / 0 / 11

HEX #ACE0E2

RGB 172 224 226

HSL 182.22, 0.48%, 0.78%

LAB 85.79, -16.14, -6.44

 

CMYK 46 / 1 / 0 / 19

HEX #70CBCE

RGB 112 203 206

HSL 181.91, 0.49%, 0.62%

LAB 76.44, -26.35, -9.96

 

CMYK 36 / 46 / 0 / 20

HEX #836ECD

RGB 131 110 205

HSL 253.26, 0.49%, 0.62%

LAB 52.27, 30.12, -46.56

 

CMYK 0 / 18 / 46 / 20

HEX #CDA96E

RGB 205 169 110

HSL 37.26, 0.49%, 0.62%

LAB 71.2, 5.51, 35.29

 

CMYK 46 / 1 / 0 / 19

HEX #70CBCE

RGB 112 203 206

HSL 181.91, 0.49%, 0.62%

LAB 76.44, -26.35, -9.96

 

CMYK 0 / 46 / 1 / 20

HEX #CD6ECB

RGB 205 110 203

HSL 301.26, 0.49%, 0.62%

LAB 60.29, 50.6, -32.26

 

CMYK 1 / 0 / 46 / 20

HEX #CBCD6E

RGB 203 205 110

HSL 61.26, 0.49%, 0.62%

LAB 80.45, -14.07, 46.75

 

CMYK 46 / 1 / 0 / 19

HEX #70CBCE

RGB 112 203 206

HSL 181.91, 0.49%, 0.62%

LAB 76.44, -26.35, -9.96

 

CMYK 36 / 46 / 0 / 20

HEX #836ECD

RGB 131 110 205

HSL 253.26, 0.49%, 0.62%

LAB 52.27, 30.12, -46.56

 

CMYK 0 / 45 / 46 / 20

HEX #CD706E

RGB 205 112 110

HSL 1.26, 0.49%, 0.62%

LAB 57.74, 36.32, 17.52

 

CMYK 10 / 0 / 46 / 20

HEX #B9CD6E

RGB 185 205 110

HSL 72.63, 0.49%, 0.62%

LAB 79.1, -21.22, 44.8

 

CMYK 46 / 1 / 0 / 19

HEX #70CBCE

RGB 112 203 206

HSL 181.91, 0.49%, 0.62%

LAB 76.44, -26.35, -9.96

 

CMYK 22 / 46 / 0 / 20

HEX #9F6ECD

RGB 159 110 205

HSL 270.95, 0.49%, 0.62%

LAB 55, 37.74, -42.06

 

CMYK 0 / 45 / 46 / 20

HEX #CD706E

RGB 205 112 110

HSL 1.26, 0.49%, 0.62%

LAB 57.74, 36.32, 17.52

 

CMYK 24 / 0 / 46 / 20

HEX #9CCD6E

RGB 156 205 110

HSL 90.95, 0.49%, 0.62%

LAB 77.19, -32.21, 42.02

 

Description

Color code: RGB 112 203 206 | qconv.com Color code: RGB 112 203 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 203 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 203 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 1 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 1% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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