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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 199 61 it is the complementary color RGB 143 56 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 199 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 199 61 shade: RGB 117 199 56, RGB 134 217 75, RGB 151 235 94, RGB 168 253 113 and RGB 185 255 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 199 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 95 181 42, RGB 78 163 23, RGB 61 145 4 and RGB 44 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 149 199 61, RGB 186 199 61, RGB 199 174 61 and RGB 199 137 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 75 199 61, RGB 61 199 85, RGB 61 199 122 and RGB 61 199 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 199 61 shade matches the following richer shades: RGB 112 199 61, RGB 107 219 41 and RGB 102 239 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 117 179 82, RGB 123 158 102, RGB 128 138 122 and RGB 133 118 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 199 61 shade: RGB 187 199 61, RGB 151 199 61, RGB 114 199 61, RGB 77 199 61 and RGB 61 199 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 199 61 shade: RGB 76 138 40, RGB 94 170 49, RGB 112 199 61, RGB 136 208 93 and RGB 159 217 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 61 199 174 and RGB 199 61 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 61 114 199 and RGB 199 61 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 61 199 174, RGB 146 61 199 and RGB 199 61 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 199 61 shade: RGB 112 199 61, RGB 61 183 199, RGB 146 61 199 and RGB 199 77 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

Complementary color

CMYK 26 / 71 / 0 / 24

HEX #8F38C2

RGB 143 56 194

HSL 277.83, 0.55%, 0.49%

LAB 42.1, 58.79, -56.44

 

CMYK 41 / 0 / 72 / 22

HEX #75C738

RGB 117 199 56

HSL 94.41, 0.56%, 0.5%

LAB 72.84, -48.35, 60.27

 

CMYK 38 / 0 / 65 / 15

HEX #86D94B

RGB 134 217 75

HSL 95.07, 0.65%, 0.57%

LAB 79.16, -48.69, 59.82

 

CMYK 36 / 0 / 60 / 8

HEX #97EB5E

RGB 151 235 94

HSL 95.74, 0.78%, 0.65%

LAB 85.4, -48.87, 59.03

 

CMYK 34 / 0 / 55 / 1

HEX #A8FD71

RGB 168 253 113

HSL 96.43, 0.97%, 0.72%

LAB 91.58, -48.94, 58.06

 

CMYK 27 / 0 / 48 / 0

HEX #B9FF84

RGB 185 255 132

HSL 94.15, 1%, 0.76%

LAB 93.23, -42.07, 51.61

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 48 / 0 / 77 / 29

HEX #5FB52A

RGB 95 181 42

HSL 97.12, 0.62%, 0.44%

LAB 66.25, -49.12, 58.29

 

CMYK 52 / 0 / 86 / 36

HEX #4EA317

RGB 78 163 23

HSL 96.43, 0.75%, 0.36%

LAB 59.78, -48.3, 57.5

 

CMYK 58 / 0 / 97 / 43

HEX #3D9104

RGB 61 145 4

HSL 95.74, 0.95%, 0.29%

LAB 53.22, -47.05, 55.28

 

CMYK 65 / 0 / 100 / 50

HEX #2C7F00

RGB 44 127 0

HSL 99.21, 1%, 0.25%

LAB 46.6, -45.1, 50.49

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 25 / 0 / 69 / 22

HEX #95C73D

RGB 149 199 61

HSL 81.74, 0.55%, 0.51%

LAB 74.56, -36.57, 60.71

 

CMYK 7 / 0 / 69 / 22

HEX #BAC73D

RGB 186 199 61

HSL 65.65, 0.55%, 0.51%

LAB 77.05, -21.73, 64.04

 

CMYK 0 / 13 / 69 / 22

HEX #C7AE3D

RGB 199 174 61

HSL 49.13, 0.55%, 0.51%

LAB 71.39, -3.44, 58.71

 

CMYK 0 / 31 / 69 / 22

HEX #C7893D

RGB 199 137 61

HSL 33.04, 0.55%, 0.51%

LAB 61.97, 16.54, 48.89

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 62 / 0 / 69 / 22

HEX #4BC73D

RGB 75 199 61

HSL 113.91, 0.55%, 0.51%

LAB 71.34, -59.69, 56.37

 

CMYK 69 / 0 / 57 / 22

HEX #3DC755

RGB 61 199 85

HSL 130.43, 0.55%, 0.51%

LAB 71.21, -59.93, 45.86

 

CMYK 69 / 0 / 39 / 22

HEX #3DC77A

RGB 61 199 122

HSL 146.52, 0.55%, 0.51%

LAB 71.72, -54.11, 28.13

 

CMYK 69 / 0 / 20 / 22

HEX #3DC79F

RGB 61 199 159

HSL 162.61, 0.55%, 0.51%

LAB 72.46, -46.2, 9.45

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 51 / 0 / 81 / 14

HEX #6BDB29

RGB 107 219 41

HSL 97.75, 0.71%, 0.51%

LAB 78.43, -59.94, 70.13

 

CMYK 57 / 0 / 91 / 6

HEX #66EF15

RGB 102 239 21

HSL 97.71, 0.87%, 0.51%

LAB 84.28, -68.89, 79.03

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 35 / 0 / 54 / 30

HEX #75B352

RGB 117 179 82

HSL 98.35, 0.39%, 0.51%

LAB 67, -37.49, 42.79

 

CMYK 22 / 0 / 35 / 38

HEX #7B9E66

RGB 123 158 102

HSL 97.5, 0.22%, 0.51%

LAB 61.33, -22.67, 25.45

 

CMYK 7 / 0 / 12 / 46

HEX #808A7A

RGB 128 138 122

HSL 97.5, 0.06%, 0.51%

LAB 56.26, -6.79, 7.32

 

CMYK 6 / 17 / 0 / 44

HEX #85768E

RGB 133 118 142

HSL 277.5, 0.1%, 0.51%

LAB 51.72, 10.54, -10.91

 

CMYK 6 / 0 / 69 / 22

HEX #BBC73D

RGB 187 199 61

HSL 65.22, 0.55%, 0.51%

LAB 77.13, -21.31, 64.14

 

CMYK 24 / 0 / 69 / 22

HEX #97C73D

RGB 151 199 61

HSL 80.87, 0.55%, 0.51%

LAB 74.68, -35.81, 60.87

 

CMYK 43 / 0 / 69 / 22

HEX #72C73D

RGB 114 199 61

HSL 96.96, 0.55%, 0.51%

LAB 72.73, -48.97, 58.27

 

CMYK 61 / 0 / 69 / 22

HEX #4DC73D

RGB 77 199 61

HSL 113.04, 0.55%, 0.51%

LAB 71.39, -59.24, 56.45

 

CMYK 69 / 0 / 59 / 22

HEX #3DC752

RGB 61 199 82

HSL 129.13, 0.55%, 0.51%

LAB 71.18, -60.31, 47.2

 

CMYK 45 / 0 / 71 / 46

HEX #4C8A28

RGB 76 138 40

HSL 97.96, 0.55%, 0.35%

LAB 51.69, -37.81, 44.2

 

CMYK 45 / 0 / 71 / 33

HEX #5EAA31

RGB 94 170 49

HSL 97.69, 0.55%, 0.43%

LAB 62.8, -44.54, 52.36

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 35 / 0 / 55 / 18

HEX #88D05D

RGB 136 208 93

HSL 97.57, 0.55%, 0.59%

LAB 76.76, -42.53, 49.36

 

CMYK 27 / 0 / 42 / 15

HEX #9FD97D

RGB 159 217 125

HSL 97.83, 0.55%, 0.67%

LAB 81, -34.84, 39.41

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 69 / 0 / 13 / 22

HEX #3DC7AE

RGB 61 199 174

HSL 169.13, 0.55%, 0.51%

LAB 72.82, -42.47, 1.85

 

CMYK 0 / 69 / 15 / 22

HEX #C73DA9

RGB 199 61 169

HSL 313.04, 0.55%, 0.51%

LAB 49.91, 65.12, -28.84

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 69 / 43 / 0 / 22

HEX #3D72C7

RGB 61 114 199

HSL 216.96, 0.55%, 0.51%

LAB 48.45, 10.66, -49.48

 

CMYK 0 / 69 / 43 / 22

HEX #C73D72

RGB 199 61 114

HSL 336.96, 0.55%, 0.51%

LAB 47.87, 58.4, 1.07

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 69 / 0 / 13 / 22

HEX #3DC7AE

RGB 61 199 174

HSL 169.13, 0.55%, 0.51%

LAB 72.82, -42.47, 1.85

 

CMYK 27 / 69 / 0 / 22

HEX #923DC7

RGB 146 61 199

HSL 276.96, 0.55%, 0.51%

LAB 43.61, 58.34, -56.88

 

CMYK 0 / 69 / 56 / 22

HEX #C73D57

RGB 199 61 87

HSL 348.7, 0.55%, 0.51%

LAB 47.19, 56.06, 16.61

 

CMYK 44 / 0 / 69 / 22

HEX #70C73D

RGB 112 199 61

HSL 97.83, 0.55%, 0.51%

LAB 72.65, -49.61, 58.15

 

CMYK 69 / 8 / 0 / 22

HEX #3DB7C7

RGB 61 183 199

HSL 186.96, 0.55%, 0.51%

LAB 68.74, -28, -17.89

 

CMYK 27 / 69 / 0 / 22

HEX #923DC7

RGB 146 61 199

HSL 276.96, 0.55%, 0.51%

LAB 43.61, 58.34, -56.88

 

CMYK 0 / 61 / 69 / 22

HEX #C74D3D

RGB 199 77 61

HSL 6.96, 0.55%, 0.51%

LAB 49.24, 47.69, 34.62

 

Description

Color code: RGB 112 199 61 | qconv.com Color code: RGB 112 199 61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 199 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 199 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 69 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 69% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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