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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 198.8 198 it is the complementary color RGB 143 56.2 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 198.8 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 198.8 198 shade: RGB 117 198.8 193, RGB 134 216.8 212, RGB 151 234.8 231, RGB 168 252.8 250 and RGB 185 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 198.8 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 198.8 198 shade: RGB 112 198.8 198, RGB 95 180.8 179, RGB 78 162.8 160, RGB 61 144.8 141 and RGB 44 126.8 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 198.8 198 shade: RGB 111 199 198, RGB 111 199 174, RGB 111 199 151, RGB 111 199 127 and RGB 119 199 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 198.8 198 shade: RGB 111 199 198, RGB 111 176 199, RGB 111 152 199, RGB 111 129 199 and RGB 111 111 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 198.8 198 shade matches the following richer shades: RGB 111 199 198, RGB 95 215 214, RGB 79 231 230 and RGB 63 247 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 198.8 198 shade: RGB 111 199 198, RGB 127 183 182, RGB 143 167 166, RGB 160 151 151 and RGB 176 134 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 198.8 198 shade: RGB 111 199 151, RGB 111 199 174, RGB 111 199 197, RGB 111 177 199 and RGB 111 154 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 198.8 198 shade: RGB 64 164 163, RGB 82 187 186, RGB 111 199 198, RGB 141 210 210 and RGB 171 222 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 198.8 198 shade: RGB 112 198.8 198, RGB 127 111 199 and RGB 199 162 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 198.8 198 shade: RGB 112 198.8 198, RGB 197 111 199 and RGB 199 197 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 198.8 198 shade: RGB 112 198.8 198, RGB 127 111 199, RGB 199 111 113 and RGB 183 199 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 198.8 198 shade: RGB 112 198.8 198, RGB 154 111 199, RGB 199 111 113 and RGB 157 199 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 0 / 22

HEX #70C6C6

RGB 112 198.8 198

HSL 179.45, 0.44%, 0.61%

LAB 75, -26.33, -7.78

 

Complementary color

CMYK 0 / 61 / 60 / 44

HEX #8F3839

RGB 143 56.2 57

HSL 359.45, 0.44%, 0.39%

LAB 35.95, 36.89, 18.46

 

CMYK 41 / 0 / 3 / 22

HEX #75C6C1

RGB 117 198.8 193

HSL 175.75, 0.42%, 0.62%

LAB 75.07, -26.34, -4.95

 

CMYK 38 / 0 / 2 / 15

HEX #86D8D4

RGB 134 216.8 212

HSL 176.52, 0.52%, 0.69%

LAB 81.48, -26.26, -5.6

 

CMYK 36 / 0 / 2 / 8

HEX #97EAE7

RGB 151 234.8 231

HSL 177.28, 0.67%, 0.76%

LAB 87.8, -26.17, -6.22

 

CMYK 34 / 0 / 1 / 1

HEX #A8FCFA

RGB 168 252.8 250

HSL 178.02, 0.95%, 0.83%

LAB 94.03, -26.08, -6.81

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 44 / 0 / 0 / 22

HEX #70C6C6

RGB 112 198.8 198

HSL 179.45, 0.44%, 0.61%

LAB 75, -26.33, -7.78

 

CMYK 47 / 0 / 1 / 29

HEX #5FB4B3

RGB 95 180.8 179

HSL 178.74, 0.37%, 0.54%

LAB 68.5, -26.31, -7.12

 

CMYK 52 / 0 / 2 / 36

HEX #4EA2A0

RGB 78 162.8 160

HSL 178.02, 0.35%, 0.47%

LAB 61.9, -26.23, -6.4

 

CMYK 58 / 0 / 3 / 43

HEX #3D908D

RGB 61 144.8 141

HSL 177.28, 0.41%, 0.4%

LAB 55.18, -26.06, -5.62

 

CMYK 65 / 0 / 4 / 50

HEX #2C7E7A

RGB 44 126.8 122

HSL 176.52, 0.48%, 0.33%

LAB 48.35, -25.72, -4.74

 

CMYK 44 / 0 / 1 / 22

HEX #6FC7C6

RGB 111 199 198

HSL 179.32, 0.44%, 0.61%

LAB 75.02, -26.66, -7.76

 

CMYK 44 / 0 / 13 / 22

HEX #6FC7AE

RGB 111 199 174

HSL 162.95, 0.44%, 0.61%

LAB 74.37, -32.45, 4.29

 

CMYK 44 / 0 / 24 / 22

HEX #6FC797

RGB 111 199 151

HSL 147.27, 0.44%, 0.61%

LAB 73.84, -37.39, 15.93

 

CMYK 44 / 0 / 36 / 22

HEX #6FC77F

RGB 111 199 127

HSL 130.91, 0.44%, 0.61%

LAB 73.39, -41.83, 28.02

 

CMYK 40 / 0 / 44 / 22

HEX #77C76F

RGB 119 199 111

HSL 114.55, 0.44%, 0.61%

LAB 73.49, -41.93, 36.45

 

CMYK 44 / 0 / 1 / 22

HEX #6FC7C6

RGB 111 199 198

HSL 179.32, 0.44%, 0.61%

LAB 75.02, -26.66, -7.76

 

CMYK 44 / 12 / 0 / 22

HEX #6FB0C7

RGB 111 176 199

HSL 195.68, 0.44%, 0.61%

LAB 68.43, -14.67, -18.19

 

CMYK 44 / 24 / 0 / 22

HEX #6F98C7

RGB 111 152 199

HSL 212.05, 0.44%, 0.61%

LAB 61.62, -1.51, -28.61

 

CMYK 44 / 35 / 0 / 22

HEX #6F81C7

RGB 111 129 199

HSL 227.73, 0.44%, 0.61%

LAB 55.28, 11.89, -38.49

 

CMYK 44 / 44 / 0 / 22

HEX #6F6FC7

RGB 111 111 199

HSL 240, 0.44%, 0.61%

LAB 50.54, 22.73, -45.98

 

CMYK 44 / 0 / 1 / 22

HEX #6FC7C6

RGB 111 199 198

HSL 179.32, 0.44%, 0.61%

LAB 75.02, -26.66, -7.76

 

CMYK 56 / 0 / 0 / 16

HEX #5FD7D6

RGB 95 215 214

HSL 179.5, 0.6%, 0.61%

LAB 79.55, -33.58, -9.69

 

CMYK 66 / 0 / 0 / 9

HEX #4FE7E6

RGB 79 231 230

HSL 179.61, 0.76%, 0.61%

LAB 84.24, -39.27, -11.25

 

CMYK 74 / 0 / 1 / 3

HEX #3FF7F5

RGB 63 247 245

HSL 179.35, 0.92%, 0.61%

LAB 89, -44.21, -12.04

 

CMYK 44 / 0 / 1 / 22

HEX #6FC7C6

RGB 111 199 198

HSL 179.32, 0.44%, 0.61%

LAB 75.02, -26.66, -7.76

 

CMYK 31 / 0 / 1 / 28

HEX #7FB7B6

RGB 127 183 182

HSL 178.93, 0.28%, 0.61%

LAB 70.7, -18.33, -5.34

 

CMYK 14 / 0 / 1 / 35

HEX #8FA7A6

RGB 143 167 166

HSL 177.5, 0.12%, 0.61%

LAB 66.7, -8.5, -2.29

 

CMYK 0 / 6 / 6 / 37

HEX #A09797

RGB 160 151 151

HSL 0, 0.05%, 0.61%

LAB 63.21, 3.3, 1.18

 

CMYK 0 / 24 / 23 / 31

HEX #B08687

RGB 176 134 135

HSL 358.57, 0.21%, 0.61%

LAB 59.92, 16.22, 5.69

 

CMYK 44 / 0 / 24 / 22

HEX #6FC797

RGB 111 199 151

HSL 147.27, 0.44%, 0.61%

LAB 73.84, -37.39, 15.93

 

CMYK 44 / 0 / 13 / 22

HEX #6FC7AE

RGB 111 199 174

HSL 162.95, 0.44%, 0.61%

LAB 74.37, -32.45, 4.29

 

CMYK 44 / 0 / 1 / 22

HEX #6FC7C5

RGB 111 199 197

HSL 178.64, 0.44%, 0.61%

LAB 74.99, -26.92, -7.26

 

CMYK 44 / 11 / 0 / 22

HEX #6FB1C7

RGB 111 177 199

HSL 195, 0.44%, 0.61%

LAB 68.71, -15.19, -17.76

 

CMYK 44 / 23 / 0 / 22

HEX #6F9AC7

RGB 111 154 199

HSL 210.68, 0.44%, 0.61%

LAB 62.18, -2.64, -27.74

 

CMYK 61 / 0 / 1 / 36

HEX #40A4A3

RGB 64 164 163

HSL 179.4, 0.44%, 0.45%

LAB 61.9, -28.78, -8.13

 

CMYK 56 / 0 / 1 / 27

HEX #52BBBA

RGB 82 187 186

HSL 179.43, 0.44%, 0.53%

LAB 70.09, -30.23, -8.65

 

CMYK 44 / 0 / 1 / 22

HEX #6FC7C6

RGB 111 199 198

HSL 179.32, 0.44%, 0.61%

LAB 75.02, -26.66, -7.76

 

CMYK 33 / 0 / 0 / 18

HEX #8DD2D2

RGB 141 210 210

HSL 180, 0.43%, 0.69%

LAB 79.85, -21.52, -6.91

 

CMYK 23 / 0 / 0 / 13

HEX #ABDEDD

RGB 171 222 221

HSL 178.82, 0.44%, 0.77%

LAB 85.06, -16.51, -4.88

 

CMYK 44 / 0 / 0 / 22

HEX #70C6C6

RGB 112 198.8 198

HSL 179.45, 0.44%, 0.61%

LAB 75, -26.33, -7.78

 

CMYK 36 / 44 / 0 / 22

HEX #7F6FC7

RGB 127 111 199

HSL 250.91, 0.44%, 0.61%

LAB 51.84, 26.85, -43.83

 

CMYK 0 / 19 / 44 / 22

HEX #C7A26F

RGB 199 162 111

HSL 34.77, 0.44%, 0.61%

LAB 68.85, 6.92, 31.62

 

CMYK 44 / 0 / 0 / 22

HEX #70C6C6

RGB 112 198.8 198

HSL 179.45, 0.44%, 0.61%

LAB 75, -26.33, -7.78

 

CMYK 1 / 44 / 0 / 22

HEX #C56FC7

RGB 197 111 199

HSL 298.64, 0.44%, 0.61%

LAB 59.31, 47, -31.59

 

CMYK 0 / 1 / 44 / 22

HEX #C7C56F

RGB 199 197 111

HSL 58.64, 0.44%, 0.61%

LAB 78.01, -11.53, 43.2

 

CMYK 44 / 0 / 0 / 22

HEX #70C6C6

RGB 112 198.8 198

HSL 179.45, 0.44%, 0.61%

LAB 75, -26.33, -7.78

 

CMYK 36 / 44 / 0 / 22

HEX #7F6FC7

RGB 127 111 199

HSL 250.91, 0.44%, 0.61%

LAB 51.84, 26.85, -43.83

 

CMYK 0 / 44 / 43 / 22

HEX #C76F71

RGB 199 111 113

HSL 358.64, 0.44%, 0.61%

LAB 56.79, 34.9, 14.33

 

CMYK 8 / 0 / 44 / 22

HEX #B7C76F

RGB 183 199 111

HSL 70.91, 0.44%, 0.61%

LAB 77.32, -18.93, 42.07

 

CMYK 44 / 0 / 0 / 22

HEX #70C6C6

RGB 112 198.8 198

HSL 179.45, 0.44%, 0.61%

LAB 75, -26.33, -7.78

 

CMYK 23 / 44 / 0 / 22

HEX #9A6FC7

RGB 154 111 199

HSL 269.32, 0.44%, 0.61%

LAB 54.41, 34.35, -39.61

 

CMYK 0 / 44 / 43 / 22

HEX #C76F71

RGB 199 111 113

HSL 358.64, 0.44%, 0.61%

LAB 56.79, 34.9, 14.33

 

CMYK 21 / 0 / 44 / 22

HEX #9DC76F

RGB 157 199 111

HSL 88.64, 0.44%, 0.61%

LAB 75.55, -28.89, 39.49

 

Description

Color code: RGB 112 198.8 198 | qconv.com Color code: RGB 112 198.8 198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 198.8 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 198.8 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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