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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112.7 56.6 17 it is the complementary color RGB 142.3 198.4 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112.7 56.6 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112.7 56.6 17 shade: RGB 117.7 56.6 12, RGB 134.7 74.6 31, RGB 151.7 92.6 50, RGB 168.7 110.6 69 and RGB 185.7 128.6 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112.7 56.6 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112.7 56.6 17 shade: RGB 112.7 56.6 17, RGB 95.7 38.6 0, RGB 78.7 20.6 0, RGB 61.7 2.6 0 and RGB 44.7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112.7 56.6 17 shade: RGB 111 56 17, RGB 111 30 17 and RGB 111 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112.7 56.6 17 shade: RGB 111 56 17, RGB 111 81 17, RGB 111 107 17, RGB 90 111 17 and RGB 64 111 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112.7 56.6 17 shade matches the following richer shades: RGB 111 56 17 and RGB 121 54 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112.7 56.6 17 shade: RGB 111 56 17, RGB 101 57 27, RGB 90 59 37, RGB 80 61 48 and RGB 70 63 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112.7 56.6 17 shade: RGB 111 17 29, RGB 111 29 17, RGB 111 54 17, RGB 111 79 17 and RGB 111 105 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112.7 56.6 17 shade: RGB 39 20 6, RGB 75 38 11, RGB 111 56 17, RGB 147 74 22 and RGB 183 92 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112.7 56.6 17 shade: RGB 112.7 56.6 17, RGB 54 111 17 and RGB 17 17 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112.7 56.6 17 shade: RGB 112.7 56.6 17, RGB 17 111 54 and RGB 54 17 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112.7 56.6 17 shade: RGB 112.7 56.6 17, RGB 54 111 17, RGB 17 73 111 and RGB 73 17 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112.7 56.6 17 shade: RGB 112.7 56.6 17, RGB 26 111 17, RGB 17 73 111 and RGB 101 17 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 85 / 56

HEX #703811

RGB 112.7 56.6 17

HSL 24.83, 0.74%, 0.25%

LAB 30.44, 21.78, 34.01

 

Complementary color

CMYK 40 / 17 / 0 / 7

HEX #8EC6EE

RGB 142.3 198.4 238

HSL 204.83, 0.74%, 0.75%

LAB 77.59, -8.24, -25.32

 

CMYK 0 / 52 / 90 / 54

HEX #75380C

RGB 117.7 56.6 12

HSL 25.32, 0.81%, 0.25%

LAB 31.22, 23.87, 37.17

 

CMYK 0 / 45 / 77 / 47

HEX #864A1F

RGB 134.7 74.6 31

HSL 25.23, 0.63%, 0.32%

LAB 38.2, 21.84, 35.88

 

CMYK 0 / 39 / 67 / 41

HEX #975C32

RGB 151.7 92.6 50

HSL 25.13, 0.5%, 0.4%

LAB 45.13, 20.13, 34.12

 

CMYK 0 / 34 / 59 / 34

HEX #A86E45

RGB 168.7 110.6 69

HSL 25.04, 0.42%, 0.47%

LAB 51.97, 18.68, 32.38

 

CMYK 0 / 31 / 53 / 27

HEX #B98058

RGB 185.7 128.6 88

HSL 24.93, 0.41%, 0.54%

LAB 58.7, 17.46, 30.76

 

CMYK 0 / 50 / 85 / 56

HEX #703811

RGB 112.7 56.6 17

HSL 24.83, 0.74%, 0.25%

LAB 30.44, 21.78, 34.01

 

CMYK 0 / 60 / 100 / 62

HEX #5F2600

RGB 95.7 38.6 0

HSL 24.2, 1%, 0.19%

LAB 23.32, 23.96, 33.61

 

CMYK 0 / 74 / 100 / 69

HEX #4E1400

RGB 78.7 20.6 0

HSL 15.71, 1%, 0.15%

LAB 16.36, 26.23, 24.82

 

CMYK 0 / 96 / 100 / 76

HEX #3D0200

RGB 61.7 2.6 0

HSL 2.53, 1%, 0.12%

LAB 9.57, 27.74, 15.05

 

CMYK 0 / 100 / 100 / 82

HEX #2C0000

RGB 44.7 0 0

HSL 0, 1%, 0.09%

LAB 4.98, 21.6, 7.87

 

CMYK 0 / 50 / 85 / 56

HEX #6F3811

RGB 111 56 17

HSL 24.89, 0.73%, 0.25%

LAB 30.03, 21.36, 33.52

 

CMYK 0 / 73 / 85 / 56

HEX #6F1E11

RGB 111 30 17

HSL 8.3, 0.73%, 0.25%

LAB 24.79, 34.96, 28.53

 

CMYK 0 / 85 / 85 / 56

HEX #6F1111

RGB 111 17 17

HSL 0, 0.73%, 0.25%

LAB 23.07, 39.74, 26.81

 

CMYK 0 / 50 / 85 / 56

HEX #6F3811

RGB 111 56 17

HSL 24.89, 0.73%, 0.25%

LAB 30.03, 21.36, 33.52

 

CMYK 0 / 27 / 85 / 56

HEX #6F5111

RGB 111 81 17

HSL 40.85, 0.73%, 0.25%

LAB 36.56, 6.27, 39.49

 

CMYK 0 / 4 / 85 / 56

HEX #6F6B11

RGB 111 107 17

HSL 57.45, 0.73%, 0.25%

LAB 44.14, -8.99, 46.16

 

CMYK 19 / 0 / 85 / 56

HEX #5A6F11

RGB 90 111 17

HSL 73.4, 0.73%, 0.25%

LAB 43.63, -20.96, 45.03

 

CMYK 42 / 0 / 85 / 56

HEX #406F11

RGB 64 111 17

HSL 90, 0.73%, 0.25%

LAB 42, -31.79, 42.95

 

CMYK 0 / 50 / 85 / 56

HEX #6F3811

RGB 111 56 17

HSL 24.89, 0.73%, 0.25%

LAB 30.03, 21.36, 33.52

 

CMYK 0 / 55 / 95 / 53

HEX #793606

RGB 121 54 6

HSL 25.04, 0.91%, 0.25%

LAB 31.15, 26.64, 39.67

 

CMYK 0 / 50 / 85 / 56

HEX #6F3811

RGB 111 56 17

HSL 24.89, 0.73%, 0.25%

LAB 30.03, 21.36, 33.52

 

CMYK 0 / 44 / 73 / 60

HEX #65391B

RGB 101 57 27

HSL 24.32, 0.58%, 0.25%

LAB 28.83, 16.63, 26.53

 

CMYK 0 / 34 / 59 / 65

HEX #5A3B25

RGB 90 59 37

HSL 24.91, 0.42%, 0.25%

LAB 27.94, 10.95, 19.09

 

CMYK 0 / 24 / 40 / 69

HEX #503D30

RGB 80 61 48

HSL 24.38, 0.25%, 0.25%

LAB 27.45, 6.22, 11.2

 

CMYK 0 / 10 / 17 / 73

HEX #463F3A

RGB 70 63 58

HSL 25, 0.09%, 0.25%

LAB 27.19, 2, 4.15

 

CMYK 0 / 85 / 74 / 56

HEX #6F111D

RGB 111 17 29

HSL 352.34, 0.73%, 0.25%

LAB 23.23, 40.25, 19.26

 

CMYK 0 / 74 / 85 / 56

HEX #6F1D11

RGB 111 29 17

HSL 7.66, 0.73%, 0.25%

LAB 24.64, 35.39, 28.37

 

CMYK 0 / 51 / 85 / 56

HEX #6F3611

RGB 111 54 17

HSL 23.62, 0.73%, 0.25%

LAB 29.56, 22.53, 33.08

 

CMYK 0 / 29 / 85 / 56

HEX #6F4F11

RGB 111 79 17

HSL 39.57, 0.73%, 0.25%

LAB 36.01, 7.49, 38.99

 

CMYK 0 / 5 / 85 / 56

HEX #6F6911

RGB 111 105 17

HSL 56.17, 0.73%, 0.25%

LAB 43.54, -7.86, 45.64

 

CMYK 0 / 49 / 85 / 85

HEX #271406

RGB 39 20 6

HSL 25.45, 0.73%, 0.09%

LAB 8.52, 8.07, 10.47

 

CMYK 0 / 49 / 85 / 71

HEX #4B260B

RGB 75 38 11

HSL 25.31, 0.74%, 0.17%

LAB 19.66, 15.04, 24.11

 

CMYK 0 / 50 / 85 / 56

HEX #6F3811

RGB 111 56 17

HSL 24.89, 0.73%, 0.25%

LAB 30.03, 21.36, 33.52

 

CMYK 0 / 50 / 85 / 42

HEX #934A16

RGB 147 74 22

HSL 24.96, 0.74%, 0.33%

LAB 39.85, 27.22, 42.3

 

CMYK 0 / 50 / 85 / 28

HEX #B75C1B

RGB 183 92 27

HSL 25, 0.74%, 0.41%

LAB 49.25, 32.79, 50.58

 

CMYK 0 / 50 / 85 / 56

HEX #703811

RGB 112.7 56.6 17

HSL 24.83, 0.74%, 0.25%

LAB 30.44, 21.78, 34.01

 

CMYK 51 / 0 / 85 / 56

HEX #366F11

RGB 54 111 17

HSL 96.38, 0.73%, 0.25%

LAB 41.52, -35.34, 42.34

 

CMYK 85 / 85 / 0 / 56

HEX #11116F

RGB 17 17 111

HSL 240, 0.73%, 0.25%

LAB 13.64, 35.38, -52.62

 

CMYK 0 / 50 / 85 / 56

HEX #703811

RGB 112.7 56.6 17

HSL 24.83, 0.74%, 0.25%

LAB 30.44, 21.78, 34.01

 

CMYK 85 / 0 / 51 / 56

HEX #116F36

RGB 17 111 54

HSL 143.62, 0.73%, 0.25%

LAB 40.82, -39.61, 24.44

 

CMYK 51 / 85 / 0 / 56

HEX #36116F

RGB 54 17 111

HSL 263.62, 0.73%, 0.25%

LAB 17.15, 39.23, -46.71

 

CMYK 0 / 50 / 85 / 56

HEX #703811

RGB 112.7 56.6 17

HSL 24.83, 0.74%, 0.25%

LAB 30.44, 21.78, 34.01

 

CMYK 51 / 0 / 85 / 56

HEX #366F11

RGB 54 111 17

HSL 96.38, 0.73%, 0.25%

LAB 41.52, -35.34, 42.34

 

CMYK 85 / 34 / 0 / 56

HEX #11496F

RGB 17 73 111

HSL 204.26, 0.73%, 0.25%

LAB 29.49, -2.9, -26.91

 

CMYK 34 / 85 / 0 / 56

HEX #49116F

RGB 73 17 111

HSL 275.74, 0.73%, 0.25%

LAB 19.9, 42.29, -42.09

 

CMYK 0 / 50 / 85 / 56

HEX #703811

RGB 112.7 56.6 17

HSL 24.83, 0.74%, 0.25%

LAB 30.44, 21.78, 34.01

 

CMYK 77 / 0 / 85 / 56

HEX #1A6F11

RGB 26 111 17

HSL 114.26, 0.73%, 0.25%

LAB 40.62, -42.65, 41.18

 

CMYK 85 / 34 / 0 / 56

HEX #11496F

RGB 17 73 111

HSL 204.26, 0.73%, 0.25%

LAB 29.49, -2.9, -26.91

 

CMYK 9 / 85 / 0 / 56

HEX #65116F

RGB 101 17 111

HSL 293.62, 0.73%, 0.25%

LAB 24.69, 47.66, -34.11

 

Description

Color code: RGB 112.7 56.6 17 | qconv.com Color code: RGB 112.7 56.6 17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112.7 red, 56.6 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112.7 56.6 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 85 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 85% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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