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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112.14 56.19 8 it is the complementary color RGB 142.86 198.81 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112.14 56.19 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112.14 56.19 8 shade: RGB 117.14 56.19 3, RGB 134.14 74.19 22, RGB 151.14 92.19 41, RGB 168.14 110.19 60 and RGB 185.14 128.19 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112.14 56.19 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112.14 56.19 8 shade: RGB 112.14 56.19 8, RGB 95.14 38.19 0, RGB 78.14 20.19 0, RGB 61.14 2.19 0 and RGB 44.14 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112.14 56.19 8 shade: RGB 114 57 8, RGB 114 29 8 and RGB 114 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112.14 56.19 8 shade: RGB 114 57 8, RGB 114 86 8, RGB 114 114 8, RGB 86 114 8 and RGB 57 114 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112.14 56.19 8 shade matches the following richer shades: RGB 114 57 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112.14 56.19 8 shade: RGB 114 57 8, RGB 105 58 18, RGB 95 59 28, RGB 85 59 38 and RGB 75 60 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112.14 56.19 8 shade: RGB 114 8 17, RGB 114 27 8, RGB 114 56 8, RGB 114 84 8 and RGB 114 113 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112.14 56.19 8 shade: RGB 37 19 3, RGB 76 38 5, RGB 114 57 8, RGB 153 77 11 and RGB 192 96 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112.14 56.19 8 shade: RGB 112.14 56.19 8, RGB 45 114 8 and RGB 13 8 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112.14 56.19 8 shade: RGB 112.14 56.19 8, RGB 8 114 56 and RGB 56 8 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112.14 56.19 8 shade: RGB 112.14 56.19 8, RGB 45 114 8, RGB 8 67 114 and RGB 77 8 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112.14 56.19 8 shade: RGB 112.14 56.19 8, RGB 13 114 8, RGB 8 67 114 and RGB 109 8 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 93 / 56

HEX #703808

RGB 112.14 56.19 8

HSL 27.76, 0.87%, 0.24%

LAB 30.2, 21.49, 37.51

 

Complementary color

CMYK 42 / 20 / 0 / 3

HEX #8EC6F7

RGB 142.86 198.81 247

HSL 207.76, 0.87%, 0.76%

LAB 78.05, -5.93, -29.44

 

CMYK 0 / 52 / 97 / 54

HEX #753803

RGB 117.14 56.19 3

HSL 27.96, 0.95%, 0.24%

LAB 30.98, 23.63, 40.47

 

CMYK 0 / 45 / 84 / 47

HEX #864A16

RGB 134.14 74.19 22

HSL 27.92, 0.72%, 0.31%

LAB 37.95, 21.45, 39.86

 

CMYK 0 / 39 / 73 / 41

HEX #975C29

RGB 151.14 92.19 41

HSL 27.89, 0.57%, 0.38%

LAB 44.86, 19.57, 38.51

 

CMYK 0 / 34 / 64 / 34

HEX #A86E3C

RGB 168.14 110.19 60

HSL 27.85, 0.47%, 0.45%

LAB 51.68, 18, 36.88

 

CMYK 0 / 31 / 57 / 27

HEX #B9804F

RGB 185.14 128.19 79

HSL 27.81, 0.43%, 0.52%

LAB 58.4, 16.68, 35.27

 

CMYK 0 / 50 / 93 / 56

HEX #703808

RGB 112.14 56.19 8

HSL 27.76, 0.87%, 0.24%

LAB 30.2, 21.49, 37.51

 

CMYK 0 / 60 / 100 / 63

HEX #5F2600

RGB 95.14 38.19 0

HSL 24.08, 1%, 0.19%

LAB 23.13, 23.94, 33.38

 

CMYK 0 / 74 / 100 / 69

HEX #4E1400

RGB 78.14 20.19 0

HSL 15.5, 1%, 0.15%

LAB 16.17, 26.2, 24.56

 

CMYK 0 / 96 / 100 / 76

HEX #3D0200

RGB 61.14 2.19 0

HSL 2.15, 1%, 0.12%

LAB 9.35, 27.76, 14.72

 

CMYK 0 / 100 / 100 / 83

HEX #2C0000

RGB 44.14 0 0

HSL 0, 1%, 0.09%

LAB 4.86, 21.24, 7.69

 

CMYK 0 / 50 / 93 / 55

HEX #723908

RGB 114 57 8

HSL 27.74, 0.87%, 0.24%

LAB 30.69, 21.87, 38.02

 

CMYK 0 / 75 / 93 / 55

HEX #721D08

RGB 114 29 8

HSL 11.89, 0.87%, 0.24%

LAB 25.18, 36.22, 33.37

 

CMYK 0 / 93 / 93 / 55

HEX #720808

RGB 114 8 8

HSL 0, 0.87%, 0.24%

LAB 22.89, 42.65, 31.11

 

CMYK 0 / 50 / 93 / 55

HEX #723908

RGB 114 57 8

HSL 27.74, 0.87%, 0.24%

LAB 30.69, 21.87, 38.02

 

CMYK 0 / 25 / 93 / 55

HEX #725608

RGB 114 86 8

HSL 44.15, 0.87%, 0.24%

LAB 38.29, 4.46, 43.96

 

CMYK 0 / 0 / 93 / 55

HEX #727208

RGB 114 114 8

HSL 60, 0.87%, 0.24%

LAB 46.48, -11.71, 50.43

 

CMYK 25 / 0 / 93 / 55

HEX #567208

RGB 86 114 8

HSL 75.85, 0.87%, 0.24%

LAB 44.28, -24.57, 47.72

 

CMYK 50 / 0 / 93 / 55

HEX #397208

RGB 57 114 8

HSL 92.26, 0.87%, 0.24%

LAB 42.65, -35.98, 45.7

 

CMYK 0 / 50 / 93 / 55

HEX #723908

RGB 114 57 8

HSL 27.74, 0.87%, 0.24%

LAB 30.69, 21.87, 38.02

 

CMYK 0 / 50 / 93 / 55

HEX #723908

RGB 114 57 8

HSL 27.74, 0.87%, 0.24%

LAB 30.69, 21.87, 38.02

 

CMYK 0 / 45 / 83 / 59

HEX #693A12

RGB 105 58 18

HSL 27.59, 0.71%, 0.24%

LAB 29.6, 17.43, 32.3

 

CMYK 0 / 38 / 71 / 63

HEX #5F3B1C

RGB 95 59 28

HSL 27.76, 0.54%, 0.24%

LAB 28.5, 12.59, 25.34

 

CMYK 0 / 31 / 55 / 67

HEX #553B26

RGB 85 59 38

HSL 26.81, 0.38%, 0.24%

LAB 27.29, 8.64, 17.51

 

CMYK 0 / 20 / 36 / 71

HEX #4B3C30

RGB 75 60 48

HSL 26.67, 0.22%, 0.24%

LAB 26.57, 4.51, 9.9

 

CMYK 0 / 93 / 85 / 55

HEX #720811

RGB 114 8 17

HSL 354.91, 0.87%, 0.24%

LAB 22.97, 42.87, 26.92

 

CMYK 0 / 76 / 93 / 55

HEX #721B08

RGB 114 27 8

HSL 10.75, 0.87%, 0.24%

LAB 24.89, 37.03, 33.09

 

CMYK 0 / 51 / 93 / 55

HEX #723808

RGB 114 56 8

HSL 27.17, 0.87%, 0.24%

LAB 30.46, 22.45, 37.84

 

CMYK 0 / 26 / 93 / 55

HEX #725408

RGB 114 84 8

HSL 43.02, 0.87%, 0.24%

LAB 37.73, 5.66, 43.52

 

CMYK 0 / 1 / 93 / 55

HEX #727108

RGB 114 113 8

HSL 59.43, 0.87%, 0.24%

LAB 46.18, -11.16, 50.19

 

CMYK 0 / 49 / 92 / 85

HEX #251303

RGB 37 19 3

HSL 28.24, 0.85%, 0.08%

LAB 7.82, 7.34, 10.62

 

CMYK 0 / 50 / 93 / 70

HEX #4C2605

RGB 76 38 5

HSL 27.89, 0.88%, 0.16%

LAB 19.78, 15.26, 26.73

 

CMYK 0 / 50 / 93 / 55

HEX #723908

RGB 114 57 8

HSL 27.74, 0.87%, 0.24%

LAB 30.69, 21.87, 38.02

 

CMYK 0 / 50 / 93 / 40

HEX #994D0B

RGB 153 77 11

HSL 27.89, 0.87%, 0.32%

LAB 41.38, 27.89, 47.82

 

CMYK 0 / 50 / 93 / 25

HEX #C0600D

RGB 192 96 13

HSL 27.82, 0.87%, 0.4%

LAB 51.38, 34.1, 57.19

 

CMYK 0 / 50 / 93 / 56

HEX #703808

RGB 112.14 56.19 8

HSL 27.76, 0.87%, 0.24%

LAB 30.2, 21.49, 37.51

 

CMYK 61 / 0 / 93 / 55

HEX #2D7208

RGB 45 114 8

HSL 99.06, 0.87%, 0.24%

LAB 42.17, -39.73, 45.11

 

CMYK 89 / 93 / 0 / 55

HEX #0D0872

RGB 13 8 114

HSL 242.83, 0.87%, 0.24%

LAB 12.44, 40.35, -56.57

 

CMYK 0 / 50 / 93 / 56

HEX #703808

RGB 112.14 56.19 8

HSL 27.76, 0.87%, 0.24%

LAB 30.2, 21.49, 37.51

 

CMYK 93 / 0 / 51 / 55

HEX #087238

RGB 8 114 56

HSL 147.17, 0.87%, 0.24%

LAB 41.8, -41.26, 24.54

 

CMYK 51 / 93 / 0 / 55

HEX #380872

RGB 56 8 114

HSL 267.17, 0.87%, 0.24%

LAB 16.65, 43.51, -49.47

 

CMYK 0 / 50 / 93 / 56

HEX #703808

RGB 112.14 56.19 8

HSL 27.76, 0.87%, 0.24%

LAB 30.2, 21.49, 37.51

 

CMYK 61 / 0 / 93 / 55

HEX #2D7208

RGB 45 114 8

HSL 99.06, 0.87%, 0.24%

LAB 42.17, -39.73, 45.11

 

CMYK 93 / 41 / 0 / 55

HEX #084372

RGB 8 67 114

HSL 206.6, 0.87%, 0.24%

LAB 27.52, 1.55, -31.95

 

CMYK 32 / 93 / 0 / 55

HEX #4D0872

RGB 77 8 114

HSL 279.06, 0.87%, 0.24%

LAB 19.91, 46.33, -43.99

 

CMYK 0 / 50 / 93 / 56

HEX #703808

RGB 112.14 56.19 8

HSL 27.76, 0.87%, 0.24%

LAB 30.2, 21.49, 37.51

 

CMYK 89 / 0 / 93 / 55

HEX #0D7208

RGB 13 114 8

HSL 117.17, 0.87%, 0.24%

LAB 41.43, -45.99, 44.19

 

CMYK 93 / 41 / 0 / 55

HEX #084372

RGB 8 67 114

HSL 206.6, 0.87%, 0.24%

LAB 27.52, 1.55, -31.95

 

CMYK 4 / 93 / 0 / 55

HEX #6D0872

RGB 109 8 114

HSL 297.17, 0.87%, 0.24%

LAB 25.68, 51.81, -34.37

 

Description

Color code: RGB 112.14 56.19 8 | qconv.com Color code: RGB 112.14 56.19 8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112.14 red, 56.19 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112.14 56.19 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 93 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 93% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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