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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 7 141 it is the complementary color RGB 144 248 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 7 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 7 141: RGB 116 7 136, RGB 133 25 155, RGB 150 43 174, RGB 167 61 193 and RGB 184 79 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 7 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 7 141: RGB 111 7 141, RGB 94 0 122, RGB 77 0 103, RGB 60 0 84 and RGB 43 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

Complementary color

CMYK 42 / 0 / 54 / 3

HEX #90F872

RGB 144 248 114

HSL 106.57, 0.91%, 0.71%

LAB 89.05, -54.35, 54.37

 

CMYK 15 / 95 / 0 / 47

HEX #740788

RGB 116 7 136

HSL 290.7, 0.9%, 0.28%

LAB 28.49, 57.11, -43.7

 

CMYK 14 / 84 / 0 / 39

HEX #85199B

RGB 133 25 155

HSL 289.85, 0.72%, 0.35%

LAB 34.08, 59.84, -46.24

 

CMYK 14 / 75 / 0 / 32

HEX #962BAE

RGB 150 43 174

HSL 289.01, 0.6%, 0.43%

LAB 40.03, 61.16, -47.95

 

CMYK 13 / 68 / 0 / 24

HEX #A73DC1

RGB 167 61 193

HSL 288.18, 0.52%, 0.5%

LAB 46.18, 61.59, -49.11

 

CMYK 13 / 63 / 0 / 17

HEX #B84FD4

RGB 184 79 212

HSL 287.37, 0.61%, 0.57%

LAB 52.44, 61.49, -49.92

 

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

CMYK 23 / 100 / 0 / 52

HEX #5E007A

RGB 94 0 122

HSL 286.23, 1%, 0.24%

LAB 22.95, 52.42, -44.05

 

CMYK 25 / 100 / 0 / 60

HEX #4D0067

RGB 77 0 103

HSL 284.85, 1%, 0.2%

LAB 18.17, 46.19, -39.65

 

CMYK 29 / 100 / 0 / 67

HEX #3C0054

RGB 60 0 84

HSL 282.86, 1%, 0.16%

LAB 13.23, 39.76, -35.12

 

CMYK 34 / 100 / 0 / 75

HEX #2B0041

RGB 43 0 65

HSL 279.69, 1%, 0.13%

LAB 8.09, 33.07, -30.43

 

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

CMYK 6 / 96 / 0 / 45

HEX #84068D

RGB 132 6 141

HSL 296, 0.92%, 0.29%

LAB 31.71, 60.82, -41.47

 

CMYK 0 / 96 / 10 / 45

HEX #8D067F

RGB 141 6 127

HSL 306.22, 0.92%, 0.29%

LAB 32.54, 60.27, -31.33

 

CMYK 0 / 96 / 26 / 45

HEX #8D0669

RGB 141 6 105

HSL 316, 0.92%, 0.29%

LAB 31.38, 57.3, -19.17

 

CMYK 0 / 96 / 42 / 45

HEX #8D0652

RGB 141 6 82

HSL 326.22, 0.92%, 0.29%

LAB 30.41, 54.74, -5.65

 

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

CMYK 21 / 95 / 0 / 25

HEX #970AC0

RGB 151 10 192

HSL 286.48, 0.9%, 0.4%

LAB 38.9, 72.13, -60.39

 

CMYK 21 / 95 / 0 / 5

HEX #BF0CF3

RGB 191 12 243

HSL 286.49, 0.91%, 0.5%

LAB 49.27, 86.36, -72.52

 

CMYK 21 / 95 / 0 / 85

HEX #1F0227

RGB 31 2 39

HSL 287.03, 0.9%, 0.08%

LAB 4.35, 20.12, -17.35

 

CMYK 21 / 96 / 0 / 65

HEX #47045A

RGB 71 4 90

HSL 286.74, 0.91%, 0.18%

LAB 16.33, 41.37, -34.06

 

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

CMYK 0 / 96 / 92 / 45

HEX #8D060B

RGB 141 6 11

HSL 357.78, 0.92%, 0.29%

LAB 28.95, 50.74, 37.69

 

CMYK 96 / 0 / 60 / 45

HEX #068D38

RGB 6 141 56

HSL 142.22, 0.92%, 0.29%

LAB 51.12, -50.83, 35.85

 

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

CMYK 0 / 23 / 96 / 45

HEX #8D6D06

RGB 141 109 6

HSL 45.78, 0.92%, 0.29%

LAB 47.77, 3.98, 53.03

 

CMYK 96 / 0 / 23 / 45

HEX #068D6D

RGB 6 141 109

HSL 165.78, 0.92%, 0.29%

LAB 52.05, -40.02, 8.15

 

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

CMYK 0 / 96 / 92 / 45

HEX #8D060B

RGB 141 6 11

HSL 357.78, 0.92%, 0.29%

LAB 28.95, 50.74, 37.69

 

CMYK 73 / 0 / 96 / 45

HEX #268D06

RGB 38 141 6

HSL 105.78, 0.92%, 0.29%

LAB 51.24, -51, 53.04

 

CMYK 96 / 0 / 4 / 45

HEX #068D88

RGB 6 141 136

HSL 177.78, 0.92%, 0.29%

LAB 52.8, -32.23, -6.37

 

CMYK 21 / 95 / 0 / 45

HEX #6F078D

RGB 111 7 141

HSL 286.57, 0.91%, 0.29%

LAB 27.99, 57.24, -47.67

 

CMYK 0 / 70 / 96 / 45

HEX #8D2A06

RGB 141 42 6

HSL 16, 0.92%, 0.29%

LAB 32.55, 40.48, 42.35

 

CMYK 73 / 0 / 96 / 45

HEX #268D06

RGB 38 141 6

HSL 105.78, 0.92%, 0.29%

LAB 51.24, -51, 53.04

 

CMYK 96 / 26 / 0 / 45

HEX #06698D

RGB 6 105 141

HSL 196, 0.92%, 0.29%

LAB 41.32, -11.54, -26.83

 

Description

Color code: RGB 111 7 141 | qconv.com Color code: RGB 111 7 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 7 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 7 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 95 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 95% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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