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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 239 0 it is the complementary color RGB 144 16 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 239 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 239 0: RGB 116 239 0, RGB 133 255 14, RGB 150 255 33, RGB 167 255 52 and RGB 184 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 239 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 239 0: RGB 111 239 0, RGB 94 221 0, RGB 77 203 0, RGB 60 185 0 and RGB 43 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

Complementary color

CMYK 44 / 94 / 0 / 0

HEX #9010FF

RGB 144 16 255

HSL 272.13, 1%, 0.53%

LAB 43.54, 82.81, -88.9

 

CMYK 51 / 0 / 100 / 6

HEX #74EF00

RGB 116 239 0

HSL 90.88, 1%, 0.47%

LAB 84.71, -65.54, 81.56

 

CMYK 48 / 0 / 95 / 0

HEX #85FF0E

RGB 133 255 14

HSL 90.37, 1%, 0.53%

LAB 90.11, -66.19, 85

 

CMYK 41 / 0 / 87 / 0

HEX #96FF21

RGB 150 255 33

HSL 88.38, 1%, 0.56%

LAB 90.83, -60.62, 83.36

 

CMYK 35 / 0 / 80 / 0

HEX #A7FF34

RGB 167 255 52

HSL 86.01, 1%, 0.6%

LAB 91.68, -54.36, 80.27

 

CMYK 28 / 0 / 72 / 0

HEX #B8FF47

RGB 184 255 71

HSL 83.15, 1%, 0.64%

LAB 92.65, -47.49, 75.89

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 57 / 0 / 100 / 13

HEX #5EDD00

RGB 94 221 0

HSL 94.48, 1%, 0.43%

LAB 78.52, -65.18, 76.37

 

CMYK 62 / 0 / 100 / 20

HEX #4DCB00

RGB 77 203 0

HSL 97.24, 1%, 0.4%

LAB 72.42, -63.28, 71.34

 

CMYK 68 / 0 / 100 / 27

HEX #3CB900

RGB 60 185 0

HSL 100.54, 1%, 0.36%

LAB 66.26, -61.12, 66.27

 

CMYK 74 / 0 / 100 / 35

HEX #2BA700

RGB 43 167 0

HSL 104.55, 1%, 0.33%

LAB 60.02, -58.61, 61.16

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 70 / 0 / 100 / 6

HEX #47EF00

RGB 71 239 0

HSL 102.18, 1%, 0.47%

LAB 83.48, -75.73, 80.06

 

CMYK 87 / 0 / 100 / 6

HEX #1FEF00

RGB 31 239 0

HSL 112.22, 1%, 0.47%

LAB 82.93, -80.64, 79.39

 

CMYK 100 / 0 / 97 / 6

HEX #00EF07

RGB 0 239 7

HSL 121.76, 1%, 0.47%

LAB 82.78, -81.95, 78.62

 

CMYK 100 / 0 / 80 / 6

HEX #00EF2F

RGB 0 239 47

HSL 131.8, 1%, 0.47%

LAB 82.88, -80.64, 72.02

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 54 / 0 / 100 / 86

HEX #102300

RGB 16 35 0

HSL 92.57, 1%, 0.07%

LAB 11.36, -15.59, 16.58

 

CMYK 53 / 0 / 100 / 66

HEX #285600

RGB 40 86 0

HSL 92.09, 1%, 0.17%

LAB 32.05, -30.3, 38.96

 

CMYK 53 / 0 / 100 / 46

HEX #408900

RGB 64 137 0

HSL 91.97, 1%, 0.27%

LAB 50.67, -43.25, 54

 

CMYK 54 / 0 / 100 / 26

HEX #57BC00

RGB 87 188 0

HSL 92.23, 1%, 0.37%

LAB 68.02, -55.54, 68

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 100 / 0 / 27 / 6

HEX #00EFAF

RGB 0 239 175

HSL 163.93, 1%, 0.47%

LAB 84.4, -62.45, 17.74

 

CMYK 0 / 100 / 13 / 6

HEX #EF00CF

RGB 239 0 207

HSL 308.03, 1%, 0.47%

LAB 54.92, 89.29, -42.57

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 100 / 54 / 0 / 6

HEX #006FEF

RGB 0 111 239

HSL 212.13, 1%, 0.47%

LAB 49.01, 23.33, -71.3

 

CMYK 0 / 100 / 54 / 6

HEX #EF006F

RGB 239 0 111

HSL 332.13, 1%, 0.47%

LAB 51.27, 79.9, 8.76

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 100 / 0 / 27 / 6

HEX #00EFAF

RGB 0 239 175

HSL 163.93, 1%, 0.47%

LAB 84.4, -62.45, 17.74

 

CMYK 47 / 100 / 0 / 6

HEX #7F00EF

RGB 127 0 239

HSL 271.88, 1%, 0.47%

LAB 39.15, 79.78, -87.22

 

CMYK 0 / 100 / 74 / 6

HEX #EF003F

RGB 239 0 63

HSL 344.18, 1%, 0.47%

LAB 50.35, 77.44, 36.67

 

CMYK 54 / 0 / 100 / 6

HEX #6FEF00

RGB 111 239 0

HSL 92.13, 1%, 0.47%

LAB 84.54, -66.9, 81.36

 

CMYK 100 / 3 / 0 / 6

HEX #00E7EF

RGB 0 231 239

HSL 182.01, 1%, 0.47%

LAB 83.64, -42.25, -16.98

 

CMYK 47 / 100 / 0 / 6

HEX #7F00EF

RGB 127 0 239

HSL 271.88, 1%, 0.47%

LAB 39.15, 79.78, -87.22

 

CMYK 0 / 97 / 100 / 6

HEX #EF0700

RGB 239 7 0

HSL 1.76, 1%, 0.47%

LAB 50.1, 75.75, 64.06

 

Description

Color code: RGB 111 239 0 | qconv.com Color code: RGB 111 239 0 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 239 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 239 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 100 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 100% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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