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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 232 45 it is the complementary color RGB 145 23 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 232 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 232 45: RGB 115 232 40, RGB 132 250 59, RGB 149 255 78, RGB 166 255 97 and RGB 183 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 232 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 232 45: RGB 110 232 45, RGB 93 214 26, RGB 76 196 7, RGB 59 178 0 and RGB 42 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

Complementary color

CMYK 31 / 89 / 0 / 18

HEX #9117D2

RGB 145 23 210

HSL 279.14, 0.8%, 0.46%

LAB 40.06, 72.71, -69.04

 

CMYK 50 / 0 / 83 / 9

HEX #73E828

RGB 115 232 40

HSL 96.56, 0.81%, 0.53%

LAB 82.65, -62.43, 74.29

 

CMYK 47 / 0 / 76 / 2

HEX #84FA3B

RGB 132 250 59

HSL 97.07, 0.95%, 0.61%

LAB 88.73, -63.2, 75.03

 

CMYK 42 / 0 / 69 / 0

HEX #95FF4E

RGB 149 255 78

HSL 95.93, 1%, 0.65%

LAB 90.99, -58.8, 71.27

 

CMYK 35 / 0 / 62 / 0

HEX #A6FF61

RGB 166 255 97

HSL 93.8, 1%, 0.69%

LAB 91.9, -51.9, 65.2

 

CMYK 28 / 0 / 55 / 0

HEX #B7FF74

RGB 183 255 116

HSL 91.08, 1%, 0.73%

LAB 92.95, -44.43, 58.52

 

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

CMYK 57 / 0 / 88 / 16

HEX #5DD61A

RGB 93 214 26

HSL 98.62, 0.78%, 0.47%

LAB 76.37, -62.53, 71.47

 

CMYK 61 / 0 / 96 / 23

HEX #4CC407

RGB 76 196 7

HSL 98.1, 0.93%, 0.4%

LAB 70.2, -61.06, 68.8

 

CMYK 67 / 0 / 100 / 30

HEX #3BB200

RGB 59 178 0

HSL 100.11, 1%, 0.35%

LAB 63.97, -59.06, 64.45

 

CMYK 74 / 0 / 100 / 37

HEX #2AA000

RGB 42 160 0

HSL 104.25, 1%, 0.31%

LAB 57.69, -56.58, 59.28

 

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

CMYK 66 / 0 / 81 / 9

HEX #4EE72B

RGB 78 231 43

HSL 108.83, 0.8%, 0.54%

LAB 81.26, -70.84, 71.89

 

CMYK 80 / 0 / 81 / 9

HEX #2EE72B

RGB 46 231 43

HSL 119.04, 0.8%, 0.54%

LAB 80.69, -75.8, 71.15

 

CMYK 81 / 0 / 69 / 9

HEX #2BE748

RGB 43 231 72

HSL 129.26, 0.8%, 0.54%

LAB 80.81, -74.08, 61.97

 

CMYK 81 / 0 / 55 / 9

HEX #2BE767

RGB 43 231 103

HSL 139.15, 0.8%, 0.54%

LAB 81.1, -70.61, 49.23

 

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

CMYK 54 / 0 / 82 / 89

HEX #0D1C05

RGB 13 28 5

HSL 99.13, 0.7%, 0.06%

LAB 8.37, -11.14, 10.27

 

CMYK 53 / 0 / 81 / 69

HEX #254F0F

RGB 37 79 15

HSL 99.38, 0.68%, 0.18%

LAB 29.46, -27.34, 31.29

 

CMYK 52 / 0 / 81 / 49

HEX #3E8219

RGB 62 130 25

HSL 98.86, 0.68%, 0.3%

LAB 48.34, -40.13, 46.27

 

CMYK 52 / 0 / 81 / 29

HEX #56B523

RGB 86 181 35

HSL 99.04, 0.68%, 0.42%

LAB 65.86, -52.2, 59.95

 

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CB

RGB 43 231 203

HSL 171.06, 0.8%, 0.54%

LAB 82.9, -50.51, 0.97

 

CMYK 0 / 81 / 20 / 9

HEX #E72BB8

RGB 231 43 184

HSL 315, 0.8%, 0.54%

LAB 54.21, 79.61, -30.51

 

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

CMYK 81 / 53 / 0 / 9

HEX #2B6DE7

RGB 43 109 231

HSL 218.94, 0.8%, 0.54%

LAB 48.54, 23.56, -67.55

 

CMYK 0 / 81 / 53 / 9

HEX #E72B6D

RGB 231 43 109

HSL 338.94, 0.8%, 0.54%

LAB 51.63, 72.17, 10.27

 

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CB

RGB 43 231 203

HSL 171.06, 0.8%, 0.54%

LAB 82.9, -50.51, 0.97

 

CMYK 29 / 81 / 0 / 9

HEX #A52BE7

RGB 165 43 231

HSL 278.94, 0.8%, 0.54%

LAB 46.31, 74.88, -70.74

 

CMYK 0 / 81 / 69 / 9

HEX #E72B48

RGB 231 43 72

HSL 350.74, 0.8%, 0.54%

LAB 50.9, 69.97, 31.62

 

CMYK 53 / 0 / 81 / 9

HEX #6EE82D

RGB 110 232 45

HSL 99.14, 0.8%, 0.54%

LAB 82.5, -63.59, 72.84

 

CMYK 81 / 12 / 0 / 9

HEX #2BCBE7

RGB 43 203 231

HSL 188.94, 0.8%, 0.54%

LAB 75.45, -29.83, -25.12

 

CMYK 29 / 81 / 0 / 9

HEX #A52BE7

RGB 165 43 231

HSL 278.94, 0.8%, 0.54%

LAB 46.31, 74.88, -70.74

 

CMYK 0 / 69 / 81 / 9

HEX #E7482B

RGB 231 72 43

HSL 9.26, 0.8%, 0.54%

LAB 53.81, 59.87, 50.65

 

Description

Color code: RGB 110 232 45 | qconv.com Color code: RGB 110 232 45 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 232 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 232 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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