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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 229 90 it is the complementary color RGB 145 26 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 229 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 229 90: RGB 115 229 85, RGB 132 247 104, RGB 149 255 123, RGB 166 255 142 and RGB 183 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 229 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 229 90: RGB 110 229 90, RGB 93 211 71, RGB 76 193 52, RGB 59 175 33 and RGB 42 157 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

Complementary color

CMYK 12 / 84 / 0 / 35

HEX #911AA5

RGB 145 26 165

HSL 291.37, 0.73%, 0.37%

LAB 36.88, 63.57, -47.67

 

CMYK 50 / 0 / 63 / 10

HEX #73E555

RGB 115 229 85

HSL 107.5, 0.73%, 0.62%

LAB 82.02, -58.32, 58.62

 

CMYK 47 / 0 / 58 / 3

HEX #84F768

RGB 132 247 104

HSL 108.25, 0.9%, 0.69%

LAB 88.17, -58.53, 57.65

 

CMYK 42 / 0 / 52 / 0

HEX #95FF7B

RGB 149 255 123

HSL 108.18, 1%, 0.74%

LAB 91.39, -54.65, 53.12

 

CMYK 35 / 0 / 44 / 0

HEX #A6FF8E

RGB 166 255 142

HSL 107.26, 1%, 0.78%

LAB 92.39, -47.11, 45.61

 

CMYK 28 / 0 / 37 / 0

HEX #B7FFA1

RGB 183 255 161

HSL 105.96, 1%, 0.82%

LAB 93.52, -39.09, 37.99

 

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

CMYK 56 / 0 / 66 / 17

HEX #5DD347

RGB 93 211 71

HSL 110.57, 0.61%, 0.55%

LAB 75.68, -58.78, 57.21

 

CMYK 61 / 0 / 73 / 24

HEX #4CC134

RGB 76 193 52

HSL 109.79, 0.58%, 0.48%

LAB 69.42, -58.09, 57.76

 

CMYK 66 / 0 / 81 / 31

HEX #3BAF21

RGB 59 175 33

HSL 109.01, 0.68%, 0.41%

LAB 63.09, -56.97, 57.65

 

CMYK 73 / 0 / 91 / 38

HEX #2A9D0E

RGB 42 157 14

HSL 108.25, 0.84%, 0.34%

LAB 56.72, -55.24, 56.33

 

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

CMYK 60 / 0 / 59 / 10

HEX #5BE55E

RGB 91 229 94

HSL 121.3, 0.73%, 0.63%

LAB 81.33, -63.36, 53.78

 

CMYK 60 / 0 / 49 / 10

HEX #5BE575

RGB 91 229 117

HSL 131.3, 0.73%, 0.63%

LAB 81.59, -60.42, 43.47

 

CMYK 60 / 0 / 39 / 10

HEX #5BE58B

RGB 91 229 139

HSL 140.87, 0.73%, 0.63%

LAB 81.91, -56.95, 33.01

 

CMYK 60 / 0 / 29 / 10

HEX #5BE5A2

RGB 91 229 162

HSL 150.87, 0.73%, 0.63%

LAB 82.31, -52.66, 21.77

 

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

CMYK 52 / 0 / 60 / 90

HEX #0C190A

RGB 12 25 10

HSL 112, 0.43%, 0.07%

LAB 7.18, -8.27, 6.5

 

CMYK 51 / 0 / 61 / 70

HEX #254C1E

RGB 37 76 30

HSL 110.87, 0.43%, 0.21%

LAB 28.53, -24.3, 22.87

 

CMYK 52 / 0 / 61 / 50

HEX #3D7F32

RGB 61 127 50

HSL 111.43, 0.44%, 0.35%

LAB 47.5, -36.95, 34.87

 

CMYK 52 / 0 / 61 / 30

HEX #56B246

RGB 86 178 70

HSL 111.11, 0.44%, 0.49%

LAB 65.17, -48.25, 45.94

 

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

CMYK 60 / 3 / 0 / 10

HEX #5BDEE5

RGB 91 222 229

HSL 183.04, 0.73%, 0.63%

LAB 81.91, -33.53, -14.18

 

CMYK 0 / 60 / 27 / 10

HEX #E55BA7

RGB 229 91 167

HSL 326.96, 0.73%, 0.63%

LAB 58.91, 61.04, -13.47

 

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

CMYK 60 / 51 / 0 / 10

HEX #5B70E5

RGB 91 112 229

HSL 230.87, 0.73%, 0.63%

LAB 51.23, 27.34, -61.97

 

CMYK 0 / 60 / 51 / 10

HEX #E55B70

RGB 229 91 112

HSL 350.87, 0.73%, 0.63%

LAB 57.38, 55.2, 16.42

 

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

CMYK 60 / 3 / 0 / 10

HEX #5BDEE5

RGB 91 222 229

HSL 183.04, 0.73%, 0.63%

LAB 81.91, -33.53, -14.18

 

CMYK 9 / 60 / 0 / 10

HEX #D05BE5

RGB 208 91 229

HSL 290.87, 0.73%, 0.63%

LAB 58.55, 65.13, -49.6

 

CMYK 0 / 57 / 60 / 10

HEX #E5625B

RGB 229 98 91

HSL 3.04, 0.73%, 0.63%

LAB 58.18, 50.44, 29.63

 

CMYK 52 / 0 / 61 / 10

HEX #6EE55A

RGB 110 229 90

HSL 111.37, 0.73%, 0.63%

LAB 81.89, -59.18, 56.31

 

CMYK 60 / 21 / 0 / 10

HEX #5BB5E5

RGB 91 181 229

HSL 200.87, 0.73%, 0.63%

LAB 70.13, -12.92, -32.12

 

CMYK 9 / 60 / 0 / 10

HEX #D05BE5

RGB 208 91 229

HSL 290.87, 0.73%, 0.63%

LAB 58.55, 65.13, -49.6

 

CMYK 0 / 39 / 60 / 10

HEX #E58B5B

RGB 229 139 91

HSL 20.87, 0.73%, 0.63%

LAB 66.43, 29.84, 39.9

 

Description

Color code: RGB 110 229 90 | qconv.com Color code: RGB 110 229 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 229 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 229 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 61 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 61% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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